Ron DeSantis has finally fired back at Donald Trump‘s infamous name-calling as the battle for the top of the Republican ticket heats up. Earlier in the year, the former president started workshopping nicknames for DeSantis when it became clear that the Florida governor would be his biggest threat in the GOP primary. Some of those names include “Meatball Ron,” and the one heck of a mouthful, “Ron DeSanctimonious,” which DeSantis has largely ignored until now.
During an appearance on the Jack Heath radio show in New Hampshire, DeSantis was asked about Trump’s name-calling, and he did not hold back.
“I think it’s so petty. I think it’s so juvenile. I don’t think that’s what voters want,” DeSantis said. The Florida governor then took things a step further by suggesting that Trump’s antics is why he lost in 2020.
“And honestly, I think that his conduct — which he’s been doing for years now — I think that’s one of the reasons he’s not in the White House now, because I think he alienated too many voters for things that really don’t matter,” the governor went on. “So I don’t get in the gutter on any of that.”
While DeSantis called out Trump for his juvenile name-calling, the former president went after the one issue that DeSantis has been leveraging in his bid for the Republican nomination: wokeness.
The Florida governor has been on the front lines of the anti-woke crusade thanks to his ongoing war with Disney, so it’s probably not a coincidence that Trump announced he’s tired of hearing the word “woke.”
“I don’t like the term ‘woke,’” Trump told a crowd in Iowa. “Because I hear the term ‘woke woke woke’ — it’s just a term they use, half the people can’t define it, they don’t know what it is.”
Earlier this year, Dr. Dre’s genre-defining album, The Chronic, returned to streaming services after being pulled in 2022 to sort out some ownership issues. While its return just barely missed out on the album’s 20th anniversary, the album’s creator isn’t letting the occasion go without celebration.
Fans looking for a physical product to celebrate the anniversary won’t be disappointed. Today, Interscope and Trophy announced “The Chronic Masters,” a series of collectibles commemorating the seismic shift caused by the album’s release. Included in the collection are replicas of the session tapes; a series of limited-edition prints of the tapes; and a series of skateboard decks bearing images of the session tapes and the album’s cover.
The runs are limited to 310 copies of each — a nod to the area code of Dre’s native Compton, California — although there are also oversized replica tapes in even more limited quantities; just 30 of each will be produced. You can find a few select images below and get more information about the drops at thechronicmasters.interscope.com.
The collection would be a worthy addition to a fan’s art collection — and, unlike NFTs, you can actually hold them in your hands. Meanwhile, another Dr. Dre production celebrating its 30th anniversary this year, Snoop Dogg’s Doggystyle, is getting a different kind of celebration: A one-weekend engagement at the Hollywood Bowl.
Yesterday (May 31), Lizzo shared her frustrations about people online commenting about her size, specifically in response to one person who wrote, “How is Lizzo still THIS fat when she’s constantly moving this much on stage?! I wonder what she must be eating.” Now, she’s spoken more on the matter via TikTok.
A new video from Lizzo shared yesterday (May 31) starts with her walking on a treadmill as songs from Beyoncé’s Renaissance album play. After that, Lizzo says, “Today was one of those days where I was very angry, very angry at the world. Saw a lot of mean sh*t about me on the internet, and I wanted to give up. There are days where the hate outweighs the love so badly that I want to quit music and just disappear. I definitely have enough money to go and buy a farm and just never f*ck with anybody ever again, because f*ck everybody. Then, I reminded myself to get up, get out, and get some sun, and I put on Renaissance.”
After citing some of her favorite lyrics from the album that she feels apply to her current situation, she continued by saying that as soon as she heard those songs, “I decided to get up, and get out, and get some sun, and you can, too. Love you.”
Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
FX’s Justified: City Primeval is nearly upon us. How long have we waited for Raylan Givens to swagger back into our hearts and vanquish some bad guys as everyone’s favorite extralegal lawman? So many days that I cannot bear to count them, and I can only hope that much ice cream is involved.
We recently discussed one Justified episode, “Long In The Tooth,” that makes an ideal essential rewatch before City Primeval. That particular episode showcased Raylan’s legendary status and also served as a reminder of how the Marshall Out Of Water rolls around in the world. He should also have a swell time hunting bad guys in Motor City, where his hat and boots will again be observable outside the hollers of Kentucky. The revival is based on Elmore Leonard’s City Primeval: High Noon in Detroit novel.
A few thoughts before we begin:
First, there’s never a bad time to circle back to Olyphant’s many onscreen rodeos as a lawman. He’s certainly doing nothing to deter his reputation as a charismatic wearer of badges. And he is undeniably well-suited to these swaggering roles. He can’t stop gripping that gun in the holster while strutting through America and the galaxy at large. Sure, there’s the occasional not-so-great entry — like the Jerry Bruckheimer-produced Gone in Sixty Seconds (2000), in which Olyphant was cursed with a completely generic cop character. We shall disregard that one and focus on his better lawman joints.
Second, this is also as fine a reason as any to circle back to some non-lawman Olyphant roles, which are necessarily less celebrated, but don’t let that deter you. Don’t expect a lot of prestige from these projects, either, because we are revisiting them for fun and to distract ourselves with variety before he reprises the Raylan role (and it’s about damn time).
With that said, I reckon that we should dive into both categories.
Top 5 Olyphant Lawmen Roles
5. The Crazies (2010)
Overture Films
This horror remake accomplished much more, thematically, than the original George Romero flick while also diving deep into the genre in such an intelligent way that the results were, well, a bit much. Yes, maybe this was too cerebral to be mega-successful as a genre picture (although it did well enough financially), and although this isn’t technically a zombie film, a lot of the motifs that run through those movies remain the same. Olyphant’s small-town sheriff finds himself navigating the early stages of an outbreak that turns people into irrational, unstoppable killers, and sh*t gets real with the military as martial law descends. Granted, it’s a frightening watch, but it bypasses the usual horror tropes, and we get to see him in a serious genre take many years before he went on to star in a comedic zombie series on Netflix.
This project also arrived at an interesting point in his career: a few years after Deadwood ended as an HBO TV series but right before Justified launched on FX. Any Olyphant-lawman completist should put this film on their list, but it’s not as wonderful as his other badge-filled turns for a few reasons: (1) This is not the typical Olyphant lawman who’s confidently equipped to deal with every situation, so he’s not as satisfying to witness if you’re looking for his usual mythical bent; (2) He does not wear a hat here, and I’m not sorry to say that, yes, this makes a difference.
This is where things get tricky, fast, because it feels somewhat criminal to rank five wonderful Olyphant performances that are all worthy of appreciation. How lucky are we, really, to have this guy embracing various incarnations of the way that he knows people love to see him most? He’s a charming rascal, and he knows it. Let’s be honest, I’d even watch him don sheriff-y attire and simply make oatmeal in a slow cooker (something that he actually does in real life, although with hat status unknown) for a full season. There’s a nice suggestion for a streaming service to have for free. You are welcome.
With that said, Olyphant’s Fargo appearance didn’t reel me in quite as much as I hoped that it would. I do love where Deafy got his nickname and the whole kicking-in-the-door move and the endearing carrot-stick offering, but this recurring role doesn’t allow the Olyphant quality to shine. He’s part of an ensemble of stellar actors playing kooky roles with weird-ass names, and against that jumbled backdrop, his Stetson-wearing presence doesn’t resonate with this actor’s usual gravity. To me, Fargo Season 4 is where the understated performances — like that of Chris Rock as a crime boss — are the ones that stand out. Having Olyphant around is a fine bonus, of course.
Now we’re cooking. What an absolute treat “The Marshal” episode turned out to be because it gave us Space Raylan. Will we see Cobb Vanth again? It doesn’t seem likely, but we still got to witness Olyphant nerding out and looking cool at the same time in a Star Wars gig. Not even that restrictive armor could keep his personality and sardonic wit from shining through. And he did so in a role that tweaked Star Wars canon and helped to put Boba Fett back in the equation. Who would have thought that was possible? Furthermore, Jon Favreau knew who to call when he needed a Marshal-type.
Sure, Cobb is a bit of an a-hole by Star Wars standards, but so was Han Solo, and both characters remain likable. And it was a blast to watch Olyphant do his part while defeating a Krayt Dragon in a truly thrilling action scene that felt Dune-esque (for the Sarlaac-turned-sandworm factor). For a moment, I even forgot all about Pedro Pascal over there with all that Mando armor. No wonder they haven’t brought Cobb back into the fold. His powerful screen presence could even make Baby Yoda cease to matter.
C*cksuckers, unite for this one. David Milch’s masterfully profane HBO western still holds up, throughout the three TV seasons (that managed to include a fine episode about… kidney stones? yes) and one reunion movie full of Shakespearean dialogue and catching up with beloved figures. It’s a testament to Olyphant’s own indispensable performance (and his confidence in the role) that he was sure glad that he wasn’t the “a-hole” to turn down a return to the magic. So, we got a revisiting of the breakout part that make him well-known for wearing a hat on the wild frontier.
From the first-season episode of Seth Bullock falling to his knees while witnessing the death of Wild Bill Hickok to Bullock’s balance of contempt-respect for his frenemy, Al Swearengen, Olyphant excelled at the upholding of honor and the settling of scores. The particular gathering of ensemble personalities here, as well, did not distract from Bullock as the central beacon of the show. As Deadwood’s appointed sheriff (who thought he’d left those days behind), Bullock frequently seethed with thinly-cloaked rage after picking up the badge again. Yet Olyphant almost seems addicted to law enforcement roles, and even in 2023, he’s still enjoying taking those rides.
Raylan Givens: the role that Timothy Olyphant was born to play. Elmore Leonard, who created the character, raved about how the show’s spin on his stories (and the leading man) blew him away. That Stetson hat, too, got tweaked as an Olyphant entry, upgraded from a “Dallas Businessman’s Special” in Leonard’s prose. And the headgear of the TV show turned out to be instrumental: you could always tell when Raylan went undercover because he’d go hatless. It was funny and fitting and fed into the mythical character who left a corrupt dentist (in the aforementioned “Long In The Tooth” episode) gasping to see his hero-nemesis coming to arrest him.
Olyphant infused Raylan with all the swagger that was fit to bloody the nose of Appalachia. It’s telling, too, how Raylan’s extralegal ways (and fried-chicken-temptation antics) managed to age well, even in a time when many are circling back to point fingers at cop shows. Yet Raylan never wielded his power against anyone who didn’t have it coming. Basically, he took down Nazis and those who refused to pick on people their own size. And even though he felt compelled to honor his dynamic with Boyd Crowder by paying the guy an in-person visit in the series finale, Raylan’s moral code never strayed from what was inherently good. Don’t tell him that, though. Like Olyphant, Raylan’s chaos-filled manner of self-deprecation remains the stuff of legends.
Five More, Semi-Forgotten Olyphant Roles Worth Revisiting
(In no particular order)
Santa Clarita Diet (2017-2019)
Netflix
Netflix’s unfortunate habit of canceling ridiculously good series after three seasons has never been better illustrated than with this glorious little zombie sitcom co-starring Drew Barrymore. The comedic timing of this duo could not have been more delightful, and I lived for those moments when Joel McHale showed up as a bitchy realtor and Nathan Fillion’s disembodied head waxed rhapsodic in the basement. This was just an all-around fun little kooky show, and the fact that it got axed on a cliffhanger (we were deprived of flesh-eating Olyphant, y’all) makes this one hurt even more.
Olyphant’s reaction seemed fitting, too. In a statement, he insisted, “I loved working on this show. I’m going to continue coming in and doing scenes. If they don’t want to film it, that’s up to them.” Let’s hope that he decided to take Mr. Ball Legs home and keep that dream alive. If we can see Deadwood and Justified revivals, after all, anything is possible. Get on it, Netflix.
Villainous Olyphant is not the most uncommon species. You can also see him visit the dark side in Scream 2 and Live Free And Die Hard, although I don’t find those to be the most riveting examples of his bad-boy incarnation. In Go, however, we get to see a darker Olyphant variant that was, to a degree, also spotted in The Girl Next Door, but that particular film skeeves me out because I don’t appreciate the “Perv Raylan” vibe. Whereas Go gives us a scuzzed-out Olyphant wielding sideburns and a Santa hat (always with the hats, man) that run counter to his initially intimidating vibes as a drug dealer.
Looking back, it’s a performance that perfectly mirrors his audition story (as told to GQ) of pretending that he’d never read the lines or cared about the role, when “I had fully prepared for that, and pretended like I hadn’t,” he says. He added, “I hope young actors starting out are paying attention. It’s all fair. Work really f*cking hard, and then act like you didn’t.” Now for a real bonus: go rewatch that diner scene between Olyphant and Katie Holmes and the goon-filled aftermath to remember how underrated this film remains to this day. My god, what an oddly charming discussion about The Family Circus.
This is a total B-movie, so place your expectations accordingly. We do, however, not only get Olyphant in a terrible hat (which he still pulls off) but also as one-half of three couples who drop red herrings like mad in Hawaii while rumors of tourist-killers circulate. One of these couples is probably out to murder everyone, and at one point, we receive a sinister Olyphant chuckle that is worth the price of admission. I’ve given that chuckle and sneer too much thought over the years, mostly because it has layers that this movie frankly doesn’t deserve, but you can never accuse Olyphant of not rising beyond the occasion, even if it feels like he just sauntered in like it’s no big thing. Also on the table: Steve Zahn and Milla Jovovich as one of the oddest couples that you’ll ever witness. The big reveal at the end is astoundingly insulting, but the ride is worth it for this atypical Olyphant flick.
Speaking of curiosities, here’s Olyphant in rarified form as a straightforward romcom hero. Granted, this film is super predictable, as many romcoms are, and you can see from a galaxy away that Jennifer Garner’s grieving character, Gray, will fall for her fiancée’s buddy, Olyphant’s Fritz. As well, Kevin Smith once did an interview (which I can no longer find since it was so many years ago) in which he discussed having a not-so-great experience on the set of this film as an actor. He and Olyphant weren’t exactly pals on the set, if I recall correctly (but Smith sure did change his tune after he saw Space Raylan), yet a certain kissing scene and the sight of Olyphant playing fetch with a dog could soften even the most aromantic person’s heart.
It’s Olyphant at his most revolting (you have no idea how much it pained me to type those words) and as the total opposite of a romcom king. He guest-starred in a fourth-season episode, “Valley of the Twenty-Something Guys,” as a fleeting lust interest of Carrie Bradshaw. And sure, he looked good at night and during the morning hours, but the harsh glow of daylight was too much for Carrie, given that Olydude lived in absolute sloth and used the last of the toilet paper as a coffee filter. The “worth it” part, though, was Olydude rambling about a weird dream, in which he had “hands… big hands!”
I’m so happy to have Justified: City Primeval as an upcoming palate cleanser.
Either Kayleigh McEnany is good at turning the other cheek, or politics has turned her brain to mush. It’s hard to say, really.
Earlier this week, the former White House press secretary and current Fox News host appeared on Jesse Watters Primetime, where she reported that Donald Trump is leading Ron DeSantis by “only” 25 points. Trump raged on Truth Social that, actually, “I am 34 points up on DeSanctimonious, not 25 up.” He also called McEnany “Milktoast,” which is definitely what he meant.
Instead of firing an insult back at Trump (not that there’s anything to insult), McEnany continued to praise her old boss. “He’s very good at that,” she said about Trump’s ability to connect with his followers on Fox News on Thursday. “In fact, I don’t know if there is anyone in the race that can do it quite like him with a room with voters.” But Ron DeSantis is so charismatic!
McEnany continued, “I was in Maine with him, I’ll never forget him talking to fishermen. They thanked him multiple times, Trump voters who had tears in their eyes who said, ‘These four years have meant this to me.’ They got to express that gratitude.” She added, “If he can stick to policy and have that charm, it’s going to be hard to close that 30-point gap.” Expect a Trump Truth Social post about how the gap isn’t 30, it’s 55 or whatever, in 3… 2… 1…
lmao Kayleigh McEnany is still groveling for Trump even after he tossed her under the bus pic.twitter.com/IjzK1ebFg1
Are you tired of hearing conservatives constantly complain about things being “woke?” Well, surprise! So is Donald Trump. During a campaign stop in Iowa, the former president shared his candid thoughts on people constantly using the term to get mad at companies like Bud Light, or more recently, Chick-fil-A.
“I don’t like the term ‘woke,’” Trump said. “Because I hear the term ‘woke woke woke’ — it’s just a term they use, half the people can’t define it, they don’t know what it is.”
During a campaign event in Iowa, Trump complains that “half the people” who use the term “woke” can’t define it — and then says that if he got Lebron James and 4 other NBA players to identify as women that would be “woke” pic.twitter.com/VsM1SXm31O
But lest anyone think Trump himself is woke, far from it. After complaining about how his followers are too caught up over what is or isn’t woke, Raw Story reports that the former president then floated his diabolical plan to absolutely dominate the field of woman’s basketball if anyone was ever crazy enough to let Trump coach a team.
“I’d say ‘Lebron [James], would you like to become a woman?’ And I would go to another four or five guys and say we will be undefeated for many, many years,’” Trump proudly boasted. “I will go down as the greatest coach in history.”
That plan is definitely not woke, but just to prove that Trump has no idea what the term means either, he then rambled that it’s actually very woke. The wokest thing you’ve ever seen.
“It is so crazy — and that is all woke,” Trump said of his basketball scheme. “I guess they define that as woke, but that’s all woke.”
Warning: Light spoilers for Spider-Man: Across The Spider-Verse ahead.
It’s not enough to just go to a movie anymore, you need to be willing to sit through the names of every hard-working individual who took time out of their busy lives to make this movie for you. And for good reason! These movies take a lot of hard work and dedication. It’s no wonder Todd Field decided to put them at the beginning of TÁR just to make sure you knew exactly who to blame for the eventual panic attack that would ensue.
But now, it seems like every movie wants you to stick around in hopes of some sort of post-credits scene that will set up the next movie or give you that long-awaited cameo you’ve been looking for. Even thoughSpider-Man: Across The Spider-Verseis a (very good) superhero movie, it doesn’t have that self-imposed Marvel requirement of a post or mid-credits scene. In fact, the movie doesn’t have one at all.
That being said… the movie does end with a confirmation that Miles Morales will return in Spider-Man: Beyond The Spider-Verse which picks up where Across The Spider-Verse ends. That movie will hit theaters on March 24th, 2024, so you don’t have to wait an entire calendar year in order to get your spidey senses tingling again.
Spider-Man: Across the Spider-Verse swings into theaters on June 2, 2023.
Rising Seattle artist Damn Elbert wants to reach “New Levels,” and displays the potential to do just that with a new performance of his song for UPROXX Sessions. Blending the sounds of hip-hop and R&B with a pop sensibility, Elbert aims to make a name for himself with the help of Drakeo The Ruler‘s Stinc Team.
Elbert has appeared on a number of the LA-based group’s releases, including Drakeo’s final pre-humous album, The Truth Hurts and RalfyThePlug‘s 2022 project iHeartRalphy. With a moody crooning style, Elbert’s music bridges the gap between traditional pop songwriting and melodic hip-hop, giving the indie artist a toehold in each world.
In April, he released the third entry in his Love On The Line album series, following up in May with the single “Magic.”
You can watch Damon Elbert’s UPROXX Sessions performance of his new song “New Levels” above.
UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.
Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in June. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.
Friday, June 2
The Aces — I’ve Loved You For So Long (Red Bull Records)
American Nightmare — Dedicated to the Next World EP (Heartworm Press)
Ashnikko — WEEDKILLER (WB/Parlophone)
Avenged Sevenfold — Life Is But a Dream… (Warner)
Baxter Dury — I Thought I Was Better Than You (Piccadilly Records)
Beach Fossils — Bunny (Bayonet Records)
Ben Folds — What Matters Most (New West Records)
Ben Harper — WIDE OPEN LIGHT (Chrysalis Records)
Big Time Rush — Another Life (Bought The Rights)
Bob Dylan — Shadow Kingdom (Columbia)
Body Type — Expired Candy (Poison City)
Bongzilla — Dab City (Heavy Psych Sounds Records)
Brandt Brauer Frick — Multi Faith Prayer Room (Because Music)
Buckcherry — Vol. 10 (Round Hill Music)
Bully — Lucky For You (Sub Pop)
Corey Kent — Blacktop (RCA Nashville/Sony Music Nashville)
Cowboy Junkies — Such Ferocious Beauty (Latent Recordings)
Craig Strickland — Lost in the Rewind EP (MNRK Music Group)
Cowboys in the Campfire — Wronger (Cobraside)
Drew Parker — At the End of the Dirt Road EP (Warner Music Nashville)
Foo Fighters — But Here We Are (Roswell/RCA)
Generationals — Heatherhead (Polyvinyl)
Gringo Star — On And On And Gone (My Anxious Mouth)
Half Moon Run — Salt (BMG)
Hallan — The Noise of a Firing Gun EP (Nice Swan Records)
The Hollywood Vampires — Live In Rio (Ear Music)
Jack Johnson — In Between Dub (Republic Records)
Jake Shears — Last Man Dancing (Piccadilly Records)
Jelly Roll — WHITSITT CHAPEL (BMG/Stoney Creek Records)
John Mellencamp — Orpheus Descending (Republic Records)
Joshua Radin — though the world will tell me so, volume 2 EP (Nettwerk)
Juan Wauters — Wandering Rebel (Captured Tracks)
Kenny Rogers — Life Is Like a Song (UMe)
Lanterns on the Lake — Versions of Us (Bella Union)
Laura Wolf — Shelf Life (Whatever’s Clever)
Linda Gail Lewis — A Tribute to Jerry Lee Lewis (Cleopatra)
Chase Matthew — Come Get Your Memory (Warner Music Nashville)
Christine and the Queens — PARANOÏA, ANGELS, TRUE LOVE (Because Music)
Christopher Bear and Daniel Rossen — Past Lives (Original Motion Picture Soundtrack) (A24 Music)
Colby Acuff — Western White Pines (Sony Music)
Conor Maynard — +11 Hours (self-released)
Cooper Wolken — Chapters (Earth Libraries)
Crashing Wayward — Listen! (RFK Media)
Curtis Waters — Bad Son (BMG)
Dead Quiet — IV (Artoffact Records)
decker. — Ouroboros (Royal Potato Family)
The Defiants — Drive (Frontiers Music Srl)
Dominic Sen — Apparition (Grind Select)
Dream Wife — Social Lubrication (Lucky Number)
Dudu Tassa and Jonny Greenwood — Jarak Qaribak (World Circuit Records/BMG)
Emotional Oranges — Still Emo (Avant Garden)
Extreme — Six (earMUSIC)
feeble little horse — Girl with Fish (Saddle Creek)
Flawes — One Step Back, Two Steps Forward (Red Bull Records)
Future Utopia — We Were We Still Are EP (The Orchard/70Hz)
GELD — Currency // Castration (Relapse)
George FitzGerald — Not As I EP (Domino)
Hak Baker — Worlds End FM (Hak Attack Records)
headboy — Was It What You Thought (Blitzcat Records)
The High Water Marks — Your Next Wolf (Minty Fresh)
J Hacha De Zola — Without A Tribe (Caballo Negro)
Janelle Monaé — The Age of Pleasure (Atlantic Records)
Jason Isbell and The 400 Unit — Weathervanes (Southeastern Records)
Jayda G — Guy (Ninja Tune)
Jeff Clarke — Locust (Bretford Records)
Jenny Lewis — Joy’All (Blue Note/Capitol Records)
Jess Williamson — Time Ain’t Accidental (Mexican Summer)
Jimmy Whispers — The Search For God (Carpark Records)
Keaton Henson — House Party (PIAS Recordings)
King Krule — Space Heavy (XL Recordings/Matador Records)
Lightning Dust — Nostalgia Killer (Western Vinyl)
lophiile — The Good Days Between (Bluewerks)
Lontalius — Life on the Edge of You (Kartel Music)
Love and Rockets — My Sweet Twin (Beggars Arkive)
Luke Sital-Singh — Strange Weather EP (Nettwerk)
Maps — Counter Mixes (Mute)
Michael David — Talking Book World EP (Cascine)
My Morning Jacket — MMJ Live Vol. 3: Bonnaroo 2004 (Return to Thunderdome) (ATO Records)
Niall Horan — The Show (Neon Haze Capitol)
Nicholas Allbrook — Manganese (Sub Pop)
Noah Kahan — Stick Season (We’ll All Be Here Forever) (Mercury Records/Republic Records)
Nora Stanley & Benny Bock — Assembling (Colorfield Records)
Odonis Odonis — Icon EP (Felte Records)
Olof Dreijer + Mt Sims — Souvenir (Rabid Records)
Pantayo — Ang Pagdaloy (Sub Pop)
Public Body — Big Mess (Fat Cat)
Queen of Swords — Year 8 (Get Better Records)
Ray Adler — II (InsideOut Music)
Rob Grant — Lost At Sea (Interscope)
Sarah Kinsley — Ascension EP (Verve Forecast/Decca Records UK)
SB19 — PAGTATAG! EP (Sony Music Philippines)
Sivu — Wild Horse Running (Square Leg Records)
Squid — O Monolith (Warp)
TEKE::TEKE — Hagata (Kill Rock Stars)
This Is The Kit — Careful of Your Keepers (Rough Trade Records)
The View — Exorcism of Youth (Cooking Vinyl)
Wombo — Slab EP (Fire Talk Records)
Youth Lagoon — Heaven Is a Junkyard (Fat Possum)
Zylva — Poems from the Dark (Squama)
Friday, June 16
Amnesia Scanner & Freeka Tet — STROBE.RIP (PAN)
Asake — Work of Art (YBNL Nation/EMPIRE)
Balmorhea — Pendant World (Deutsche Grammophon)
Ben Chasny & Rick Tomlinson — WAVES (VOIX)
Ben Howard — Is It? (Island Records)
binki — Antennae EP (The Fader Label)
Bonny Doon — Let There Be Music (ANTI‐)
Bright Eyes — Cassadaga: A Companion EP (Dead Oceans)
Bright Eyes — Noise Floor (Rarities 1998 — 2005): A Companion EP (Dead Oceans)
Bright Eyes — The People’s Key: A Companion EP (Dead Oceans)
Chocolate Hills — Yarns from the Chocolate Triangle (Cooking Vinyl)
Cole Blue — Crushed! EP (Chess Club)
Damian Lewis — Mission Creep (Decca)
Deer Tick — Emotional Contracts (ATO Records)
Django Django — Off Planet (Because Music)
Donna Missal — Revel (ADA Worldwide)
The Drive-By Truckers — The Complete Dirty South (New West Records)
Ellie Dixon — In Case of Emergency EP (Decca)
Ezra Williams — Supernumeraries (AWAL)
Far From Saints — Far From Saints (Ignition)
Five Finger Death Punch — Greatest Hits (Prospect Park)
The Flaming Lips — Hypnotist EP (Warner Records)
Gov’t Mule — Peace… Like a River (Fantasy Records)
Gracie Addams — Good Riddance Deluxe (Interscope Records)
Hand Habits — Sugar the Bruise (Fat Possum)
Home is Where — the whaler (Wax Bodega)
J.E. Sunde — Alice, Gloria and Jon (Vietnam Records)
Jack River — Endless Summer (Nettwerk)
Joel Hoekstra’s 13 — Crash of Life (Frontiers Music Srl)
Killer Mike — Michael (Loma Vista)
King Gizzard & The Lizard Wizard — PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation (KGLW)
Kool Keith — Black Elvis 2 (Mello Music Group)
La Sécurité — Stay Safe! (Mothland)
Lorelle Meets the Obsolete — Datura (Sonic Cathedral)
Maisie Peters — The Good Witch (Gingerbread Man Records/Asylum)
Max Drazen — Someday EP (Field Trip Recordings/Capitol Records)
May Rio — French Bath (Dots Per Inch)
Meshell Ndegeocello — The Omnichord Real Book (Blue Note Records)
Modern Tales — Stars Align (Rose Avenue)
Monograms — A Fine Commitment (PaperCup Music)
Origami Angel — The Brightest Days (Counter Intuitive Records)
Speedy Ortiz is fully back as the band just announced that their first new album in five years, called Rabbit Rabbit, is arriving this fall.
It finds Sadie Dupuis (songwriter, vocals, guitar) and Andy Molholt (guitar) joined by some longtime touring members, Audrey Zee Whitesides (bass) and Joey Doubek (drums), moved to full-time roles for the first time on a recording.
The band also shared a new single, “You S02,” on the heels of their previous “Scabs” release. This one focuses on people who don’t live up to their public perception, particularly by being union busters and other aspects.
“Mostly when I’ve met my musical heroes, they’re kind and principled people,” Dupuis said in a statement. “But occasionally someone whose work I love(d) reveals themselves to be anti-union, or anti-‘woke,’ or some other gear-grinding ugliness. That’s who I wrote ‘You S02’ about, the song’s frenzied guitar and synth solos mirroring the crazymaking intensity wafting off people who act like that.”
Check out “You S02” above. Below, find the Rabbit Rabbit cover art and tracklist.
Wax Nine
1. “Kim Cattrall”
2. “You S02”
3. “Scabs”
4. “Plus One”
5. “Cry Cry Cry”
6. “Ballad Of Y&S”
7. “Kitty”
8. “Who’s Afraid Of The Bath”
9. “Ranch Vs. Ranch”
10. “Emergency & Me”
11. “The Sunday”
12. “Brace Thee”
13. “Ghostwriter”
Rabbit Rabbit is out 9/1 via Wax Nine. Find more information here.
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