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Is Taylor Swift Releasing A Novel?

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Over the past day, reports have surfaced that Taylor Swift is gearing up to release her debut novel, supposedly once The Eras Tour is over. Swift herself hasn’t publicly mentioned anything about this, so what’s going on here?

Is Taylor Swift Releasing A Novel?

The Sun reports Swift has filed a new trademark for a book titled A Girl Called Girl, which she wrote as a teenager. The publication adds, “The new trademark covers merchandise for the book, as well as audio versions, which makes it seem like Taylor is finally gearing up to release it to the world.”

Worth noting, as outlined by the United States Patent And Trademark Office (USPTO), is that in order to keep a trademark registration active, there are documents that must be filed at certain intervals after the initial registration. The Sun notes Swift first secured a trademark for the book in 2015; As part of keeping a trademark active, there is paperwork that needs to be filed “between the ninth and 10th years after the registration date,” per the USPTO.

Given that it’s now been nine years since 2015, it’s possible that Swift is simply following the proper steps to keep her trademark alive, as opposed to actively moving towards a release for the book.

Previous public mentions of the book refer to it by a slightly different title than mentioned in the new report: A Girl Named Girl

In a 2012 interview with Vogue, she spoke about the book, saying:

“We lived on this basin where all this magical stuff would happen. One time a dolphin swam into our basin. We had this family of otters that would live on our dock at night. We’d turn the light on and you’d see them, you know, hanging out, just being otters. And then one summer, there was a shark that washed up on our dock. I ended up writing a novel that summer because I wouldn’t go in the water. I locked myself in the den and wrote a book. When I was 14 [laughs]. Because of a shark!”

In 2013, she said in an interview:

“All my friends were back in Pennsylvania and so I had nothing to do. I had this epiphany; I’m going to be a novelist and I’m gonna write novels and that’s gonna be my career path. […] I would write different chapters of this book and send them back to my friends and I’d write them into the book under different names but totally describe their personalities. It was a really fun way to spend the summer. […]

You can convey a thought or a story or completely describe a character or a situation through words and the whole process of editing and re-editing and rethinking and imagining. I think that that’s what I loved about writing the novel and that’s what I love about poetry and songwriting.”

Then, in a 2015 interview feature with Swift for GQ, Chuck Klosterman wrote:

“We chat a little about Ryan Adams and a little about books. Swift mentions that she wrote a non-autobiographical novel when she was 14, titled A Girl Named Girl, and that her parents still have it. I ask her what it was about, assuming she will laugh. But her memory of the plot is remarkably detailed. (It’s about a mother who wants a son but instead has a girl.)”

More recently, there was a theory that Swift secretly wrote a novel called Argylle, which was adapted into the 2024 movie of the same name. The film’s director, Matthew Vaughn, shut that rumor down, though, saying, “I’m not a big internet guy, and it was actually my daughter who came up to me — this is the power of celebrity and the internet — and said, ‘You never told me Taylor wrote the book!’ And I’m looking at her going, ‘What are you talking about, Taylor Swift wrote the book? She didn’t write the book!’ And I was laughing because I was like, ‘It’s not true! She didn’t write the book!’ But my daughter was convinced of it.”

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Steven Hyden’s Favorite Music Of August 2024

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Every month, Uproxx cultural critic Steven Hyden makes an unranked list of his favorite music-related items released during this period — songs, albums, books, films, you name it.

1. Sturgill Simpson at Outside Lands, August 11

I’ve already sung the praises of Sturgill Simpson’s first album of the Johnny Blue Skies era. But the live show looks to be even better. The new songs from Passage du Desir — so sad and beautiful on the record — sound positively sparkling on stage, though the way Sturgill’s guitar interplays with Laur Joamets ultimately transforms his entire catalog, taking it from traditionalist country (or, in the case of Sound & Fury, stoner boogie rock) directly into super sweet Allman Brothers terrain. This is flat out one of the best bands on the road right now, and I can’t wait to see them in person next month.

2. Wishy, Triple Seven

This Indianapolis band works with some very well-worn elements. They have a lot of shoegaze in their music, and a lot of alt-rock in their music. Many bands do this at the moment. But I actually think that makes this record more impressive. Because Wishy draws on these elements better than 99.9 percent of contemporary bands I’ve heard. And that’s because the songs are just really, really good. So many bands like this over-rely on the sonic trappings of shoegaze. Am I using the right gear? Do I have the right tones? But they don’t have the tunes. Meanwhile Triple Seven actually feels like an album that would have come out on Matador in 1994 and spin off three or four MTV hits.

3. Gillian Welch and David Rawlings, Woodlands

We are now entering the “wily and dependable” veterans section of this column. Let’s start with Welch and Rawlings, who are about as close to “money in the bank” as there is in the Americana business. What if I told you that Woodlands represents a bold departure in which Gillian Welch takes up rapping and David Rawlings locates his inner Wes Borland? You would laugh because such a scenario is preposterous! That sounds exactly like a Gillian Welch and David Rawlings record, all understated Dust Bowl vocals and tasty acoustic guitar licks, and it’s a quite good one at that.

4. Nick Cave And The Bad Seeds, Wild God

This on the other hand isn’t exactly the sort of album Nick Cave has made lately. His records in the past 10 years have tended toward the morose (even for him) and orchestrated, a kind of grief-choked chamber music. It’s quality work, but Cave’s old rock ‘n’ roll swagger was missed. On Wild God, thankfully, he recovers some of that, though the more sobering perspective of his recent music remains.

5. Ray LaMontagne, Long Way Home

I enjoy this person’s records. I own six of his albums, including this one. I have never written about him until now because … I don’t really have much to say? I would never make the case that he’s an under-appreciated genius. He’s basically a journeyman singer-songwriter. But he’s really solid at making retro-sounding pop-folk tunes in the style of Harvest era Neil Young and his fellow compatriots in the CSNY universe. Long Way Home doesn’t set the world on fire but it’s also extremely listenable in a genre where a lot of artists kind of blur together. (Feel free to put this quote on a sticker for the next record!)

6. Futurebirds, Easy Company

I’ve been listening to this band for almost 15 years, going back to their excellent 2010 release Hampton’s Lullaby. Back then they were situated on the My Morning Jacket wing of the alt-country family tree. In the time since, they have moved in a more conventionally folky direction. Working with producer Brad Cook — the go-to guy for sonically rich Americana records — Futurebirds have deepened their songwriting and reiterated their rock-solid durability.

7. Oso Oso, Life Till Bones

This is one of those records where I get confused about the difference between contemporary emo and classic, straight ahead pop rock. Because to me Oso Oso has usually existed in the latter lane. If this were the ’90s, this band would be on a major label and touring with Better Than Ezra and the Gin Blossoms. And I mean that as a compliment.

8. BBsitters Club, Joel’s Picks Vol. 2

As you might guess from the album title, this Chicago band populates the world of indie jam. Some Dead, some Phish, and some Ween are all discernible in the mix on this compilation of live highlights from 2019 to 2023. (There’s also lots of MIDI guitar, which will either be a deal breaker or the No. 1 reason to get on board, depending on your usual proximity to this kind of music.) What I appreciate most about BBsitters Club is their sense of humor and general fun vibe. A lot acts in this scene tend to be centered on serious-minded beardos who are obsessed with replicating the most far-out parts of Dead live tapes from the early ’70s. It’s all about “Dark Star” and not at all about the party-hearty parts of the Dead. These guys aren’t like that. They understand that any great jam band needs a little bit of goofiness to function. Break out the beach balls!

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Lana Del Rey Is Reportedly Dating An Alligator Tour Guide From Louisiana

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It looks like Lana Del Rey may have found herself a new romantic interest.

As The Cut notes, Del Rey has recently been spotted with Jeremy Dufrene, who works as an airboat alligator tour guide in Louisiana. Over the past few days, the two have been seen holding hands backstage at Leeds Festival in the UK on August 25 (as captured in this TikTok video), shopping at Harrods in London, and eating at a local pub.

The public connection between the two goes as far back as 2019, when Del Rey went on one of Dufrene’s tours, and she shared photos of the adventure on Facebook. Del Rey went on another tour earlier this year and posted about it on Instagram, tagging Dufrene in the post.

As The Daily Mail notes, Dufrene has worked at Arthur’s Air Boat Tours “since at least 2015,” and he has previously given tours to stars like Kate Hudson, Emma Roberts, and Glen Powell.

Meanwhile, Del Rey recently spoke about her upcoming album Lasso, saying, “All my albums are somewhat rooted in Americana, unless it’s an album like Honeymoon which has a jazz flair, so I don’t think it will be a heavy departure. If anything, it will just be a little lighter lyrically, and more pointed in a classic country, American, or Southern Gothic production — which again, so many of my songs already are.”

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Teddy Park’s THEBLACKLABEL Unveiled K-Pop Girl Group MEOVV With Animated Black Cats Scaling The Capitol Records Tower

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On Wednesday morning, August 28, Capitol Records and THEBLACKLABEL jointly announced the signing of MEOVV, a five-piece K-pop girl group. MEOVV was officially unveiled with this clever animated video showing five black cats scaling the Capitol Records Tower.

MEOVV is the first-ever girl group from THEBLACKLABEL, which was founded by Teddy Park, who has produced bona fide K-pop gold for Blackpink, 2NE1, BIGBANG, and G-Dragon.

Four of the five MEOVV members have been individually revealed. It started with this two-minute trailer for Ella on August 21, followed by Gawon, Sooin, and Anna.

“I remember nothing, but the destination I was heading to,” the YouTube description for Ella’s trailer reads. “Which is why I just got here.”

Gawon’s YouTube description reads, “If I were to choose between the two, I already know my answer.” The anticipation continued to build in the descriptions for Sooin (“I think we are friends”) and (“I will pick up the phone at the convenience store tonight”).

The final member of the group will be revealed on Thursday, August 29. Before releasing a single piece of music and publicly completing the formation of the group, MEOVV has attracted 338,000 Instagram followers and 207,800 TikTok followers.

“With the story continuing to unfold, the MEOVV takeover has only just begun,” a press release teased.

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Sabrina Carpenter Released A ‘Short N’ Sweet’ Bonus Track, But Only For A Limited Time

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Sabrina Carpenter’s Short N’ Sweet is expected to debut at No. 1 on the UK Official Albums Chart (as per Billboard), and a No. 1 debut is extremely possible on the Billboard 200.

Why not sweeten the pot?

On Wednesday evening, August 28, Carpenter posted across her social media accounts, “Surprise [kiss mark emoji]. Short N’ Sweet The digital album w/ bonus track ‘Needless to Say’ is available now for 24 hrs only!”

The digital album is available here for $4.99. According to various posts on X (formerly Twitter), an email will be sent confirming purchase with an option to download the bonus track digital artwork. “Audio will be delivered via email on August 29, 2024,” it reads.

Carpenter released Short N’ Sweet, her sixth full-length album, last Friday, August 23. Simultaneously, Carpenter dropped “Taste” as a single. The Dave Meyers-directed video co-stars Carpenter and Jenna Ortega and references the 1992 Oscar-winning film Death Becomes Her.

Of course, Short N’ Sweet is anchored by “Espresso” and “Please Please Please,” which peaked at Nos. 3 and 1, respectively, on the Billboard Hot 100. “Please Please Please” is Carpenter’s first No. 1 Hot 100 single of her career.

Short N’ Sweet is Carpenter’s first LP release since 2022’s Emails I Can’t Send, which debuted at No. 23 on the Billboard 200 and spent 48 weeks on the chart.

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Scooter Braun Joked About Not Being Invited To Taylor Swift’s Party, And It Went Over As Well As You’d Expect

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On June 17, Scooter Braun posted an extremely long statement explaining why he’d chosen to retire from music management. Braun had pivoted to focusing on his role as HYBE America CEO after becoming one of the most successful managers in music, with Justin Bieber, Ariana Grande, and Demi Lovato headlining his roster at one point. Braun’s legacy is stained, at least partially, by a years-long feud with Taylor Swift.

On June 21, Max premiered a two-part documentary entitled Taylor Swift vs. Scooter Braun: Bad Blood exploring the implications of Braun owning Swift’s masters as a byproduct of buying Big Machine Music Group in 2019. The acquisition covered Swift’s first six albums, leading to her revolutionary re-recorded releases.

Anyway, Braun finally got around to watching Taylor Swift vs. Scooter Braun: Bad Blood and wrote on his Instagram Story, “I finally watched it.” Braun’s very next Instagram Story post was a screenshot of TMZ’s exclusive on Swift’s recently thrown birthday party for Blake Lively in Rhode Island. “How was I not invited to this?!? #LaughALittle,” Braun wrote.

Predictably, Braun’s joke did not go over well online. Almost assuredly, Swift was not amused.

“With the Scooter thing, my masters were being sold to someone who actively wanted them for nefarious reasons, in my opinion,” Swift told Time last year. “I was so knocked on my ass by the sale of my music, and to whom it was sold. I was like, ‘Oh, they got me beat now. This is it. I don’t know what to do.’”

In November 2020, Swift posted an in-depth update on her attempts to “regain ownership of my master recordings.”

“My team attempted to enter into negotiations with Scooter Braun,” she alleged at the time. “Scooter’s team wanted me to sign an ironclad NDA stating I would never say another word about Scooter Braun unless it was positive, before we could even look at the financial records of BMLG (which is always the first step in a purchase of this nature). So, I would have to sign a document that would silence me forever before I could even have a chance to bid on my own work.”

Since then, Swift has released Fearless (Taylor’s Version), Red (Taylor’s Version), Speak Now (Taylor’s Version), and 1989 (Taylor’s Version). Each re-recorded album debuted at No. 1 on the Billboard 200.

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Will Willa Fitzgerald Ever Return As Roscoe In ‘Reacher’?

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Reacher‘s second season turned out to be a brilliantly simple ride that was as enjoyable as the show’s debut with one downside: no Roscoe Conklin.

Willa Fitzgerald’s no-nonsense Margrave PD spitfire hails from the Killing Floor book, and part of the appeal of the Reacher character is that he is a wanderer and a loner, so their TV romance was a fleeting one. Now, Roscoe did get mentioned in second-season passing (Neagley brought her up to Reacher, and Dixon was quick to probe without results), but Fitzgerald’s character wasn’t seen, although first-season Finlay (Malcolm Goodwin) somehow popped up for a brief scene. However, this Prime Video/Amazon show’s writers don’t shy away from book-to-screen changes, so it’s not out of the realm of possibility for them to change their minds on Roscoe (as with Neagly now being a common thread between seasons). Viewers wouldn’t be mad to see it happen.

So, is a Reacher comeback ever in the cards for Willa Fitzgerald? The Fall of the House of Usher actress is promoting her current horror film, Strange Darling, and she sounds (maybe) willing to make another appearance but insists that there’s nothing in the works. Fitzgerald made these remarks to Forbes:

“I don’t have any insider knowledge about whether there will be more Roscoe or not,” Fitzgerald said. “I’m as much in the dark as anyone else, but I love playing that character and I loved getting the chance to help initiate the Reacher television universe… It was a lot of fun to take on and I have a lot of respect for Nick Santora, the showrunner, and I still watch the show,” Fitzgerald added. “I love watching the show and am excited to see where it goes from here.”

As for when Reacher will return for his third season of body-wrecking fights, Amazon hasn’t confirmed a date yet. However, a 2025 arrival should be in the cards, based upon the previous cadence (Feb. 2022 and Dec. 2023) of the series. Until that time, those Tom Cruise movies are out there for the taking, too.

(Via Forbes)

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Olivia Rodrigo Writes Fans That She’s ‘Having The Time Of My Life’ As Her ‘Guts Tour’ Makes Its Way To Asia

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Olivia Rodrigo is apparently having the time of her life on her Guts Tour, despite near-wardrobe malfunctions and being so exhausted she’s sleeping half the day away between shows. The “Bad Idea Right?” singer acknowledged as much in a letter she shared with fans to thank them for the tour’s successes as she completes the first North American leg and prepares to move on to Asia and Australia.

The letter, delivered by email with a subject line reading “It’s not goodbye, it’s see u soon!!!” reads, “I just wanted to send a little note to say thank u so much to everyone who has attended the GUTS world tour so far. I am having the time of my life singing my heart out with u guys every night. I have a few weeks off before the tour heads to Asia and Australia, but I wanted to share a few random pics I took the past few months before I do (I’m so bad at taking photos!!!)”

The photos include shots of her guitar and a toy horse, along with a selfie.

The Asian leg of the tour begins in Bangkok, Thailand on September 16, and will include dates in Hong Kong, Seoul, and Tokyo, while she’s got four shows in Australia lined up.

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Bruno Mars Was Apparently Tickled By A Joke That Lady Gaga Collaborated With Him To Get Him Out Of Debt

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One of the most unexpected collaborations of 2024 has turned out to be one of the most successful, as Bruno Mars and Lady Gaga’s “Die With A Smile” debuted in the top five of this week’s Billboard Hot 100. That’s a good thing, too, as Bruno allegedly has so much gambling debt that he’ll be working Vegas until the city becomes a seaside resort.

Or, at least, that’s what fans joked, despite an MGM Resorts rep refuting that particular rumor shortly after it spread online. Never forget that on the internet, jokes > facts… but at least this time, the star at the center of the rumors appears to be in on the joke. While retweeting fans’ posts about the new collab, which include fanart of scenes from the video, crafted figurines of Bruno, and even some truly spectacular nail art, he didn’t bypass a TikTok/Reel of a fan dancing with a caption reading: “Lady Gaga on her way to get Bruno Mars out of debt.” You can check it out below.

The two stars had been teasing the duet since June, when Bruno told Las Vegas Review a song with Gaga was on his bucket list. Then, in early August, Gaga herself threw fuel on the rumors, first posting a video of herself playing piano wearing a Bruno Mars T-shirt, then confirming not only the collab’s existence, but also its placement on her upcoming seventh album.

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The First ‘Beetlejuice Beetlejuice’ Reviews Are Torn On Whether The Movie Is Needed But Are Still Overjoyed It Exists

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It has been over 35 years since Michael Keaton debuted his otherworldly entity known as Beetlejuice, and he didn’t really know if people wanted to see the character again.

“The only thing I worried about was, should we have left it alone? You know?” Keaton told Entertainment Weekly ahead of the premiere. “Should we have just said that: ‘Don’t touch it. Just walk away. Go make your other movies,’ which we did.” But still, Tim Burton and Winona Ryder were on board for a sequel, and it came to life thanks to the addition of Jenna Ortega, Justin Theroux, Monica Bellucci and Willem Dafoe. All they needed was another supply of white face powder and some intense eyeliner to bring him back to the world of the living.

In Beetlejuice Beetlejuice, Ortega stars as Astrid, Winona Ryder’s stubborn daughter who unintentionally calls for Beetlejuice to return, which he does happily. The sequel seems to have hit a sweet spot with critics who agree that, hey, we didn’t need this, but it’s still kind of nice to have it anyway. Here is what the reviews are saying:

Siddhant Adlakha, IGN:

Tim Burton allows the cast of Beetlejuice Beetlejuice to have fun, even if they’re all off in separate movies that barely overlap. Its story is intentionally robbed of dramatic weight, but this makes way for the goofy, imaginative practical effects of Burton’s early days, resulting in a small-scale legacy sequel that doesn’t take itself too seriously (because it doesn’t need to).

Stephanie Bunbury, Deadline:

The first Beetlejuice in 1988 captured imaginations because it was new, unlike anything else and deliciously tasteless while being, to be honest, pretty clunky. Beetlejuice Beetlejuice is not clunky. Yes, there are plenty of animation joins that haven’t been smoothed over by CGI. Some of the props look like tat Burton bought in a flea market. But it also has a proper plot, full of twists and turns; a terrific cameo characters supporting the impeccable main cast; a meticulous spoof Italian horror film in the middle of it all; and a climactic musical number in which key cast members mime to Richard Harris’ 1968 pop hit “Macarthur Park” while dancing around a giant cake with icing the exact green of snot.

Barry Levitt, Daily Beast

When it steps back from reality and plumbs the depths of the afterlife, Beetlejuice Beetlejuice is a lot of fun. The final 10 minutes are tremendous (and tremendously ridiculous) while finally giving Betelgeuse his due, and Burton finds a pitch-perfect ’60s song to resurrect in glorious effect. Beetlejuice Beetlejuice possesses a lot of what has made the original movie a bonafide classic, even if the script forgets that too often.

John Nugent, Empire:

The film is strongest when it remembers it’s a Tim Burton film and has licence to get weird. While it’s slicker and less homemade-feeling than the 1988 vintage, there are still flashes of B-movie brilliance: a stop-motion animation sequence, some delightful shrunken-head prosthetic effects, and two demented birth scenes with the most ghoulish prosthetic baby this side of American Sniper. It’s moments like this, when Burton lets his freak flag truly fly, that Beetlejuice Beetlejuice earns its stripes.

Marshall Shaffer, The Playlist:

The faint scent of intellectual property looms a little too large over Beetlejuice Beetlejuice to call it a true return to form for Tim Burton. But it’s unmistakably a return to joy for a legendary director, and that goes a long way in making this film stand out in a sea of ill-conceived sequels

Stephanie Zacharek, Time:

There’s a lot of plot windup before Beetlejuice, the “trickster demon,” as Lydia describes him, shows up. But when he does, it’s like greeting a decrepit, kvetching old friend, the kind you keep around just for entertainment value. Michael Keaton clearly adores this character; once again, he pours pure love into Beetlejuice’s maniacal, depraved soul.

Ben Croll, The Wrap:

For a film very much anchored in the dominant Hollywood model of undead IP buried in legacy and lore, “Beetlejuice Beetlejuice” has an appealingly throwback quality – not just for the welcome return of long-missed techniques, but for a sensibility and sense of humor that doesn’t try to keep with the times.

Few would mistake “Beetlejuice Beetlejuice” for a confessional or particularly self-revealing work, but it does hew closer to that original artistic spark that dimmed once the director became a trademark.

The Guardian‘s Xan Brooks was a little less excited:

For all its spilling intestines and head-spinning demon babies, Beetlejuice Beetlejuice feels underpowered and throwaway. It’s a likable exercise in nostalgia; a joyride through old haunts. Burton’s underworld caper contains plenty of second-hand spirit; what it craves is fresh blood. What it needs is some substance.

If you feel ready to take on Beetlejuice, you know what to do: just say his name a few times and see if you can get Michael Keaton to show up. He probably will!

Beetlejuice Beetlejuice hits theaters on Sept 6.