Categories
News Trending Viral Worldwide

Cage The Elephant’s Matt Shultz Took A Plea Deal For His Gun Charges And Will Avoid Jail Time

Months after he was arrested for loaded gun possession at an NYC hotel, Cage The Elephant‘s lead singer Matt Shultz pled guilty this week to two felonies and one misdemeanor for “attempted criminal possession of a weapon, criminal possession of a firearm, and criminal possession of a weapon in exchange for avoiding time in jail,” according to Rolling Stone.

Shultz had reportedly been caught after one of the hotel’s workers had spotted him with the weapon.

The latest development in the deal is that Shultz will not face any jail time for the three charges, at least right now. His lawyer, Sanford Talking, also gave the publication more insight into the charges.

“Matt has worked hard to put this case behind him. He appreciates the opportunity to prove himself,” Talking said. “Nothing like this will never happen again. He can move forward in his life and with his music.”

The judge on Shultz’s case, Cori Weston, also reportedly told him to “stay out of trouble for one year.” If he cooperates, he would have a clean slate on his record, and the guilty plea would not be recognized.

However, according to the The New York Post, if Shultz does not follow Weston’s demands, he could face up to seven years in prison rather than a one-year conditional release.

Categories
News Trending Viral Worldwide

Jimmy Butler And The Heat Can’t Play Into The Nuggets’ Hands Like They Did Game 1

In the Miami Heat’s second regular season game of the year, Jimmy Butler failed to attempt a free throw as the Heat fell at home to the Boston Celtics, 111-104. Over the next 80 games, including the playoffs, Butler logged at least one free throw every outing. That streak was snapped in Miami’s Game 1 loss against the Denver Nuggets to open the NBA Finals on Thursday night.

Butler scored a playoff-worst 13 points. Miami posted a playoff-worst 102.2 offensive rating and its lowest free-throw rate of the year (.021). Those happenings are intertwined. Doing his best Steve Nash impression by probing and weaving through Denver’s defense to set up his sweet-shooting teammates, the superstar wing played altruistic facilitator. On numerous occasions, his hasty decision-making ignited scramble situations for the Nuggets’ defense that resulted in quality looks.

Yet that table-setting nature bled into Butler’s individual offensive ethos. The goose egg under the free-throw column exemplifies it. The quiet 14 field goals punctuates it. During the last two rounds, the Boston Celtics and New York Knicks regularly elected to inhibit his space from midrange. Denver did not, opting for a heavy dose of drop coverage with Nikola Jokic. Butler hadn’t seen that much intermediate space in weeks and often appeared satisfied to hoist the jumpers Jokic and the Nuggets invited.

On repeated occasions, he treated Jokic’s looming interior presence as though he was Brook Lopez or Jaren Jackson Jr. defensively, unwilling to challenge or pressure him at the rim. His paint touches were playmaking pursuits rather than scoring endeavors. When he curled around a screen with the runway to charge through, he tapped the brakes and pulled up. He let Jokic off the hook. For all of the two-time MVP’s superlatives — scoring, passing, rebounding, dexterity, processing speed, etc. — paint protection is not one of them. Butler gifted the ground-bound big man a get out of jail free card.

The vacant space Butler saw in ball-screens likely leaped off the screen when he and the Heat rewatched Game 1. It was there continuously. He recognized the opportunities they all bypassed and knows that passivity was a root cause of their offensive downswing, headlined by his own laidback shot profile.

“We shot a lot of jump shots, myself probably leading that pack, instead of putting pressure on the rim,” Butler told reporters postgame. “When you look at it during the game, they all look like the right shots. And I’m not saying that we can’t as a team make those, but gotta get more layups, gotta get more free throws.

“I gotta put pressure on the rim. Me with no free throws, that was all on myself, nobody else. We’ll definitely correct that next game, but only I can do that.”

Unless Denver decides to defend Butler at the level or switch against pick-and-rolls, the midrange pull-ups will be there for him. There’s nothing wrong with mixing them in. On a singular basis, they are good, open shots, as Butler said. Compiled together, the snowball into an overarching win for the Nuggets’ defense and their capacity to insulate Jokic’s limited rim protection, which Miami’s offense cannot afford.

While Butler wasn’t confronting Jokic much, his co-star, Bam Adebayo, was face-to-face with the affable maestro all night. Adebayo’s 25 field goal attempts represented a career-high in the regular season or the playoffs, and his 26 points were tied for the third-most of his 65-game playoff tenure. Denver iced pick-and-rolls to push actions toward the sidelines, which opened pocket passes to Adebayo in the middle.

There, the Nuggets typically adhered to single coverage, with Jokic on him and everyone else trying to stay tethered to shooters. They did, however, shrink the floor and dissuade driving lanes by periodically sagging off of Butler and Haywood Highsmith when Adebayo was at the helm.

Adebayo did not play poorly. He was aggressive as a scorer and pioneered passing chances when possible (five assists, one turnover). Denver was also content to kick its feet back and grant him 26 points on 25 shots with zero free throws (52 percent true shooting). It’s how Boston opened last series, only for Adebayo to prove too quick for Al Horford on mid-post, empty corner touches.

By icing pick-and-rolls, the Nuggets prevented most of those mid-post chances, reoriented where he caught the ball, and diffused the inherent, beneficial angles Adebayo thrived with early last round.

Throughout the night, as the Heat started slowly from deep, much was made about their three-point slog. By game’s end, though, they were at 33.3 percent. That’s not good, but it’s salvageable and not a deathknell for profitable offense, even with this team. The bigger issue was shot distribution. According to Cleaning The Glass, only 21 percent of their shots were at the rim (21st percentile) and 17 percent of their shots came from long midrange* (89th percentile).

* — Long midrange is defined as any shot deeper than a free throw and shorter than a three.

Separate from Butler dialing up the aggression, Miami put together a handful of possessions that should be replicated in Game 2 to loosen up the offense inside the arc (45.6 percent on two-pointers).

Late in the first quarter, Butler got Michael Porter Jr. on a switch and dusted him off the bounce, while Adebayo prepared to set a screen, which occupied Jokic and took him out of the roaming role that Butler was passive against. It led to a bucket at the rim. In the second quarter, as Jokic lurked off the ball, Kyle Lowry flipped the floor via skip pass and Adebayo flowed into a DHO with Duncan Robinson to spur a short-roll rep for Adebayo and dunk for Highsmith. A couple Butler-Adebayo high-low sets tilted the Nuggets’ defense in the third quarter as well.

The first two resonate because Miami didn’t occupy Jokic enough when he played free safety. Shift him around. Don’t let Adebayo cannibalize space off the ball, which happened a bit much in Game 1. Empower him to utilize the space, instead. Those last two things resonate because of the advantageous spot it puts Butler in around the rim and exploits the Nuggets’ hesitancy to leave him with a mismatch so close to the basket.

I imagine Aaron Gordon goes under that back screen next time, at which point Butler could flare beyond the arc and flow into a pick-and-roll with Adebayo, potentially opening a pocket pass to the empty corner and setting up a mid-post chance for the big man. There are multitudes to the high-low game.

Since the playoffs began, the Nuggets’ defense and the Heat’s offense have shed their regular season skins to turn weaknesses into strengths. During Game 1 of the Finals, the Nuggets maintained their novel identity. The Heat did not, although they can remedy some of that.

Denver’s schemes, cohesion, and physicality should not be ignored. This is a legitimately good, malleable defense. Any chance of solving that dilemma, however, starts with Butler being the chiseling slasher he is, not the tepid, pass-first player he moonlighted as in Game 1.

Categories
News Trending Viral Worldwide

Noel Gallagher Is Continuing His Hate-Fueled Feud With Matty Healy And Said The 1975 Don’t ‘F*cking Rock’

Just days after he called Matty Healy of The 1975 a “slack-jawed f*ckwit” over suggesting an Oasis reunion,Noel Gallagher is now doubling down on the comments during an interview with NME.

“Oasis’ influence, I think, was for people to f*cking start a band in the first place,” Gallagher said. “I do meet loads of guys who say that and that’s great. There are a lot of them around, it’s just a pity guitar music has become marginalised. You’ve either got to be rock, or that f*cking [The] 1975. At the BRITs, The 1975 won Best Rock or some f*cking sh*t.”

Gallagher then went off about how he felt about the band winning — and that his two kids agreed.

“I was watching it with my kids, two teenage lads, thinking, ‘Is it me being a grumpy old man, or is this sh*t?’” he added. “They were both going, ‘Oh no, this is f*cking sh*t’. The 1975, Best Rock Band? Someone needs to re-define that immediately, because that is… I don’t know what that is, but it’s certainly not f*cking rock. Whatever rock is, that’s not it.”

Throughout the interview, Gallagher did, however, express his love for Kasabian as real rockers and thinks those behind the AI-generated Oasis album were “f*cking idiots” who have “too much time on their hands.”

Check out Noel Gallagher’s interview above.

Categories
News Trending Viral Worldwide

Sydney Sweeney Says Some Family Members Turned Off ‘Euphoria’ And Walked Out Of The Room

Even supportive parents have their limits. Just ask Sydney Sweeney. The acclaimed actress first came to prominence on Euphoria, HBO’s beyond racy teen drama, on which she plays popular girl Cassie. She’s done a fair amount of risqué business on the show, and she’s never shied away from it. Too bad she didn’t tell some of her family members before they casually sat down to watch it.

In an interview with Today airing this weekend (as caught by Entertainment Weekly), Sweeney says that her mom knew what her daughter was getting up to on set. But her father? “Yeah, I didn’t prepare my dad,” she said. “At all.”

Sweeney added, “I mean, how do you bring it up in conversation? And also, when I talk to my dad, it’s usually not about work. We talk, like, father-daughter conversations. He decided he was going to watch it, without telling me, with his parents.

So how did that go? “My dad and my grandpa turned it off and walked out,” Sweeney explained. “But my grandma is a big supporter of mine. She’s a big fan of mine. Actually I bring her, usually, all over the world to my different sets and I make her an extra.”

Indeed, Sweeney has said before that some of her older relatives think very highly of her.

(Via Today and EW)

Categories
News Trending Viral Worldwide

Tom Hanks Admits That He’s Made Some Movies Even He Hates (Though He Doesn’t Name Names)

Earlier this year, Tom Hanks inexplicably won two Razzies for Elvis. Not every film he’s made has been a winner, and from time to time he’s had to stick up for some of his biggest hits. But even he has to admit his record isn’t perfect. That’s what he did in a new interview with The New Yorker.

“O.K., let’s admit this: We all have seen movies that we hate,” he said, adding. “I have been in some movies that I hate. You have seen some of my movies and you hate them.”

He doesn’t name names, which begs the question: Which Tom Hanks movies does Tom Hanks hate? His early film career was a bit dicey, so maybe The Man with One Red Shoe or Turner & Hooch. Perhaps he’s secretly not so hot for You’ve Got Mail or his mo-cap work in The Polar Express. Does anyone really like the film version of Extremely Loud & Incredibly Close? If he hates the wonderful Joe vs. the Volcano, though, that would be very disappointing.

Hanks also laid out the “five points of the Rubicon that are crossed by anybody who makes movies”:

The first Rubicon you cross is saying yes to the film. Your fate is sealed. You are going to be in that movie.

The second Rubicon is when you actually see the movie that you made. It either works and is the movie you wanted to make, or it does not work and it’s not the movie you wanted to make.

That has nothing to do with Rubicon No. 3, the critical reaction to it—which is a version of the vox populi. Someone is going to say, “I hated it.” Other people can say, “I think it’s brilliant.” Somewhere in between the two is what the movie actually is.

The fourth Rubicon is the commercial performance of the film. Because, if it does not make money, your career will be toast sooner than you want it to be. That’s just the fact. That’s the business.

The fifth Rubicon is time. Where that movie lands twenty years after the fact. What happens when people look at it, perhaps by accident. And a great example of this is “It’s a Wonderful Life,” which was made [in 1946] and disappeared for the better part of, I’m going to say, twenty years, locked up in a rights issue. It wasn’t even viewed at the time as being a commercial hit. Enough people liked it, so it was nominated for Best Picture.

As an example of a film that benefited from time he cites That Thing You Do!, his 1996 directorial debut about a garage band in the early ‘60s that becomes a one-hit wonder:

I loved making that movie. I loved writing it, I loved being with it. I love all the people in it. When it came out, it was completely dismissed by the first wave of vox populi. It didn’t do great business. It hung around for a while, was viewed as being some sort of odd, kinda quasi-ripoff of nine other different movies and a nice little stroll down memory lane. Now the same exact publications that dismissed it in their initial review called it “Tom Hanks’s cult classic, ‘That Thing You Do!’ ” So now it’s a cult classic. What was the difference between those two things? The answer is time.

(Via New Yorker)

Categories
News Trending Viral Worldwide

Disclosure Don’t Want Fans To Just ‘Settle’ So They Announced A Special Tenth Anniversary Vinyl

Disclosure fans are in for a treat: The band announced that a special tenth-anniversary vinyl of their 2013 debut album, Settle, is on the way and will arrive later this summer.

On a transparent orange pressing across two discs, the reissue will also feature five extra tracks, including the “You & Me” remix that was done by Flume, along with “Tenderly” and “Boiling.”

At the time of its release, the two brothers did an interview with NPR where they spoke about how the popularity of the singles came as a surprise to them. They also discussed their musical background.

“We grew up playing instruments and listening to bands and listening to songs,” they said. “We didn’t grow up DJing or anything like that. A lot of people get into producing dance music through DJing. But we had our first two singles out before we even knew how to DJ.”

Continue scrolling for the complete tracklist.

Disc One
1. “Intro”
2. “When A Fire Starts To Burn”
3. “Latch” (Feat. Sam Smith)
4. “F For You
5. White Noise” (Feat. AlunaGeorge)
6. “Defeated No More” (Feat. Ed Mac)
7. “Stimulation”
8. “Voices” (Feat. Sasha Keable)
9. “Second Chance”

Disc Two
1. “Grab Her!”
2. “You & Me” (Feat. Eliza Doolittle)
3. “January” (Feat. Jamie Woon)
4. “Confess Wo Me” (Feat. Jessie Ware)
5. “You & Me” (Flume Remix)
6. “Boiling”
7. “Apollo”
8. “What’s In Your Head”
9. “Tenderly”

Disclosure’s Settle anniversary vinyl is out 8/11. Find more information here.

Categories
News Trending Viral Worldwide

Trump Seems To Think That A ‘Majority’ Of College Students Are MAGA Conservatives

If the truth gets in Donald Trump’s way, he just makes stuff up. He lost re-election in 2020 yet he’s still claiming he won. (Except when he lets slip he didn’t.) He was found guilty of defamation and sexual abuse yet his response was to do some more defamation. Now he’s claiming that his base isn’t largely comprised of older people who’ve bought his BS.

As per Mediaite, the former president did another town hall, this time on Fox News — a network he might now hate more than CNN. It wasn’t a ratings bonanza, falling short of his CNN one, which wasn’t a big hit either. It was typical Trump nonsense, but arguably the biggest whopper was when he fielded a question about protecting free speech on college campuses.

“First of all, many more conservatives on those college campuses than people understand. Many more. I would even say a majority,” Trump replied.

“People say, ‘Oh how can you say…’ We have a lot of support on college campuses,” Trump added. “You look at the work Charlie Kirk has done and others have done, such an incredible job, but we have tremendous, tremendous support.”

Trump reflected on a bill he signed in 2019 protecting free speech on college campuses, which was largely about what he claimed was suppression of conservative views. The bill was removed soon after he left office. But because it sought to punish colleges that suppress those views, he thought it was a success.

“I mean you’d go to USC, which is, you know, a hotbed, and other places like that, and they were taking people and they were taking them gladly because they didn’t want to lose the subsidy,” Trump said. “We give them tremendous amounts of money. I said no more government money to any school, any university or college that discriminates against anybody, not only conservatives, and it really solved a big problem.”

Anyway, if Trump wants to think that most educated young people are MAGA hotheads and not the exact opposite, it’s his prerogative.

(Via Mediaite)

Categories
News Trending Viral Worldwide

Maxwell Frost Joined Paramore Onstage At Their D.C. Show, Where He Had Some Words For Ron Desantis

U.S. representative Maxwell Frost is living his best life. Outside of politics, Frost has been shown to enjoy music. After being elected in Florida’s 10th congressional district in the US midterm elections last November, he celebrated at The 1975’s concert in Washington D.C., where he received a shoutout from the band’s lead vocalist, Matty Healy. Last night (June 2), Frost was in attendance at Paramore‘s concert in D.C.

The band brought Frost out as a surprise to the audience. As Frost was on stage, lead vocalist Hayley Williams asked him if he had any words or special messages to share with the audience.

Frost most definitely had some words for Florida governor Ron Desantis. While on stage, Frost immediately shouted, “F*ck Ron DeSantis! F*ck fascism!” in response to Williams’ prompt. He then continued, performing “Misery Business” with Paramore.

This special moment came full-circle for Frost, who seems to be a lifelong fan of Paramore. He shared a clip of the performance on his Twitter account, noting that “he’d been practicing in the shower for YEARS.”

You can check out clips from the concert above.

Paramore is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

Taylor Swift Gave A Special Pride Month Speech At Her ‘Eras’ Show And Spoke To Stopping Anti-LGBTQ Laws

Taylor Swift kicked off the first of her three Chicago shows tonight. However, right before she played “Champagne Problems” at the piano, she took some time to talk to the crowd for a special Pride Month speech.

“I’m looking out tonight, I’m seeing so many incredible, just individuals who are living authentically and beautifully and this is a safe space,” Swift said. “This is a celebratory space for you. One of the things that makes me feel so prideful is getting to be with you and watching you interact with each other, being so loving and so thoughtful and so caring.”

“Being with you during Pride Month, getting to sing the words to ‘You Need To Calm Down’ where there are lyrics like ‘Can you just not step on his gown?’ or ‘Shade never made anybody less gay,’ and you guys are screaming those lyrics,” she added.

Yet, as she noted, not everything is pleasant — especially right now. Swift also spoke to the importance of voting to protect these rights to live freely.

“I wish that every place was safe and beautiful for people in the LGBTQ community,” Swift continued. “Right now, and recently, and in the recent years, there have been so many harmful pieces of legislation that have put people in the LGBTQ and queer community at risk. It’s painful for everyone, every ally, every loved one, every person in these communities, and that’s why I’m always posting, ‘This is when the midterms are.’”

Watch Taylor Swift’s pride month speech above.

Categories
News Trending Viral Worldwide

Dorian Electra Puts A Saucy Spin On The Dangerous ‘Sodom & Gomorrah’ Tale For Their New Song

Dorian Electra has dropped their new single, “Sodom & Gomorrah,” on the heels of the previous “Freak Mode” song.

Throughout the track, they put a saucy spin on the old religious tale of warning with lines like “I wanna know what they did to make him bring his wrath (Ah, ah) / Yeah, I wanna know what they did, can you show me with that ass?”

The extravagant pop song also finds Electra evoking the devilish themes in the music video, which they co-directed with Weston Allen. Halfway through, the setting shifts to a chaotic gift shop that’s full of merch boasting phrases that are sure to push the envelope. Electra is also joined by backup dancers as the scene radiates the late 2000s vibes of the Jersey Shore boardwalk store, party glasses and all.

“Sodom & Gomorrah is the biblical story of two cities that were so sinful that God destroyed them,” Electra said. “The word Sodomy – derived from this story – has often been used to oppress queer people, so I wanted to reclaim it in a bratty, slutty, sexy song. Musically, I was inspired by the pop I grew up on (Britney Spears, Missy Elliot), but with a modern twist, and heavy guitars.”

Given Electra’s last album was also back in 2020, there’s a possibility that the past two releases could be a glimpse of something bigger to come.

Check out Dorian Electra’s “Sodom & Gomorrah” above.