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The Mavericks Tried To Anticipate One Disaster And Created A Different One

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The Dallas Mavericks have to win a championship, and soon. After trading away a perennial All-NBA performer in Luka Doncic on the cusp of entering his prime years, the Mavs have shortened their apparent title window considerably on their own accord.

The Mavs had concerns about Doncic’s conditioning, an issue they reportedly believe got worse this season as Doncic had played in just 22 of 49 games prior to being traded, currently recovering from a calf strain suffered on Christmas. With Doncic eligible for a $345 million supermax extension this summer, Dallas felt the clock was ticking on their chances to avoid a potential disaster by paying him that much money with no guarantee he would remain healthy. Had they refused to put that offer on the table, it would’ve almost assuredly led to a trade request. Had they put the offer on the table, he would have signed it but they wouldn’t have had a guarantee that he would stay healthy or that would not do what others (like Damian Lillard and Bradley Beal) have post-supermax signing and request a trade.

Those hypotheticals that Mavs general manager Nico Harrison seemingly couldn’t get out of his head led him to not only trade Doncic, but keep conversations so quiet that he did not make calls around the league to maximize his value. It seems obvious that Harrison realized this would be a wildly unpopular move, not just with fans but within the organization as a whole, but he is insistent this was the right path forward for the franchise. Perhaps his move will be looked back on as bold rather than crazy as a result of a Dallas championship run helmed by two of LeBron James’ former co-stars, Anthony Davis and Kyrie Irving. Pairing the two together on a team makes plenty of sense in a vacuum, but coming off of a Finals run with Doncic last season there is nothing short of a championship that will make this trade look like a success.

Even then, there are Mavs fans so hurt by this trade that they might never fully embrace this team the same way. This is a franchise that built an identity on loyalty to its stars over the last two-plus decades, with Dirk Nowitzki spending a record 21 years in Dallas. The Mavs only won one title in that time frame, but to their fans, that title meant something more because of how they built to it. There was so much pain, so many disappointments and close calls, that when they finally won — and in the manner they did by slaying every giant in the league — that one ring felt bigger to the Mavs faithful.

Now, that identity has been completely scrapped by new ownership and a new front office regime. This is a franchise that somehow managed to draft a guy that looked to be a true franchise cornerstone right as Nowitzki was getting ready to hang it up. He was seven seasons in to what fans hoped would be another 21, and while they hadn’t reached the mountaintop yet, Mavs fans had reason to believe in the climb, knowing how much sweeter it feels once you finally reach the summit. That pursuit has now been cut short for a bunch of reasons that don’t make much sense to anyone, especially Mavs fans.

Being concerned about Doncic’s long-term durability is valid, but trading him for Anthony Davis, a fantastic player six years his elder with a worse history of injuries and absences than Doncic, is tough logic to follow. Taking a team that just went to the Finals and, when healthy this year, looked as good if not better and then trading away your best player under the guise of wanting to “win now” also doesn’t pass the smell test. Highlighting the long-term concerns of Doncic’s durability and then shortening your title window considerably by building around a 31 and 32-year-old (with the latter being eligible for free agency this summer) likewise makes little sense.

Nothing about what Dallas did adds up, and it has made everyone wonder what was going on behind the scenes that we are all missing. We may never know, but what the Mavs fail to understand in this situation is by trying to anticipate a messy situation, they’ve created, at best, an equally messy one where they appear entirely at fault.

Dallas’ leadership group seems to not comprehend how fandom works, and why perception matters so much when it comes to these kinds of situations. Fans don’t care about whether a guy comes into camp out of shape or misses a few games when he has career averages of 28/8/8 and has always looked pudgy. You’re not going to get them on your side by floating that Doncic was heavier this year or that his commitment was questionable when they just saw him lead you to the NBA Finals. And you will never, ever convince fans a beloved star who has been with a team his whole life will actually ask out of town.

That last piece has driven fans crazy for years, and it’s usually folks in the media that bear the brunt of the anger. No matter whether there’s truly smoke or whispers about them, until that trade request gets filed, fans aren’t turning on their guy. The Mavs may have had good reason to be concerned about Doncic asking out, but they would’ve been far better off in the court of public opinion (which definitely matters when you’re a sports team dependent on fans spending money) making him be the one to make that decision. Instead, they are the ones who ran the beloved star out of town, allowing him to pen a touching statement to the fans where he gets to say he thought he’d be in Dallas for his whole career and ensure that every time he comes back he gets a rousing ovation rather than the boos and vitriol that greet a guy who requests a trade.

Beyond the optics, I think the Mavs invented a scenario where they would’ve been backed in a corner that wouldn’t have really existed. Doncic on a $345 million extension, even with conditioning concerns and even if he had some injury issues, would still be extremely tradable in the near future. A guy who makes five consecutive All-NBA first teams, averages almost a triple-double per game, and leads a team on a Finals run is still going to garner plenty of interest around the league when he’s in the midst of his prime. I have a hard time believing that a similar deal to what they got from the Lakers wouldn’t have been out there, and they very likely could’ve gotten more by opening it up to the highest bidder.

Instead, they will play out this season hoping desperately that Irving and Davis find a rhythm quickly, the supporting cast adjusts just as fast, they get healthy at the right time, and can make a run through a very competitive Western Conference to make good on title-or-bust expectations without the best roster in the league. That’s a really tough situation to be in, but what I cannot get my head around is the fact that they willingly put themselves here. No one was forcing them to do this now. No one was forcing them to negotiate exclusively with the Lakers. And yet, here we are, with a team actively choosing to play the game on the highest difficulty possible.

As the old saying goes, winning fixes everything. However, in Dallas, there definition of that is now just winning a championship. There are no more moral victories for a conference finals appearance that make you feel on the precipice of a breakthrough. No more “well, we’ve got time to figure it out” if an injury derails a run. There is just winning a championship, which is incredibly difficult to do.

They are in one of the hardest positions to be in in all of sports, purposefully and by choice, because they imagined a world where they’d end up in a different one later.

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The Weeknd Ended His Grammys Boycott With A Surprise Performance Of ‘Timeless’ With Playboi Carti

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The 2025 Grammys were already full of surprises (Beyoncé winning Best Country Album, Doechii winning Best Rap Album), but one that couldn’t have been predicted was the return of a performer who swore four years ago that he was done with the institution: The Weeknd.

After a heartfelt introduction by Recording Academy CEO Harvey Mason Jr., The Weeknd brought the cult-inspired staging that has marked his Hurry Up Tomorrow rollout to the Grammys, performing two songs from his new album: “Cry For Me” and “Timeless” featuring Playboi Carti. He even brought Carti out with him, withe recalcitrant rapper prowling the stage in front of The Weeknd’s dancer pyramid. The performance marks the second time Carti has been a guest on another artist’s set (following last year’s appearance on Travis Scott’s less-than-enthusiastically-received set to perform “Fe!n“); he’s nominated for Best Rap Song alongside Kanye West and Ty Dolla Sign for their song “Carnival.” It’s his second nomination, behind a Best Rap Album nod for Kanye’s Vultures 1.

The Weeknd’s Grammys boycott dates back to 2021, when his hit song “Blinding Lights” and its album After Hours were effectively snubbed by the Academy, leading to him telling the New York Times, “Because of the secret committees, I will no longer allow my label to submit my music to the Grammys.”

After the performance, host Trevor Noah cleared up another Weeknd-related controversy, making sure to draw attention to the fact that they were both in the same room at the same time and thus, not the same person despite their resemblance. You can watch the performance here.

Uproxx is updating all the Grammys winners live here.

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No, Bianca Censori’s Wildly NSFW ‘Outfit’ Didn’t Get Her And Kanye West Kicked Off The Grammys Red Carpet

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Kanye West (Ye) sure knows how to make an entrance. Apparently, the “Carnival” rapper and producer is also great at bold exits.

Today (February 2), Ye and his wife, designer Bianca Censori decided to make a bold entrance at the 2025 Grammy Awards. With the Ye’s chart-topping record with Ty Dolla Sign, “Carnival,” nominated for Best Rap Song he hit the red carpet.

Although Ye lost out to Kendrick Lamar’s smash “Not Like Us,” he found another way to snatch attention. As Ye and Censori posed for photos, Censori dropped her luscious what appeared to be fur jacket, she revealed nothing but a sheer garment underneath (viewable here).

Shortly after the risqué moment, ET reported that Ye and Censori were escorted out. Users online began to speculate that Censori’s indecent exposure (viewable here) could be to blame.

However, Variety claims that rumor is false. An insider close to the matter told the outlet that Ye and Censori’s sudden exit after their red carpet appearance was their choice.

“[The rumors] are not true,” said the source. “[Ye and Bianca] walked the carpet, got in his car and left.”

Given Ye’s history of storming award show stages, his voluntary exit was probably for the best.

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Chappell Roan Passionately Calls For Labels To Treat Artists Better After Winning Best New Artist At The 2025 Grammys

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Without fail, each year, the Grammy nominations list kicks off spirited conversations online. For the 2025 Grammy Awards, the most controversial category turned out to be Best New Artist. Despite the longstanding myth that claims the category is cursed, rising acts dream of snatching the gramophone for it.

Today (February 2), during the 2025 Grammy Awards ceremony, Chappell Roan did just that beating out some stiff competition.

During Roan’s emotional speech (viewable here), she used her time on stage to demand a livable wage for rising artists from their respective labels. “Record labels need to treat their artists as valuable employees with a livable wage and health insurance and protection,” she said. “Labels, we got you — but do you got us?”

The callout earned Roan a standing ovation from her peers.

Roan’s name now follows Victoria Monét in the Grammy history books, who took home the win at last year’s ceremony.

The 2025 Grammys Best New Artist nominees also included Benson Boone, Doechii, Khruangbin, Raye, Sabrina Carpenter, Shaboozey, and Teddy Swims. Prior to the event, users online had a difficult time calling a winner, while others predicted Roan would come out victorious considering the impressive year she had in 2024

Check out our full coverage of the 2025 Grammys here. To view the full 2025 Grammy Awards nominations and winners list, click here.

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Lady Gaga And Bruno Mars Reunite For A Moving ‘California Dreamin’ Cover At The 2025 Grammys

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There’s more to the Lady Gaga and Bruno Mars story than their No. 1 collaborative hit “Die With A Smile”: At the 2025 Grammys, the two reunited to perform a cover of “California Dreamin” (most famously recorded by The Mamas & The Papas). The two kept it minimal, letting their era-defining voices do the heavy lifting as they were accompanied by some light instrumentation.

Watch the performance here.

Speaking of “Die With A Smile,” the track earned two nominations this year, for Song Of The Year and Best Pop Duo/Group Performance. Those are the sole nominations this year for both artists. While this year is relatively light for them, they both have especially strong (and very similar numbers-wise, actually) Grammy histories: Gaga has 13 career wins and 38 nominations, while Mars has 15 and 33.

Find the full list of nominees and winners at the 2025 Grammys here.

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Doechii Followed Her Best Rap Album Win With An Electrifying 2025 Grammy Performance

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In 2024, Doechii went from being a relative unknown with a handful of viral hits to a legit Grammy nominee and Billboard hitmaker with the release of her debut mixtape Alligator Bites Never Heal. To highlight the achievements of the past year, she was selected as one of the performers at the 67th Annual Grammy Awards, where she put on yet another in a line of signature imaginative performances, this time of her songs, “Catfish” and “Denial Is A River.”

The performance revolved around a “clone factory,” with the Florida native’s trademark airboat making an appearance, and incorporated her recognizable elaborate choreography. It was part of a whole medley performance of the Best New Artist nominees, following Benson Boone and preceding Teddy Swims.

In addition to performing tonight, the TDE rapper was nominated for four awards, including Best New Artist (which she won), Best Remixed Recording (for “Alter Ego [Kaytranada Remix]” with JT and Kaytranada), Best Rap Performance (for “Nissan Altima”), and Best Rap Album. While Sabrina Carpenter took home Best Remixed Recording (for “Espresso [Mark Ronson x FNZ Working Late Remix]”) and Kendrick Lamar won (for “Not Like Us,” naturally), as of this writing, Doechii can still secure Best New Artist and Best Rap Album.

Watch Doechii’s performance of “Catfish” and “Denial Is A River” from the 2025 Grammys above and here.

Check out Uproxx’s full list of 2025 Grammy Award winners here.

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Beyoncé Just Became The Grammys’ First Black Artist To Win For Best Country Album

Grab your spurs and wind up your lassos; Beyoncé just won the Grammy Award for Best Country Album for Cowboy Carter. Just hours after becoming the first Black woman to win a Grammy in the country genre in over 50 years (Best Country Duo/group Performance for “II MOST WANTED” featuring Miley Cyrus), Beyoncé made history again, becoming the first Black artist EVER to win Best Country Album.

While Beyoncé herself appeared to be dumbfounded when Taylor Swift — yes, Taylor Swift — announced she’d won, I don’t think anyone else was surprised when they saw the woman with whom she’s been inextricably linked take the stage to present the award. Flanked by her husband Jay-Z and her daughter Blue, Beyoncé made one heck of a face before climbing the steps to accept her award and give her speech. Check it out:

Bey’s historical achievement comes on the heels of the teaser of the dates for her upcoming Cowboy Carter Tour, which hit social media just hours before the ceremony after being postponed due to the LA wildfires. Tonight’s ceremony doubles as a benefit for victims and first responders.

Beyoncé was nominated for 11 awards coming into tonight’s ceremony, including Best Country Song (“Texas Hold ‘Em”), which went to Kacey Musgraves for “The Architect”; Best Americana Performance (“Ya Ya”); Record Of The Year and Song Of The Year (“Texas Hold ‘Em”); and Album Of The Year for Cowboy Carter. Stay tuned, and follow along with the winners in real time here and check out Beyoncé’s historic speech above.

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Chappell Roan And Her Circus Of Misfits Stormed The 2025 Grammys For A Performance Of ‘Pink Pony Club’

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Chappell Roan was feeling very “emo” ahead of the Grammys, but the “The Giver” was straight-up happy at the 2025 Grammy Awards ceremony. For her debut performance (viewable here) at the beloved music event, Roan performed her breakout song “Pink Pony Club.”

While the Grammys crowd pales in comparison to the massive crowds she amassed last year — including Lollapalooza, Austin City Limits, ACL Fest — the Grammys stage still carries a heavy weight, but it was no match for Roan’s star power.

With an army of beautiful misfits, Roan stormed the Grammys stage with vengeance. Sat atop a massive pink pony, Roan demonstrated that she’s above the expectations, critiques, and even her own self-doubts. Although digital streams and a fun TikTok trend shows that Roan’s track “Hot To Go!” has stolen fans’ hearts, “Pink Pony Club” is a full showing of Roan’s artistic arsenal.

As far as awards go, Roan secured nominations for Record Of The Year (“Good Luck, Babe!”), Album Of The Year (The Rise And Fall Of A Midwest Princess), Song Of The Year (“Good Luck, Babe!”), Best New Artist, Best Pop Solo Performance (“Good Luck, Babe!”), and Best Pop Vocal Album (The Rise And Fall Of A Midwest Princess).

Check out our full coverage of the 2025 Grammys here. To view the full 2025 Grammy Awards list, click here.

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Doechii Is Just The Third Woman To Win The Grammy For Best Rap Album

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Doechii shed tears, shouted out Cardi B and Lauryn Hill, and got her mic cut off for cussing in her acceptance speech for the Best Rap Album of 2024 at the 67th Grammy Awards for her debut mixtape, Alligator Bites Never Heal. Doechii’s win makes her just the third Black woman since the award’s inception in 1989 to win Best Rap Album, following Cardi B in 2019 and Lauryn Hill in 1999. The best part? She was presented the award by none other than Cardi B. Thankfully, it didn’t take 20 years for her to follow Cardi’s historic win, suggesting a hopeful future for the awards show.

The Tampa-bred artist acknowledged that she might not be the most well-known artist in the field, which included The Auditorium Vol. 1 by Common & Pete Rock, The Death Of Slim Shady (Coup de Grâce) by Eminem, We Don’t Trust You by Future & Metro Boomin, and Might Delete Later by J. Cole. But she used the opportunity to share her testimony, holding herself up as an example for young Black girls to reach for their dreams — no matter how unlikely they might be. “I know there’s some black girl, so many black women watching me right now,” she said. “And I wanna tell you, you can do it. Anything is possible. Don’t allow anybody to project any stereotypes on you.”

Alligator Bites was part of a huge breakout year for Doechii, driven by the success of powerful performances of songs like “Denial Is A River” and standout raps on “Boom Bap.”

You can check out the rest of the Grammy winners here.

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De’Aaron Fox Is Heading To The Spurs In A Trade That Will Send Zach LaVine To The Kings

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De’Aaron Fox‘s time as a member of the Sacramento Kings has come to an end. Fox, who was reportedly made available by the Kings in the lead-up to the deadline, is on his way out the door, as he’ll team up with Victor Wembanyama on the San Antonio Spurs in a blockbuster move that considerably shakes things up in the Western Conference.

The news of the deal was broken by Shams Charania of ESPN, who mentioned that this is a multi-team trade. While Fox is heading to the Spurs along with Jordan McLaughlin, Zach LaVine of the Chicago Bulls is on his way to the Sacramento Kings with Sidy Cissoko. Sam Amick of The Athletic reports that Kevin Huerter, Zach Collins, and Tre Jones will go to Chicago, while the Kings will get three future first-round picks (although, the 2025 lottery-protected Hornets pick will almost assuredly become two seconds). Charania also reported that the Bulls will acquire their own 2025 first-round pick back from the Spurs (which was top-10 protected). The complete trade details are below.

Spurs get: De’Aaron Fox and Jordan McLaughlin
Kings get: Zach LaVine, three first round picks (2025 lottery-protected Hornets pick, 2027 Spurs, 2031 Timberwolves), and three second round picks (2025 Bulls, 2028 Nuggets, 2028 Kings)
Bulls get: Zach Collins, Tre Jones, Kevin Huerter, and their own 2025 pick back from the Spurs

Fox’s future in Sacramento had been the subject of speculation for some time, with reports coming out in the last week that the Kings were open to trading their star guard whose eyes were on the 2026 offseason, when he is slated to become an unrestricted free agent and could receive a 5-year deal worth up to $345 million. It was easy to presume that Fox would have his eyes on San Antonio if he ever wanted out, as he is a Texas native whose game fits extremely well alongside Wembanyama, and not long after the reports that he could hit the open market came out, additional reporting indicating that the Spurs were his preferred destination.

As for LaVine, much has been made of Chicago’s inability to move him on the heels of a contract extension he signed back in 2022 — the 5-year, $215 million max deal has one year remaining after this, along with a player option for 2026-27 worth just under $49 million. Perhaps it’s unsurprising that the conversation around LaVine has changed this season, as largely been able to remain healthy and has gotten back to being an efficient scorer who brings rebounding and playmaking to the Bulls. Now, he’ll reunite with former Chicago teammate DeMar DeRozan in Sacramento.

For the Bulls, it stands to reason that getting their 2025 first back means they’re going to further look to the future and focus on lottery balls to land someone from a loaded NBA Draft class. Given the pick was top-10 protected, it mostly alleviates a disaster scenario of falling to 11th in the lottery or something and not having their pick at all. While they got back some good pros in Huerter, Collins, and Jones, the team is currently 21-29 and holding onto the final Play-In spot in the Eastern Conference by a game.