History is full of great stories about bitter battles between loyal opposition. In basketball, there was Magic Johnson and Larry Bird. In the ’80s, harsh political battles were fought between Ronald Reagan and Tip O’Neill. But all of these rivals respected their opposition as competitors in their respective fields. Now, a year-long battle between a cleaning crew and a street artist can be added to history’s legendary battles between loyal opposition.
Mobstr is a London-based street artist famous for the sarcastic typographic-based graffiti he’s written across London’s walls and billboards. His cat-and-mouse relationship with an unidentified city worker began on July 17, 2014, and would continue for an entire year.
“I cycled past this wall on the way to work for years,” Mobstr wrote on his website. ” I noticed that graffiti painted within the red area was ‘buffed’ with red paint. However, graffiti outside of the red area would be removed via pressure washing. This prompted the start of an experiment. Unlike other works, I was very uncertain as to what results it would yield.”
We’re back to the good news portion of the cycle, as Cudi posted two videos on X (formerly Twitter) to update his fans on his recovery and Insano World Tour before sneaking in mention of imminent new music.
“I’m all good,” he said in the first video. “I’m feeling fantastic. Healing is going great. Therapy has been great. No pain. I think I’m gonna bounce back from this stronger than ever, so there’s that. We have rescheduled about 80 percent of the tour. […] We just have to lock in some dates, but I’ll give you guys a heads up on when that will be.”
Cudi explained that his Insano World Tour was “gonna be physically demanding, so I might have to change some things, depending on how my recovery goes,” but overall, he’s optimistic.
And then, Cudi spent five minutes hyping up his next batch of music.
“I started something toward the end of the year last year that I really think is something special,” he said. “I want to give you a taste of it soon. Hopefully, before summer is up, you’ll hear something — something tasty, something new. Every album is a reinvention, yeah? You’ve known me. You know I always like to switch it up, try something new, [and] challenge myself. I think this is gonna remind people of the days where I was really trying to explore and try to feel something in the music.”
Cudi referenced his past classics like “Up Up & Away,” “Erase Me,” and “Heart Of A Lion” as the sort of “anthems” he’s aiming to reproduce with his forthcoming album, except “elevated” to represent “me now, happy, in a new place.”
Last night, at an album listening event at Barclays Center arena in Brooklyn, New York, Billie Eilish couldn’t contain her excitement for the release of her third studio album, Hit Me Hard And Soft. Three years after the release of her last album, Happier Than Ever, who could blame her? The sentiment is likely one felt by much of her fanbase. So, when will Hit Me Hard And Soft be available to stream on DSPs like Apple Music and Spotify?
With a release date of May 17, Billie’s new album will almost certainly be available to stream at midnight Eastern time, 9 PM Pacific.
Fans will be taking in the album as a whole, as Eilish stated that she did not want to release singles this album cycle, which she compared to having nudes leaked during one interview. That didn’t stop her from teasing songs from the album ahead of its rollout, such as the lewd “Lunch,” which she played during a surprise DJ set at Coachella. Meanwhile, another song, “Birds Of A Feather,” found its way into a trailer for the Netflix show Heartstopper. Still, Billie wanted fans to hear the album in full, so you can give it a spin when it hits streamers in just a few hours.
Yesterday, May 15, Omar Apollo announced God Said No, a new album, and teased a single coming today. Well, “Dispose Of Me” is here now and it’s an emotional slow-burner.
A press release explains the album’s title, “The album title is Omar’s interpretation of ‘lo que sera, sera,’ which translates to ‘whatever will be, will be’ or ‘it is what it is.’ The phrase embodies the album with Omar’s tongue-in-cheek humorous outlook on the suffering that comes from surrendering and accepting whatever is thrown at you by life, a relationship, or lover. […] The 14-track album is a survey of the emotional wreckage that followed the end of a torrid love affair. Apollo borrowed the title from something his friend said while processing the relationship. ‘I gave it my everything,’ Apollo says, ‘and God said ‘no.””
Another interesting note from the press release is that the project features Pedro Pascal. He doesn’t have a feature credit on any song, so it’s not currently clear how exactly he’s involved.
Listen to “Dispose Of Me” above. Apollo also shared a live performance version of the song today, which you can find below.
Omar Apollo’s God Said No Album Cover Artwork
Warner Records
Omar Apollo’s God Said No Tracklist
1. “Be Careful With Me”
2. “Spite”
3. “Less Of You”
4. “Done With You”
5. “Plane Trees” Feat. Mustafa
6. “Drifting”
7. “Empty”
8. “Life’s Unfair”
9. “Against Me”
10. “While U Can”
11. “Dispose Of Me”
12. “How”
13. “Pedro”
14. “Glow”
God Said No is out 6/28 via Warner Records. Find more information here.
Imagine you’re working at a school and one of the kids is starting to act up. What do you do?
Traditionally, the answer would be to give the unruly kid detention or suspension.
But in my memory, detention tended to involve staring at walls, bored out of my mind, trying to either surreptitiously talk to the kids around me without getting caught or trying to read a book. If it was designed to make me think about my actions, it didn’t really work. It just made everything feel stupid and unfair.
But Robert W. Coleman Elementary School has been doing something different when students act out: offering meditation.
Instead of punishing disruptive kids or sending them to the principal’s office, the Baltimore school has something called the Mindful Moment Room instead.
The room looks nothing like your standard windowless detention room. Instead, it’s filled with lamps, decorations, and plush purple pillows. Misbehaving kids are encouraged to sit in the room and go through practices like breathing or meditation, helping them calm down and re-center. They are also asked to talk through what happened.
Meditation and mindfulness are pretty interesting, scientifically.
Mindful meditation has been around in some form or another for thousands of years. Recently, though, science has started looking at its effects on our minds and bodies, and it’s finding some interesting effects.
One study, for example, suggested that mindful meditation could give practicing soldiers a kind of mental armor against disruptive emotions, and it can improve memory too. Another suggested mindful meditation could improve a person’s attention span and focus.
Individual studies should be taken with a grain of salt (results don’t always carry in every single situation), but overall, science is starting to build up a really interesting picture of how awesome meditation can be. Mindfulness in particular has even become part of certain fairly successful psychotherapies.
Back at the school, the Mindful Moment Room isn’t the only way Robert W. Coleman Elementary has been encouraging its kids.
The meditation room was created as a partnership with the Holistic Life Foundation, a local nonprofit that runs other programs as well. For more than 10 years the foundation has been offering the after-school program Holistic Me, where kids from pre-K through the fifth grade practice mindfulness exercises and yoga.
“It’s amazing,” said Kirk Philips, the Holistic Me coordinator at Robert W. Coleman. “You wouldn’t think that little kids would meditate in silence. And they do.”
There was a Christmas party, for example, where the kids knew they were going to get presents but were still expected to do meditation first.”As a little kid, that’s got to be hard to sit down and meditate when you know you’re about to get a bag of gifts, and they did it! It was beautiful, we were all smiling at each other watching them,” said Philips.
The kids may even be bringing that mindfulness back home with them. In the August 2016 issue of Oprah Magazine, Holistic Life Foundation co-founder Andres Gonzalez said: “We’ve had parents tell us, ‘I came home the other day stressed out, and my daughter said, “Hey, Mom, you need to sit down. I need to teach you how to breathe.'”
The program also helps mentor and tutor the kids, as well as teach them about the environment.
They help clean up local parks, build gardens, and visit nearby farms. Philips said they even teach kids to be co-teachers, letting them run the yoga sessions.
This isn’t just happening at one school, either. Lots of schools are trying this kind of holistic thinking, and it’s producing incredible results.
In the U.K., for example, the Mindfulness in Schools Project is teaching adults how to set up programs. Mindful Schools, another nonprofit, is helping to set up similar programs in the United States.
Oh, and by the way, the schools are seeing a tangible benefit from this program, too.
Philips said that at Robert W. Coleman Elementary, there have been exactly zero suspensions last year and so far this year. Meanwhile, nearby Patterson Park High School, which also uses the mindfulness programs, said suspension rates dropped and attendance increased as well.
Is that wholly from the mindfulness practices? It’s impossible to say, but those are pretty remarkable numbers, all the same.
Fifth-grade teacher Emily E. Smith is not your ordinary teacher.
She founded The Hive Society — a classroom that’s all about inspiring children to learn more about their world … and themselves — by interacting with literature and current events. Students watch TED talks, read Rolling Stone, and analyze infographics. She even has a long-distance running club to encourage students to take care of their minds and bodies.
Smith is such an awesome teacher, in fact, that she recently received the 2015 Donald H. Graves Award for Excellence in the Teaching of Writing.
It had always been her dream to work with children in urban areas, so when Smith started teaching, she hit the ground running. She had her students making podcasts, and they had in-depth discussions about their readings on a cozy carpet.
But in her acceptance speech for her award, she made it clear that it took a turning point in her career before she really got it:
“Things changed for me the day when, during a classroom discussion, one of my kids bluntly told me I “couldn’t understand because I was a white lady.” I had to agree with him. I sat there and tried to speak openly about how I could never fully understand and went home and cried, because my children knew about white privilege before I did. The closest I could ever come was empathy.”
Smith knew that just acknowledging her white privilege wasn’t enough.
She wanted to move beyond just empathy and find a way to take some real action that would make a difference for her students.
She kept the same innovative and engaging teaching methods, but she totally revamped her curriculum to include works by people who looked like her students. She also carved out more time to discuss issues that her students were facing, such as xenophobia and racism.
And that effort? Absolutely worth it.
As she said in her acceptance speech:
“We studied the works of Sandra Cisneros, Pam Munoz Ryan, and Gary Soto, with the intertwined Spanish language and Latino culture — so fluent and deep in the memories of my kids that I saw light in their eyes I had never seen before.”
The changes Smith made in her classroom make a whole lot of sense. And they’re easy enough for teachers everywhere to make:
— They studied the work of historical Latino figures, with some of the original Spanish language included. Many children of color are growing up in bilingual households. In 2007, 55.4 million Americans 5 years of age and older spoke a language other than English at home.
— They analyzed the vision of America that great writers of color sought to create. And her students realized that our country still isn’t quite living up to its ideals. Despite progress toward racial equality with the end of laws that enforced slavery or segregation, we still have a long way to go. Black people still fare worse than white people when it comes to things like wealth, unfair arrests, and health.
— They read excerpts from contemporary writers of color, like Ta-Nehisi Coates who writes about race. Her students are reading and learning from a diverse group of writers. No small thing when they live in a society that overwhelmingly gives more attention to white male writers (and where the number of employees of color in the newspaper industry stagnates at a paltry 12%).
— They read about the Syrian crisis, and many students wrote about journeys across the border in their family history for class. The opportunity particularly struck one student; the assignment touched him so much that he cried. He never had a teacher honor the journey his family made. And he was proud of his heritage for the first time ever. “One child cried,” Smith shared, “and told me he never had a teacher who honored the journey his family took to the United States. He told me he was not ashamed anymore, but instead proud of the sacrifice his parents made for him.”
Opportunities like this will only increase as the number of children from immigrant families is steadily increasing. As of 2013, almost 17.4 million children under 18 have at least one immigrant parent.
Smith now identifies not just as an English teacher, but as a social justice teacher.
Smith’s successful shift in her teaching is an example for teachers everywhere, especially as our schools become increasingly ethnically and racially diverse. About 80% of American teachers are white. But as of last year, the majority of K-12 students in public schools are now children of color.
As America’s demographics change, we need to work on creating work that reflects the experiences that our students relate to. And a more diverse curriculum isn’t just important for students of color. It’s vital for everyone.
As Smith put it, “We, the teachers, are responsible for instilling empathy and understanding in the hearts of all kids. We are responsible for the future of this country.”
Fifty years ago, when Paul McCartney announced he had left the Beatles, the news dashed the hopes of millions of fans, while fueling false reunion rumors that persisted well into the new decade.
In a press release on April 10, 1970 for his first solo album, “McCartney,” he leaked his intention to leave. In doing so, he shocked his three bandmates.
The Beatles had symbolized the great communal spirit of the era. How could they possibly come apart?
Few at the time were aware of the underlying fissures. The power struggles in the group had been mounting at least since their manager, Brian Epstein, died in August of 1967.
‘Paul Quits the Beatles’
Was McCartney’s “announcement” official? His album appeared on April 17, and its press packet included a mock interview. In it, McCartney is asked, “Are you planning a new album or single with the Beatles?”
His response? “No.”
But he didn’t say whether the separation might prove permanent. The Daily Mirror nonetheless framed its headline conclusively: “Paul Quits the Beatles.”
The others worried this could hurt sales and sent Ringo as a peacemaker to McCartney’s London home to talk him down from releasing his solo album ahead of the band’s “Let It Be” album and film, which were slated to come out in May. Without any press present, McCartney shouted Ringo off his front stoop.
Lennon had kept quiet
Lennon, who had been active outside the band for months, felt particularly betrayed.
The previous September, soon after the band released “Abbey Road,” he had asked his bandmates for a “divorce.” But the others convinced him not to go public to prevent disrupting some delicate contract negotiations.
Still, Lennon’s departure seemed imminent: He had played the Toronto Rock ‘n’ Roll Festival with his Plastic Ono Band in September 1969, and on Feb. 11, 1970, he performed a new solo track, “Instant Karma,” on the popular British TV show “Top of the Pops.” Yoko Ono sat behind him, knitting while blindfolded by a sanitary napkin.
In fact, Lennon behaved more and more like a solo artist, until McCartney countered with his own eponymous album. He wanted Apple to release this solo debut alongside the group’s new album, “Let It Be,” to dramatize the split.
By beating Lennon to the announcement, McCartney controlled the story and its timing, and undercut the other three’s interest in keeping it under wraps as new product hit stores.
Ray Connolly, a reporter at the Daily Mail, knew Lennon well enough to ring him up for comment. When I interviewed Connolly in 2008, he told me about their conversation.
Lennon was dumbfounded and enraged by the news. He had let Connolly in on his secret about leaving the band at his Montreal Bed-In in December 1969, but asked him to keep it quiet. Now he lambasted Connolly for not leaking it sooner.
“Why didn’t you write it when I told you in Canada at Christmas!” he exclaimed to Connolly, who reminded him that the conversation had been off the record. “You’re the f–king journalist, Connolly, not me,” snorted Lennon.
“We were all hurt [McCartney] didn’t tell us what he was going to do,” Lennon later told Rolling Stone. “Jesus Christ! He gets all the credit for it! I was a fool not to do what Paul did, which was use it to sell a record…”
It all falls apart
This public fracas had been bubbling under the band’s cheery surface for years. Timing and sales concealed deeper arguments about creative control and the return to live touring.
In January 1969, the group had started a roots project tentatively titled “Get Back.” It was supposed to be a back-to-the-basics recording without the artifice of studio trickery. But the whole venture was shelved as a new recording, “Abbey Road,” took shape.
When “Get Back” was eventually revived, Lennon – behind McCartney’s back – brought in American producer Phil Spector, best known for girl group hits like “Be My Baby,” to salvage the project. But this album was supposed to be band only – not embroidered with added strings and voices – and McCartney fumed when Spector added a female choir to his song “The Long and Winding Road.”
“Get Back” – which was renamed “Let it Be” – nonetheless moved forward. Spector mixed the album, and a cut of the feature film was readied for summer.
McCartney’s announcement and release of his solo album effectively short-circuited the plan. By announcing the breakup, he launched his solo career in advance of “Let It Be,” and nobody knew how it might disrupt the official Beatles’ project.
Throughout the remainder of 1970, fans watched in disbelief as the “Let It Be” movie portrayed the hallowed Beatles circling musical doldrums, bickering about arrangements and killing time running through oldies. The film finished with an ironic triumph – the famous live set on the roof of their Apple headquarters during which the band played “Get Back,” “Don’t Let Me Down” and a joyous “One After 909.”
The album, released on May 8, performed well and spawned two hit singles – the title track and “The Long and Winding Road” – but the group never recorded together again.
Their fans hoped against hope that four solo Beatles might someday find their way back to the thrills that had enchanted audiences for seven years. These rumors seemed most promising when McCartney joined Lennon for a Los Angeles recording session in 1974 with Stevie Wonder. But while they all played on one another’s solo efforts, the four never played a session together again.
At the beginning of 1970, autumn’s “Come Together”/”Something” single from “Abbey Road” still floated in the Billboard top 20; the “Let It Be” album and film helped extend fervor beyond what the papers reported. For a long time, the myth of the band endured on radio playlists and across several greatest hits compilations, but when John Lennon sang “The dream is over…” at the end of his own 1970 solo debut, “John Lennon/Plastic Ono Band,” few grasped the lyrics’ implacable truth.
Fans and critics chased every sliver of hope for the “next” Beatles, but few came close to recreating the band’s magic. There were prospects – first bands like Three Dog Night, the Flaming Groovies, Big Star and the Raspberries; later, Cheap Trick, the Romantics and the Knack – but these groups only aimed at the same heights the Beatles had conquered, and none sported the range, songwriting ability or ineffable chemistry of the Liverpool quartet.
We’ve been living in the world without Beatles ever since.
Tim Riley is Associate Professor and Graduate Program Director for Journalism, Emerson College
It’s pretty safe to say that everyone loves a good love story.
There’s a whole genre of music and movies dedicated to the idea of someone being swept off of their feet after circumstances tried to keep them from their true love. Romance novels could single handedly keep public libraries and bookstores afloat. Everyone loves “love” and the story of Betsy and Irv just takes the cake. Betsy Sailor attended Penn State University as a business major, which was almost unheard of in 1978 and Irv Pankey attended the university while playing football. The pair’s paths never crossed, until an unfortunate incident bonded the two forever.
That year, Betsy was at home singing and dancing with her refrigerator door as one does when looking for food, when she was sexually assaulted at knife point by none other than star Penn State football player, Todd Hodne. When Irv heard the evidence against Hodne during the trial, he knew he had to do something about it. In fact, he was the only one on the team who did.
After the assault Betsy moved back on campus, and that’s when she met Irv, a burly football player who understood what it was like to be outcast. He knocked on her door, introduced himself and offered to essentially be her protection as she traversed through campus. The pair were glued at the hip until graduation. Irv went on to play for the LA Rams and Betsy went on to work in human resources. They hadn’t spoken since, until 44 years later when ESPN decided to cover their unique bond that helped Betsy get through college.
Hear directly from Betsy Sailor and Irv Pankey as they discuss their relationship in my recent interview with them (created by director @nicole_noren ): 12/12pic.twitter.com/GmWVIYp38O
And that’s when this already compelling tale became a love story.
Irv and Betsy stayed in touch after the documentary was filmed, and when ESPN did an update, Betsy became emotional while talking about Irv. The two smiled and said they spend as much time together as possible. Irv said “We’re riding off into the sunset. Calling it a day. Peace out! I hope we can enjoy each other’s company for the rest of our lives and just move on,” He continued “We’re 65 years old. We ain’t got time to be messing around.”
If that isn’t a love story to write home about, then I don’t know what is. Best wishes Betsy and Irv. You both deserve a lifetime of happiness.
The Comedy Wildlife Photography Awards, known for being one of the most entertaining photography contests, has just wrapped up, and this year’s top prize goes to Jason Moore for his hilarious and brilliantly captured photo of a kangaroo, cheekily named “Air Guitar Roo.” Not only did this fantastic shot win the overall competition, but it also rocked the Creatures of the Land category, too.
Jason’s photo stood out among a whopping 5,300 entries submitted by 1,842 photographers from 85 countries. Moore’s photo of the female western grey kangaroo was taken in the outer suburbs of Perth, Australia when Jason visited a field of wildflowers to snap some pics of the many adult kangaroos and joeys playing there.
“The shoot turned out to be a great session, and I am quite fond of several images that I captured,” Moore said in a statement. “Not many people know that kangaroos are normally fairly docile and even a bit boring most of the time if I’m honest. However, when I saw this roo striking the air guitar pose, it immediately brought a smile to my face, and I knew that I had captured something really special.”
The Comedy Wildlife Photography Awards was started in 2015 by Paul Joynson-Hicks MBE and Tom Sullam to create a competition focused on the lighter, humorous side of wildlife photography while assuming an essential role in promoting wildlife conservation.
Here are 14 of the big winners.
1. Overall Winner: “Air-Guitar Roo” (grey kangaroo) by Jason Moore, Australia
“On this day, I had been out with my camera photographing some waterfowl at a nearby lake. I had been up at sunrise to take advantage of the ‘golden hour’ light, but it turned out to be a disappointing morning on the water. After leaving the lake, somewhat dejected, I decided to swing past an area of open bushland, because there are often a ‘mob’ of Kangaroos feeding and sunning themselves in a field close to the road. … The morning light was still favorable so I grabbed my camera and headed off to a spot where I could get down to eye level with my subjects. I ended up shooting about 40 or 50 frames of the kangaroos with various content including mum’s, joeys and also some action shots of them bouncing along through the yellow field. The shoot turned out to be a great session, and I am quite fond of several images that I captured. However, when I saw this animal strike this pose it immediately brought a smile to my face and I knew that I had captured something special.” — Jason Moore
2. Creatures of the Air Award: “Unexpected Plunge” (heron) Vittorio Ricci, South Africa
“An unusual end of a perfect moment.” — Vittorio Ricci
3. Creatures Under the Water Award: “Otter Ballerina” (smooth-coated otter), Otter Kwek, Singapore
“The otter was leaping while attempting to grasp the overhanging leaves, and during an unusual landing, it ended up in the Arabesque pose. I showed this photo to a ballet teacher, and she commented that the otter is a natural but just needs to tuck in its tummy a bit — precisely what a ballet teacher would advise.” — Otter Kwek
4. People’s Choice Award: “Dispute” (greenfinch), Jacek Stankiewicz, Poland
“I caught this scene while watching birds in the Bialowieza Forest. My friends interpret this scene in two ways. One, a young naughty kid is arguing with a parent. Two, a kid is reporting to the parent that their brother did something wrong: ‘Look he broke a window!'” — Jacek Stankiewicz
Highly Commended Winners
5. “The Happy Turtle” (swamp turtle), Tzahi Finkelstein, Antarctica
“The swamp turtle is surprised and smiles at the dragonfly resting on its nose.” — Tzahi Finkelstein
6. “The Monday Blahs” (great grey owl) John Blumenkamp, USA
“While photographing the great gray owl shown in my image, I had been busy working to capture that majestic-looking pose. As the owl preened and then sat still for a short while, it stretched once more and for a quick moment gave the pose shown. As it did, I grinned and thought… now that’s funny!” — John Blumenkamp
7. “One for the Family Album” (gannets) Zoe Ashdown, UK
“At RSPB Bempton Cliffs, each year between March and October, around half a million seabirds use the chalk cliffs towering above the North Sea to nest and raise a family. Gannets mate for life and they return to the same nest year after year to raise their young. Lying safely at the top of the cliff face, I was able to observe the affection shown between the gannets each time one returned to the nest. They have a greeting ritual, they rub beaks and entwine their necks; it’s how they strengthen their bond. But it’s also a brilliant opportunity to catch them in various poses. I didn’t realize I’d taken this image until I got home, but as soon as I saw it I laughed out loud! They look like proud parents, posing with their baby.” — Zoe Ashdown
8. “Don’t Look Down” (Atlantic puffin), Brian Matthews, UK
“A puffin does an inverted snoopy impression while watching jelly fish.” — Brian Matthews.
9. “Boing” (grey kangaroo) Lara Mathews, Australia
“Taken at Westerfolds Park, a beautiful and surprisingly wild pocket of land in the eastern suburbs of Melbourne, famous for its kangaroo population. The mob was enjoying some morning sunshine when this joey decided to get silly and try his hand at boxing.” — Lara Mathews
10. “The Rainforest Dandy” (monkey) Delphine Casimir, Bali
“This picture was taken in the monkey forest in Ubud, Bali, a crazy place where monkeys are king! This forest is special even magical and sacred to the Balinese people. Maybe our dandy is the reincarnation of a divinity?” — Delphine Casimir
11. “Look Right, Bro” (macaque, deer) Pratick Mondal, India
12. “That Wasn’t Here Yesterday” (white-winged dove) Wendy Kaveney, USA
“A white-winged dove appearing to fly head-on into a cholla cactus skeleton.” — Whitney Kaveney
“The white grouse is coming towards me and looks like a snowball with eyes.” — Jaques Poulard
14. “Excuse Me Sir But I Think You’re a Bit Too Young to Be Smoking” (grey fox) Dakota Vaccaro, USA
“While I was working deep in the Virginian woods, a family of grey foxes took up residence under the deck of the abandoned cottage next to my work housing. One day, while practicing their hunting skills on bits of moss and branches, one of the kits lunged at a small chunk of wood and started rolling around with his prize. Tired after his hunt, the kit lounged on his belly still holding the wood in his mouth which gave the strong resemblance of a cigar.” — Dakota Vaccaro
There’s no denying that a wedding day is a special memory most people want to hold onto for the rest of their lives. It’s the reason people spend hundreds or thousands of dollars on wedding pictures and hand out disposable cameras to guests—to capture memories from all angles, including behind-the-scenes moments that you may forget due to the nerves beforehand.
One mother of the bride decided to take her daughter’s beautiful wedding photos and create a special personalized photo album. But upon further inspection of the gift, the bride noticed that something was amiss. Niki Hunt, told Good Morning America that when her mom, Sherry Noblett, gave her the wedding album at brunch, she admitted she may have messed up.
“She’s very crafty, so usually when she says something like that, it’s something really small. I’m thinking some of the pictures are askew, or whatever,” Hunt explained to GMA.
The book was a beautiful, sweet gesture for the newlyweds created with Shutterfly, a photo site that allows you to make keepsakes out of your pictures. It appears to be a well-crafted, good-quality album as long as you only look at the photos. When Hunt’s eyes drifted to the captions next to the pictures, she noticed the mistake.
Shutterfly generates automatic generic captions next to the photos, which can be edited to fit what is happening in the pictures. But Noblett either didn’t notice the captions or assumed they wouldn’t show up in the final product if she didn’t edit them. This mishap meant there were wedding pictures next to captions detailing a beach day, time at a park and even the four seasons.
Hunt and her sister could not contain their laughter in the restaurant and decided to record their reaction. The TikTok video has been viewed over 4.2 million times and the comments are full of people joining in on the laughs.
“Not the groomsmen being labeled summer, winter, spring and fall like it’s a spicy calendar,” one person wrote.
“Imagine your great-great-great-great-grandchildren discovering this in a box and reading it with no context lmaooo,” another said.
“When ChatGPT makes a photo album,” someone commented.
You can see all the wacky captions in the video below:
Our mother is single handedly the most hilarious person we know, and its usually completely on accident. Favorite wedding gift EVER!!! @shutterfly #shutterfly
This article originally appeared on 8.20.23
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
ATTENTION: ANNOUNCEMENT 
