Whereas 2019’s Joker made over a billion dollars and was nominated for 11 Oscars, including wins for Best Actor and Best Original Score, the 2024 sequel will, uh, not be doing any of that. Joker: Folie à Deux brought in a “tragic” $37.8 million in its first weekend of release at the domestic box office, the same amount of money the original made on its first Friday alone. Critics savaged the film (33 percent rating on Rotten Tomatoes), which also earned a dismal “D” CinemaScore. That’s the lowest grade from the survey-taking research firm for a comic book movie ever. Yes, even lower than Madame Web.
Where do stars Joaquin Phoenix and Lady Gaga go from here?
For Phoenix, it’s not the next Todd Haynes movie, that’s for sure, so let’s go right to Lady Gaga. The singer and actress is reportedly “shocked” at the negative reaction to Joker: Folie à Deux. “She put so much heart into the movie,” a source told The Daily Mail. “Her team is quietly looking at other projects they can roll out as they want to move on… as quickly as possible.”
That won’t be difficult. For one thing, Gaga isn’t the issue with Joker: Folie à Deux. In fact, she’s one of the best things about it (“Gaga is a compelling live-wire presence, splitting the difference between affinity and obsession,” The Hollywood Reporter raved), so her magnetic-if-underused performance as Harley “Lee” Quinn won’t stain her filmography. Besides, even before Joker: Folie à Deux came out, Gaga was already hard at work on her next era.
In September, Gaga shared an image on her social media channels of her itinerary, or, because it was in Italian for the Venice Film Festival, her “itinerario.” There were two “date importanti” listed: “04 October: Joker: Folie à Deux in theaters” and “XX October: LG7 first single.”
At some point this month, Gaga will release her the first track from her seventh studio album, and first since 2020’s pandemic-impacted Chromatica (Harlequin doesn’t really count). Little is known about the album, other than Vogue describing one of its songs as an “old-school Gaga banger.” The inspiration to make a full-blown pop album came from Gaga’s fiance, Michael Polansky. “He was like, ‘Babe. I love you. You need to make pop music,’” she explained. Polansky added, “Like anyone would do for the person they love, I encouraged her to lean into the joy of it. On the Chromatica tour, I saw a fire in her; I wanted to help her keep that alive all the time and just start making music that made her happy.”
It was fitting (and perhaps wisely calculated) for Gaga to list Joker: Folie à Deux and LG7 back to back on her “itinerario.” If the movie was a hit, great. If it underperformed compared to Joker, she was ready to return to her music career anyway. But now that we know Joker: Folie à Deux is a flop, something few saw coming, it’s an even more shrewd bit of planning. The low box office, the bad reviews, the behind-the-scenes drama (none of which is Gaga’s fault), all will be forgotten as soon as we get the first taste of LG7.
Lady Gaga is remarkably resilient. She went from playing for a few dozen people in the middle of the afternoon to having the no. 1 single in the country in less than two years, and her career has never waned since then. She’s won Grammys and an Oscar; she’s influenced too many artists to name them all (but here’s one: Chappell Roan); and she’s the rare singer-turned-movie star to receive near-universal acclaim for her acting. Even now, Gaga has the biggest streaming song in the world for the sixth straight week. Not bad for someone nearly 20 years into their career.
The poor reception to Joker: Folie à Deux is a minor footnote in the larger story of Lady Gaga. No matter what her former classmates think, she will be famous.
At around 11 minutes into the interview, host Sean Evans made note of Pharrell’s apparent ability to make accurate predictions about the future. So, on that note, he asked Pharrell for his take on some future predictions. He began by asking if Pharrell thinks there will be a human colony on Mars “in our lifetime.” Pharrell responded, “Yes, because I think that it’s possible to terraform that planet. I think the conditions aren’t too far off for them to do the work that they would need to do to make it happen.”
Evans also asked if there’s anything that excites or scares Pharrell about the future of music and he responded, “You know, creativity bifurcates, and if you were to ask somebody 15 years ago about what music is right now, what is OK to say now, they’d be surprised. What it’s not OK to say right now, they’d be surprised. That’s just an effect of, like, the evolution in humanity.”
Pharrell also discussed his relationship with luxury, saying, “I’m not a materials person in terms of wanting those things as much. I mean, I’m grateful for what I have and I’m cool. I’m not looking for too much more than just experience and the ability to design and do partnerships. I’m enjoying that, I’m enjoying just designing and artistically iterating.”
At 13 years old, I would start downloading a 3-minute MP3 file on the family computer, and I would actually have to wait multiple minutes for it to be finished (and my parents would have a fresh virus to deal with). If you told me then what a phone (not even a computer, a phone) from 2024 could do, I would have dropped my Nintendo DS in amazement.
Phones now are essentially all-in-one pocket computers, and the “all” includes a camera. The cameras have gotten fantastic, too: You may have heard that the upcoming movie 28 Years Later was filmed on an iPhone 15.
Consequently, we use our phone cameras a lot, to capture fun and important moments in our lives. At the last concert you went to, you definitely saw dozens of phones being held in the air. Strangely, it’s possible that you also saw at least one DS.
For some reason, over the past few years, it hasn’t been a foreign thing to see somebody taking concert photos or videos with a DS. As IGN notes, the trend appears to have started in 2021, when somebody was spotted filming with a 3DS at a Bring Me The Horizon concert.
(If some of my word choices so far have made the gamers reading this angry: These days, “DS” is often thrown around as a general term to refer to all the different models in the Nintendo DS, and even 3DS, line. The original Nintendo DS and the DS Lite, though, do not have cameras. The DSi, DSi XL, and all 3DS systems, meanwhile, do. So, please know that I know that, but for simplicity’s sake, I’m just going to call everything a DS or 3DS when the specific model isn’t known.)
In a technical sense, the low-resolution photos and videos produced by the DS/3DS are the worst. Here’s a 3DS video from an Anamanaguchi concert in 2021. The video has little detail, and the audio sounds like a menacing alien spaceship landing. At the same time, the low quality can have a nostalgic 2000s appeal. Or, if you’re into doing silly and fun things, shooting with a DS in 2024 is a silly and fun thing. In that sense, the photos and videos are the best.
For those reasons, we have ourselves a trend. Here’s somebody filming with a DS at a Rina Sawayama concert in 2022. Here’s somebody doing the same thing at a Tyler The Creator show that year. Here’s a DS at a 2022 Charli XCX gig.
The trend is holding strong in 2024, too. It got some notable exposure recently, when Chappell Roan noticed an audience member with a DS and said with a smile, “B*tch, is that a DS? You keep taking photos on your DS.”
If you’ve graduated from a HBCU or visited a campus during its annual homecoming celebrations, it’s apparent that music is a significant part of HBCU culture, specifically the football game’s halftime marching band performance. A seemingly endless catalog of genres — including hip-hop, gospel, R&B, pop, and soul — is transformed into a melodic mashup that captivates the crowd almost more than the game itself.
The camaraderie among other dedicated fans in the audience is the best part of the game, from listening to the commentator’s playful remarks, to watching the majorettes perform their thoroughly practiced choreography, to enjoying the band’s funky routine that complements their euphoric sound. It’s an unmatched tradition that you can’t experience anywhere but at an HBCU football stadium.
For the marching band members, these pivotal moments inspire them to mingle music into their lives after graduation.
Raised in a family of musicians, Morgan State University graduate Malik Freeman already had the influence and willful determination to pursue the marching band at Morgan State. While Freeman and I discussed Drumline, the 2002 coming-of-age dramedy starring Nick Cannon, he mentioned that this film was a pivotal inspiration for joining a collegiate marching band.
According to Freeman, the culture of an all-Black school and competitive nature between the rival bands were accurately portrayed in the movie and led him to “wanting to be a part of that,” and it happened throughout his journey as a tenor drummer.
“It wasn’t really that dramatized, but it was like the closest thing you can get when it comes to HBCUs –- the [fraternity] organizations, the band, and the music organizations that they represented in that movie,” he said.
After graduating in 2019 with a bachelor’s degree in music education, Freeman’s connection with an old friend led to an opportunity to advance his talent in a different setting.
“[Marching band] is embedded into my DNA and my life at this point, because this year, I’m running my elementary school’s bucket drumming club,” he said. “I got this plan to put on performances and really work with these kids. I’m gonna create some cool stuff.”
In addition to teaching, Freeman is also DJing, consuming more music history, and playing in a heavy alternative band.
The former-marching-band-member-to-teacher pipeline is more common than you’d think. For example, Spelman College graduate Dianna Sanders cherishes her time as a trombone player with the members of Morehouse College’s House Of Funk, and it influences her today as a teaching assistant at Florida Atlantic University.
Sanders frequently “refers back to [her] roots from marching band at Morehouse College,” so she acknowledges that there are some clear differences between the musical style at HBCUs in comparison to her current work environment.
“[Florida Atlantic University] plays similar music because we’re a South Florida school, they’re very cultured down there,” she said. “We do play HBCU-style music in the stands, but there’s just some things I simply cannot teach them. I’m always making comparisons in my head, like there’s just something each band does better than each other, but that’s the beauty of music overall.”
During my junior year at Florida A&M University –- one of the state’s two historically Black colleges -– I enrolled in a jazz history course taught by Professor Lindsey Sarjeant. The syllabus for the semester-long class detailed the development of jazz music throughout the 19th century, and it indirectly revealed the thorough preservation of Black music that occurs at HBCUs.
Beyond this course, Sarjeant’s notability in Tallahassee arises from his work as the chief band arranger for the incomparable Marching 100, FAMU’s collegiate marching band that has accrued global praise for performances like the 2007 Super Bowl Halftime Show and the Louis Vuitton Men’s Fashion Show in Paris.
The incomparable high-energy sound that separates HBCUs and predominantly white institutions is a result of the late Dr. William P. Foster. In 1946, he was hired as the director of bands at Florida A&M University and founded the Marching 100, and his innovative contributions revolutionized all marching bands. Any viral performance that includes a modern hip-hop or R&B song is more than likely a result of Foster’s advocacy.
Interacting with a professor like Sarjeant or Foster is a testament to investing in blossoming students and historically Black music programs. Whether it’s their intention or not, a syllabus with a history of jazz, ranging from the Harlem Renaissance to the evolution of modern music, is a key factor in preserving Black history.
Like Sanders and Freeman, Alabama State University alum Ayana Cummings pursued a career in music education after marching band. Even though her mother and high school band director piqued her interest in attending Alabama State University, her musical influences derived from a drum set that her six-year-old self received for Christmas, as well as middle school and high school band.
In college, her degree focused on percussion and music composition, and her hard work in the band led to an achievement as her alma mater’s first female percussion section leader.
“All the knowledge that I have about music came through my degree in performance, as well as actually performing, and I’m able to use that to navigate through the education world,” she said. “I was percussion section leader [in college] — you’re doing a lot of teaching and a lot of explaining, and you’re responsible for a lot of people and your peers, so all of that really helped me to be comfortable in the education world.”
But what happens after graduation, when a background in marching band isn’t paired with an interest in teaching? As Freeman mentioned, it’s a disservice to not fully immerse yourself in music history, at least one post-graduate visit to homecoming, and a casual jam session with fellow musicians. My own involvement in college radio led to my interest in DJing, and the graduates I spoke to shared their future plans for film scoring, music supervision, and production.
For Edwin Mompremier, a fellow graduate from Florida A&M University, his participation in the university’s jazz band and symphonic band opened up different opportunities to perform live music in Tallahassee.
“While I was marching, I was still doing other gigs,” he said. “It ranged from being at church to playing at shows, but my first real break came when I started playing with Tallahassee Nights Live [a local jazz ensemble], and that’s when I got more exposure, met some more people, and got involved in the music scene a little bit more.”
These are just a few of the stories that demonstrate how the longstanding marching band tradition at HBCUs doesn’t just set Black college bands apart: It also keeps history alive and prepares students for greater opportunities when they graduate.
If Sabrina Carpenter wears your favorite sports team’s jersey, you should ask her to please please please take it off. Okay, not for that reason, you creep, but because there’s a Drake-like Sabrina Carpenter curse brewing, and it’s already come for the Toronto Maple Leafs and Philadelphia Phillies.
What Is The “Sabrina Carpenter Curse”?
Last month, Carpenter wore a bedazzled Maple Leafs jersey during the Toronto stop of her Short N’ Sweet Tour. The 2024-2025 NHL season hadn’t quite kicked off yet, but the Maple Leafs had their opener on Wednesday and lost to the Montreal Canadians. You know what other team lost yesterday? The Phillies, to the NLCS-advancing, Grimace-loving New York Mets.
This defeat was personal for Carpenter. She was born in Pennsylvania and showed off her Phils fandom with another custom jersey (with the number “69” on the back, naturally) while performing at Philadelphia’s Wells Fargo Center on Tuesday. You can see the look here.
To recap, the last two times Carpenter wore a jersey for a specific team, that team lost their next game. Or as X user @shawn_depaz joked, “Phillies: DEAD. Leafs: lost season opener to Montreal. Will be monitoring the Sabrina Carpenter curse going forward.” There’s only one way to know for sure: get her in a Yankees jersey, and see if they blow the next two games to the Royals.
Each week our staff of film and television experts surveys the entertainment landscape to select the ten best new/newish shows available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.
You might know Brian Jordan Alvarez from his videos on TikTok and Instagram as TJ Mack, the singer of earworm “Sitting.” He’s also the star and creator of English Teacher, about a teacher who “often finds himself at the intersection of the personal, professional, and political aspects of working at a high school. Evan wants to be a principled person but often runs into trouble because of it.” His first lesson to his students: sitting is the opposite of standing.
There’s a few things you should know about Slow Horses:
1. As we previously wrote: “Each season is six episodes long and focuses on a distinct mystery or conspiracy and is full of little twists and turns and double-crosses. Sometimes there are stolen diamonds. Sometimes the slow horses will reveal themselves to be drug addicts or gambling addicts and it’ll muck everything up for a little. Sometimes you’ll be watching someone do something and assume they’re taking a brave and bold stance for righteousness and then realize they’ve been manipulated into accidentally doing the bidding of someone smarter and more conniving than they are.”
2. There is so much farting. Like, even more than you think.
Colin Farrell’s scene-stealing performance in The Batman resulted in him being turned into a meme and, probably more impressively, getting a spin-off on Max. The Penguin explores Oswald Cobblepot’s (or as he’s called in the show, Oz Cobb’s) rise in the seedy Gotham underworld. The series, which also stars Cristin Milioti, Clancy Brown, and Theo Rossi, is getting comparisons to another crime drama in the HBO / Max family: The Sopranos. Not too shabby.
There’s a good chance you’ve already seen Inside Out 2. It is the highest-grossing movie of 2024 after all. But now you can watch it again and again (especially if you have kids) on Disney Plus. The Pixar film brings back Joy, Sadness, Fear, Disgust, and Anger from the original, and adds new emotions, including Maya Hawke as Anxiety and Ayo Edebiri as Envy. For more on the making of Inside Out 2, read our interview with director Kelsey Mann.
After former SNL head writer Harper Steele came out as a trans woman, she and Will Ferrell went on a two-week road trip across America. Will & Harper follows their journey. “What if we went on a road trip together, giving her a chance to go into a cowboy bar or whatever places she misses, and I can be by her side and lend support as a friend?” Ferrell said about the origin of the documentary. “At the same time, it would give us a chance to reconnect and figure out what this transition means to our relationship.” If only all SNL cast members from the ‘90s were so open minded…
The acclaimed anime Dan Da Dan is about Momo, a high school girl from a family of spirit mediums, and her classmate / occult fanatic Okarun, who begin talking after she saves him from getting bullied. However, an argument ensues between them: Momo believes in ghosts but denies aliens, and Okarun believes in aliens but denies ghosts. It’s a real Mulder and Scully dynamic, if they were both Mulder (and there was a Turbo Granny). Dan Da Dan, which is getting a weekly release, comes from animation studio Science Saru, who also made last year’s shockingly good Scott Pilgrim Takes Off.
One of the most talked-about shows at the moment is Nobody Wants This. It turns out, everybody wants to see Kristen Bell and Adam Brody in a romantic comedy, which is something I could have told Netflix without having to be paid an executive’s exorbitant salary. Nobody Wants This follows the unlikely relationship between a sex podcaster (Bell) and a hot rabbit (Brody). It’s very cute, and hopefully a sign that we’ll get more good rom-coms soon.
Quarantine hit The Platform is an allegorical horror film about class struggle, where inmates in a “Vertical Self-Management Center” are fed using a platform that’s initially filled with food but as it descends, there’s fewer and fewer options for the lower levels. Those at the bottom are lucky to get anything at all. Following a prisoner rebellion (and some delicious panna cotta) in the original, The Platform 2 has a new leader imposing their rule in the Platform, while “a new resident becomes embroiled in the battle against this controversial method to fight the brutal feeding system,” according to the logline from Netflix. “But when eating from the wrong plate becomes a death sentence, how far would you be willing to go to save your life?”
The Franchise is a long-overdue satire of superhero movies from creator Jon Brown and producers Armando Iannucci and Sam Mendes. It’s like The Boys, but less violent — although both shows do star Aya Cash. She’s joined by Himesh Patel, Jessica Hynes, Billy Magnussen, Lolly Adefope, Darren Goldstein, Isaac Powell, Daniel Brühl, and Richard E. Grant. The series makes fun of the chaotic world of superhero moviemaking and asks an important question: “How exactly does the cinematic sausage get made?” (With lots of greenscreen, that’s how.)
Earlier this year, Stephen King had this to say about Salem’s Lot: “Between you and me, Twitter, I’ve seen the new SALEM’S LOT and it’s quite good. Old-school horror filmmaking: slow build, big payoff.” King doesn’t always have the best taste in adaptations of his own work, but he makes a strong case here. 2024’s Salem’s Lot (the first feature-film adaptation of the author’s personal favorite novel, following two miniseries) stars Lewis Pullman, Makenzie Leigh, Bill Camp, Pilou Asbæk, Alfre Woodard, and William Sadler, and was written and directed by Annabelle and It writer Gary Dauberman.
5. Tomb Raider: The Legend of Lara Croft (Netflix)
netflix
The first Tomb Raider game came out on the Sega Saturn nearly 30 years, but the love for Lara Croft remains strong. There’s been three movies, so many games (including a remaster of the first three mainline titles released earlier this year), and now, an anime. Hayley Atwell voices the titular explorer in Tomb Raider: The Legend of Lara Croft from animation studio Powerhouse Animation Studios, which also made the impressive Castlevania: Nocturne series. They have a stranglehold on Netflix anime.
The official synopsis for Teacup reads, “Teacup follows a disparate group of people in rural Georgia who must come together in the face of a mysterious threat in order to survive.” But that leaves out the intriguing involvement of producer James Wan, or that the subject matter is so “horrifying,” it made star Yvonne Strahovski “feel sick.” Just in time for Halloween!
Caddo Lake, which is on the border of Texas and Louisiana, covers nearly 27,000 acres. It’s easy to go missing in there, which is what happens to an eight-year-old girl in the new horror movie from writer and director duo Celine Held and Logan George. The film (produced by M. Night Shyamalan) also stars Dylan O’Brien and Eliza Scanlen, who begin to link together a series of past deaths and disappearances.
La Máquina reunites Y tu mamá también stars Diego Luna and Gael Garcia Bernal in a boxing drama-thriller. After a brutal loss, boxer Esteban “La Máquina” Osuna (played by Garcia Bernal) faces a low point in his career. But his manager and best friend, Andy Lujan (Luna), believes he still has promise to mount a comeback for one last fight… possibly for selfish reasons. Esteban is also facing issues in his personal life, including his journalist ex-wife Irasema (Eiza González), who is investigating corruption in the boxing world.
Alfonso Cuarón, the Oscar-winning director of Children Men, Y tu mamá también (big week for the YTMT freaks out there!), and the best Harry Potter movie, is back with his first new project in six years. Disclaimer stars Cate Blanchett as a journalist who receives a mysterious book in the mail that threatens to reveal her darkest secrets. The ensemble cast of the psychological thriller, which is told over seven chapters, also includes Kevin Kline, Sacha Baron Cohen, Kodi Smit-McPhee, HoYeon Jung, Louis Partridge, Lesley Manville, and Leila George. It’s nice to have a new anything from Cuarón.
“I thought I would live my whole life in California until I moved to New York in 2020. Four years later I was hit with deciding if I wanted to move back to my hometown, and initially I thought I would. ‘rain’ was about navigating the feeling of not being ready to give up what you just discovered. When I moved to the east coast my world expanded in ways I never expected to happen. Living in a different state was terrifying but it challenged me to grow and learn in so many ways that I never anticipated. I became a new person, and the idea of moving back to the west coast felt like sacrificing a version of myself I’d grown to love. It’s easy for people to romanticize what they don’t have, and no matter where I am in the world I’ll always miss the idea of a different place. If I was in California I’d always miss New York, if I was in New York I’d always miss California, and the cycle repeats.”
She also previously said of the album, “In the turmoil of the last two years since my second record, I’ve felt suspended in a transitory landscape that often at times felt endless. It’s easy to feel trapped in something you barely understand, and life has thrown an onslaught of questions towards me that I can only respond with, ‘I have no idea how to answer this.’ So, suspended in the unknown, I wrote these songs. I tried to unravel how I’ve chosen to fulfill the roles I’ve been given in my own life, and at times, how I’ve failed to keep up with them.”
Listen to “Rain” above.
Liminal Space is out 11/1 via AWAL. Find more information here.
Hurricane Milton made landfall on the west coast of Florida on Wednesday. The storm, which became an ultra-powerful Category 5 hurricane as it sat in the Gulf of Mexico, was classified as a “dangerous Category 3” by the time that it hit the state, according to the National Hurricane Center.
One of the areas that was projected to get hit especially hard was Tampa, as the metropolitan area was directly in the path of the storm. In an effort to get out in front of the potential destruction, a tweet went around showing cots were set up throughout the home of the Tampa Bay Rays, Tropicana Field, where first responders and other emergency personnel would set up shop before clean up efforts began. But after the storm hit the city, videos immediately started to hit the internet of the roof at the Trop getting torn apart, and in the aftermath, drone footage showed that the roof was ripped almost entirely off.
The good news is that ABC News got in touch with Capt. Garth Swingle of St. Petersburg Fire Rescue, who informed them that the people who were inside the stadium were safe. Earlier this year, the St. Petersburg City Council approved a plan for a new ballpark that is scheduled to open in 2028.
T.I. stans are going to want to show up to watch him perform at a Jingle Ball 2024 concert at Atlanta’s State Farm Arena on December 19, because it looks like it will be his final live performance.
“I appreciate y’all, man, for offering me my last working gig, because I do not need the money anymore and I will not be performing. […] I don’t wanna do it anymore. I don’t want people to pay me to hop around and sweat for they entertainment anymore. I don’t want to do it no more.”
T.I. was then asked if he would still “do anything for” his group PSC and he responded, “Of course! I’m going to answer the phone to tell them that I will not be performing [laughs].”
Indeed, it would seem T.I. doesn’t “need the money anymore,” as he put it: It was announced last month that he and his wife Tiny Harris won $71 million in a lawsuit against toy company MGA, after it was ruled that their OMG Fashion Dolls line infringed on the concept of Harris’ pop group OMG Girlz.
This comes after T.I. spoke about retirement and his final albums last year, saying, “It’s time to evolve beyond [my] career as a rapper. I think it’s a lot more people who are carrying the torch and pushing the culture forward. So, I’m on my final album, Kill The King. OK, this is breaking news: I’ve decided that it’s gonna be a double-album. So, there’s gonna be Kill The King and Kiss The King.”
This summer, Shawn Mendes announced Shawn, an eagerly awaited new album that follows Mendes canceling his tour for mental health reasons in 2022.
The album was supposed to release next week, on October 18, but now fans will have to wait just a little bit longer: Mendes just announced he is delaying the album.
In a post shared on social media yesterday (October 9), Mendes explained:
“Hey guys [heart emoji]
My team and i have decided to push the album release date to November 15th. We just need a little bit more time to bring some new inspiration and ideas to life [heart emoji]
I love you guys thank you for being so patient, I can’t wait to see you guys at the next few shows x.”
In a recent interview, Mendes said of canceling his tour, “Canceling that tour was, by far, the hardest decision of my life, and by the far, the greatest decision of my life. It gave me a life. It gave me time to discover so much about myself.”
In case you missed it, check out the Shawn cover art and tracklist below.
Shawn Mendes’ Shawn Album Cover Artwork
Island Records
Shawn Mendes’ Shawn Tracklist
1. “Who I Am”
2. “Why Why Why”
3. “That’s The Dream”
4. “Nobody Knows”
5. “Isn’t That Enough”
6. “Heart Of Gold”
7. “Heavy”
8. “That’ll Be The Day”
9. “In Between”
10. “The Mountain”
11. “Rollin’ Right Along”
12. “Hallelujah”
Shawn is out 11/15 via Island Records. Find more information here.
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