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Zion Williamson And His Family Are Being Sued Over An Unpaid $2 Million Loan

Zion Williamson has found himself in the news a lot this summer, but unfortunately the headlines have often had little to do with his basketball prowess.

The Pelicans’ All-Star forward has found himself in trade rumors and personal conflicts that have become public, most recently finding himself on the receiving end of a lawsuit, alongside his stepfather, Lee Anderson, and mother, Sharonda Sampson, over an unpaid $2 million loan from a tech company. According to the Associated Press, Ankr PBC — a tech company specializing in blockchain technologies — is suing Williamson and his family for having failed to repay $1.8 million worth of a $2 million loan the company lent them in 2021. The company was hoping to get Williamson to be a spokesperson, and provided the loan after already paying $150,000 up front to Anderson to even open negotiations for a business relationship.

Williamson’s mother, Sharonda Sampson, is named as a defendant, in part because Ankr wired money into her account after Anderson allegedly told the company his family urgently needed a “bridge loan” to cover investment obligations.

“Anderson represented that the loan was urgently needed, as the family had taken on expensive investments including the purchase of certain real estate in New Orleans and could not meet their obligations due to the temporary suspension of payments from Williamson’s sponsorship deals resulting from an injury,” the lawsuit stated.

Ankr also alleges that Anderson told the company that “his family would suffer financial hardship, and Williamson would not enter into a business relationship with Ankr,” if the loan was not made immediately.

Ankr stated that it agreed to make the loan on condition it be paid back by Aug. 21, 2022, but that Anderson subsequently requested a series of extensions, and that when Ankr finally received a check for $25,000, it bounced.

After entering forbearance earlier this year, Ankr was supposed to get paid back $500,000 of the loan by the end of April, but states the $500,000 paid so far only covers $200,000 of the loan itself and $300,000 in interest. It seems the focal point of the lawsuit is Anderson, who was negotiating the deal and asked for the loan, but it is unfortunately an example of how an athlete needs to have his affairs in order off the court and the right people in control of financials to avoid such situations.

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Will Arnett On ‘Twisted Metal,’ Not Getting Swole For The Show, And Almost Firing Himself

Will Arnett didn’t set out to play a pivotal on-screen role with the adaptation of the Sony Playstation classic Twisted Metal that he’s exec producing, it just worked out that way with him lending his instantly recognizable voice to a demented clown with a passion for the stage. The body? That belongs to AEW wrestler Samoa Joe, but don’t let on that you could tell it wasn’t a swole Arnett on the screen for the post-apocalyptic action-comedy from Deadpool and Zombieland writers Rhett Reese and Paul Wernick (this really feels as though it’s cut from the same cloth as Zombieland). Little bit of a sore spot.

Uproxx had a chance to catch up and goof off with the somewhat unserious Arnett a few weeks ago (pre-strike) where we had some fun with his decision to “Mandalorian” the role of Sweet Tooth, how he almost fired himself, and the scene that allowed him to find his way into the character. Arnett also gives praise for Anthony Mackie (the star of the show, who seems like he’s having the time of his life as a smart-ass courier in the badlands of a collapsed US), what he really thinks about his SmartLess podcast partners (Jason Bateman and Sean Hayes), and whether or not he knew the words to Sisqó’s “Thong Song” (a key moment from the show, which just dropped on Peacock with all episodes available).

But first, we begin with Arnett gushing about the kick-ass sight of the tricked-out and gunned-up throwback ice cream truck (also named Sweet Tooth) that his character tools around in on the show while wreaking havoc.

Hey, Will.

What do you think of my backdrop, man?

That’s pretty good. I like the ice cream truck. Did you get to drive the truck actually? I know it’s not your body, obviously, but you’re a producer, you have certain rights.

First of all, don’t say obviously not my body. It could be! Come on, man.

Maybe a little more time in at the buffets. Maybe a little more time in the weight room. Where’s your commitment? Actually, that’s a great lead-in. Thank you. Why did you have a lack of commitment to not get fully swole for this role? What happened there, Hollywood?

(Laughs) This is starting off terribly.

Oh, it’s only going to go downhill from here.

It’s only going downhill. By the way, you’re not wrong. If I was more committed, I would’ve spent… Let’s be honest, it would’ve taken me three years to get that big. Can you imagine if I showed up, but I was like The Rock big, and I just disappeared for a couple of years? I’d still do my podcast, but I basically disappear and then I reemerge just massive.

Remember the media cycle around Kumail (Nanjiani) got when he got ripped for The Eternals? That could’ve been you, but instead, they were like, “Oh, we can Mandalorian this shit.”

Oh, he really milked that too.

There’s always season two.

Yeah, there is season two. You’re right, you’re right. By the way, (Samoa) Joe did such an awesome job. I was saying to somebody earlier, he did so much work. He just did the bulk of the work and I likened it to he ran 99 yards with the ball and then lateraled it to me with a yard left. Like, “Don’t mess it up, dude.” You know what I mean?

I was watching the dailies and stuff and he was just so in it physically. He was just doing so much awesome stuff. And he’s doing the scenes with Anthony (Mackie). And he’s doing such an awesome job. And so I legit just didn’t want to mess it up.

I don’t think you did. Was the plan always for you to voice this character? Was there a thought for you as John Doe (the Anthony Mackie character)? Or was it mostly just about getting the show on the air and then you’d figure out where you fit in on-screen afterward?

We weren’t sure that I would do anything in the show. We wanted to get this made and we wanted to do the best version of it. And pretty immediately we were like, “Oh, Anthony Mackie.” I think he’s so awesome. He’s such a good actor. He’s kind of cool. He’s got a coolness to him. We were like, “Yeah, we got to maybe get him.”

There was never any thought or discussion of me playing John. And it was one of those things later in the process, everybody was like, “Maybe you voice Sweet Tooth?” And I forget exactly how that went down… By the way, people will be like, “Oh yeah, I’m sure. The moment where the guy goes, ‘I forget how that went down’ is the moment where he was like, “I should do it!” That’s not how it went down.

I will say this, I said this earlier too, but when we were first doing it and trying to find the voice of Sweet Tooth, the first couple of sessions, I was a little unsure. Again, I just wanted to get it right and I felt like what Samoa Joe had done on-screen was so good. I was kind of like, “I don’t feel like I’m delivering in a way that’s really satisfying.” And I came really close to firing myself. I actually sent out an email to everybody saying, “Maybe I should not do this. Maybe somebody else should do this.” And Michael Jonathan Smith (the showrunner), to his credit, was like, “No, no, no. Look, let’s work on it and let’s find the right thing and find the right tone.” Because I wanted him to be scary and I wanted him to be menacing and I wanted him to be insane. I wanted to feel like he’s going to shoot you or cut your head off or cut your feet off or do whatever, but also be funny. Yeah, it was a process.

What I hear you saying is that your voice doesn’t sound enough like a demented clown, and I disagree.

Thank you.

You’re welcome. (Laughs) Was there a specific kind of twist, turn, or pivot that helped you get to where you wanted the character’s voice to be? Because it is fantastic. It’s also a deeper voice. Which is amazing. I don’t know how your throat survived.

I think if I look back, going and doing the scene in episode two, Sweet Tooth delivers this monologue, this one-man show in Vegas. I think that moment helped me understand because it’s so absurd, kind of who he is. I mean, there’s a whole story there about his parents and people lying to him, et cetera, blah, blah. That helped me understand who he is. So it’s that, coupled with probably doing “The Thong Song,” that helped me understand how this character can live up here and live down here simultaneously. He’s just unhinged.

Did you know the lyrics to “The Thong Song” before this, or was that new to you? Be honest.

I did not. I’m being honest.

Okay. That’s really disappointing.

For what it’s worth, it sounds like you immediately thought I was going to lie to you, but that’s okay. (Laughs)

I mean, it’s a judgment, but it might be a question for you to ask yourself why that is.

(Laughs)

This may be self-explanatory, but what is the difference between voicing a character for this where again, there’s another actor, but it’s live-action, versus something like Lego Batman where it’s an animated thing?

The Lego movies — and I include Lego Batman in that — weren’t so much reading a script. You go in and you meet and you discuss and you’re looking at art. And they’re walking you through. The script, often in those films, changes a lot because they know that they have this two to three year runway to land this thing. And so there’s a lot of trial and error. There’s a lot of going in and working on a script that might change. Literally, they’ll change the second act and the third act. And as you’re recording, you’ll record something that doesn’t work. And two weeks later or two months later, you go back and you rerecord the whole second act. But then after you lay that track down, they animate to what you’ve done.

This is the process I’m watching Samoa Joe do these live-action scenes with. I’m actually seeing him doing it and I’m hearing him act these scenes out with Anthony. And then I’ve got to sort of, afterward, as we start cutting the show, start laying in my voice to what he’s done. It’s much more of a collaboration in that way, on a level with another actor, another performer, in a way that you’re not accustomed to doing with animated stuff. Because I’m sort of driving it in animation. Now somebody else has kind of got the wheel and I’ve got to adjust based on what he’s already done physically. It was more challenging than I thought it was going to be.

With the SmartLess podcast (and MAX series), a colleague of mine asked me to ask whether you guys (Jason Bateman, Sean Hayes) actually like each other. Is this a frenemy situation or is it a full-on enemy situation?

(Laughs) I can’t speak for Jason and Sean, but if I did speak for either of them, it would be, “Uhhhhhh.” That’s what they sound like to me. No, I love those guys so much. We were just recording earlier today. We’re recording an episode and we were talking about the fact that especially in the doc series, I give Jason so much crap about what he eats or what he doesn’t eat and blah blah blah, and people are coming up to him like, “Hey man, are you okay?” What they have to understand is so much of it is like, we’re just friends giving each other crap, and that’s what we do. And we talked about it I think in the special, but certainly we’ve talked about it on the podcast before. It’s our love language. We’re hitting out at each other because we love each other.

All episodes of ‘Twisted Metal’ are streaming on Peacock

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Here Is Maggie Rogers’ ‘Summer Of ’23 Tour’ Setlist

Maggie Rogers just kicked off her Summer Of ’23 Tour to follow her Feral Joy Tour earlier this year. The pop star had in-person ticket sales to fight off bots and prioritize fans, and she has great guests like Del Water Gap, Alvvays, and Soccer Mommy joining her as openers on the stages.

So far, she’s been performing tracks from her two albums, 2019’s Heard It In A Past Life (which contains her Pharrell-approved hit “Alaska”) and 2022’s Surender (which has the Obama-favorited anthem “That’s Where I Am”). In May, the Harvard graduate also revealed that she finished working on her third album and would be playing songs from it for audiences on tour. “that’s a wrap on LP3 !!!! [star emoji] [butterfly emoji] written + recorded + off to mixing,” she wrote on social media. “so so so in love with these songs and cannot wait to start playing them for you this summer.”

Check out the setlist from Rogers’ Nashville concert at Ascend Amphitheater, according to setlist.fm.

1. “Anywhere With You”
2. “Want Want”
3. “Say It”
4. “Be Cool”
5. “Light On”
6. “Sick Of Dreaming”
7. “Overnight”
8. “Horses”
9. “Symphony”
10. “Shatter”
11. “Don’t Forget Me”
12. “Love You For A Long Time”
12. “Alaska”
13. “That’s Where I Am”
14. “Fallingwater”
15. “The Kill”
16. “Different Kind Of World”

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How Zaire Wade Got Comfortable With Making His Own Way

There are two sides to timing. When timing works, and it feels like the universe has opened a special door for you, replete with red carpet for your arrival, and when it doesn’t, and that door doesn’t just slam but splinters under your hands, the exact conditions for that moment in time gone forever. Zaire Wade knows, intimately, both sides of time.

After just 12 games into his 2021-2022 G League season with the Salt Lake City Stars, what Wade hoped would be his entry point into the pros, he felt his knee give out on an innocuous misstep. Wade could’ve looked at his injury as something that robbed the next nine months from him. Instead he used it to recalibrate, working with his dad, Dwyane Wade, on his recovery, conditioning, and steadily building back his strength.

Candid about what was one of the more difficult stretches of his life, on and off the floor, Wade lets out a big sigh when asked how the injury changed his perspective on his health, “It changed it tremendously,” Wade tells Dime over Zoom, where he’s just arrived back home to L.A. from South Africa.

“Being young, you don’t really pay attention to that. You think you’re kind of invincible and then when the day comes when something serious happens and you can’t play, or even walk at the time, you really start looking at things from a different perspective,” Wade says, “I took my health more seriously.”

Wade calls that time “a blessing in disguise,” doubling down on work ethic and becoming curious about supplements like Thorne, a NSF certified supplement brand he and his dad are currently ambassadors for. Wade had just turned 20 when he got hurt. His body, through playing professional basketball, was probably in the best shape he’d seen it, but he still wishes he had more sense of control, and committed to finding that as his career unfolded.

After being waived by the Stars following his injury, he wanted a different target to aim for. Criticized in the past for some of the moves he’s made thus far in his very young career being the product of nepotism, many of Wade’s pivots, or more untraditional decisions, have only borrowed from his father’s broader understanding of the basketball world as a whole. It’s common sense that, playing alongside athletes like Bronny James, Brandon Boston, and Ziare Williams at Sierra Canyon, Wade was not going to get as many minutes and by extension, exposure. He’d already played at two high schools prior to SCS, so a quick hop over to Brewster Academy in New Hampshire after his senior year was only going to add more runway. And it did, Wade got plenty of offers from Division 1 schools, but then came COVID.

“That whole college process was very tough because of the time, it was COVID. I think it was the first year that COVID really hit. It was kind of a bad time,” Wade recalls. “The transfer portal was huge that year, a lot of people were transferring and a lot of schools that did offer me spots, they were being taken because of that. So it was kind of tough finding the right fit somewhere, somewhere I would go and not just sit.”

It’s this theme of momentum, of wanting to be physically and mentally in the mix of the game through his own capabilities, that runs as an electrified thread through Wade’s decisions. His dad, obviously, knows this, and the decision to forego college and enter the G League Draft came through the two of them talking out what the younger Wade most wanted: to play basketball.

“[Colleges] kind of were just saying that they essentially wanted me to be a player that came in the first year and learned from the [older] guys,” he remembers. “We were thinking well, if I was going to do that, I might as well learn from the pros. To get a head start at that.”

Wade wasn’t even supposed to travel with the Stars, he was originally a practice player. He wasn’t betting on an automatic shot at more minutes than he would’ve seen in college by entering the G League, he just knew he had a better shot to work for them. But timing, on Wade’s side through his few months in the G League, suddenly switched.

“I was kind of in the middle,” Wade says of that time, “I knew I wasn’t going to go back to the G League, simply because I wanted to prove myself on a different stage, one where I could play more or in a better position than I would in the G League again.”

In that stretch, Wade still got up every morning to train and put in reps regardless of not knowing what his next move would be, or when. There’s a Kobe Bryant quote he admittedly does not want to mess up, but the gist is that taking chances in life is crucial, but in order to be able to take advantage of chances, you have to be ready for when they come.

“The [BAL] Combine came out of nowhere. It was like,” Wade snaps his fingers, “throwing you in the fire. I came out of there great, but if I wasn’t ready? You’ve got to be ready at all times, no matter what it is.”

The Basketball Africa League, now in its third season, held its second Combine in Paris in January. There, with a few months of playing pro under his belt and a renewed focus, Wade breezed around the floor in his lilting, dancer-esque pace, as unbalancing to defenders as it is mesmerizing to watch for the way he tends toward floaty stutter-steps and long, reaching strides. He impressed NBA and FIBA scouts alike, but it was the Capetown Tigers that called him up the weekend of his 21st birthday and offered him a roster spot.

“That experience, I can’t even put it to words,” Wade says, smiling wide, when asked how his experience in the BAL has been thus far. “Learning different languages, going to different areas, talking to different people, seeing like, How did they grow up? What have been their struggles? The things they like to do or don’t like to do. It’s really just learning. And me being able to be myself. I think a lot of people over there, they wanted to see me for me with no strings attached to it.”

Growing up around basketball, Wade wasn’t a stranger to travel and the broader, global perspective it can lend. But he likens his time in Johannesburg (“Jburg”), where the Tigers practice, and Cape Town so far as taking a big breath of fresh air, all for himself.

“I think this was unique because it was solely mine this time. I was out there, I had to figure it out,” Wade says, noting everything from the playing style, to the professionalism of the league and the lifestyle of the guys he was playing alongside, as things he was happily adjusting to. “And my name, Zaire, is original to Africa, the DRC, so I was close to the DRC for a short time — so things like that, when I was a kid it’s never where I thought I was going to be.”

More and more, athletes are figuring out alternate paths either into the NBA, or into professional basketball abroad. Part of this is due to the game’s broadening global footprint and rise in popularity, and part is due to the staggering increase in talent and skill of hopeful young players overall. Even moves like Kemba Walker deciding to play abroad and signing with Monaco signal that there doesn’t have to be just one, linear line when it comes to making a career.

“I think it’s definitely something that’s going to help me in the long run, especially in furthering my career and seeing where I can take it. Now I’ve got eyes on the world to see how they play,” Wade says, when asked how he sees his path thus far as an asset. He also touches on the different approach to the game he’s noticed in international players, like Nikola Jokic or Giannis Antetokounmpo.

“It’s a whole different style of play. I was touching on it a little bit [this year], the passion,” Wade says. “And I wouldn’t say we Americans don’t have passion, because we obviously do, but you see guys like Jokic, and Giannis, they play for their respective countries. Versus, we play for our families or because we simply love the game.”

He comes back to a saying his Tigers teammates use before games, “Show what it means to be a South African.” Wade says really, it means to represent whatever it is you stand for, and aside from the physical play, it’s what he considers one of the biggest edges he’s taken from his time in South Africa so far.

Talking with Wade, and seeing secondhand the way his dad is — especially when it counts — his biggest fan, the way their relationship is oversimplified as either nepotism or a long shadow that Zaire will forever be working to escape from feels like a myopic and bleak categorization. It’s also a stale duality that, as more sons and daughters of former players enter the pros, is due for retirement. Dwyane Wade was certainly there to help Zaire navigate the hard and first time big decisions, like any parent would, but it was in making those decisions that let Zaire step out onto his own for the first time.

Wade is comfortable with the comparison. He laughs when he shares how he teases his dad about where he might be if he knew as much about health and wellness and the two do now, or in acknowledging there’s no escaping becoming your parents. Part of what he liked so much about their shared Thorne campaign was getting to work alongside each other.

“‘Cause I feel like he’s an older me, right? Just kind of looking at myself, how I’m going to be personality wise. Just the way he approaches business as well. Like we joke around, but he knows when to get serious. He’s a role model for me as far as that goes,” Wade says, recalling how he watched his dad closely on set when they recorded their campaign commercials, how he moved and interacted with everyone.

There’s another finer, harder to pin down point that automatically citing basketball nepotism tends to bulldoze over. There’s a reclamation of time in the Wade’s relationship. The best case scenario is that Zaire is able to figure out his own path, but save on some of the missable mistakes his father made. Timing, in this way, doesn’t have to split. It can align in what the two want for each other.

The summary of this — and the way Zaire Wade’s approached his career — came in an answer he gave, when it came to how overwhelming the world of supplements, health and wellness can be for people who aren’t pros.

“You’re perfectly fine,” he said, “you just have to find something for you.”

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Roy Woods’ New Album ‘Mixed Emotions’: Everything To Know Including The Release Date And Tracklist

Roy Woods has been a slow-burner since signing with Drake’s OVO Sound imprint, releasing his Say Less LP in late 2017 and the six-song EP Dem Times in May 2020.

“After an almost three-year wait, one would expect a full-length project to emerge from Roy Woods as it did with his labelmates. Instead, Dem Times serves as the segue between chapters, one filled with anticipation and energetic sounds that would have performed well in the summer that once was. The EP doesn’t shine as brightly as his debut album did, but its components give hope in the Brampton native’s future,” Uproxx’s Wongo Okon surmised while reviewing the EP.

And now, it has been another three years since Dem Times, and Woods is finally primed to deliver Mixed Emotions the full-length that his fans have been expecting.

Below is everything to know ahead of the album’s release.

Release Date

Mixed Emotions is out this Friday, July 28, via OVO Sound/Warner Records.

Tracklist

1. “Made Mistakes”
2. “Young Boy Problems”
3. “Don’t Love Me”
4. “Hate Me” Feat. Coi Leray
5. “Test What I Know”
6. “Down Like That”
7. “That Thing” Feat. Jada Kingdom
8. “Dime”
9. “Insecure”
10. “Bad Bad”
11. “Don’t Mind Me”
12. “Unsettling” Feat. Vory
13. “Touch You”
14. “Gas Out The Window”
15. “You Ain’t In Da 6”
16. “Thought It Was You”
17. “I Just Wanna Love”

Features

Woods didn’t tap his fellow OVO artists like Dvsn or PartyNextDoor. Instead, he went with Coi Leray, Jada Kingdom, and Vory.

Artwork

Singles

So far, Woods has released “Don’t Love Me,” “Don’t Mind Me,” “Test What I Know,” and “Young Boy Problems.” The most recent single is “Test What I Know,” which arrived last week. In an Instagram video, Woods explained the track “finishes the series of this love story that I speak about” and is “one of my most favorite songs.”

Tour

As of this writing, Woods has not yet confirmed a supporting tour but could very well take Mixed Emotions out on the road later this year.

Mixed Emotions is out 7/28 via OVO Sound/Warner Records. Find more information here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Ron DeSantis’ Campaign Is Such A Dumpster Fire That Biden Reportedly Wants To Run Against Him, Not Trump

Things aren’t going great for Ron DeSantis.

The very normal Florida governor’s team recently fired a campaign staffer who shared a video featuring a neo-Nazi symbol. His plan to “sic” kook conspiracist Robert F. Kennedy, Jr. on the FDA and CDC is being side-eyed by fellow Republicans. And his big-money donors are telling him to stop doing “stupid stuff.” No wonder his unfavorable rating keeps rising.

How grim is the outlook for ol’ Meatball Pudding Fingers (which sounds like the name of a baseball player from the 1880s)? Joe Biden is privately hoping he wins the nomination over Donald Trump because he knows he’ll have a better chance at becoming the first two-term president since Barack Obama.

Rolling Stone reports that “some of Biden’s closest confidants have in recent weeks told the president that DeSantis has performed so poorly in the primary, that the governor would likely be notably weaker than Trump in a match-up against Biden.” Biden has allegedly agreed with this assessment.

It wasn’t always this way. As recently as late last year, there was a widespread feeling among Team Biden and prominent Democrats that the governor was the more formidable candidate than the twice-impeached former president. But the more they’ve seen of DeSantis running a presidential campaign, the less concerned they’ve become about whether he can be beaten.

As a senior Biden administration official told Rolling Stone, “I guess I could explain to you the… current position by asking a question: Have you seen what Ron DeSantis has been up to lately?” Unfortunately, yes.

(Via Rolling Stone)

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The ‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ Reviews Absolutely Love Seth Rogen’s Take On The Classic Heroes

The first reviews for Teenage Mutant Ninja Turtles: Mutant Mayhem are rolling in, and critics are loving Seth Rogen‘s “fresh” and “unexpectedly funny” take on the classic heroes in a half-shell.

After several live-action attempts, Rogen and director Jeff Rowe decided to roll with a well-received animated approach that brings the Turtles back to their indie comics route. While the film definitely appears to give off heavy Spider-Verse vibes, Mutant Mayhem surprisingly distinguishes itself thanks to the all-star voice cast and Rogen and writing partner Evan Goldberg’s script.

You can see what the critics are saying below:

Mike Ryan, Uproxx:

It has a surprising edge for an animated film that the other “live-action” movies don’t have. Also, the other ones – I mean both the ’90s films* and the Michael Bay-produced movies – I guess they have their moments but they are mostly forgettable and phony. There’s a sense of personality and life in the Turtles in Mutant Mayhem that the other movies just seem to try and force. This is the first theatrical Turtles film that comes anywhere close to that feeling in the mid-’80s of something that was weird and underground and a little edgy.

Frank Scheck, The Hollywood Reporter:

The film directed by Rowe (The Mitchells vs. the Machines) and co-directed by Kyler Spears features vibrantly distinctive visuals that perfectly suit the rambunctious and frequently violent proceedings. The dialogue proves consistently amusing (not surprising considering Rogen’s participation), and the fact that the young actors voicing the TMNTs were actually teenagers when they recorded their performances infuses a welcome youthful energy to the goings-on. The celebrity performers seem to be having a blast as well.

Peter Bradshaw, The Guardian:

This new animated origin story for the chelonian adventurers is unexpectedly funny, with a rather stylish crepuscular design. You’ve heard of the Spider-Verse; this is the Turtle-Verse.

Pete Hammond, Deadline:

Rogen’s and long time partner Goldberg’s script is heavy on pop culture humor in all the best ways, but taking a page as well from the youth emphasis of the Tom Holland Spider-Man as well as the hit animated versions. Teenage Mutant Ninja Turtles: Mutant Mayhem is young to its core, virtually reinventing the concept right down to the casting of the voice actors in the four title roles. Fans will not be disappointed with any of the decisions here, notably the scattershot animation that feels rough around the edges, stylish, anti-CGI blandness, and visually surprising and satisfying.

Kate Erbland, IndieWire:

“Teenage Mutant Ninja Turtles: Mutant Mayhem,” the latest entry into the half-shell canon, is another fresh, funny animated outing that breathes serious new life into a classic franchise, proving that even old IP has its legs (claws?). Directed by Jeff Rowe and scripted by Rowe, Seth Rogen, Evan Goldberg, Dan Hernandez, and Benji Samit (Rogen and Goldberg also produced through their Point Grey banner, while Rogen voices the iconic mutant warthog Bebop in the feature), “Mutant Mayhem” will inevitably draw comparisons to the “Spider-Verse” franchise. But it ably stands on its own as a genuinely entertaining film for the whole family.

Germain Lussier, io9:

If a movie can make you smile so much it hurts, it’s probably a good movie, and that’s absolutely the case with Teenage Mutant Ninja Turtles: Mutant Mayhem. The film is dynamite, perfectly blending a modern, childlike wonder, with a healthy dose of 1990s nostalgia, wrapped in a heartfelt, relatable story about growing up and feeling different.

Clarisse Loughrey, The Independent:

Refreshingly, these teenage turtles are now actually voiced by teenagers. As a result, Leonardo (Nicolas Cantu), Donatello (Micah Abbey), Michelangelo (Shamon Brown Jr), and Raphael (Brady Noon) sound convincingly young and dumb. When Leonardo claims he’s got “rizz” (for the oldies, that means “flirtatious charm”), it doesn’t sound four years out of date – a near-miracle in the world of studio filmmaking. And when they all start chanting “bacon, egg, and cheese”, it’s with the impenetrable chaos of four siblings so close that they’ve concocted their own dialect.

Tomris Laffly, The Wrap:

Rogen and his co-writers—Rowe, Goldberg, Dan Hernandez and Benji Samit—invitingly nod to the essence of the classic “TMNT” and freshen it up with a teen spirit, an inclusive cast and a few amusing internet pop-culture references. These range from funny to tired—one that debates for the millionth time which famous Chris is the best Chris. (Sorry, Evans fans)—and on rare occasion, to SNL-level unfunny. Yet, on the whole, it leaves the right wise-cracking aftertaste that you come to these movies for.

Teenage Mutant Ninja Turtles: Mutant Mayhem slices into theaters on August 2.

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LeBron James Thanked Fans For The Outpouring Of Support For Bronny And Says ‘Everyone Doing Great’

The sports world woke up to shocking news earlier this week that Bronny James had gone into cardiac arrest during practice at USC on Monday and had to be taken to the ICU. By Tuesday morning, Bronny had been moved out of the ICU and was in stable condition, per the family’s official statement.

In the immediate aftermath, fans and other athletes sent the James family messages of love and support, including Bills defensive back Damar Hamlin, who offered to provide support for Bronny throughout his recovery process having gone through the same thing earlier this year. There had been no official updates or statements from the James family for the past 48 hours since the initial news was released, but on Thursday LeBron took to Twitter to thank everyone for the outpouring of support they’ve gotten and to provide a brief update, noting “everyone doing great.”

As James notes, the whole family is now together “safe and healthy,” which is obviously terrific news, and he notes they’ll have more to say in the future once they are ready. For now, he wanted to let everyone know they had seen all the love and appreciated it immensely, and hopefully the updates will continue to be positive on Bronny’s recovery from a terrifying situation.

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Jessie Ware Invited Róisín Murphy To Her Disco-Pop ‘That! Feels! Good!’ Party, Spicing Up ‘Freak Me Now’

Jessie Ware dropped That! Feels! Good! in April, a shimmering pop-disco record primed to thrive during the summer months and tapped by Uproxx as one of the best pop albums of 2023 so far.

Ware said that “Pearls,” a February single, was “inspired by divas like Donna Summer, Evelyn Champagne King, Teena Marie, and Chaka Khan.” On Thursday, July 27, Ware invited “the queen of disco” Róisín Murphy to her That! Feels! Good! party to spice up the already-infectious track “Freak Me Now.”

“It is a huge honor to have the queen of disco, Róisín Murphy on ‘Freak Me Now.’ I messaged her hoping she may be interested in featuring on the song, and before I knew it, she was in the studio,” Ware said in a statement via press release. “She recorded all her vocals for the track and sent them over to us. I have admired her work for so many years [and] respect her so much.”

Ware continued, “To have her on one of the most fun tracks on That! Feels Good! Is amazing. I can’t wait for us to do this together live in the future! I know my fans are gonna go crazy about this, as am I. I still can’t quite believe we are on a track together and have done a bonkers video together. She is graceful, she is generous, she is pioneering, she is Róisín Murphy and she is on ‘Freak Me Now!’”

Murphy added, “Jessie is just brilliant, a super talented songwriter and an amazing singer. She’s truly beautiful, but she’s also very funny and never takes herself too seriously. We’ve been talking about working together for a while. When she sent me ‘Freak Me Now,’ I just adored it and felt it was perfectly right for me to be on the song. We had mad fun dressing up on the day of the video, it was fashion chaos! Like a high-class jumble sale, behind the scenes. We laughed at our ridiculousness and we were very silly all day! Just love her and loved everything about working with her.”

The accompanying video will premiere on YouTube here in the coming hours.

In the meantime, listen to Ware’s updated “Freak Me Now” with Murphy and check out Ware’s upcoming headlining dates below.

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No One Knows What Marjorie Taylor Greene Was Talking About With Her Latest Philosophical Classic On People Who ‘Unthink Unconsciously’

Marjorie Taylor Greene somehow did not make a big deal out of that congressional hearing on UFOs that freaked so many others out. Instead, she kept up her calls for President Biden to be impeached, and dang, the congresswoman from Georgia has boundless energy. She also has an abundance of verbal gaffes in her roster, ones that she would surely not let Biden drop without accusing him of crimes against humanity or something.

Never forget, as well, about the “gazpacho police” debacle and the “peach tree dish” menace from Greene. She also appears to be (intentionally?) statistically challenged, but Greene has a new hit on her hands. It’s sad to say that the context doesn’t matter all that much on this video clip because Greene could have dropped this word salad about any one of her favored topics.

Here, she’s possibly arguing for more military funding while bashing education that mentions the word “gender,” which led to this philosophical little ditty: “This type of funding should not go to… educating people about how they unthink unconsciously without knowing how they think.”

Double negative aside (and I do love a good double negative for effect when it’s intentional, which this was not), this is like Goop’s “conscious uncoupling” on partisan steroids. Let’s just say that responses including “Move over Kant” and “She definitely does not unthink what she’s thinking that she shouldn’t have thunk about thunking” were only the beginning of the WTF factor here.