In 2022, as GloRilla’s breakout hit “FNF (Let’s Go)” dominated playlists and airwaves, fans breathlessly speculated about which of her fellow rap it-girls would appear on the track’s heavily anticipated remix. When it did come out, they got a surprise: while it had originally been billed to feature Saweetie, the released version instead featured JT of City Girls and Latto.
The abrupt change led to rumors that GloRilla and Saweetie had some behind-the-scenes issue — rumors that GloRilla did her best to brush off later that year. But at last night’s Billboard Women In Music Awards, the two rappers shared a sweet moment backstage that should put the rumors to rest once and for all. In a video making the rounds on social media, GloRilla appears to have noticed Saweetie walking by as she posed for photos. Ditching the shoot, Glo traipses over to intercept Saweetie and they exchange kind words and hugs.
At some point during the night, they also posed for Getty photographer Michael Buckner, resulting in a raft of pics of the pair embracing. It looks like they’re on relatively decent terms, so while there’s still no explanation on why the “FNF” remix didn’t feature Saweetie, perhaps we’ll get another collaboration instead.
Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Despite House Speaker Mike Johnson begging his fellow Republicans to act with decorum, Marjorie Taylor Greene showed up to the State of the Union address ready to heckle. While decked out in full MAGA garb, the Georgia congresswoman was fully prepared to put on a spectacle. Instead, she got shut down by President Joe Biden in a viral moment for the ages.
While greeting politicians on the House floor, Biden encountered Greene who expected to have a “gotcha” moment with the president thanks to Greene’s “Say Her Name” T-shirt referencing the death of Laken Riley, a nursing student from Georgia who was allegedly killed by an illegal immigrant. Instead, Biden displayed an impressive level of comedic timing by reacting to Greene with mock surprise before walking away with a grin.
The moment immediately went viral thanks to Biden’s hilarious facial reaction, which flew in the face of increased talking points surrounding the president’s age. However, Biden didn’t stop there either. During his State of the Union address, he called Greene’s bluff by saying Laken Riley’s name and holding up a pin that the congresswoman gave him.
It was a moment that Republicans should’ve seen coming considering Biden’s well-documented history of bipartisanship, but this latest batch of MAGA-infused GOP congress critters aren’t exactly the brightest bunch.
You can see more reactions to Biden clowning Greene below:
Cardi B is done letting anxiety get the best of her. With her long-awaited sophomore album slated to drop this year, she has a mountain of music to serve to fans. Her Missy Elliott-approved “Like What (Freestyle)” was just the start. Yesterday (March 7), Cardi took to Instagram to tease her follow-up record, “Miami.”
As a Bronx native, Cardi pulled inspiration for the tropical city for the forthcoming fiery track. From the studio, Cardi B shared an extended snippet of the record, and she’s giving major Gangsta B*tch Music, Vol. 3 energy. “Look, I see my opps linkin’ up / I’m like, ‘What in the f*ck?’ / If you scared then just say that / Ho, enough is enough / They was just in my DM’s / Ain’t no trustin’ these sluts / I’m about to call up Diamond / B*tch, knuck if you buck,” she raps.
According to the simple caption, the song will drop next Friday, March 15. Cardi B’s previous single, “Bongos,” with Megan Thee Stallion, was a take on Brazilian funk. For “Miami,” Cardi B is looking to bring back to the gritty streets of New York.
“Miami” is due out 3/15 via Atlantic Records. Find more information here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Eminem is one of the most recognizable rappers in the world today, but back in 1999, his debut video for “My Name Is” completely shocked the world. A relative unknown at the time the video dropped, Eminem quickly became a figure of fascination — and controversy –primarily because of the video. It featured imaginative visuals, provocative lyrics, and in perhaps most unusually at the time (at least to the mainstream masses), a white guy who rapped really well. The video boggled the minds of the American public, who still largely thought of Vanilla Ice’s parachute pants when the words “white rapper” came up in conversation.
For the video’s 25th anniversary, Eminem revisited the video with Vevo, revealing some of the secrets of its making via footnotes (for my fellow millennials, think VH1 Pop-Up Videos). In addition to being only the second video of Em’s then-nascent career, it was also a prime case of art reflecting life; in the footnotes, Em jokes that he may or may not have been on ecstasy during the filming.
“If you look closely at my eyes during the scene where I was dressed like Bill Clinton, it may look like I was high on ecstasy during that part of the shoot,” he wrote. “… but that’s just a rumor.”
You can check out the “My Name Is” video above and the Vevo “Footnotes” video below.
Charles Barkley‘s deep, years-long aversion of social media came to an end recently when he finally got convinced to join Instagram. As Chuck basically explained, being on social media in some capacity could help him in professional pursuits that go beyond appearing on television and trying to get Shaquille O’Neal to laugh really hard, so he’s now on IG even though he clearly is baffled as to how any of this works.
During last week’s edition of Inside the NBA, Shaq tried really hard to get Barkley to put #OnlyFans on every post he made — Kenny Smith was there to help, uh, make sure he doesn’t do that. And this week, Inside did a little check-in on how all of this is going for Chuck, who still is trying to learn on the fly.
The segment starts with Barkley getting asked if he knows how to go live, which, he does not. They went through the rest of the segment, and at the end, both Smith and Shaq convinced him that he should go live. Here’s how that went:
Of course, this is not what going live on IG is — Barkley just recorded a video and posted it. Here’s hoping that sometime in the next few weeks, we are, indeed, able to get Charles Barkley going live on Instagram in between games, because I imagine that would be very funny.
Each week our staff of film and TV experts surveys the entertainment landscape to select the ten best new/newish shows available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.
This series originally streamed on Max and found new life after moving over to Netflix for its second season of U.S.-based streaming. Jamie Dornan’s character took a hell of a road trip in the Australian Outback and has now crossed a few ponds to land in Ireland, where he’s attempting to make progress against those ultra-bad dudes who want to take his also-bad dude self off the map. At least Dornan can rest assured that he has escaped those Fifty Shades movies, even if his character here can’t outrun everything.
Netflix’s reigning rom-com queen Gina Rodriguez is back at it. This one kind of flips things on its head, though. Now it’s the ladies who are out partying and having one-night stands with no intention of settling down. At first. Will there be a twist? Maybe a meet-cute that makes our main character question everything they’ve believed to that point in their life?
Let’s go straight to Prime Video’s official description for this one: “This Is Me…Now is like nothing you’ve ever seen from Jennifer Lopez. Alongside director Dave Meyers, Jennifer has created a narrative-driven, cinematic original which showcases her journey to love through her own eyes.”
Hmm. As long as it features a minimum of 20 visits to Dunkin’ with her longtime partner Ben Affleck, we can support this.
Tom Hollander (not Tom Holland) stars in Ryan Murphy’s latest FX creation that’s already dubbed itself the tale of the “Original Housewives of New York.” Hollander plays Truman Capote (yes, that Truman Capote) a writer with a standing invitation to the brunch table of New York’s wealthiest women. He trades on his status as their confidante, writing a book about the scandals and secrets harbored within their Upper East Side brownstones which leads to an all-out society war that no one escapes unscathed. Come for the clothes, stay for the drama and the veteran actresses like Demi Moore, Calista Flockhart, and Naomi Watts who make this thing so deliciously messy.
17. American Conspiracy: The Octopus Murders (Netflix)
NETFLIX
A four-part true crime series that, per Netflix, “follows journalist Danny Casolaro’s mysterious death while probing an alleged conspiracy called “The Octopus” linking spy software theft, unsolved murders and major 20th-century scandals.” If your own life and the various spy shows and movies aren’t enough to freak you out thoroughly, this one could be a winner.
Paul Giamatti is picking up awards left and right for his performance in Alexander Payne’s latest film, which is great. For Paul Giamatti. But also for us. Like, as a society. Look at this: “A curmudgeonly instructor at a New England prep school remains on campus during Christmas break to babysit a handful of students with nowhere to go. He soon forms an unlikely bond with a brainy but damaged troublemaker, and with the school’s head cook, a woman who just lost a son in the Vietnam War.”
Our official position here is twofold: one, we support anything where Paul Giamatti gets to be curmudgeonly; two, we love to see Paul Giamatti thrive. This checks both boxes.
Two important things to know here. The first is that the premise of it all, summarized by Apple as “the story of how fashion icon Christian Dior and his contemporaries, including Coco Chanel, Pierre Balmain and Cristóbal Balenciaga, navigate the horrors of World War II and launch modern fashion,” sounds interesting.
The second is that the cast is straight-up loaded. Ben Mendelsohn, Maissie Williams, John Malkovich, etc. They really went all out on this one. That’s commendable.
The Sandman is the Spaceman. Adam Sandler stars in Spaceman, a science-fiction drama from director Johan Renck (Chernobyl) about a lonely astronaut who realizes his wife (played by Carey Mulligan) might not be waiting for him when he returns to Earth. Desperate to fix things, he gets advice from a mysterious talking spider voiced by Paul Dano, as one does. Spaceman is very odd and very sad, and Sandler is very good in it.
Kate Winslet as an unhinged autocrat in a problematic power struggle with her unpredictable mold-eradicating henchman that may or may not spark the downfall of an entire nation? Sign us up. As Elena Vernham, the chancellor of an authoritarian regime in fictional Europe, Winslet smooths over fascist ideals with maternal platitudes while insulating herself from the real problems of the world. It’s only when her home begins crumbling (literally) and her dead father begins haunting its halls (not so literally?) that her iron grip loosens enough for the vultures to sweep in.
Yes, there’s been a live-action adaptation of this IP already. And yes, people overwhelmingly prefer the Nickelodeon animated series, but here is another reimagining that will hopefully make everyone forget about that M. Night Shyamalan project. The setup will be familiar, of course. The story takes place in a world where the four nations (represented by the elements of Water, Earth, Fire, and Air) no longer live in harmony. Fire Nation destroyed the Air Nomads, and one young Air Nomad (Aang) must now ascend to his rightful ruling position and restore peace between the elements and realms. The Fire Nation is very angry, however, so watch out, Aang and friends.
24 years, 12 seasons, and countless social assassinations; Curb Your Enthusiasm is set to begin its end, promising a season filled with familiar faces (Ted Danson, Richard Lewis, Cheryl Hines, Vince Vaughn, JB Smoove) and misanthropic delights as Larry David readies to walk off into the sunset so he can strangle more muppets or do whatever else he does when he isn’t kvetching about required niceties and other peccadilloes. Whether this season will be funny is not in question. Whether Larry’s “character” makes it out alive is.
No streaming service is doing sci-fi quite like Apple TV+ and this entry into the genre continues that winning streak. Starring Noomi Rapace as an astronaut who survives a disaster in space only to return to a slightly off-kilter existence on Earth, Constellation is the kind of mind-melding thriller that sparks those most philosophical of questions: What? Why? Huh? More timeline hopping, government conspiracies, a truly fed-up Jonathan Banks, and some exquisitely directed Scandinavian night shots elevate the central mystery propelling most of the action here, as does Rapace who plays a woman on the brink in the most heartbreaking of ways.
Rick Grimes has been missing from TV screens for a handful of years and in The Walking Dead timeline for over a decade. Now, Michonne is about to save his ass and hopefully torch the CRM while she’s at it. Too much? Nah, this franchise went off the rails a long time ago, and that’s part of the fun. This spinoff ends up being a worthy love story within the parameters of this world, and existing viewers will adore it. Meanwhile, Daryl is still in France, now with added Carol, so they won’t be reinforcements for the “Save Rick” cause, but we can hope for a reunion.
Netflix’s take on this Guy Ritchie banger takes the best part of the crime thriller – the wild accents, the aristocratic drug smuggling enterprise, the suits – and expands on them, trading the frenetic energy of his two hour movie for a more interesting character study disguised as a posh power play. Theo James’ Duke inherits his family’s land, title, and (unknowingly) their stake in a criminal underground filled with the nastiest of characters, all captained by Kaya Scodelario playing a well-dressed, dubiously motivated mob boss with some fantastic one-liners. Should Guy Ritchie have been doing TV all along?
Millie Bobby Brown, kicks some dragon (and royalty) ass after discovering that she’s marrying a prince whose family decides to sacrifice her to a dragon as part of an enormously screwed-up ritual. This twisted fairy tale arrives in conjunction with Evelyn Skye’s novel (based on the film), and both prioritize world-building, so this movie should fly high on the streaming charts.
Emma Stone absolutely cooking in an awards-collecting movie about a lady who is brought back to life by a mad scientist and promptly starts skipping across continents on a journey of liberation
Emma Stone working with director Yorgos Lanthimos again
Did we really need a reimagining of the Brad Pitt and Angelina Jolie movie? Watch the first few episodes, and you might agree that this effort was not wasted. Donald Glover and Maya Erskine pick up as assassins who happen to be paired together (and “married”), and you aren’t ready for the rollicking, madcap, action-packed set of missions that they must complete (or else?). Even better: John and Jane Smith’s onscreen relationship is as much of daredevil stunt as the action scenes.
School’s back in session at Abbott Elementary and the show has made some big changes after the romantic cliffhanger that ended season two. Janine has a new job (and a new love interest), Gregory’s struggling to move on, Josh Segarra from The Other Two is auditing classrooms, and Ava Coleman is a Harvard (adjacent) graduate. Lord help Mrs. Howard. After a longer-than-expected hiatus it’s nice to see the Emmy-winning comedy reinventing itself instead of resting on its laurels, but don’t worry, there are plenty of Janelle James one-liners and Tyler James Williams pans to camera to keep things comfortably familiar.
Bottoms is a screwball comedy about two gay teenage girls who start a high school fight club as a ploy to hook up with their cheerleader crushes. Ayo Edebiri is in it. So is Marshawn Lynch. There are acts of vandalism set to 80s bangers and football players in cages and none of it makes any sense but it’s absolutely worth just rolling with it.
This one is a blast. And it’s streaming on the same website you bought your coffee maker on. The future is kind of wild.
With this historical biopic, Christopher Nolan unknowingly created an atomic amuse-bouche for a double-feature blockbuster viewing experience that saved cinema last year. But, watching Cillian Murphy’s cheekbones cut glass as he chain-smokes his way to becoming Death, Destroyer of Worlds for three-plus hours is just as much fun at home as it was in a packed movie theater. Sporting a packed line-up of A-list talent (hello future Oscar winner Robert Downey Jr.), a bone-rattling score, and some clever monochromatic cinematography to distinguish between its multiple timelines, Oppenheimer has more than earned its place on every nominations list this awards season. Now, go enjoy it in the way Nolan intended – streaming on Peacock.
Shogun really is that good. A historical epic set in feudal Japan that follows an English pilot (Cosmo Jarvis) who washes ashore during a time of political strife, it takes the kind of storytelling swings you just wouldn’t expect. Its most fascinating characters speak almost exclusively in subtitles (hello Hiroyuki Sanada, Anna Sawaii, and Moeka Hoshi), its action sneaks up on you, and its political intrigue is cutthroat. It’s Game of Thrones with samurais and it should be on everyone’s must-see list.
MAGA world believes that they are doing well these days after Super Tuesday, but are they really? Extreme voices keep flying out from the peripheral into the mainstream, in a world where Lauren Boebert and Marjorie Taylor Jones used to give the most out-there takes. There’s even a far-right gubernatorial candidate that The Daily Showhas labeled as “the GOP’s next top lunatic,” who misses the days when women couldn’t vote. Did that vibe somehow carry into the State Of The Union’s semi-festivities?
Well, yes. Republicans rolled out a rebuttal speech from Sen. Katie Britt (of Alabama), who delivered incredibly dramatic words from her kitchen. As The Washington Post‘s Eugene Robinson noted on MSNBC’s Morning Joe (via Raw Story), “You had Senator Katie Britt, for some bizarre reason, they decided to stage her in apparently her kitchen, which says a lot about how the Republican Party sees women.”
The speech felt like a promotion of the Internet’s tradwife trend and was intensely overwrought, as though Britt didn’t trust her audience to understand every word without deliberate enunciation.
Blaze TV radio host Steve Peace was not a fan and even believes that SNL won’t have to alter the speech: “I would just play the actual speech. I wouldn’t even try to parody it.” He added, “[T]hey went with the offspring of CHUD impregnating a Stepford Wife.”
If I were SNL I would just play the actual speech. I wouldn’t even try to parody it. All the GOP had to do was put an actual lucid and relatable human on after Biden. Instead they went with the offspring of CHUD impregnating a Stepford Wife. https://t.co/OrfzwzEjd3
From there, criticism flew from all sides with people wondering if this was a Misery reboot audition video or a “kitchen ransom video.” Also, why was she “smil[ing] as she talks about how American families are hurting”?
I knew Katie Britt sounded familiar…just needed the internet to add the Sarah McLachlan song from the ASPCA commercial over her …@JustVent6pic.twitter.com/kYHVaL7mFb
— Wu Tang is for the Children (@WUTangKids) March 8, 2024
Sen Katie Britt says sexual assault is the worst thing that can happen to a woman while encouraging Americans to vote for a convicted sexual predator. pic.twitter.com/oKZdUZuy3u
Katie Britt is outraged that border policies might be responsible for girls being sexually assaulted, but she’s not outraged that Donald Trump is a rapist. Make it make sense.#SOTU2024 GOP responsepic.twitter.com/XQ3niePOpR
Megan Thee Stallion’s time in Japan for the 2024 Anime Awards has been a sight to witness. From her over-the-top costume changes and fun choreography collaboration, the “P*ssy Don’t Lie” rapper has been living it up. Yesterday (March 7), Megan dialed things up a notch with an interesting culinary experience.
While dining out, Megan recorded herself trying a shot of Habushu (or Habu Sake). Although Megan enjoys a great cognac every now and again, this liqueur was no ordinary adult beverage. In fact, the slithering wine shot was poured directly from a bottle with an actual dead snake in it.
The video captioned: “LOL should I show y’all all of the food/drinks I’ve been trying out in Japan ? I just had to taste this dang snake drink ,” had fans crawling in their skin.
As Megan tried the shot, she couldn’t help but feel conflicted. “I didn’t even know snakes had a taste,” she joked. “But that, that tastes like a snake.”
In the comment section, followers were in awe of the specialty beverage.
“Not you out there trying snake wine. They got you going all types of side quests and challenges,” wrote one user.
TikTok
“Megan, how did you have the courage to drink this,” asked another.
TikTok
“I’d be scared of the snake decomposing, and I’m drinking it—dead, nasty snake. Not for me either, girl,” wrote another.
TikTok
“The way I didn’t even realize this was Megan. I was too busy looking at the snake,” penned another.
TikTok
“I always looked at those bottles like crazy when I used to live in Okinawa LMAO. I’m curious about how it tastes now,” chimed in another.
TikTok
“You really took ‘Hiss‘ promo seriously,” joked another, referring to her recent song.
TikTok
When Megan Thee Stallion returned to music with her single “Cobra,” she said she was scaling away from her past. But the public had no clue that meant her dietary norms of hot chips and even spicier sandwiches.
Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
The first reviews are rolling in for Imaginary, the latest horror film from Blumhouse that centers around a murderous teddy bear. Unfortunately, the studio does not have another M3GAN on its hands.
Based on the early reactions, Imaginary is being lumped in with a more recent Blumhouse release: Night Swim. That film was roundly panned for its dull pace and tepid thrills, and Chauncey the killer teddy bear is doomed to a similar fate thanks to a notable lack of kills. M3GAN would never have left this much food on the table.
Onto the trash pile of middling killer-children’s-toy horrorshows one must now toss Imaginary, a lifeless hodgepodge of the hoariest cliches the genre has to offer. Lifting liberally from countless scary movies (with Henry Selick’s Coraline near the top of that list), this throwaway features creepy basements, harrowing nightmares, unsettling old ladies, fuzzy memories, bratty teens, helpful therapists, mentally unstable adults who can sense the supernatural, eerily bouncing balls, spooky shadow lanterns that play unnerving lullabies, foreboding kids’ drawings, uncanny family photographs, witchy magic rituals, secret doorways, inhuman specters, alternate universes, giant monsters, and M.C. Escher dreamscapes. Creakiest of all its hackneyed devices, though, is its villain: a teddy bear whose malevolent designs are about as routine as its appearance is mundane.
In its skittery, overlayered trickiness, what “Imaginary” lacks is a grounded feeling for the psychology that binds children to the friends they make up. “M3GAN,” which was also a Blumhouse production (a far superior one), had that kind of catchy and scannable horror-film psychology in the relationship that developed between Violet McGraw’s Cady and her lethal robot-doll BFF. But psychology, in too many films these days, is the dramatic ingredient that gets left on the shelf (that’s true even in a certain current acclaimed big hit — a movie with more sand than psychology). “Imaginary,” despite a few creepy moments, is starved for scenes that make the fear it’s showing you relatable.
Imaginary, which starts out as a relatively low-key suspenser with intriguing psychological depth, eventually succumbs to the inanities plaguing so many recent horror efforts (like the killer pool in the same company’s Night Swim). It’s a shame because Wise delivers a very strong performance as the beleaguered heroine and has fine support from the younger players, with Braun haunting as the little girl desperate for a friend, even one in the form of a not particularly cuddly teddy bear. She would have been better off with Ted.
It’s hard to know where to start in describing how bad Imaginary is. The new horror movie from Blumhouse and director Jeff Wadlow (Kick-Ass 2) starts with the simple but promising premise of a haunted stuffed animal and a malicious imaginary friend, but its bland characters, muddy storytelling, and lack of scares leave behind a movie more lifeless than a teddy bear with no stuffing.
While it desires itself to be a horror film, what ensues over the course of its runtime feels more like a confused study of tropes that never pay off. For its genre aspirations, “Imaginary” has a pointed lack of scares and gore, relying more on the mere idea of what its concept could be rather than what the film actually is. There’s no carnage candy or heart pounding suspense to relieve the film from its droning pace, and instead it gets caught in a cycle of disappointments as the suggestion of bloodshed or tension fizzles into yet another fake-out.
Wadlow has spoken of his desire to make a four-quadrant horror intended for a broader audience, the likes of which audiences saw more of in the 1980s, operating like a roller coaster that’s exciting in the moment but unlikely to leave a mark. It’s an admirable mission statement and given how self-serious so many horror films can now be, aiming for more fun is no bad thing but Imaginary is far too dumb and ungainly to move at the pace required and bring the thrills it should, a theme park ride that should be closed for repairs.
Ariana Grande was on top of the pop world a few years ago with her 2019 album Thank U, Next and 2020’s Positions. Since then, though, fans have been waiting for more. More has finally arrived: Her new album, Eternal Sunshine, is out now. Grande also marked the release with a fresh video for “We Can’t Be Friends (Wait For Your Love).”
The song is a thumping banger led by synths and inspired by ’80s pop sounds. On the track, Grande comes to terms with the fact that a relationship isn’t going to turn out the way she had hoped. As for the video, it’s inspired by the memory-erasing procedure from the movie Eternal Sunshine Of The Spotless Mind.
Meanwhile, in a recent Zane Lowe interview, Grande explained how her time away from music changed her relationship with it, saying, “I had a very interesting relationship to music before I left for Wicked. I think that the time away was really healing. It’s so interesting because I came back and I’ve loved every minute of making this album: the videos, rehearsing, putting the roll-out together, doing the photo shoots, every single part of it. More than ever before in my life, I’ve been able to be so much more present and enjoy it and savor it this time in a way that I don’t think I was able to before.”
Watch the “We Can’t Be Friends (Wait For Your Love)” video above.
Eternal Sunshine is out now via Republic. Find more information here.
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(@snowpatrol33) March 7, 2024
(@tweetforAnna) 
t Henderson Fan Club (@ginamarina) 
charleswbarkley/IG 
(@7Veritas4) 
(@Brick715) 
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(@NotHoodlum) 
I just had to taste this dang snake drink 
