Time has been kind to Seinfeld (which debuted more than 30 years ago as The Seinfeld Chronicles). It’s still relatable, it’s still clever, and with star Jerry Seinfeld about to release his directorial debut (Unfrosted, a satire of corporate biopics about the creation of the pop-tart) and Seinfeld‘s influence on the Curb Your Enthusiasm finale, it’s also weirdly still relevant, with people gobbling up reruns on Netflix regularly. All of this makes picking the top episodes so hard: there really aren’t that many that feel hollow or which don’t deserve some kind of lengthy tribute. Still, we wanted to break down those that still stand out for their contribution to the show’s legend and television as well as the ones that still generate the most laughs and we had to put the cutoff somewhere.
To be sure, this is a highly subjective endeavor. You’ll see episodes on this list that you probably haven’t seen on other lists like this and there will be choices and rankings that you may not agree with. In the end, however, this is mostly an effort to celebrate Seinfeld and riff on its goodness.
A note on timing: this is an expansion of the original list that ran a few years ago. We might just keep adding to it, so if your favorite isn’t represented, give it time and let us know on social.
20. The Fix-Up (Season 3, Episode 16)
The Story: An expanded PSA about the dangers of using a condom pulled from a paper bag as Jerry and Elaine insert themselves into George’s love life.
Why It’s On The List: There are episodes of Seinfeld that feel a little un-Seinfeld: Jerry and Elaine trying to make a go of it as a real couple again, the gang trying to do good deeds by helping a trio of old people, the series finale. “The Fix-Up” is another, focusing largely on George’s romantic dry spell and Jerry and Elaine’s attempt at playing matchmaker. To be fair, they’re pretty hands-off as TV matchmakers go, but the idea that they’d care enough to hatch the plan in the first place feels like a stretch and like the kind of conventional sitcom character behavior that the show typically thumbed its nose at. That doesn’t mean it’s not highly effective television, it just feels odd.
Credit guest star Maggie Wheeler for that. Before she became cemented in everyone’s minds as Janice on Friends (Oh… My… God), she popped up on Seinfeld as Elaine’s sardonic and single friend. The divide between those two characters is a testament to an actress who probably got pigeonholed by the popularity of that other character, but wow is she a great match for George here. Seinfeld only did long-term couples twice with George/Susan and the Puddy/Elaine on and off and on again relationship, but of all the one-off affairs that the main characters had with a parade of guest actors, Wheeler might be the most one that got away of the bunch. I would have loved to see so many of the Susan storylines in her hands, specifically the-death of independent George. Though the universe usually had a way of putting George in his place, it would have been amazing to see Wheeler’s character get more chances to beat it to the punch.
19. The Pick (Season 4, Episode 13)
The Story: Kramer’s shot at fragrance fortune is thrown into jeopardy, as is Jerry’s shot at a continuing relationship with a supermodel from an episode down near the top of this list.
Why It’s On The List: Part of Seinfeld’s charm is that, for the most part, you can stumble onto any episode and enjoy it without an atlas describing exactly what phase of their lives the characters are in or where things stand in that season’s arc. To a degree, these episodes function as barely connected sketches. I love that, but I also enjoy the way the show puts down a thread and picks it back up with some level of randomness. Lives aren’t tightly constructed plays. Relationships and endeavors can sit on a shelf. Seinfeld got that, and it’s on display here as we’re made to recall Kramer’s efforts to sell a cologne that smells like the ocean and Jerry’s developing relationship with the model he meets on the plane in “The Airport.” It’s like a little treat for those of us who have been paying attention, but not required reading because the backstory is so quickly and cleanly handled.
As for standout moments from this episode, you can’t go wrong with Jerry’s impassioned speech referencing The Elephant Man while defending the rights of nose pickers everywhere. Jerry gets a lot of crap for being the weakest actor in the cast, but while he didn’t have as broad a range as his colleagues, he got better and better as the show went on and really put his back into moments like this.
18. The Junior Mint (Season 4, Episode 20)
The Story: A former hospital-bound boyfriend of Elaine’s becomes newly appealing to her after losing a bunch of weight before Jerry and Kramer almost kill him in the most refreshingly weird way.
Why It’s On The List: The moment, here, where Jerry and Kramer track the soaring Junior Mint as it heads toward Elaine’s ex-boyfriend’s open bodily cavity is one of the show’s best slapstick moments. Absurd and wonderful, the whole thing sets off a panic in these two idiots that’s a delight to watch as they wait to see if they actually killed this guy – paying off George’s bet on dead artist futures.
The Mulva mix-up is minor by comparison, but a great meta-comment on Jerry’s hollowness (and likely sexual ineptitude) when it comes to his love life. As per usual, no lessons are learned, but it’s great to see him try to figure out a way to solve the puzzle of his girlfriend’s name. Especially with a murder by mint case hanging over his head.
17. The Boyfriend (Season 3, Episodes 17 & 18)
The Story: A two-parter, Jerry falls hard for a friend crush and Unemployed George does everything in his power to stay on the government teet.
What It’s On The List: Baseball legend Keith Hernandez is fantastic as the object of both Jerry and Elaine’s affections, but it’s the dip into parody of the film JFK that makes this episode. With Seinfeld again acting above his weight class, we get a flawless reenactment scene in what feels like a tacked on story about why Kramer and Newman hate Hernandez, wrongly thinking he spit on them after a game in the ‘80s. Jerry getting all wrapped up in the emotion of being seen by his baseball hero and then outraged by a friendship level jump is great, also. Sadly, friends the world over never took the lesson from the show about just hiring movers over thinking manual labor exists as a perk of friendship.
Also, a little praise for the best George, Unemployed George, the King of Losers. His survival instincts were on full display when he was out of work and seemingly out of options. Here, he’s prostituting himself out to the daughter of the woman holding George’s benefit future in her hands after his doomed effort to make Vandelay Industries into a thing. George, laying face down and pants down on Jerry’s floor, failed in his effort to pull off his latest scheme provides a perfect a visual of George. As perfect as Jerry’s read of the situation: “And you want to be my latex salesman?” Friendship is many things, but a never ending chance to give our friends hell when they’re down? Absolutely. Or at least, that’s what Seinfeld taught me.
16. The Baby Shower (Season 2, Episode 10)
The Story: Jerry is distraught over not being able to watch the Mets on TV but has second thoughts over Kramer’s scheme to hook him up with stolen cable. George plays a long game to get revenge over a date gone bad from years before while Elaine tries to impress one of her elitist friends from a time before she decided to slum it with the boys.
Why It’s On The List: Elaine is, inarguably, a better person than Jerry, George, and Kramer. She has a finer upbringing, better prospects, and something approaching empathy and self awareness, at least compared to the psychopaths, liars, and moochers she hangs around with. There are several episodes where we see Elaine longing for a life outside of the group. She’s desperate for it, lowering herself for a snobby performance artist who oddly tasks her with throwing a baby shower. It’s not Julia Louis Dreyfus’ most dynamic work, but it adds a tinge of sadness to Elaine’s story even in an early series episode.
George as a sad sack is nothing new and he also lowers himself in the presence of Elaine’s fancy friend, who once threw chocolate sauce on him in the midst of a show while on a date with him. His plan to finally tell her off should resonate with anyone who has ever wanted to say the exact right thing to someone who wronged them (an idea paid off hilariously in “The Comeback” years later). The star of the episode is actress Margaret Reed, who plays someone Jerry dated and tossed aside. Her embarrassing and ferocious verbal takedown of him, using words George had planned, rings in the ears. It’s another example of the writers winking at Jerry’s dating carousel.
As for Jerry, his high moment comes in the violent dream sequence. It’s a suspension of reality that the show rarely did, but worth it for the over-the-top Godfather toll plaza level visual of Jerry being gunned down and Kramer’s over-acting as he holds his bullet riddled body, calling him his little Cable Boy.
15. The Bubble Boy (Season 4, Episode 7)
The Story: A trip to a cabin proves disastrous as a bubble boy clings to life and angry villagers (and diner patrons) run the gang out of small-town New York.
Why It’s On The List: The randomness of it all? Jerry Seinfeld, Larry David, and the show’s writers excelled at minimizing the shock of an absurd situation to nestle it nicely into the world they were building. It all connected and made sense, somehow. A dickhead in a bubble, a diner misadventure, and eventually a cabin on fire that ties to another all-time episode on this list. Sure.
14. The Bris (Season 5, Episode 5)
The Story: Outer fringe friends Stan and Myra (and they were never heard from again) have a baby and bestow the awesome honor Godfatherhood on Jerry while Kramer gets wrapped up in a possible conspiracy to conceal the existence of a Pigman at a New York Hospital. Naturally, George finds a way to get screwed over by life.
Why It’s On The List: A mohel channeling Rodney Dangerfield is a special treat, as is the Pigman and Kramer’s infatuation with the idea of him. But George, poor bitter and callous George. How he lays out the case for why the hospital should pay for his caved in car (because a patient leapt off the top of said hospital landing on said car) is so respectful yet wormy that it becomes captivating. We will discuss the sheer heights of George’s bullshit powers later, but for now, I’m more fascinated by the depths because his willingness to go down with the attempt despite lasers being stared through him shows a level of indifference toward the awkwardness of that moment that I wish I could nip.
13. The Dinner Party (Season 5, Episode 13)
The Story: Jerry and Elaine’s patience is tested as they endure the rarely matched hell that is waiting in line in a New York bakery while George and his big fat coat wreck a liquor store before he gets tossed out in the cold to deal with not Sadam Hussein.
Why It’s On The List: Seinfeld‘s relatability is part of its charm but there isn’t a soul who wouldn’t opt for George’s suggestion that they all go in on some snack cakes and soda after the second time in line or finding the hair in the first babka or witnessing the woman behind the counter’s hacking cough. Still, everything that happens here is evidence that going out of your way to adhere to supposed social niceties is a step toward pain and some kind of universe-authored corrective action against bad instincts masquerading as politeness. The line, the hair, the cough, the toe crushing weirdos — it’s an honest to goodness nightmare factory masked by the illusion of sugary bliss. Even the black and white cookie, majestic staple of New York delis and bakeries, betrays Jerry, causing him to break a 14 year long vomit streak. Which, ironically, is something I can relate to having proudly boasted about my own nearly as lengthy vomit streak on many occasions. But anyway, this might be the closest thing to a horror episode in the Seinfeld canon and so it earns a spot of prominence.
12. The Library (Season 3, Episode 5)
The Story: Jerry tries to work through his memories and his high school little black book to recall a lost library book that has come around to get him in trouble with a strange library inspector.
Why It’s On The List: Kramer’s forbidden love affair with a poetic librarian and George’s guilt about ruining the life of an abusive gym teacher (and the ultimate payoff) serve as great B stories, but Jerry’s amusement at the ripped-from-a-noir-novel existence of Bookman (the deliciously named inspector) and the performance by Phillip Baker Hall stands out. Seinfeld had a wonderful cast of recurring characters and often allowed them the chance to shine, but Bookman’s brand of weirdness conflicted with the norms of the Seinfeld world in such delightful ways that the character easily ranks as the show’s most memorable one-off (not counting his brief return in the series finale).
11. The Limo (Season 3, Episode 19)
The Story: Jerry and George get bold and jump into a limo meant for someone else.
Why It’s On The List: Jerry and George were not men of adventure, but they sure stumbled into one in this episode that takes a sharp turn when it’s revealed that George is unwittingly impersonating a prominent Nazi who is set to deliver a speech at a rally. Though it doesn’t end well, with George in a panic in front of a crowd of protestors, he’s remarkably calm in front of his armed Nazi guards, especially Eva, who clearly has an attraction to the power that she thinks George wields. Alexander’s ability to convey an unearned confidence in certain moments really stands out here as he bosses around the other guard (a pre-Six Feet Under, Parenthood, and 9-1-1 Peter Krause) while doubtlessly expressing a slight bit of piss and internally screaming in fear. It’s one of the least “slice-of-life” episodes of the show, but the feeling of getting in way over one’s head keeps everything grounded.
10. The Chinese Restaurant (Season 2, Episode 11)
The Story: Jerry, Elaine, and George wait to be seated at a Chinese restaurant. That’s about it. #TrustTheProcess
Why It’s On This List: Part of it is that this is a legendary early episode that demonstrated the show’s ability to mine the minutiae of life and come up with gold thanks to the comedic power of relatability. But George’s background battle for a pay phone (ask your mom) is also notable. Jason Alexander’s theater training and ability to command a stage show as he stands in the middle of the restaurant’s waiting area and briefly launches into a “Mad As Hell” type hissy fit before the guy he was ready to rumble with snaps him out of it with a tap on the shoulder. It’s a perfect reminder that for all his many outbursts, George was often all bark and no bite.
9. The Cheever Letters (Season 4, Episode 8)
Story: Jerry and George embody writerly procrastination before Jerry calls Elaine, gets her chatty assistant instead, and inadvertently leads to the assistant quitting. Elaine asks Jerry to help get her back but he winds up getting too involved and later bungles a makeout session with some epically bad dirty talk. Meanwhile, George goes to an incredibly awkward dinner with Susan’s (Heidi Swedberg) parents where he does a poor job of bonding with her father and telling him about the destruction of his cabin.
Why It’s On This List: Warren Frost and Grace Zabriskie made five appearances as Susan’s parents, but they were never as interesting or hilariously horrific to each other as they are in this episode.
Writers Larry David, Elaine Pope, and Tom Leopold really lingered on the domestic battlefield with these two as they sniped at each other over dinner and then seemingly fell apart when it was revealed that Susan’s father had carried on a secret love affair with author John Cheever (now there’s a guy who knew how to communicate with passion). I say seemingly because George and Jerry got the hell out of Dodge just after the delivery of a strongbox from the cabin and Susan’s discovery that her father had the ability to give someone a near-crippling orgasm. Shame, I could have spent an entire episode listening to Frost and Zabriskie bicker.
8. The Hamptons (Season 5, Episode 20)
The Story: Jerry, Elaine, George, and Kramer go out to The Hamptons to see a friend’s new baby and enjoy the fruits of a weekend at the beach.
Why It’s On This List: It’s hard to not be put off by the hideousness of George’s musings about sexual boundaries pre and post-sex, but this is also an episode that takes a big swipe at male insecurity and bravado. And if there’s a message derived from George’s ultimate failure to have sex with his girlfriend (due to some negative word of mouth about the size of his penis) and Kramer’s punishment for raiding a commercial lobster trap, it’s that sometimes you don’t get what you want. Even Elaine’s efforts to snag Dr. Ben Pfeffer (Richard Burgi) point to this as an intended theme. Jerry? Like usual, he’s fine and doesn’t get pulled too deeply into the situation.
I also like that Seinfeld made it OK to acknowledge that some babies are objectively ugly.
7. The Busboy (Season 2, Episode 12)
The Story: Jerry, Elaine, and George go out to dinner and George accidentally gets a busboy (David Labiosa) fired. Elaine has a week-long shack up that goes way wrong, leading to her trying to unload the guy in a frenzy.
Why It’s On This List: Two specific things stand out. First, Jerry’s remark to George about the busboy probably killing his whole family over George’s actions perfectly stoked the bonfire of guilt building within him. It’s a perfect demonstration of Jerry’s gleeful indifference to the suffering of others, including those that are close to him. And it’s tied up so nicely and so subtly at the end of the episode when the busboy thanks everyone for his new and improved life and Jerry proudly gives a little “No problem” half wave after having done nothing to help the situation at all.
Second, nothing lingers in the mind from this episode like the work Julia Louis Dreyfus does while trying to get her houseguest off to the airport. She’s so filled with nervous energy and disgust for this guy that at one point she actually runs in place for a second before screaming and throwing a sweater (any sweater) at him as he slowly (so slowly) looks for his things. And then Dreyfus brings everything back the other way in the next scene when she arrives at Jerry’s apartment (and how about that hero shot by director Tom Cherones and DP Jerry Good?) to deliver an epic, yet haunted tale about an airport run through the streets of New York. The range and talent are off the charts. It’s one of the best moments of physical comedy in the show’s history.
6. The Airport (Season 4, Episode 12)
The Story: Jerry exploits George’s delusions of athletic grandeur to score an airport pickup for he and Elaine on a trip back from St. Louis, but a canceled flight throws everything into chaos.
Why It’s On This List: Seinfeld often deployed a seesaw approach wherein one character had to fall for another to rise, but few contrasts were as crisp, closely linked, and perfectly executed as Jerry and Elaine’s differing in-flight experiences after he snagged the only first-class ticket on their replacement flight, banishing her to coach. Jerry’s opulent snuggle-fest with a supermodel (Jennifer Campbell) is fine, but the comedy mostly came from Elaine’s mounting frustration and her sad expulsion from first class after sneaking in. All she wanted was a cookie and a nap. Elaine is all of us in this episode.
5. The Parking Garage (Season 3, Episode 6)
The Story: Jerry, Elaine, George, and Kramer get lost in a mall parking garage in New Jersey, passing the time with light musings on death, parental disappointment, trucker pee, and Scientology.
Why It’s On This List: Like “The Chinese Restaurant,” the comedy comes from the relatability of the situation/setting, but in this case, it’s greatly enhanced by the chemistry of the actors and their ability to sell patter that wouldn’t be particularly memorable on paper. Like Kramer talking about how a documentary caused him to stop stressing about death or Jerry making an off-the-cuff reference to Buddy Hackett, which he then feels compelled to explain after it falls flat.
In real life, sometimes your shared glossary of terms fails you with your friends and you have to own a crappy quip. This incredibly small (and probably forgettable) moment is recognition of that reality and that commitment to the nuance of these dynamics is a really impressive thing.
4. The Marine Biologist (Season 5, Episode 14)
The Story: Jerry bumps into a former college classmate who asks about George. This prompts Jerry to tell her that George is a marine biologist, a lie that George carries through the most extreme of circumstances.
Why It’s On This List: George’s dedication to maintaining a lie is always impressive, especially when you consider the lack of smartphones, Google, and Wikipedia. This episode showcases a true bullshit artist at the height of his powers. But the payoff at the end after his encounter with a sick whale is the stuff of legend.
At times eloquent and brilliantly paced throughout, George sounds like an old fisherman as he regales the gang with the details surrounding his heroic interaction with the mammoth fish (mammal… whatever). It’s absurd, but not so over-the-top that the scene loses you before the big payoff.
Like Miles Davis said, “it’s not the notes you play, it’s the notes you don’t play.” Seinfeld doesn’t get enough praise for its ability to ease up off the gas and let a big moment slowly reveal itself without forcing it.
3. The Invitations (Season 7, Episode 22)
The Story: Susan puts a wedge in between George and his friends before the wedding and both Jerry and Elaine wonder about the state of their lives and what will happen once George gets married.
Why It’s On This List: The main plot points — a looming wedding, an engagement (for Jerry to his doppelganger), characters pondering the future of their group dynamic and where they are in their own lives — feel like the kinds of developments you’d expect in the twilight years of any sitcom, but the show turns them all on their ear. Especially the wedding.
Producers could have had George and Susan break up following an arc that saw George clawing at the walls trying to escape couplehood. Normality would have been restored and no one would have been shocked. But where would the fun be in that? Instead, Jerry Seinfeld and departing co-creator Larry David opted to test the audience’s willingness to stick with them and George by killing off Susan, making George’s cheapness an accessory, and then having him basically shrug upon hearing the news.
Think about how any other show would handle that situation. You can replicate the “pals in a city riffing on life and nonsense” aspect of Seinfeld (and so so many have tried), but the willingness to challenge and trust an audience through twists and turns and moments that are impossible to redeem? That spirit is a lot harder to replicate.
2. The Contest (Season 4, Episode 11)
The Story: George’s mom walks in on him whilst he’s lost in a haze of self-pleasure and a copy of Glamour magazine. She falls and hurts herself because of the shock, causing George to swear off “that” while recounting the story to his friends. They doubt his staying power, which sparks a contest. But with Elaine’s John F. Kennedy Jr. flirtation, Jerry’s relationship with a virgin, Kramer’s view of a nudist neighbor, and George’s proximity to a sponge bath session, all seem doomed to indulge themselves.
Why It’s On This List: Imagine a TV landscape absent a whole dimension of adult relationships cut off from audiences that demand (to borrow a line from another Seinfeld episode) “this, that, and the other” when it comes to how intimacy is portrayed and discussed.
Seinfeld wasn’t the first show to use sex on television as a main theme, but it doubtlessly helped usher in a sea change (along with other early ‘90s entries like NYPD Blue and HBO’s oft-forgotten Dream On) that we’re still reaping the benefits of. “The Contest” is a big part of that, but that wasn’t the motivation or why the episode often sits atop lists like this. It’s a genuinely funny episode made great by Larry David and the cast’s wizardly ability to draw laughs from awkward moments, human weakness, failure, and the dumb stuff we talk about and do within the safe space of our awful and splendid social circles.
1. The Subway (Season 3, Episode 13)
The Story: Jerry, Elaine, George, and Kramer go off on four distinct side adventures through the New York subway system.
Why It’s On This List: The group dynamic is what drives most great comedies. You’ve got a set of well-established characters and they play off of each other’s strengths and weaknesses. Seinfeld, obviously, mastered this as well as any classic, but these characters were also strong enough on their own to carry a side quest without causing the audience to long for when everyone was safely nestled in their usual box. “The Subway” is the best example of that. The whole thing plays out like a series of short films. There’s no real purpose save for the laughs generated by relatable moments and the slow march toward disaster (George getting robbed and left chained to a hotel bed), frustration (Elaine getting stuck in a subway train), salvation (Kramer getting saved from a mugging), and absurdity (Jerry bonding with a subway nudist over the Mets and Coney Island).
You could legitimately pick any one of these episodes (any one of the show’s 25 or 30 best, really) to sit atop this list and I wouldn’t insult your intelligence or call you names. The show was that good and so clearly able to break comedic barriers and transcend the kinds of stories that everyone else on the block was trying to do. Absent sentimentality with a dedicated focus to being funny: that was the blueprint and so that’s what’s behind this choice. I like “The Subway” the most because it makes me laugh the hardest. Still.