Even before the Cleveland Cavaliers playoff run ended, much of the discussion around the team the last few weeks was about what they’d do this offseason. Donovan Mitchell is extension eligible, and the Cavs are expected to offer him the max 4-year, ~$200 million deal they’re allowed to this summer.
Whether he accepts it or not will dictate how Cleveland proceeds in trades and free agency, but no matter what the choice is, the expectation is one of their former All-Star guards will be on the trade market. If Mitchell declines the extension, the Cavs will at least have to seriously look at options to move him to ensure they don’t end up seeing him walk for nothing next summer. If he signs, there were reports this week that Darius Garland’s representation would discuss trade possibilities with the Cavs after he has struggled to find his exact place alongside Mitchell in the Cleveland backcourt.
Mitchell hasn’t really indicated anything either way about what he’ll choose this summer, but we finally got something from him on the record on Thursday night, at least regarding his thoughts on being in Cleveland, via Adrian Wojnarowski.
Woj talked to Donovan Mitchell:
“He is not disgruntled with anyone or anything in Cleveland. In fact, he said to me, “I am happy in Cleveland”—- he emphasized “I am not leaving this season unhappy, I am leaving it more determined.””
While not groundbreaking for a player to say this, Mitchell has undoubtedly seen all the stories over the past couple days and knows what he’s doing by offering this up on the record. Whenever a star has been traded to a team that wasn’t on his main list of preferred destinations, there’s always a wonder as to whether he’ll stick around for the next deal, so saying he’s been happy since he arrived is genuinely a big deal.
This certainly isn’t him declaring he’ll sign on the dotted line, but it will give Cavs fans some belief that he might put pen to paper this summer. If that happens, Garland’s future becomes a bit murkier, but even off a down year the Cavs would likely get plenty of calls about the former All-Star guard, as there are a number of hopeful playoff contenders in need of upgrades at the point guard spot.
Last night (May 15), YG Marley stopped by The Tonight Show Starring Jimmy Fallon to perform a medley of songs. The up-and-coming reggae singer was joined by his mother, rapper and singer Lauryn Hill. YG is the son of Hill and former football player Rohan Marley, which makes him the grandson of reggae legend, Bob Marley.
During the performance, YG performed his breakthrough hit, “Praise Jah In The Moonlight.” The song has received much attention via TikTok, and he even performed the song with Hill during his slot at Coachella. But YG has also been teasing new music.
Also during the performance, YG premiered a new song, “Survival.”
With his mom, they performed “Ex-Factor” from her debut solo album, The Miseducation Of Lauryn Hill.
Having been released in 1998, Miseducation remains Hill’s only solo album, however, this may soon change. After the show, TMZ caught up with Hill, asking if she has new music on the way. This prompted a happy response from YG. YG grinned even harder when asked if he would be helping her in the studio with new music.
Should a sophomore album by Hill ever come to fruition, we know that given her family’s talents, the long-awaited Miseducation follow up will sound damn good.
In the meantime, you can watch YG and Hill’s Fallon performance above.
Earlier this week, singer and instrumentalist Joanna Newsom launched her The Strings/Keys Residence at The Masonic Lodge at Hollywood Forever. With multiple shows taking place until May 27, Newsom will perform several songs from her more than two-decade long career.
The show features Newsome playing harp and singing to 15 over her songs, spanning from fan-favorites to deep cuts. For some of the songs, Newsom performs alongside fellow musicians Robin Pecknold and Amber Coffman.
The show is set to have six more dates, including tonight’s (May 16), with matinees and evening shows. Fans can find a schedule of shows and purchase tickets through Hollywood Forever’s official website.
Some audience members who were in attendance at the first show have shared a setlist online.
You can see the full setlist below.
Joanna Newsom’s The Strings/Keys Reincidence- setlist
1. “Sadie”
2. “Emily”
3. “Go Long”
4. “Marie At The Mill”
5. “Divers”
6. “Have One On Me” Feat. Robin Pecknold and Amber Coffman
7. “Sapokanikan” Feat. Robin Pecknold and Amber Coffman
8. “Leaving the City” Feat. Robin Pecknold and Amber Coffman
9. “Monkey & Bear” Feat. Robin Pecknold and Amber Coffman
10. “No Wonder”
11. “The Air Again”
12. “Good Intentions Paving Co.” Feat. Robin Pecknold and Amber Coffman
13. “Baby Birch” Feat. Robin Pecknold and Amber Coffman
14. “Bombs Are Whistling”
15. “Sawdust & Diamonds”
Every generation has its slang and catchphrases that eventually become outdated. But in the modern age, there are also some totally normal, everyday phrases that become totally obsolete by the time the next generation comes along.
Millennials are still viewed as young by a lot of the boomer generation, but they’re solidly hitting the middle age stage where the Gen Zers and Gen Alphas don’t know what they’re talking about when they reference their own childhood in the 90s: “What do you mean your phone was attached to the wall when you were a kid? And you really had no idea who was calling you?” Yep and yep, youngsters.
In the digital age, with technology moving incredibly fast, this generational phenomenon has become even more marked. Just for funsies, millennials on Reddit are sharing phrases they heard growing up that kids today will never hear, and it’s quite a nostalgic trip.
Ah, the days before smartphones and cellular data. That’s right, kids. We only had internet at home and at internet cafés, so if we were curious about something, we had to wait to look it up. (And we also had to wait for the dial-up internet to connect, complete with the screechy-scratchy garbley noise we’ll never forget.)
There was a whole movie based on this phrase, which was how AOL (America OnLine—one of the big internet companies of the 90s) let you know that you had email in your inbox after you got connected to the internet. A cheery voice announced, “You’ve got mail!” Can you even imagine? So quaint.
““I got it!!!” When the house phone rang. – KatyDid749
See, the “house phone” was the landline telephone—the one connected to the wall—that the whole family shared. When we knew a friend was going to call, we’d clamor to be the one to answer because otherwise your friend had to go through the mortifying experience of saying, “May I please speak to so-and-so?” Saving our friends from such horror was a mark of true friendship. Plus if it was a love interest that called, there’s no way you wanted your mom or dad to answer.
Back in the olden days of the 90s, if you wanted to call someone outside of your town, you had to pay extra money for it. And the farther away they were, the more expensive it was. It was called “long-distance calling,” and it was a standard feature of our lives. Want to call someone internationally? Might have to sell a kidney to pay for that. The ability to not just call but video call people in other countries, and without paying anything extra, the way we do now? We barely even dared to dream we might see something like that in our lifetimes.
Describing the internet as an “information superhighway” – TheKnightsTippler
Oh, we had several ways to refer to the internet: the information superhighway, the Worldwide Web (or just “the web”), cyberspace, etc.. If we could go back and tell ourselves that in the future the kids would just call it the internet, we could save ourselves some now cringey phrases.
Yep, jobs were listed in the newspaper in the “classified ads” aka “want ads,” and that’s how you found out who in your local area was hiring. Some localities had a separate publication just for such a purpose, while in other places it was part of the standard newspaper.
This might be one of the biggest shifts from the 90s to now in terms of being out in public. It used to be that every restaurant had a smoking and non-smoking section, frequently only separated by a wall of glass that didn’t even go to the ceiling. Smoking was allowed on airplanes, too, up til it was phased out from 1988 to 2000. Yes, we used to inhale a heck of a lot of second-hand smoke and considered it just part of life. Wild times.
“Did you remember to print the directions to our destination?” – dexterstrife
Ah, MapQuest, the revolutionary direction-creating website that marked the beginning of the end of road atlases and fold-out maps, but preceded Google Maps and real-time GPS. It was a specific era some of us will always remember fondly.
I think the Yellow Pages still exist most places, but kids these days likely never see them. Every business in town was listed in the Yellow Pages under different categories. So if you wanted to find out what movies were playing at the local theater, you’d open the Yellow Pages, look under “movies” or “theaters,” find the theater and get the phone number. Makes you appreciate how much easier the internet has made our lives.
Oh my. The days of the VCR and renting VHS tapes from Blockbuster. Not only did we have to physically take ourselves to the movie rental store to rent a movie on tape, but if you watched the movie and didn’t rewind it before turning it back in, you were deemed a bad person. Period.
Coles Prince stood up in front of his wedding guests and announced that his bride, Jordan, told him that she would like to be serenaded by him once on their big day.
And because his mom “didn’t raise no fool,” he happily obliged with a completely groom-ified version of “I’m Just Ken,” famously sung by Ryan Gosling in the “Barbie” movie.
A clip showing the performance was captured and posted to TikTok by the ceremony’s photographer and videographer team, Lex & Trev Photo + Film, and it has quickly become an internet sensation.
Complete with a sparkly cowboy hat, backup singers, and some impressive wordsmithing, this groom left no stone unturned when it came to delivering an unforgettable performance.
Isn’t that the greatest thing ever? Others thought so too.
“This is glorious, glorious Kenergy,” one person praised.
“Marry him again” added another.
Prince shared with Good Morning America that he chose “I’m just Ken” as his cover song because it “conveyed what it was like to get married, specifically from the groom’s point of view.”
“Being Ken is very similar to being [a] groom. I think I can make this work. So I started by changing the lyrics ‘I’m Just Groom, number two person in the room’ and it kind of took off from there,” he told GMA.
Seems like Prince has some pretty good instincts here, because his song brought so much joy not only to his bride, or his wedding party…but to thousands of strangers as well.
And now the real question on everyone’s mind: how can we get Gosling to see this?
A thought-provoking meme is going viral on Reddit that has people debating over who to give your seat to on a train: a mother holding a baby, an elderly woman with a cane, or a man on crutches. The poor guy dealing with the dilemma appears to be traveling to or from work with a briefcase in his hand.
As everyone knows, it’s a common courtesy on a packed train or bus to give up your seat to people with babies, the elderly and those who are disabled or injured. So, in this scenario, everyone has a right to the seat; who is the most deserving?
The woman with the baby has her hands full and her little one is sleeping. It’d be nice for the man to give her a stable seat to take a load off and help the baby sleep throughout the ride. Plus, nobody wants to ride the train next to a cranky baby.
The elderly woman also deserves the seat because she is probably tired and needs to take a load off. She gets extra points because, as a society, we tend to go out of our way to help seniors. What would happen if she fell while standing on the moving train?
Finally, the guy with the crutches also deserves the seat because he has to expend a lot of effort just to stand up and his arms have to be tired from helping him get around with the bum foot.
One guy thought the man should let the 3 people looking to take his seat decide. “It’s better to just get up and let them fight amongst themselves,” Kron123456789 wrote. “Leave the seat and leave the decision to the three,” Aggravating-Pound598 added.
Others thought that the 3 people staring at the seat appear angry and don’t deserve the seat. “If they’re looking at me like this, they better keep standing ’cause I ain’t going anywhere,” falsebaby8268 wrote. “They don’t have any right to the seat, it’s only out of generosity that someone can offer the seat. You are not obligated to generosity in general and towards hostile people in special,” gerMean added.
Some thought that all things being equal, the person with the best attitude should get the seat.
“The politest person gets the seat,” Logical_Dragonfly_92 wrote. “If they all look at me with such arrogant expressions of entitlement, I’d keep my seat for myself. Otherwise, I give it to the person that seems most in danger or in pain of them,” AhmedAbuGhadeer added.
There were more than a few people who thought the man on crutches was most deserving of the seat but were weirded out by his uncanny resemblance to Adolph Hitler. “Honestly, crutches Hitler probably needs it most, from a medical POV. Falling on a broken leg is no bueno. Mamma and grandma got 2 feet,” BadluckBrians wrote. “If you don’t want to fall on a broken leg, you probably shouldn’t have attacked Poland in 1939,” Understepped added.
This person may have the best response.
“I’d offer to a lady with an infant as this will help two people,” Barneyishere1 suggested.
The man’s dilemma in the meme seems like the Kobayashi Maru on “Star Trek,” a test that Starfleet Academy cadets take to determine how they would behave in a situation without a solution or a “no-win” scenario. “The purpose [of the test] is to experience fear, fear in the face of certain death, to accept that fear and maintain control of one’s self and one’s crew. This is a quality expected in every Starfleet captain,” Mr. Spock once said.
According to Spock, behaving correctly and maintaining control is the key to coming out ahead in a situation where you can’t win. If we extend that logic to the problem our friend on the train faces, being that there is no right or wrong answer, the key is to handle it with as much poise as possible. And then hop off the train at the next exit.
The Grand Theft Auto realm will finally (after much waiting) receive a new installment from Rockstar Games. When? It won’t be soon. The iteration’s new trailer surfaced in December 2023, and the project has been plagued with a leak of footage, but the actual game will arrive nearly two years after the trailer and more than a full decade after the most recent edition.
Varietynow reports word from Rockstar Games’ parent company, Take-Two Interactive, which revealed that — after recent reports suggested a delay until 2026 — the GTA 6 release window has been updated to fall 2025:
Take-Two is not prepared to get more specific than “fall 2025” for the “GTA VI” release date, with CEO Strauss Zelnick saying, “I think we’re going to leave it there for now,” in an interview with Variety ahead of the company’s quarterly earnings call.
Additionally, Take-Two’s quarterly loss has been revealed at $2.9 billion, including $93.3 million for restructuring costs, so don’t expect the wait to miraculously shrink.
What to do in the meantime? Perhaps 50 Cent will soon reveal more about his Vice City TV show in the works, which is officially unrelated to GTA, but it still sounds like the projects could be cousins. John Wick director Chad Stahelski is expected to be involved in that project, although he’s incredibly busy this year with Henry Cavill’s Highlander up next. So, sometime?
The only certainty in this equation: Vice City and GTA 6, which are very separate projects, might resemble each other and eventually arrive.
Welcome to SNX DLX, your weekly roundup of the best sneakers to hit the internet. We’re just a little over a month away from summer but it’s clear that the spring 2024 sneaker season is going to be hard to top.
These last couple of months have been full of amazing drops and we’ve peeked ahead at release calendars, it’s not going to stop in the final weeks of spring. And all we can see is the stuff announced, surely there are some surprises that will generate all sorts of hype.
How is summer going to compete? We’re not sure it can, but we’re excited to see it try. This week we’ve got a new Victor Wembanyama signature Air Zoom G.T. Hustle 2, the return of the Jordan 11 Space Jam, some women’s-exclusive Adidas drops, and the week’s biggest release, the Futura Laboratories Nike SB Dunk.
The hits keep on coming, let’s dive into the best sneakers dropping this week.
Nike Air Zoom G.T. Hustle 2 Victor Wembanyama Apple Green and Black
Nike teased the new Victor Wembanyama logo a couple of months ago and now we’re finally seeing it on a pair of shoes. The Air Zoom G.T. Hustle 2 looks to the stars for its inspiration, the sneaker sports a voided-out black upper with hints of spacey green tones, and a chrome Swoosh.
At the heel sits Wembanyama’s alien-head logo but the real highlight of this pair is the glow-in-the-dark outsole. Generally, I find glow-in-the-dark shoes to be pretty gimmicky, but for some reason, it works on Wembanyama’s shoe. Hopefully, this is a trend he keeps up in future colorways.
The Nike Air Zoom G.T. Hustle 2 Victor Wembanyama Apple Green and Black is out now for a retail price of $170. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT.
NikeNike
Air Jordan 11 Low Black and Varsity Royal (Space Jam)
The return of the Black and Varsity Royal Air Jordan 11 has been a long time coming. More popularly known as the “Space Jam,” this is the sneaker that Jordan rocked during the ’95-’96 championship season and perhaps more popularly, in Space Jam, as the alternate name would suggest.
It’s a dope design with an all-black textile upper and a patent leather mudguard with an icy outsole. It doesn’t have any nods to the movie, which is part of what makes it such a great shoe. Had the Space Jam references been overt, this would’ve come across as gimmicky. Instead, what we have here is a classic.
The Air Jordan 11 Low Black and Varsity Royal is set to drop on May 18th at 7:00 AM PST for a retail price of $190. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT and Flight Club.
This year brought the return of the classic football sneaker, the Field General, and here it is this week with a brand new colorway. The sneaker sports a smooth white leather upper with synthetic and textile overlays, an orange wraparound swoosh, and rides atop a black waffle sole.
The black waffle gives the sneaker a pretty intense hit of contrast against the lighter tones of the upper. The sneaker offers a classic and vintage low-profile look with a bit of a twist since it’s not a Blazer or AF-1. That makes this sneaker a great pick if you like vintage vibes but are exhausted by the streetwear staples.
The Nike Field General ’82 White and Orange Blaze is set to drop on May 16th at 7:00 AM PST for a retail price of $100. Pick up a pair via the Nike SNKRS app.
It’s Grey Day at New Balance this week, the brand is dropping three different silhouettes in an all-grey color scheme, but the standout from the collection is this 1906R.
The 1906R Grey Days sports a jacquard-style knit mesh upper with synthetic overlays and is equipped with ACTEVA LITE midsole cushioning with an N-ergy
outsole to provide optimal shock absorption. Rounding out the design are some distressed details to give the sneaker a lived-in look.
The New balance 1906R Grey Days is set to drop on May 17th at 7:00 AM PST for a retail price of $164.99. Pick up a pair via the New Balance webstore or aftermarket sites like Flight Club.
Here it is, this week’s most hyped sneaker drop. Made in collaboration with legendary New York graffiti artist Futura and his Futura Laboratories studio, this SB Dunk sports a white unbleached canvas upper with overlays that feature a swirling psychedelic design.
As is always the case with a Futura Nike link-up, this sneaker looks dope. There isn’t much to say here, if you’re lucky enough to come across a pair, pick it up.
The Futura Laboratories x Nike SB Dunk Low is set to drop on May 18th for a retail price of $135. Pick up a pair at aftermarket sites like GOAT or Flight Club or at select Nike SB Stockists.
My knee-jerk reaction to these is that they’re ridiculous, but I feel the same about Crocs and Foam RNNRs, so I’m sure someone will swear by how comfortable these Mules are. Summer is coming and that’s when shoes (if you want to call them that) really work in a wardrobe.
The mules feature a slip-on design and foam construction made from sugarcane. The Adifom Stan Smiths also feature a slight platform, giving the wearer a
bit more height.
The Adidas Adifom Stan Smith Mules are set to drop on June 1st at 12:00 AM PDT for a retail price of $70. Pick up a pair at Adidas.
The Gazelle is getting the platform treatment. Dubbed the “Gazelle Bold,” this sneaker sports a suede and nylon upper with synthetic lining, and a platform midsole. It’s part ‘70s classic and part modern streetwear, giving you the best of both worlds.
Considering vintage Adidas silhouettes are among the brand’s absolute best, we’re not mad at this. Do more of this Adidas and less of whatever the hell else you’ve been doing.
The Adidas Women’s Gazelle Bold Dark Blue/Pink Spark is set to drop on June 1st at 12:00 AM PDT for a retail price of $120. Pick up a pair at Adidas.
AdidasAdidas
Disclaimer: While all of the products recommended here were chosen independently by our editorial staff, Uproxx may receive payment to direct readers to certain retail vendors who are offering these products for purchase.
Every parent tells their child to “dream big!” at one point in their life, which is probably what Francis Ford Coppola was thinking when he first started dreaming up Megalopolis. The star-studded passion project was years in the making, and the director even funded the $120 million (!!!!!) flick himself, so he really must believe in it, even if nobody else seems to.
The larger-than-life epic premiered at the Cannes Film Festival on Thursday, and the audience reactions are quite frankly all over the place. Some are loving the star-studded fable, while others are… confused? Hurt? Offended? Who knows! Here’s the plot synopsis to prepare you:
Megalopolis is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she believes humanity deserves.
Make sense? It’s fine if not. It doesn’t seem like it did to anyone else either. Here’s what critics are saying.
Damon Wise for Deadline on the “modern masterwork”:
Megalopolis represents a rare kind of event movie that reinvents the possibilities of cinema to the extent that, halfway through, there’s a very audacious gimmick that tears down the fourth wall in ways younger filmmakers can only dream of. Coppola breaks many of the cardinal rules of filmmaking in the film’s 138 minutes but it upholds the most important one: it is never, ever boring, and it will inspire just as many artists as the audiences it will alienate.
With Megalopolis, he crams 85 years worth of artistic reverence and romantic love into a clunky, garish, and transcendently sincere manifesto about the role of an artist at the end of an empire. It doesn’t just speak to Coppola’s philosophy, it embodies it to its bones. To quote one of the sharper non-sequiturs from a script that’s swimming in them: “When we leap into the unknown, we prove that we are free.”
Richard Lawson for Vanity Fair on the passion project gone “horribly wrong”:
Megalopolis is too confused a film to make a truly odious or dangerous point. This is the junkiest of junk-drawer movies, a slapped together hash of Coppola’s many disparate inspirations.
Megalopolis is anything but lazy, and while so many of the ideas don’t pan out as planned, this is the kind of late-career statement devotees wanted from the maverick, who never lost his faith in cinema. But now that he’s built it, will they come?
There is nothing in Megalopolis that feels like something out of a “normal” movie. It has its own logic and cadence and vernacular. The characters speak in archaic phrases and words, mixing shards of Shakespeare, Ovid, and at one point straight-up Latin. Some characters speak in rhyme, others just in high-minded prose that feels like maybe it should be in verse. At one point, Adam Driver does the entire “To be or not to be” soliloquy from Hamlet. Why? I’m not exactly sure. But it sure sounds good.
Does all this hang together as a narrative? Not entirely, and it’s not likely to go down as one of the more incisive responses to our bitterly polarized political landscape. Nor does it ever quite settle on a uniform tone, frequently coming off as both earnest and silly. But it’s never bland, being far too extravagant for that. Who else among contemporary filmmakers is working on this kind of scale anymore, outside of tentpoles?
The film screened for critics in Cannes at an IMAX theater, incorporating a brief live interlude, which I won’t spoil, other than to say it left people wondering if the element will be a part of regular commercial showings. Maybe it’s a tad gimmicky, but it suggests that Coppola sees Megalopolis as an event movie. Given what will likely be a fairly narrow appeal that’s perhaps unrealistic. But if this ends up being the distinguished 85-year-old director’s swan song, at least he’s capping his career with a risk-taking flourish.
Certainly a Coppola failure is a whole lot more interesting than the functional successes of lesser directors – the middleweights who aim low and just about hit the target’s bottom rim. But for me this is a passion project without passion: a bloated, boring and bafflingly shallow film, full of high-school-valedictorian verities about humanity’s future. It’s simultaneously hyperactive and lifeless, lumbered with some terrible acting and uninteresting, inexpensive-looking VFX work which achieves neither the texture of analogue reality nor a fully radical, digital reinvention of existence.
Megalopolis stars Adam Driver, Aubrey Plaza, Giancarlo Esposito, Nathalie Emmanuel, Shia LaBeouf, Jason Schwartzman, Talia Shire, Grace VanderWaal, Laurence Fishburne, Kathryn Hunter, and Dustin Hoffman. It does not have a release date yet, but whenever it is, it’s not soon enough
Only a few days ago, the world learned that Shōgunstar Hiroyuki Sanada had signed on to continue his role as Lord Toranaga for more of James Clavell’s Asian saga on FX. This was the decisive step, it seemed, for FX to soon pull the trigger on announcing a series renewal. And would John Blackthorne’s TV-invisible dong return for more, too? The presence of Cosmo Jarvis was still apparently undecided, although Deadline reported at the time that more “deals are being finalized,” and the final pieces must have tome together.
In a press release, FX has announced that “FX, Hulu and the Estate of James Clavell are working to extend the critically acclaimed global hit drama Shōgun, moving forward to develop the saga with two additional seasons of the drama series.” Two more seasons, you say? FX emphasized, “The Story and Characters are Intended to Continue the Saga That Will Likely Yield Two Additional Seasons of the Drama Series.”
From there, we still do not definitively know if Cosmo Jarvis has signed his name to the roster, but you can’t really continue this series without followup on Toranaga torching Blackthorne’s ship because, as Sanada previously told USA Today, “Blackthorne is useful to Toranaga, who wants to keep him in Japan and not let him go back to England.” And now, we wait.
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(@dillybar2145) May 17, 2024
