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Drake Remembers Getting High Before His ‘Degrassi’ Audition In A New Teaser Video For The ‘It’s All A Blur’ Tour

Tonight (July 5) is a big one for Drake and 21 Savage fans, as the rappers are set to kick off the joint It’s All A Blur Tour in Chicago. Before they take the stage, though, Drake shared a teaser video, in which he gets deep in thought while looking back at his life, specifically a moment before his audition for Degrassi: The Next Generation as a kid.

The video is just a black screen with white text captioning his words as he says over some minimal music:

“Someone asked me the other night what my biggest fear is, and I’ve never really had a good answer for it, but my answer was that all this is for nothing. Kind the idea that like, one day, life ends and it just all goes black, and I guess that question, like, sent me, you know, obviously deep into a spiral of thought. And it makes me think about my life and how surreal it feels at times.

I go back to this day when I was like 13 or 14. I had an audition for a TV show that ultimately shaped my life. And before my audition, I went to this kid’s house and um, I, out of, I guess, a desire to be accepted, I would succumb to peer pressure and I got high with these kids right before my audition. And um, I kind of wonder, like, if something bad happened that day, or you know, maybe I’m still high, maybe I’m in some coma and this is just like me playing out my ideal life, and yeah, that concept has stuck with me for a lot of years. I mean, it feels like reality, it feels tangible, but I definitely wonder sometimes.”

Check out the video below.

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Janelle Monáe Joined Megan Thee Stallion For A Twerking ‘Boot Camp’ On Stage At Essence Festival

The Essence Festival was the place to be this past weekend in New Orleans. Over the course of the weekend, the performances made several headlines, including Janelle Monáe‘s performance of her hit single, “Yoga,” during which, she briefly flashed her breast, which was tastefully covered by a pink pasty. While this move proved polarizing, no haters could f*ck up Monáe’s vibe.

Monáe’s festive mood continued throughout the weekend, as she and a group of women joined rapper Megan Thee Stallion on stage. In one clip, Monáe welcomes Meg to the stage — which seems to come as a surprise to the “Plan B” rapper.

“What’s up friend?” Meg shouts in excitement.

In another clip, shared by Essence, Meg is seen leading the rest of the ladies in her “Hot Girl Boot Camp” themed set.

Meg is seen performing “Do It On The Tip” from her 2020 debut album, Good News. During the performance the group of women are seen twerking on stage, as Monáe appears from the side of the stage, clapping to the rhythm in support.

You can see some clips above.

Megan Thee Stallion and Janelle Monáe are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Here Are The Mad Cool Festival Set Times For 2023

Madrid’s Mad Cool music festival kicks off tomorrow — and will run until Saturday, July 8th. With a stacked lineup across several stages, here is what attendees need to know about the set times.

On Thursday, King Princess and Selah Sue will kick things off, with performances on different stages at 5:50 p.m. At 7 p.m. on the Madrid Is Life stage, The Offspring will play. Raye will perform an hour later on the Ouigo stage. Shortly after at 8:20 p.m., The 1975 will be on the Region Of Madrid stage. Later in the evening, fans can catch Lizzo at 9:40 (Madrid Is Life), Robbie Williams at 11:15 (Mad Cool), Rina Sawayama at 11:30 (Region Of Madrid), Lil Nas X at 12:55 a.m. (Madrid Is Life), and Franz Ferdinand at 1:00 a.m. after Sawayama.

For Friday, some key acts to catch include Angel Olsen at 6:55 p.m., Sam Smith at 8:05, Queens Of The Stone Age at 9:40, Mumford & Sons at 11:10, The Black Keys at 12:50 a.m., and Rüfüs Du Sol at 12:55 a.m..

Then, on Mad Cool’s final day on Saturday, there is still a lot going on. Sylvan Esso (6 p.m.), Liam Gallagher (8:15 p.m.), and Red Hot Chili Peppers (10:55 p.m.) will all be on the main Mad Cool stage. M.I.A. (9:35 p.m.) and The Prodigy (12:50 a.m.) will play the Madrid Is Life stage. Ava Max (11:20 p.m.) and Jamie XX (12:55 a.m.) are also helping close out the festival on the Region Of Madrid stage.

View the full Mad Cool set times below.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The Pacers Set Themselves Up For A Bright Future Thanks To A Busy Offseason

Only three holdovers remain from the roster the Indiana Pacers entered the 2021-22 season sporting: Myles Turner, T.J. McConnell, and Isaiah Jackson. The fourth-longest-turned Pacer is a tie between Tyrese Haliburton and Buddy Hield, both of whom came from the Sacramento Kings in a February 2022 deal centered around Domantas Sabonis that signaled a directional pivot for the franchise.

Since then, Indiana’s further remade itself, sending out the likes of Caris LeVert, Malcolm Brogdon, and Chris Duarte. In their stead stand Andrew Nembhard, Bennedict Mathurin, and Bruce Brown. The former two were selected in the 2022 Draft and sparkled during the rookie campaigns. The latter agreed to a two-year, $45 million with the Pacers during the initial minutes of this summer’s free agency period.

Over the past two weeks, Indiana has also addressed its hole at power forward in contrasting ways. With the seventh overall pick, it selected Jarace Walker, a multifaceted defender touting an intriguing package of offensive skills. A week later, it acquired Obi Toppin from the New York Knicks in exchange for a pair of future second-rounders.

For long stretches last season, the Pacers started Aaron Nesmith at the 4. Nesmith, who stands 6’5, learned to embrace the role, but the lack of a legitimate power forward often reared its head against big wings and towering frontcourts. Now, they have two dudes best suited at that position rather than requiring ingenuity to fill the gig. Lackluster point-of-attack and wing defense seemed to overextend Turner in 2022-23. Brown and Walker can help.

Presumably, the heart of their 2023-24 rotation will feature Haliburton, Nembhard, Brown, Hield, Mathurin, Walker, Toppin, and Turner. That’s a pretty enticing group. Five of them are 25 or younger and still on rookie deals, giving Indiana the chance to retain them long-term, which began when Haliburton inked a five-year extension last week. The other three (Brown, Hield, and Turner) are all good NBA players. A copacetic, harmonic roster is being built, particularly on offense.

The perimeter quintet of Haliburton, Brown, Nembhard, Hield, and Mathurin complement one another well. Brown’s a rugged, sprightly slasher and finisher who grew more comfortable with his outside jumper last season. Haliburton’s a premier shooter who progressed tremendously as a driver last season. Both are adept off the ball and excel processing timely reads in advantageous situations. Nembhard is a platonic ancillary ball-handler whose passing vision and quick trigger from deep let him slot in next to accomplished creators. Hield is a nomad off-ball shooter who will traverse around screens until his legs are Jell-O.

Mathurin loves fashioning space off the ball and finding lanes downhill with deceptive footwork, at which point he steamrolls through defenders to finish or draw fouls. He’s a young player who has room to grow, though, and must keep improving his discretion at the rim and decision-making as a ball-handler to elevate his scoring ceiling. The Pacers’ cast of guards ensure the second point can develop patiently. He will not be forced to accrue on-ball reps simply to gauge his readiness at the expense of other skills and foundational players. He will earn those organically.

The open floor synergy of all five, given their blend of shooting, passing, creativity, downhill gusto, and understanding of space, is tantalizing. Last season, they ranked fourth in transition frequency (17.3 percent) and second in points per 100 possessions (133.6). Make or miss, they constantly pushed to catch the defense unorganized and pounce on that discombobulation. Watching a wunderkind like Haliburton dance through ill-prepared defenders and schemes was delightful. It’ll only be better next year alongside the Pacers’ key roster additions.

Among those key roster additions is Toppin, who fits aptly into this turbocharged, open floor ethos, which represents a distinct style from the Knicks, a team that finished 29th, 22nd, and 17th in transition rate during his three seasons there. He’s a bouncy finisher who’s converted 71 percent of his career shots around the hoop, loves dashing behind defenders as a cutter and has flashed drive-and-go ability off the catch. Haliburton-Toppin pick-and-rolls flanked by three credible marksmen should be good for a highlight at least once a week. All the different avenues through which Haliburton will deliver Toppin a seamless slam will be worth tallying.

I eagerly await how head coach Rick Carlisle deploys Toppin, Turner, and Walker offensively, with their wide-ranging, divergent skill-sets. Double Drag involving Haliburton as the conductor, Toppin diving to the rim, and Turner drifting beyond the arc should be a staple of the early offense emphasis that fuels them. Indiana is piloted by a creative engine in Haliburton and cunning tactician in Carlisle, who’s provided optimal roles for various integral players.

Haliburton’s ascent accelerated what some expected to be a tricky rebuild in a small market and it’s been complemented by shrewd roster decisions. Instead, they’ll be among the many Eastern Conference teams rightfully eyeing the postseason next year. They shored up deficiencies that don’t interfere with the long-term core and even amplify it in certain regards.

Before Haliburton missed 10 consecutive games, the Pacers were 23-19 and tied for sixth in the East. When he sat out, they tumbled to 24-28 and 10th. This should be a competitive, jigsaw group next season, in large part because of the moves made over the past 16 months. And that competitiveness won’t preclude them from continuing to prioritize Haliburton’s prime, which is increasingly on the horizon. Finding the right primary initiator is among the most critical and strenuous parts of any roster construction. Haliburton, fresh off his 22-year-old season averaging 21 and 10 on 62 percent true shooting, is as good a bet as any.

Turner quietly just averaged 18-7-2 on 65 percent true shooting and added layers to his interior scoring repertoire last year. Mathurin is a keen off-ball mover, foul-line menace (.477 free throw rate), and intrepid slasher who only hit 32.6 percent of his threes as a rookie after burying 38.3 percent in two years at Arizona — it’s not guaranteed, but positive regression wouldn’t be a surprise. There are areas to address, but the outline of a rather ideal secondary scorer alongside Haliburton took shape, reinforced by his 16.7 points per game in year one. Nembhard’s pick-and-roll savvy pops. A fresh start and expanded role could be the launching point needed for Toppin, who’s long exhibited promise. Walker’s two-way allure is evident.

This is the Funky Bunch Pacers armed with a clear direction. They’re headlined by one of the league’s brightest young stars and accumulating proper secondary talent around him. Right now, the vision is logical and joyful, and it shouldn’t take too long for that to turn into on-court success.

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Rick Astley covered Foo Fighters’ ‘Everlong’ and it’s shockingly great

Rick Astley has to be the luckiest ’80s musician on the planet. The whole “Rickrolling” phenomenon has given his hit song “Never Gonna Give You Up” a reach far beyond its natural life span, and kept the guy a household name far longer than he probably would have been.

(For those who are unfamiliar, Rickrolling is when you make someone think they’re being sent to a website, but the link goes to Rick Astley’s “Never Gonna Give You Up” video instead as a joke. It’s a silly viral bait-and-switch gag that’s been going since 2006.)

But what people may not realize, because his most famous song has become an internet joke, is that Rick Astley is actually a really freaking great musician. The man can saaaang and it seems he’s only gotten better with age.


If you were to choose the most unlikely combo of musical mashups, it might just be Rick Astley and Foo Fighters. Right? Like who would put them together?

Oddly enough, they put themselves together in 2017, when Foo Fighters brought Astley on stage during a concert to sing “Never Gonna Give You Up.” Foo Fighters frontman Dave Grohl even created his own Rickroll-inspired meme, the Dave G’Roll, with the band’s song “Best of You.” So there’s a history there.

But nothing has been more surprising than hearing Rick Astley do an acoustic cover of Foo Fighters’ “Everlong.” It’s so good. Like, so good.

Not to knock Rick Astley of the 1980s, but that strangely deep voice on a young man was sort of his signature thing. Ergo, you’d think it would be easy to recognize Astley’s voice no matter what he was singing. But you’d be wrong. If you close your eyes and listen to this, you’d likely never guess it was Rick Astley.

Maybe it’s because the song itself isn’t something you expect from the “Never Gonna Give You Up” guy. Maybe it’s because you had no idea that Rick Astley was still making music. Who knows. All I know is that my jaw dropped watching him knock out an awesome version of a grungey rock song with just his voice and acoustic guitar.

Seriously, that was amazing, right? Even hardcore Foo Fighters fans gave Astley props in the comments:

“As a huge Foo Fighters fan, all I can say is this cover didn’t let me down.”

“Tbh I could listen to a whole album of Rick Astley doing grunge covers.”

“Are you kidding me?????? That voice from the 80’s… And one of the greatest numbers of all times…. Didn’t think you could pull that of…. But you did….. Respect to you Rick.”

And, of course, some had to make jokes:

“I love this cover. It feels like the singer is never going to give you up or never gonna let you down. He doesn’t run around and desert you. He will never make you cry and never say goodbye. He doesn’t tell a lie and hurt you. I think that is special.”

“This guy should stop making memes and stick to music! He’s got talent!”

“I’m glad he’s never given up. This did not let me down.”

But this comment perhaps best summed up what most of us walked away thinking:

“God now I feel bad that we’ve ridden on Rick Rolling for so long that we missed the part where Rick Astley is actually a badass musician…”

This article first appeared on 4.4.22.

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A major UCLA study says that at least 65 species of animals laugh

Laughter is one of the most natural impulses in humans. Most babies start to laugh out loud at around 3 to 4 months, far earlier than they are able to speak or walk. Expressing enjoyment or delight comes naturally to us, but we’re not the only creatures who communicate with giggles.

Researchers at UCLA have identified 65 species of animals who make “play vocalizations,” or what we would consider laughter. Some of those vocalizations were already well documented—we’ve known for a while that apes and rats laugh—but others may come as a surprise. Along with a long list of primate species, domestic cows and dogs, foxes, seals, mongooses and three bird species are prone to laughter as well. (Many bird species can mimic human laughter, but that’s not the same as making their own play vocalizations.)

Primatologist and UCLA anthropology graduate student Sasha Winkler and UCLA professor of communication Greg Bryant shared their findings in an article in the journal Bioacoustics.


The authors explored various play vocalization sounds, recording them as noisy or tonal, loud or quiet, high- or low-pitched, short or long, a single call or rhythmic pattern.

But really, what we want to see is what animal laughter sounds like from various species, right? While the researchers said that it can be hard to document laughter in the wild, especially among animals with quieter vocalizations, we do have some examples captured on video.

Check out these foxes laughing like little kids:

Or maybe little kids on helium. How fun is that?

Ever seen a bonobo chimp laugh? Just as cute.

I’m not sure if tickling a baby bonobo is sweet or torturous, though these researchers surely know what they’re doing. It’s always delightful to see the instinctual playfulness of primates.

Laughter in some animals isn’t as audibly apparent as it is in these foxes and chimps, though. Researchers from Humboldt University of Berlin found that rats laugh when they are tickled—and appear to enjoy tickling, as they seek it out—but their vocalizations are ultrasonic, so it’s hard to hear them without special instruments.

The UCLA researchers shared that the study of laughter in animals can help us better understand our own evolutionary behavior.

“This work lays out nicely how a phenomenon once thought to be particularly human turns out to be closely tied to behavior shared with species separated from humans by tens of millions of years,” Bryant said, according to UCLA.

“When we laugh, we are often providing information to others that we are having fun and also inviting others to join,” Winkler said. “Some scholars have suggested that this kind of vocal behavior is shared across many animals who play, and as such, laughter is our human version of an evolutionarily old vocal play signal.”

Raise your hand if you just want to see a cow laughing for real now.

This article first appeared on 1.14.22

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People are raving about how much easier it is to read with ‘bionic reading’ font

Reading is a fundamental tool of learning for most people, which is why it’s one of the first things kids learn in school and why nations set literacy goals.

But even those of us who are able to read fluently might sometimes struggle with the act of reading itself. Perhaps we don’t read as quickly as we wish we could or maybe our minds wander as our eyes move across the words. Sometimes we get to the end of a paragraph and realize we didn’t retain anything we just read.

People with focus or attention issues can struggle with reading, despite having no actual reading disabilities. It can be extremely frustrating to want to read something and have no issues with understanding the material, yet be unable to keep your mind engaged with the text long enough to get “into” what you’re reading.


But what if there were a font that could help you stay focused? That could help you not only read faster but better retain what you’ve just read?

That’s what the creators of Bionic Reading claim is possible with their font tool.”Bionic Reading revises texts so that the most concise parts of words are highlighted,” the Swiss company’s website reads. “This guides the eye over the text and the brain remembers previously learned words more quickly.”

Give it a try:

The gist is that our eyes don’t need to focus on the entire word because our brains can fill in the rest for us. By bolding the first part of the word, we’re more quickly able to move from word to word.

“Bionic Reading aims to play a supporting role in the absorption of volume text,” states the website. “We see technological progress as an opportunity for all those who want to increase the pleasure of reading in a noisy and hectic world in a focused way and without distraction.”

While there are no studies cited on this method of reading, there are plenty of anecdotes about it being helpful. The example shared by @WhattheADHD on Twitter got people’s attention and many people responded with enthusiasm at how much easier the bionic reading text was for them to read.

“This is amazing! I have ADHD and I didn’t even realize that I was having trouble fixating when I read,” wrote one person. “My eye latches right on to the bold face. Can’t wait to try reading a book again. It’s been all audiobooks for a while.”

“It’s incredible how reading this feels like finally unlocking 100% of your brain,” wrote another.

However, not everyone was impressed or thrilled with the sample. Some people said that they had a harder time reading the bionic text or that it distracted or slowed them down. Both positive and negative responses came from a diverse pool of people. Some who described themselves as neurodivergent said that they loved it and some said it was harder. The same went for people who said they were neurotypical, so it’s hard to say who this tool may specifically help the most. Everyone’s brains work differently, and different people will find different things helpful.

Bionic reading might be a game-changer for some, but it’s not the only tool of its kind. There are speed-reading programs that train you to stop reading each word and allow your brain to read visually instead of auditorily. There are also various methods of making reading easier by adjusting how your eyes move across the text.

For instance, check out this “space reading” technique:

Bionic Reading has a free text converter on its website that you can use to try out its font changes. A YouTube clip from the company also shows possibilities for how the font can be adjusted to individual preferences, making more or less of the initial letters bolded.

And again, if this doesn’t work for you, then it’s probably not made for you. For people who struggle with reading, something like Bionic Reading could make a huge difference.

Three cheers for technology being used to help people overcome difficulties and make learning easier and more efficient.


This article originally appeared on 5.30.22.

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A mom was frustrated that there weren’t shows for kids with developmental delays. So, she made one herself.

If there’s one thing a determined parent will do, it’s make sure their kid is getting their needs met. Even if that means they have to reinvent the wheel to do it. Rachel Griffin Accurso, or as parents across TikTok and YouTube know her, Ms. Rachel, found herself without any real options for additional resources to help her toddler who was diagnosed with a speech delay.

Accurso was looking for a developmentally appropriate show for her son but she wasn’t having any luck. That’s when she decided to take her teaching degree and get to work on creating her own show. It became a family business when she teamed up with her husband, Broadway composer Aron Accurso, who has been there every step of the way. He’s even in the episodes singing along.

“Songs for Littles” has infiltrated homes across America. If you have a toddler and internet access, you’ve likely heard of it. The show has more than a billion views on YouTube. Yes, that’s billion, with a “B.” Ms. Rachel also has more than 19 million likes on TikTok and has speech pathologists everywhere singing her praises.


Accurso is intentional with all of her videos, doing close-ups on her mouth when introducing new words and pausing to “hear” responses from her viewers after asking a question. In her interview with Today, Accurso admitted, “A lot of things I teach are things I wish I had known for my son.” She explained that everything she does is backed by research and is recorded in her small apartment in front of a green screen.

Parents on TikTok often upload videos thanking Accurso or showing off the skill their child learned from watching her show. The journalist who interviewed “Ms. Rachel” for Today even got to record an episode of “Songs for Littles” with her.

Check out the cute video below:


This article originally appeared on 01.10.23

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Doctor’s alcohol tip that ‘could save your life’ goes viral on TikTok

New Year’s Eve is often a night filled with celebratory shots and champagne toasts. But as the party night fast approaches, one doctor is gently reminding folks the importance of partying responsibly during the holidays. Really, it’s a piece of advice that’s important all year long.

Dr. Brian Hoeflinger, an Ohio based neurosurgeon with over two decades of experience, has a TikTok channel filled with educational videos and lifestyle tips. But it’s his latest clip explaining just how long it takes our bodies to break down alcohol that has gone viral.

In the video, which was shared on Christmas Day, Dr. Hoeflinger sets the scene of a party where “a lot of drinks are going down” by setting up a bunch of shot glasses filled with water.

“Say you’re having five drinks in the first hour,” he says, taking five fake, water-filled shots. “As you’re taking them, that alcohol is building up in your system fast. [It] goes to your brain within five minutes and starts to affect you.”


The same can’t be said for other parts of the body. As Dr. Hoeflinger noted, “your liver only metabolizes one ounce of alcohol per hour.” And according to Northwestern Medicine, that process only begins 20 minutes after consumption.

Hoflinger continues, “I’ve got five ounces of liquor in my system right now, and at the end of the hour I’m only going to burn off an ounce…so I’m going to have [four] ounces left in my bloodstream.”

@doctorhoeflinger Knowing this about drinking could save your life! #fyp #party #drinking #alcohol #foryou #holiday #christmas ♬ Storytelling – Adriel

Of course, there are different factors—such as body mass, hormones, medications, etc.—that affect someone’s rate of absorption. And yes, we might be able to form a functional tolerance where behaviorally, we show no signs of intoxication. However, even with all these variables, for the most part all bodies are affected by alcohol similarly. In other words, your blood alcohol level will be more or less the same, and the risks will remain even if you don’t “feel drunk.”

Hoeflinger continues, saying “the party’s rockin’, so we’re gonna have some more,” while taking three more shots and reminding viewers that he still has only burned off one ounce of liquor during the hour that’s passed.

Now he’s had a total of eight ounces of alcohol in two hours. He’s burned off two, but still has six ounces left in his system—meaning that in this scenario, it will take another six hours to completely burn off.

In hour three, Hoefligner takes one shot since the party is “winding down.” This brings him up to a total of nine ounces of alcohol over three hours. His liver has metabolized three ounces, leaving him (still) with six ounces of liquor left in his bloodstream.

“You’re going to be drunk well into the wee hours of the morning, it doesn’t wear off,” he warns, noting the common misconception people have that “they stop drinking an hour or two and can hop in the car and drive.” But in reality, “you can’t do that as you’re still drunk five, six hours down,” he explains.

Dr. Hoeflinger concludes his video by saying:

“For this holiday season the whole point is I really want to tell people that’s how alcohol can stack up in your system easily when you’re drunk and you won’t know it and it won’t wear off for hours and hours down the road.” This is followed by an urge for people to take an Uber or Lyft home to avoid potentially taking their own or another’s life.

The informative clip, which has been viewed over 13 million times, received a flood of praise from viewers online, especially from parents with kids of a drinking age.

“This is the first time I have ever had anyone explain this in this way. I am forwarding this to my son,” wrote one parent.

It also resonated among designated drivers. One person commented “thank you for caring and educating. I’m the sober ride. I’ve seen the devastation from drinking and driving.”

The topic hits Dr. Hoeflinger on a personal level as well. In a previous video, he shared that he lost his 18-year old son, who died nearly a decade ago from drunk driving. Coming from a medical professional, the plea to not drink and drive is important to hear. But as a parent, it hits different. As he shared in the clip, “losing somebody you love is one of the worst experiences you can have in your life.”

Though Hoeflinger focused on the effect of liquor in his party example, the principle applies to wine and beer as well. Healthline recommends only having one large glass of wine every three hours, and one pint of beer every two hours.

It also gives some best practices to avoid intoxication, including:

  • Eat at least 1 hour before drinking.
  • Sip your drinks slowly.
  • Avoid shots, which you’re likely to down rather than sip.
  • Don’t drink more than one standard drink per hour.
  • Alternate between alcohol and nonalcoholic drinks, preferably water.
  • Limit or avoid carbonated drinks, like champagne, sparkling wine, and cocktails mixed with soda.
  • Sit down when drinking, since doing it while standing tends to make people drink faster.

And of course, don’t be afraid to get another ride home. This New Year’s Eve (and beyond), feel free to kick back and have fun. But let’s look out for one another by doing it safely.

This article originally appeared on 12.31.22

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All The Best New Indie Music From This Week

Indie music has grown to include so much. It’s not just music that is released on independent labels but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.

Every week, Uproxx is rounding up the best new indie music from the past seven days. This week we got new music from Blur, Anjimile, The Armed, Ratboys, and more.

While we’re at it, sign up for our newsletter to get the best new indie music delivered directly to your inbox, every Monday.

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Slow Pulp — “Slugs”

A lot of great albums came out already this year, but even more are coming. Slow Pulp’s Yard is looking to be a highlight after the release of the sweeping “Cramps” and the newest single “Slugs,” a playful, languid earworm. The dreamy essence carries the appeal of their last record, 2020’s Moveys. Against distorted guitars, an infectious hook is sung lazily and memorably: “You’re a summer hit / I’m singing it.”

Blonde Redhead — “Melody Experiment”

Blonde Redhead’s Kazu Makino explains that her new song “Melody Experiment” is a “conversational piece between two people. One is questioning the intentions, integrity, and consequences of one’s emotions and actions. She is hypersensitive. The other keeps things simple, allowing himself to go with the flow.” The track is capricious and bewitching, immediately pulling the listener in with the intriguing opening line: “How would you feel if I kept you a secret?”

Anjimile — “Father”

The King is Anjimile’s forthcoming LP, and it’s looking to be a powerful experience. “Father” is a touching ballad that reckons with his experience getting sober and his appreciation for his parents’ support: “Are you still drinking? / What were you thinking? / On my heart, weighing / I am still praying,” he lulls.

Ratboys — “The Window”

“I walked across the green grass / To where I knew you laid / The way the sun was shining down / I only saw your shape,” sings Julia Steiner in the moving new Ratboys single, “The Window.” The song builds cathartically with infectious instrumentation and emotional lyrics; their forthcoming album of the same title will be strong.

The Armed — “Sport Of Form”

The Armed are back, and it’s a big return. Their glitchy, eccentric new song “Sport Of Form” oscillates between slow, endearing moments and rapid-fire explosions. It culminates into the disorienting repetition of the line, “Does anyone even know you? / Does anyone even care?” The anthem leaves the listener feeling changed.

The Japanese House — In The End It Always Does

The Japanese House’s In The End It Always Does is full of highlights, from the sprawling, dream-pop earworm “Boyhood” to the buoyant “Sunshine Baby” with The 1975’s Matty Healy. The whole album is a hypnotic fantasy, Amber Mary Bain’s vocals breezy and mesmeric against fluttering instrumentation.

Blur — “St. Charles Square”

“I f*cked up / I’m not the first to do it,” Damon Albarn kicks off the new Blur song stating. The invigorating, catchy track is the latest taste of their forthcoming comeback LP The Narcissist, and it stays true to their brand of weird, infectious rock.

Del Water Gap — “All We Ever Do Is Talk”

Storytelling is the centerpiece of Del Water Gap’s new track “All We Ever Do Is Talk”: “And what happened? / To meeting you at the hotel, 3 am / Pull the belt from your robe, pushing me on the bed,” he sings against an exuberant rhythm, though the adds a thick, complicated layer of melancholy: “But will we ever get that feeling again?”

Magnitude — “Rectify”

Hailing from Charlotte, North Carolina, Magnitude make unforgiving, brutal hardcore, and “Rectify” is a great dose of their sound. The two-and-a-half-minute track only intensifies as it goes on, jumping at every opportunity to pick up speed and get louder. The guitars are invigorating, and the final breakdown is pure mayhem.

Bad History Month — “Breakdown Lane”

Bad History Month’s “Breakdown Lane” is an off-kilter, brooding song, packed with screeching guitars and soft vocals. It feels like a haunted daydream: “I rest my eyes and the day just dies / Another day just dies another day just dies / Another day just.” It comes from their forthcoming EP True Delusion, which is ominously explained on their Bandcamp page: “Spring 2021. Vaccines. Everybody out again. I started my first rock band and joined a cult. The end of the world was good for me. Happiness is a true delusion. And all of it was real.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.