Unlike much of the online hip-hop community, Questlove was less than impressed with the rap beef between Drake and Kendrick Lamar. Over the weekend, the two rappers exchanged a slew of acidic diss tracks — “6:16 In LA,” “Family Matters,” “Meet The Grahams,” “Not Like Us,” and “The Heart Part 6” — that did little to promote either rapper as the vanguard of a generation in favor of simply airing out each other’s dirty laundry.
Questlove, a 30-plus-year veteran of the rap business, who heard “Rapper’s Delight” on the radio and has written at least two books about the history of hip-hop as pop culture, deplored the contest on his Instagram, where he wrote, “Nobody won the war.”
This wasn’t about skill. This was a wrestling match level mudslinging and takedown by any means necessary — women & children (& actual facts) be damned. Same audience wanting blood will soon put up ‘rip’ posts like they weren’t part of the problem. Hip Hop truly is dead.
As one of hip-hop’s foremost historians, Quest’s opinion holds a lot of weight. He also sees and remembers more than most. His ominous pronouncement isn’t just doomsaying, it’s a remembrance; interviews with prominent hip-hop journalists from the ’90s expressing regret over the coverage of the interpersonal feud between Tupac and The Notorious B.I.G. aren’t hard to find.
And no, it doesn’t seem like either Drake or Kendrick would do some dummy sh*t and escalate the conflict to violence, but that doesn’t mean those around them won’t — or even unrelated superfans taking their jabs to heart. If nothing else, the pair never seemed to consider the effects of the battle on those they care about. Kendrick directly addressed Drake’s mother and son on “Meet The Grahams,” while Drake insinuated Kendrick’s manager was schtupping his fiancée on “Family Matters.”
Those are things you can’t take back and, honestly, probably would warrant violence in a face-to-face confrontation — I’ve seen folks punched in the face at rap battles for less (maybe they should take up Shawn Michaels on his WWE invitation and put on a shoot match for the ages). The battle wasn’t exactly “good for hip-hop” in the way many — who really just wanted to see a couple of really good rappers RAP — might see it. There were always plenty of raps, but many underground stars just looking to climb their way into public notice had rollouts ruined, opportunities overlooked, and releases swept to the side in the rush to hear these two guys air their personal grievances. Quest’s pronouncement that “hip-hop is truly dead” might be dramatic, but the spirit of friendly competition seems to have gotten lost in the modern climate of ad hominem and frankly outrageous accusations.