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Nate Robinson Thinks ‘Nobody Wants To Be A Meme’ So It Takes Courage To Be In The Dunk Contest

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There aren’t that many things we consider to be indisputably, universally courageous. Running into a burning building, that’s up there. Plenty of things get offhandedly referred to as brave — eating really spicy food, going out in public in pajamas — but are definitely not. To perform in the NBA Slam Dunk Contest is likely not high on many people’s list of what constitutes as courageous, but it’s a hill I will stubbornly camp out on. Until recently, it was a lonely hill, but when three-time Dunk Contest Champion Nate Robinson joins you on the hill, it’s lonely no longer.

Robinson has been appointed AT&T’s Chief Dunk Officer (CDO) of this year’s contest, in part because he’s the only person to have won the Dunk Contest three times and because to watch Robinson play basketball is to recognize a consummate showman.

Over his 11 seasons in the NBA (plus two stints overseas and one in the G League), Robinson made the most of what appeared to be a unique and direct manipulation of gravity through his game. Whether weaving through traffic in limbo slants with his torso gone one way and his legs another, darting into the paint after he’d faked out a team’s entire defense (he went under and through Sebastian Telfair’s legs once to make a layup), jack-knifing his 5’9 frame way up into the air for obscene blocks and perfectly timed alley-oop dunks, taking breezy fadeaways from way out, Robinson understood that what he didn’t have in size he could easily make up for in energy and a keen sense of the game as, well, a game.

He played surging with joy and watching him, you couldn’t help but feel it coursing through you, too.

“When I played basketball, when I was on the court, nothing made me happier,” Robinson says brightly, on a call with Dime ahead of All-Star Weekend. “I didn’t think about anything that was going on in my life, anything bad or anything that I was stressing [about]. I enjoyed my moment in that time, right then and there, and nothing else was going to derail me from enjoying basketball.”

During his playing career, Robinson faced criticism from other players and occasionally from the media, along with complaints that he didn’t take things seriously enough. He was playful, he worked the crowd, and he stood out because he didn’t fit in. He wasn’t immune to the commentary, but it never mattered. The way he saw it, he could only be himself.

“At some point we’re all going to mature in our lives, no matter if it’s now, earlier years, middle, or late in life. You’re gonna mature. But one thing my mother and my father always told me is be yourself, and if they don’t like who you are — excuse my language — then f*ck ‘em.” He says simply. “They don’t like you, okay, that’s on them. You’re going to be the person God made you to be and who we raised you to be, which is respectful, always trying to make people smile, and being the light of the situation or the time. Be the life of the party; be a reason why somebody smiles. And that’s what I wanted to do.”

It’s that spark of joy — and showmanship — that Robinson wants to see injected back into the Dunk Contest, an event he’s watched go through its ebbs and flows in popularity. For him, the night has always represented a jumping-off point, often for the tectonic, league-shifting careers we still talk about.

“The Dunk Contest, some of the greatest players of all time have done it,” Robinson says. “Dr. J, Dominique Wilkins, Michael Jordan, Spud Webb, Zach LaVine — the guys that you see now — Vince Carter, Jason Richardson — so many greats — Tracy McGrady! They made their names — Kobe Bryant as well — in the Dunk Contest as rookies first, as young guys. And then they solidified being a Hall of Famer and All-Star and all that stuff.”

In Robinson’s mind, the wane of the contest as a genuine runway to career success and standing out in a league stacked with pros has come with the rise of social media.

“Nobody wants to be a meme, nobody wants to get embarrassed. Once the internet started popping off, it was kind of hard. You can’t do anything silly, you can’t tarnish your legacy-type deal,” Robinson says. “If people weren’t so cruel and mean on social media, because they can say what they want and post what they want, and add their own two-cents, I think it hinders guys to want to do something like this, because they don’t want to lose and they don’t want to look silly.”

It seems silly, out of context, that athletes at this level would be embarrassed by much on the floor. Within the contextual fabric of our contemporary always logged-on lives, where people can see anything and nothing that happens within the internet’s indeterminable reach goes away, it makes sense. The current cohort of Dunk Contest-eligible athletes has never known a life without social media and its looming shadow.

That’s where the courage comes in. To go out in front of an arena audience, in front of your peers, where everyone has their phones up and recording and ready, is a visual hurdle Robinson and the dunkers of his day didn’t have to deal with. Even Shaq’s giant camcorder seemed subtle in comparison. Mulling over the courage it must take, Robinson adamantly interjects.

“Yeah! Because imagine, it’s going to be forever,” he says. “When you mess up, or do something crazy like, say somebody tried to jump over somebody and their shorts got caught on the back of their head and they fall — it’ll be a meme forever. That’s how they’re going to be remembered, and I think they don’t want to do that.”

Robinson draws an apt parallel between Michael Jordan, the person who is still debated fiercely as being the greatest of all time, and Crying Jordan, the meme. He notes that some people don’t know Jordan as anything other than the meme.

“When I grew up playing, he made me want to play basketball. He made it cool to be a guy that can work hard and you can do anything you want to do,” Robinson recalls, referring to the ‘Be Like Mike’ commercials. “Now, with social media, it makes it a little awkward because people want to be so negative. Not like a bullying thing, but just being negative, it doesn’t get you anywhere.”

Social media’s not going anywhere, but there is one place Robinson can beam his brand of levity onto. In his role as inaugural CDO, Robinson will provide his expert analysis on what it takes to win the Dunk Contest, leading up to and during the main event on All-Star Saturday Night through AT&T’s social channels. He’ll also chat with this year’s contestants and help them prep, all of whom he’s excited to watch but with a couple standouts.

“I’m actually interested in seeing what Jaime Jaquez Jr. can do. I’ve never seen him do any kind of dunk. I know he can ball, and he’s a real good hooper, but I don’t think I’ve ever seen him dunk on anybody before so for him to be in the Dunk Contest is a surprise,” Robinson admits. “And of course, Mac McClung, to see if he’s topping what he did last year. If he can top what he did last year, he has it in the bag.”

As last year’s winner, the bar was already high for McClung. Winner repeats in recent years have been rare. Aaron Gordon gave it his all three times and finished as runner-up twice. What’s more, McClung was dubbed the savior of the Dunk Contest last year.

Robinson admits it’s tough to beat anybody, let alone yourself, but asked whether he ever psyched himself out thinking about it pre-Contest and he chuckles, “Nahhh, you just gotta go in there and follow the dunk that you want to do, save your real good dunks for the championship rounds, and be creative. Get the crowd on your side, by dancing or involving fans. That’s how you win. You get the fans on your side.”

What about clues, though, feints or giveaways that a dunk is going to be a dud or a showstopper? Do those exist, and can experts like Robinson clock them before someone has even started their run to the basket? Or are all dunks a mystery to everyone but the dunker?

“You really don’t know. You just gotta wait at the edge of your seat and you gotta hope that each dunker can bring a certain kind of creativity,” he concedes, but he does have tips. “You gotta have some swag. You gotta tap into your, I don’t know if it’s acting skills or showmanship, but you gotta be a showman. You gotta bring something to life.

For me, I always use big arms when I’m going. If I throw a lob to myself, I would just throw it as high as I can and see how high I can get up to dunk it, and then throw your body any kind of weird way and just do something. [Laughs.] You just try to do something that’s never been done and you hope you make it.”

Robinson has made a lot out of making the most. In his career, for those in-game, precisely timed alley-oop dunks he was a master at, he preferred bad passes from teammates over precise ones. The bad passes made for better dunks.

“Sometimes the bad lobs are the best lobs — to me,” Robinson says, in something that can be borrowed as a mantra. “The bad alley-oops are the best ones. The worst ones that they can throw are the best ones, ‘cause it makes you turn your body a certain way, makes you jump a little higher, makes you reach back, makes you do something.”

In one of the most personal struggles he’s faced, Robinson’s also taken the bad and inverted it. A kidney issue he was first diagnosed with in 2006 when playing for the Knicks worsened in 2018. He needs a transplant and undergoes dialysis three times a week to manage his condition, but his struggle has only sharpened his perspective, one of determined positivity.

“I use it every day,” Robinson says of his positivity, “Every day is a choice to be happy. I choose to be happy. I choose to wake up happy, and thankful. God has blessed me with so much, how can I not be happy? Even when things like this are happening with my kidneys, I can’t be mad.”

What helps him is thinking outside himself, of people younger than him struggling with the same diagnosis.

“You know how many kids are in high school that have kidney failure?” Robinson asks. “And they want to play sports, and they want to do the things they want to do, and they can’t at their full capacity because they’re sick. I know what they’re going through. It’s hard. But I want to be the reason, like, if Nate Robinson can do it, then I can do it. That’s how I look at it.”

To be brave in the face of the unknown even when the physical toll brings you low, to strive to improve the situations of other people — this is courage. It’s easier to understand Robinson’s joy and love for an event that puts courage on display through much lower stakes despite its high-flying flare. He’s always maintained his sense of levity, working on it, tuning it up.

To that end, dunks are the perfect alchemy of joy and courage, going in tandem. For Robinson, whom the motion always appeared to flow and look like a reflex for, the fuel never ran out.

“When you’re a dunker, you dunk so many times,” Robinson says. “You’ve missed so many, and you’ve made so many. And now you’re practicing with nobody around, just throwing the ball up in the air. You just gotta lose yourself inside the Dunk Contest and what you’re doing. Just have fun like a kid in a candy store.”

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Here’s Doja Cat In A Full Gecko Costume, Discussing A Celsius-Fueled Beef She Nearly Got Into

Doja Cat Therapy Gecko
Therapy Gecko

Doja Cat, more than most people in her shoes, likes to get silly and have fun. Case in point: She recently guested on The Therapy Gecko Podcast, in which a man in a gecko costume (non-therapist comedian Lyle Drescher) fields calls from viewers/listeners (the show is recorded live on Twitch). Doja went full-boar, too, putting on her own gecko costume.

In one clip from the show, Drescher asks Doja if she likes Celsius, the caffeinated energy drink brand. She explained that she “just can’t drink it” and that the beverage nearly got her into a feud. She explained, “I was singing a song and doing a voice of somebody else with the… I filmed myself doing the song in a crazy voice, and it was my really bad impression of that person. And people took it super wrong. They thought that I was trying to cause drama and issues, when really I was just being a f*cking asshole. I was being dumb.”

Elsewhere during the chat, Doja also revealed that the title of an upcoming deluxe edition of Scarlet will be titled Scarlet 2: Claude Frollo, named after the character from The Hunchback Of Notre Dame.

In a 2023 interview, Drescher explained the origin of his offbeat show, saying, “I started streaming myself on Reddit as a gecko taking phone calls, and the streams would go on to the front page of Reddit. My expectation was that I would be living here and my mom’s basement doing this forever, but it has gone much better than I thought it would.”

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The ‘Dune: Part Two’ Reactions Are Riding A Sandworm Towards The Same Consensus: ‘A Masterpiece’

Dune Part Two
Warner Bros

The first reactions are pouring in for Dune: Part Two, and judging by the posts on social media, Denis Villeneuve has delivered a sci-fi masterpiece that builds on the foundation of the first film.

Already working with a stellar cast that features Timothée Chalamet, Zendaya, and Rebecca Ferguson, Villeneuve stacked the deck even further with Austin Butler and Florence Pugh, who are both receiving rave reviews for their performances. (Anya Taylor-Joy is also in the mix, but her surprise role is still being kept under wraps.)

“I was kind of mixed on the first Dune. DUNE: PART TWO is phenomenal,” Mike Ryan tweeted. “Up there with the greatest sci-fi movies I’ve ever seen. I want to ride a sandworm.”

“DUNE: PART TWO was majestic,” Jeff Ewing wrote. “Extremely immersive, bold, wonderful look into the life of the Fremen, full of beautiful action sequences and high-stakes drama that The Bard would love. Chalamet comes into his own here and Zendaya and Pugh kill it.”

“#DunePartTwo is not only Denis’s magnum opus; it’s the definitive sci-fi epic of a generation,” Griffin Schiller tweeted. “A tragic tale of blind fanaticism & corruption. A spectacular, soulful, awe-inspiring masterclass of aesthetics & mood beautifully echoing Paul’s turbulent journey. Left me speechless!”

“DUNE: Part Two is a masterpiece. Maybe one of the best space films ever,” Karl Delossantos wrote. “Besides being the most visually impressive movie I’ve seen—an assault on all the senses—it’s an riveting political thriller & character study. The cast is great but Rebecca Ferguson & Austin Butler steal it.”

You can see more Dune: Part Two reactions below:

Dune: Part Two opens in theaters on March 1, 2024.

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The Adult Film Star Ex-Girlfriend Of ‘Hot Ones’ Host Sean Evans Shared A ‘Spicy’ Video After They Broke Up

hot-ones-split.jpg
first we feast/getty images

Melissa Stratton doesn’t sound too upset about her split from Hot Ones host Sean Evans.

On Thursday, the adult film actress shared a news article about their brief relationship and subsequent breakup in an Instagram Story. “Ok, well happy Valentine’s Day to me [eye-rolling emoji],” she wrote. Stratton also posted a video of herself with porn star Johnny Sins and captioned the clip, “It’s ok I’ve got a better bald man to get spicy with @mosttalentedbaldman.” She added the fire and poultry leg emojis, just to make clear who she was referring to.

Stratton posted numerous photos of her and Evans together during Super Bowl weekend, “and in a lot of them… they look awfully cozy… almost couple-y,” TMZ reported. But on Valentine’s Day, Evans called Stratton and told her “he wanted to call it quits because of the media attention they were getting.”

Sean expressed to Melissa he wanted to keep his love life more under wraps. Our sources say Melissa found Sean’s reasoning odd for a few reasons… he knew what she did for a living when they started seeing each other and he invited her to multiple public events in Las Vegas leading up to the Super Bowl, and took photos with her.

You can watch Stratton’s (safe for work) video below.

(Via Page Six)

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Indiecast On New Album Announcements By Vampire Weekend, DIIV, And More

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Steven and Ian open this week’s episode by doing something they promised themselves they wouldn’t do — taking shots at the new Idles album out today, TANGK. (Even the title is annoying.) Of course they then proceed with a quick Sportscast about the Super Bowl in which Steven explains how he can’t bring himself to hate the Kansas City Chiefs in their current “dominant” era. During the Fantasy Draft update, Ian finally gets a chance to draft a replacement for the still-missing-from-Metacritic jazz album he originally picked.

From there the guys review some big new recent album announcements from Vampire Weekend, DIIV, Pearl Jam, and Beyoncé. Steven and Ian have heard some of these albums, and they give praise while trying to not talk in too much detail. They also dip into the discourse about the Rock & Roll Hall Of Fame nominations and weigh Oasis’ chances of making it in spite of the Rock Hall’s aversion to alt-leaning ’90s bands.

In the mailbag, a reader asks Steven and Ian to “yay or nay” Jessica Pratt, who also announced a new album this week. The guys are also asked to weigh in on whether Creed was secretly “innovative.” Their answers (probably) will not shock you!

In Recommendation Corner, Ian goes with the young Chicago band Friko while Steven pays tribute to the late Can singer Damo Suzuki, who passed away on Feb. 9.

New episodes of Indiecast drop every Friday. Listen to Episode 176 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at [email protected], and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.

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How The Entire Raptors Organization Planned Pascal Siakam’s Return To Toronto Tribute

pascal siakam
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This is a tale of seven seasons, but also just one night. A story of one person who was meant to start seminary school but happened to tag along to a basketball camp when he was 11, and the 628 people who coordinated with the NBA team he played with for seven seasons to wear his jersey again on one special night.

It was a continuation of theme from a piece Siakam wrote for the Player’s Tribune following his trade. In it, he shared that when he first started hitting the floor for the Raptors he’d spend a few furtive seconds as the national anthems played scanning the crowd, searching for jerseys with his number, 43. Siakam had played a crucial role in winning the Raptors G League arm, Raptors 905, a title in 2017, but his familiarity with fans of the the parent club took a little while. When he did finally spot his jersey for the first time he couldn’t contain himself.

“If you ever wondered, ‘Why’d Pascal look like he’s about to fist pump during the anthem one night as a rookie?’ there you go,” he wrote.

All teams handle homecomings in their own ways. There’s always more on the backend of someone’s return, especially if they’ve had a long tenure. When DeMar DeRozan or Kyle Lowry come back to Toronto, they idle with arena staff and security, stopping to catch up with just about everyone who made up their ecosystem in the city. Most public presentations for first-time returns feature nostalgic video montages played over the jumbotron on a game’s first timeout, and the Raptors have had their fair share of tear-jerkers. Like when Vince Carter, after seasons of returning to a chorus of boos, had the jeers abruptly turn to cheers in 2014, like the fans simultaneously decided it was enough. Carter cried, so did everyone else. Kawhi Leonard got his ring and a slick video treatment of his huge glowing footsteps outlined on the floor to mimic the ones he made to make The Shot, as all the lights in the arena went out. This month, and less than a week apart, the Raptors welcomed back both Fred VanVleet and Siakam.

Siakam’s return aptly came on Valentine’s Day, and the entire Maple Leafs Sports and Entertainment (MLSE) organization was involved in a tribute that went beyond the jumbotron for an orchestral pull on the heart strings.

“We saw Pascal’s comment on the idea of coming to our venue and seeing his number, and it slowly going away, and we wanted him to know that he had such an impact on our team, our city, our country, that even though after many years the number might fade, it’s still near and dear in our heart,” Taylor Mansillo, Senior Brand Manager of the Raptors, said on a call the morning after the game.

Mansillo, and what would turn into a small army of departments across MLSE, started to brainstorm on a tribute within the tribute. Something that would be impactful for Siakam and the fans, but executable in the sliver of time available before and just after tip-off. They knew there’d be plenty of fans in the arena that night wearing Siakam jerseys, but it would be impossible to highlight them all. There was also a fairly good chance that with his head down in timeouts, or off the floor at halftime, Siakam wouldn’t be looking up to the video board to see.

“We thought, what if we make it one big space where he notices them all up front?” Mansillo recalls.

Section 119 in Scotiabank Arena is in the lower bowl of seating, smack dab in the middle of one of the long sides. Primo seats, in other words. Also what would prove prime emotional real estate. The Raptors wanted to coordinate it so every person sitting in that section, all 628 of them, would be wearing a Siakam jersey. They also wanted to make sure the selection of jerseys spanned Siakam’s career as a Raptor.

“We did jerseys throughout our years because he’s had impact for many years on this organization, from the G League to now,” Mansillo says. “That was really our intent: how do we make sure he sees it in a loud way, to make sure he know how much he means to us, versus him searching for them in the crowd.”

“It was a little bit of working within the organization to track down the right number of jerseys, the mix of jerseys, and making sure that we could get them into the right hands,” Terri Mattucci, Sr. Director of Strategy & Growth for MLSE, explains.

The MLSE retail team was tapped to find the right inventory and editions of jerseys to create the right visual mix, but once they were secured there was still the step of getting them into individual fans’ hands, and getting those fans into their seats early.

“One of the things we leveraged was actually the ‘Know Before You Go’ emails,” Mattucci says, referencing an email blast that goes out to Raptors ticket holders before games. The organization has information on every section and seat, who sits in them and when, so was able to target everyone who would be spending their Valentine’s Day in 119. The ticketing department was also involved in making individual calls to reiterate the message, which was: ‘Are you coming to the game? You probably should. You should also get to your seat early.’

“They walked into the night knowing we were going to do something fun for Pascal, knowing that they were going to be involved and had a big part of contributing to the tribute for him,” Mattucci says.

To actually get all those jerseys onto fans, a card was left with instructions on each seat in the section (which also took coordination from the pre-game Game Ops team, who tuck cards into seats and special occasion giveaway shirts over them well before warmups). The instructions let fans know which section of the concourse to visit to get their jersey, and when to put it on. We’re not even at national anthems yet.

“The biggest part that we had to figure out was our anthems,” Anton Wright, Creative Director & Executive Producer of Game Presentation, chimes in.

This seems obvious, but just in case: because the Raptors play in Canada, two national anthems are played before every game. For that reason, anthems typically start earlier than in other markets. For a 7:30pm game, anthems are performed at 7:23pm, outside of the broadcast window. For this game, the Raptors needed permission from the NBA, their broadcast partners, basketball operations, and the Pacers to bump the anthems ahead.

The reason was because the first sequence in Siakam’s tribute was going to start then, with the “anthem buddies,” kids from local Toronto groups that accompany players onto the floor during the anthems, all wearing his jersey. MLSE wanted to make sure the arena was full and fans would see that first nod to their 2x All-Star, and that the broadcast captured it along with Siakam’s reaction.

At tip-off, Wright’s in-game crew crept in and around Section 119, signaling fans to don their jerseys. First timeouts, especially in a game like this one, tend to happen quick.

The montage itself was great. It traced Siakam’s career from lanky G Leaguer, to All-Star, to NBA Champion, with off-court footage of him singing, laughing, and goofing around. As it played, photos and quotes were also superimposed all over the hardwood to compliment the tribute. When the lights were supposed to go up, with Siakam stepping out on the floor to wave to massive applause, they didn’t. Not over the entire arena, anyway.

“For the moment, we really wanted to showcase that area,” Wright says excitedly. “We don’t usually spotlight certain areas, we keep the crowd pretty dark and the focus is on the court and our flags, but we wanted to spotlight that area to hopefully have Pascal see it, [and] also all of our fans in the venue to be able to see.”

Along with the arena’s lighting and sound operators, the in-arena camera crew took special shots to showcase Section 119 and the Championship banner, with cuts back to Siakam to capture his reaction.

“To see that whole section with my jerseys, that almost got me right there,” Siakam said later, smiling in his postgame press conference. “I could never really have dreamed of that. To have that, it means a lot, so I appreciate everyone, just for everything.”

“It was a sprint,” Mansillo says, when asked about the execution of the tribute from start to finish. “From the moment we found out he was traded to reading the [Player’s Tribune] quote, and trying to think of unique and different ideas that we can show and honor him. Ways that leagues or other teams haven’t done in the past.”

“Definitely a sprint,” Wright echoes. “But like the Kawhi moment and all those great moments throughout Raptors history, it’s something you’re always going to remember. The look on Pascal’s face during the anthem or watching the video, the fans faces when they received the Pascal jersey, those are things you’re never gonna forget.”

Still, what’s it like to have jam-packed days and long nights of planning and executing a brief moment like that, and then have the moment be, probably too briefly, over?

“On our end, it’s a moment in history,” Mansillo says, smiling. “I think everything we do in sports is a second or a moment in time. So we cherish those moments. We know it’s going to be fast and we know the after that moment he becomes a Pacer for us officially, so seeing that moment, to me, is a frozen moment in time.”

All in all, Mansillo confirms it took “almost every organization within MLSE” coming together to pull off the tribute. From partnerships to ticketing, memberships, the entire marketing arm from creative to content, game presentation and brand; the Raptors own PR staff and players. A reflection not of how many people it needed to take, but how many wanted to be part of something for someone who meant so much to the organization.

“One thing I’d say is moments like this are really special for our city,” Mattucci notes. “Pascal’s interview with the Tribune, talking about what the city meant to him — this is our way of showing what he means to our city, and what he means to our country. Raptors are really Canada’s team, and the players that come here leave imprints on us not just for the years they’re here, but to become a part of our history and a part of our story.

That’s really something that we want to elevate and the beauty of being in our positions — to enable that for him and let others be a part of it.”

The game itself was also something of an official launching point for its next iteration; the last before the All-Star break, with Scottie Barnes headed to Indianapolis for his first All-Star Game and its most impactful former players now settled into their new teams. Siakam reflected on that feeling in his postgame, noting Toronto “was known” as the place he wanted to be despite all the trade talk of the last season, “For me, coming back, it was hard. But also I was just happy, happy to be there,” he said.

Despite that swirl of emotion, Siakam admitted with a laugh that “when everyone was telling me, Oh man, so happy to see you, in my head it was just like, I gotta get a win. I can’t lose this game.”

The Pacers did, taking the win in a close match. Asked whether the MLSE team considered the impacts of the night on the outcome of the game, Mattucci jokes, “We almost got him!”

They don’t anymore, but the genuine teamwork of so many proves that the team and the city, in their own moments of reflection and no matter how brief, always will.

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SNX: This Week’s Best Sneakers, Including Our NBA All-Star Weekend Favorites

SNX
Uproxx

Welcome to SNX DLX, your weekly roundup of the best sneakers to hit the internet. This week brings the NBA All-Star Weekend to Indianapolis and to kick off the hype we’re getting some re-ups and remixes of some classic and legendary sneaker colorways. Relive the wonders of Kevin Durant’s KD 4 Galaxy, the ahead-of-its-time minimalism of the Devin Booker Book 1 Mirage, or celebrate the NBA’s most legendary colorway on the best Jordan silhouette with the AJ 4 BRED Reimagined. It’s a great week for fans of classic NBA sneakers.

If that’s not your thing and you’re looking for a pair of sneakers with less historical baggage, we’ve got you. Adidas and Bad Bunny have linked up for a new take on the CL Response silhouette and in the New Balance camp we’ve got a new collaboration between NB and JJJJound as well as a brand-new running sneaker. We’ve got a lot to cover so let’s stop talking about it and just jump into this week’s best kicks.

JJJJound x New Balance 2002r Gore-Tex Charcoal/Pine

SNX
JJJJound

Price:$190

You can always count on JJJJound to drop something minimal and elegant, which is why New Balance is the perfect brand for the label to collaborate with. Case in point the new 2002r Gore-Tex. This sneaker features suede overlays, a mesh tongue, and NB’s N-ERGY midsole all lined in waterproof Gore-Tex material.

The sneaker drops in two muted colorways, including a charcoal variation and a forest green pine makeup.

The JJJJound x New Balance 2002r Gore-Tex Charcoal and Pine are out now for a retail price of $190. Pick up a pair via the JJJJound webstore.

SNX
JJJJound
SNX
JJJJound

Nike KD 4 Galaxy

SNX
Nike

Price: $130

Released in celebration of All-Star Weekend, the KD 4 Galaxy returns! Inspired by astronaut suits, the KD 4 Galaxy sports a shimmering metallic silver upper with orange accents and a speckled midsole meant to resemble a starry sky.

The original colorway dropped in 2012 and was worn by KD on-court during the 2012 NBA All-Star game in Orlando Florida. 12 years later and this sneaker still looks out of this world.

The Nike KD 4 Galaxy is set out now for a retail price of $130. Pick up a pair via the Nike SNKRS app.

SNX
Nike
SNX
Nike

Reebok Question Mid FTW White/Vector Red

SNX
Reebok

Price: $170

Another sneaker dropped in celebration of All-Star Weekend, Allen Iverson’s Reebok signature is back in a classic red and white colorway. The sneaker features a tumbled leather build, a pearlized toe and an icy rubber outsole.

It’s a classic and maybe one of Reebok’s best sneaker silhouettes ever.

The Reebok Question Mid FTW White/Vector Red is set to drop tonight at 9:00 PM PST for a retail price of $170. Pick up a pair via the Reebok webstore.

SNX
Reebok
SNX
Reebok

Nike KD 16 Easy

SNX
Nike

Price: $160

If the KD 4 Galaxy represents space travel, the KD 16 Easy represents what you’ll find when you land on that alien planet. The KD 16 Easy’s primary influence is global currency, with details that are meant to resemble the security strips you find in $100 dollar bills, but look at this thing! It looks straight-up alien and psychedelic.

The sneaker combines shades of violet, green, pink, orange, and metallic silver over an Air Zoom unit with a multi-fabric upper.

The Nike KD 16 Easy is set to drop on February 16th at 7:00 AM PST for a retail price of $160. Pick up a pair via the Nike SNKRS app.

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Nike
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Nike

Nike Air Jordan 4 BRED Reimagined

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Nike

Price: $215

No other release could eclipse all of All-Star Weekend like the Jordan 4 Bred Reimagined. This sneaker takes the legendary BRED colorway and slaps it on a full-grain leather Jordan 4 with hints of Fire Red accents and classic Nike Cement Grey at the midsole and collar.

There isn’t much to say about this sneaker, it’s a classic Jordan silhouette in a classic colorway. It’s the sort of thing you just stare and marvel at.

The Nike Air Jordan 4 BRED Reimagined is set to drop on February 17th at 7:00 AM PST for a retail price of $215. Pick up a pair via the Nike SNKRS app.

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Nike
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Nike

Nike Book 1 Mirage

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Nike

Price: $140

I’ve always loved the name of Devin Booker’s signature sneaker, the “Book 1.” There is a sort of weight and importance that goes along with that name. It has a sort of legendary air about it. The Book 1 features a Zoom Air unit, a foam midsole for extra bounce, and a durable canvas and twill upper with suede details and leather overlays.

It’s a fine piece of minimalist footwear and aside from the BRED, our favorite All-Star Weekend release.

The Nike Book 1 Mirage is set to drop on February 17th at 7:00 AM PST for a retail price of $140. Pick up a pair via the Nike SNKRS app.

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Nike
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Nike

Adidas Bad Bunny Response CL Wonder White

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Adidas

Price: $160

If you’re not feeling the All-Star Weekend sneakers and want something more contemporary and modern, here is Bad Bunny’s latest from Adidas. Never mind that the Response CL is a sneaker that was first introduced nearly 20 years ago, we think that Benito has inspired enough changes to the silhouette to make it something new and distinctly 2024.

The sneaker features a textile upper and lining with hairy suede details over a rubber outsole with a monochromatic off-white colorway. The wavy panels and eyeball heel branding give this simple running sneaker a swirling psychedelic character that reflects Benito’s artistry.

The Adidas Bad Bunny Wonder White is set to drop on February 17th at 6:00 AM PST for a retail price of $160. Pick up a pair via the Adidas CONFIRMED app.

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Adidas
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Adidas

New Balance WRPD Runner

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New Balance

Price: $149.99

If you’re looking for something truly futuristic and not just a sneaker that looks futuristic, the New Balance WRPD Runner is for you. This new silhouette rides on a full-length FuelCell midsole with wavy accents, and embroidered ’N’ logo, a wavy tread pattern outsole, and a knit upper with synthetic and wool details.

The sneaker has a chunky silhouette in keeping with the modern aesthetics of the day. For its debut release, the sneaker drops in two colorways, a light gray makeup and a charcoal-toned rendition.

The New Balance WRPD Runner is set to drop on February 16th at 7:00 AM PST for a retail price of $149.99. Pick up a pair via the New Balance webstore.

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New Balance
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New Balance
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What Is Taylor Swift’s ‘The Bolter’ About?

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This morning (February 16), Taylor Swift took the stage in Melbourne for the first of her Eras Tour concerts in Australia this weekend. Swift shared some big news, too: Available for pre-order right now is a new version of her upcoming album, The Tortured Poets Department, that features the bonus track “The Bolter.” Immediately, Swifties started theorizing about the meaning behind the song.

What Is Taylor Swift’s “The Bolter” About?

Some have speculated the song title refers to Frances Osborne’s 2008 book The Bolter: The Story Of Idina Sackville, Who Ran Away To Become The Chief Seductress Of Kenya’s Scandalous “Happy Valley Set”. A publisher’s summary of the book reads:

“In an age of bolters — women who broke the rules and fled their marriages — Idina Sackville was the most celebrated of them all. Her relentless affairs, wild sex parties, and brazen flaunting of convention shocked high society and inspired countless writers and artists, from Nancy Mitford to Greta Garbo. But Idina’s compelling charm masked the pain of betrayal and heartbreak.

Now Frances Osborne explores the life of Idina, her enigmatic great-grandmother, using letters, diaries, and family legend, following her from Edwardian London to the hills of Kenya, where she reigned over the scandalous antics of the ‘Happy Valley Set.’ Dazzlingly chic yet warmly intimate, The Bolter is a fascinating look at a woman whose energy still burns bright almost a century later.”

Some have also pointed out that “bolter” can be used to refer to an escaped convict.

For others, one of the first things that came to mind is a video of Swift and Joe Alwyn running (bolting, if you will) towards a car to avoid paparazzi.

The Tortured Poets Department is out 4/19 via Republic. Find more information here.

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Taylor Swift Just Announced A New Version Of ‘The Tortured Poets Department’ With An Addition That Has Swifties Buzzing

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This morning (February 16), Taylor Swift started her run of Eras Tour concerts in Melbourne, Australia. She made opening night one to remember: During the show, Swift announced a new version of her upcoming album The Tortured Poets Department, which features a bonus track called “The Bolter.”

Swift then announced it on social media, sharing a poetic snippet that reads, “You don’t get to tell me about sad.”

The new edition of the album is currently available for pre-order on Swift’s website (on vinyl, cassette, and CD), but given the excitement around the release, who knows how long supplies will last.

Some fans have made a connection between the song title and the 2008 Frances Osborne book The Bolter: The Story Of Idina Sackville, Who Ran Away To Become The Chief Seductress Of Kenya’s Scandalous “Happy Valley Set”. A publisher’s summary of the book reads:

“In an age of bolters — women who broke the rules and fled their marriages — Idina Sackville was the most celebrated of them all. Her relentless affairs, wild sex parties, and brazen flaunting of convention shocked high society and inspired countless writers and artists, from Nancy Mitford to Greta Garbo. But Idina’s compelling charm masked the pain of betrayal and heartbreak.

Now Frances Osborne explores the life of Idina, her enigmatic great-grandmother, using letters, diaries, and family legend, following her from Edwardian London to the hills of Kenya, where she reigned over the scandalous antics of the ‘Happy Valley Set.’ Dazzlingly chic yet warmly intimate, The Bolter is a fascinating look at a woman whose energy still burns bright almost a century later.”

Beyond that, there’s also just a lot of general elation among the Swifties. Check out some reactions to the news below.

The Tortured Poets Department is out 4/19 via Republic. Find more information here.

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Ariana Grande Joins Forces With Her Idol Mariah Carey On A Fabulous New ‘Yes And?’ Remix

We are just a few weeks away from Ariana Grande‘s much-anticipated seventh studio album, Eternal Sunshine. The album’s lead single, the confident and dance-ready “Yes And?” has proven to be a hit among the Arianators. Since its release, Grande has shared that this will be the only single from Eternal Sunshine released until the album drops, however, she did say that she has some surprises in store. Tonight (February 16), Grande shared a remix of the song, featuring one of her biggest inspirations — Mariah Carey.

Carey delivers a special verse of her own, as she’s acquired so much wisdom with over three decades in the game.

“Now I’m so done with sharing / This hypocrisy with you / Baby, you have been rejected / Go back, no more pretending,” she sings.

Grande and Carey previously collaborated on a remix of Carey’s holiday single “Oh Santa!” back in 2020. Grande has long been vocal about her admiration for Carey. In an Instagram post announcing the “Yes, And?” remix, Grande called Carey her “lifelong inspiration.”

“thank you from the bottom of my heart for this dream come true and for sprinkling your brilliance and magic on my little song,” said Grande in the post’s caption. “it means more to me than i could ever possibly articulate.”

You can listen to the “Yes, And?” remix above.

Eternal Sunshine is out 3/8 via Republic. Find more information here.