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The 2025 Essence Festival Put New Orleans’ Rich Food Scene On Display

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Getty Image/Merle Cooper / Essence Festival Of Culture

New Orleans is known for a few things, but somewhere at the top of the list is its food. Local cuisine is one of the most cited reasons for New Orleans’ booming tourism trade, and it has some of the most recognizable regional dishes in American cuisine. If you’re going to NOLA, you’re going for the gumbo, the jambalaya, the po boys, and the beignets. With a Creole grandmother, it’s the food I find myself pining for most that’s hardest to get here in LA.

But while in The Big Easy for the 2025 Essence Festival of Culture, I discovered at least one surprising addition to the usual roundup of local New Orleans fare after taking a gamble on a recommendation from — where else? — TikTok. It was a reminder for me that sometimes, the most magic can be found off the beaten path, by getting away from the “must try” tourist traps and taking the local view of any so-called destination city.

But first, I had to try the offerings from the Essence Festival itself. After all, the Festival was the whole reason for the trip, and there’s no easier way to catalog all the possibilities of New Orleans’ local food scene than by hitting the convention floor’s food court, where over a dozen of the parish’s local vendors had been assembled to purvey a variety of takes on the Creole and Cajun cuisine that makes up the city’s staples.

Aaron Williams

Choosing from the proffered assortment of catfish, fried chicken, sausages, and sweet treats proved to be a challenge, though. After all, one only has so much stomach space, and as seafood made up the bulk of the options on call, very little of any given plate would have survived the heat and humidity of the 30-minute walk back to my hotel (or a night spent in the room’s mini-fridge, for that matter).

Eventually, I settled on an establishment serving one of everything. From Finger Lickin’, a combo plate of catfish, fried shrimp, and fried chicken sufficed for the first day’s lunch, accompanied by a healthy slathering of yum yum sauce, the sweet and tangy condiment that often accompanies dishes from the proliferation of “hibachi”-style establishments that have popped up in New Orleans over the past several decades. All three proteins were perfectly crispy, and seasoned the way only southern cooking can be — not too salty, though, with a zing that would keep anyone diving back for more.

And look, I could have gone more adventurous — think catfish soule, seafood eggrolls, or oxtail plates — but I’ve always believed the best way to get a read on what a restaurant or municipality does well food-wise is to order the thing they do the most. If you’re in Texas, get barbecue. If you’re trying a Thai place for the first time, it’s hard to go wrong with pad see ew. And at Essence Festival, that three-way plate was absolutely a home run.

I have no scientific evidence to support this, but I’m fairly certain that that New Orleans accent makes food taste at least 36% better. If the person serving it calls you “baybeh” as they hand you the container, it’s going to kick. That was the case on day one with Finger Lickin’s three-way, and on day two, when I opted for crawfish pasta from NOLA Creole Cookery, a spicy, creamy combination that opened my sinuses with a blast of pepper. My only regret is that there was no way to get it back to California.

Beyond the festival, the awe-inspiring variety ranged from local historical icon Cafe Du Monde for its world-famous beignets and café au lait to a dive bar called Parasol for a shrimp po boy that put a brother in touch with the ancestors. A quirky breakfast nook called Ironworks felt more in line with a Silver Lake hipster hot spot, but served up a savory crêpe with prosciutto and apricot jam that could only be described as divine. Sweet and savory are flavors that have always gone together, and here, both were turned up to the max, with the tangy jam taking the edge.

Aaron Williams

But that place TikTok sent me to was the highlight of the trip. Now, taking recommendations from TikTok is an iffy proposition at best; I’ve lost count of the trendy spots it’s landed me at in Los Angeles that ranged from overpriced “meh” to “barely worth the wait” delicious, but Acamaya, an upscale regional Mexican spot just north of the French Quarter, proved to be everything those wannabe influencers promised.

Built around coastal Mexican go-tos like roast octopus (soft and chewy without being rubbery as octopus can so often be) and aguachile (bright, tangy, addictive), its carne asada was probably one of the best steaks I’ve had in months, with a light, friendly atmosphere that clashed a bit with the homey casualness of the down-to-earth service I experienced elsewhere in New Orleans (I joked in my festival recap that almost no counter clerk was nice for the entire weekend, although there was a familial familiarity to the whole frustrating procedure). But Acamaya’s café de olla (slightly sweet, with hints of cinnamon, cardamom, and chives) would have made the trip worth the cost of a ticket by itself.

The Essence Food and Wine Festival offerings included panels with well-known chefs and restaurateurs like Kevin Hart, Patty LaBelle, Marcus Samuelsson, Ghetto Gastro, and the like, and if you’re someone who loves Food Network and Netflix cooking shows, that programming looked interesting from the few times I popped my head in. But when it comes to food, I’m Kevin Garnett from Uncut Gems: “Why the f*ck would you show me something if I couldn’t have it then?” Fortunately for me, New Orleans and the Essence Festival of Culture had plenty for me to see AND eat. I left satisfied.

Adelle Platon
Adelle Platon
Adelle Platon
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It’s The 10th Anniversary Of Lord Huron’s ‘The Night We Met,’ The Most Sneaky-Huge Indie-Rock Song Of The 21st Century

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Getty Image/Merle Cooper

As a music critic, I’ve always been fascinated by “popular but not famous” bands. The type of act that manages to achieve tangible success without exactly becoming a household name. For years, these bands typically derived from genres marginalized in the mainstream — metal, prog, the jam-band scene, and so on. But in the streaming age, “popular but not famous” acts have become more common across the board, as it’s now easier to quantify popularity (streaming numbers, ticket sales, social media followers) and also harder to achieve true cultural ubiquity.

In the indie-rock space, the defining example of this phenomenon for me is the Los Angeles group Lord Huron. Formed in 2010, they have made five albums, including the forthcoming The Cosmic Selector Vol. 1, due July 18. It’s possible you have heard of them, but I bet it’s more likely that you have heard them without knowing that it’s Lord Huron. Their most streamed song is “The Night We Met,” a dreamy country-rock ballad that closes their second record, 2015’s Strange Trails. But it didn’t reach a mass audience until two years later, when it was featured on the much-watched Netflix teen drama 13 Reasons Why. At that point, “The Night We Met” entered the Billboard Hot 100 on the way to being certified triple platinum by the Recording Industry Association Of America, denoting sales of more than three million units.

But that was just the beginning. As I type this, “The Night We Met” has more than 3.1 billion streams on Spotify. (The specific streaming platform matters for reasons I’ll explain in a minute.) An additional version recorded as a duet with Phoebe Bridgers has been played more than 325 million times, which pushes the overall number to nearly three and a half billion spins.

To put those numbers in perspective, it’s helpful to compare them to other songs typically regarded as the biggest rock anthems of the 21st century by indie-adjacent acts. I recently wrote about “Mr. Brightside,” a defining jock jam of the modern era by one of the best-known arena-rock bands. That song has almost 2.7 billion streams. “Seven Nation Army” by The White Stripes also has bulletproof “sports song” status — it has just under 2 billion streams. Arctic Monkeys, the acknowledged champs of British rock in the past 20 years, clocked more than 2.6 billion streams for their biggest hit, “Do I Wanna Know?” (A TikTok craze a few years back also propelled the lesser known “I Wanna Be Yours” to 3.1 billion plays.)

As it currently stands, “The Night We Met” is one of Spotify’s Top 30 most popular songs ever. Which means Lord Huron, on this one song at least, outperforms practically every other band (or pop singer or rapper) you can think of. The rivals to “The Night We Met” on Spotify include the top songs by two of the biggest pop-rock institutions of the century, Coldplay (“Yellow,” just over 3.1 billion streams) and Imagine Dragons (“Believer,” nearly 3.5 billion). The only band that decisively outpaces them is another “popular but not famous” LA group from the 2010s, The Neighbourhood, whose LGBTQ+-themed 2013 hit “Sweater Weather” presently sits at almost 3.9 billion streams.

What is going on here? “The Night We Met” is quite pretty and pretty likeable. It also sounds like a million other countryish, reverb-heavy indie-rock songs that don’t have close to 3.1 billion streams. Though, maybe, that’s the point.

The most common explanation for the success of “The Night We Met” is the song’s prominent placements in the first and second seasons of 13 Reasons Why, a controversial series about teen suicide that briefly captured the zeitgeist in the late 2010s. In the show, “The Night We Met” is practically its own character, acting as a nostalgic callback for two of the main characters. It is essentially framed as “The Most Beautiful Love Song You Have Ever Heard,” and for the show’s young audience — who might not have been familiar with the music that has obviously influenced Lord Huron — “The Night We Met” seemed to have hit that way.

But 13 Reasons Why ended five years ago. And “The Night We Met” has clearly escaped containment from that massive but still niche audience. It not only hasn’t faded in recent years, it has surged. In January of 2023, I noted that it had 1.2 billion streams , and that Lord Huron overall had close to 11.8 million monthly listeners. They have almost tripled both numbers since then.

This month, following a spring tour celebrating the 10th anniversary of Strange Trails, they begin a run of shows in arenas and amphitheaters, including a July 30 gig at Madison Square Garden with Waxahatchee (a “famous but not quite as popular” band) opening. And while their mastermind Ben Schneider maintains a low profile — good luck finding much in the way of press about his band — he’s definitely broken into elite levels of exposure in other ways. Kristen Stewart makes a cameo on one song from the new record. And the promotional bio was written by none other Norwegian celebrity author Karl Ove Knausgård. (His take on the album: “It ought to crush us, for we are so obviously nothing, a microscopic anomaly of flesh and blood in an infinite, black and lifeless space, but it doesn’t crush us. It is terrifying, this black abyss with tiny pinpricks of light that we live at the edge of, but it is also beautiful.” Leave some adjectives for us poor working rock critics, Karl!)

Knausgård, naturally, discovered Lord Huron on Spotify. Speaking of Spotify: There’s evidence that “The Night We Met” is uniquely suited to that streaming platform. While the song does gangbusters inside that walled garden, it appears to do less well at Apple Music, which just announced their Top 500 most streamed songs. Coldplay and Imagine Dragons, predictably, show up multiple times on that list, and “Sweater Weather” comes in at an impressive No. 154, two spots higher than “Bohemian Rhapsody.” But “The Night We Met”? Nowhere to be found.

Surely that discrepancy can be partly attributed to showing up on the right playlists over at Spotify. But I wonder if something in the Spotify algorithm favors Lord Huron — or if Lord Huron, inadvertently (or not), makes music perfectly suited for gaming the system. I have listened to The Cosmic Selector Vol. 1 several times in recent days, as well as the older Lord Huron albums, and I’m struck by how much the music sounds remarkably similar to other bands I like. They might very well be the most “sounds like other bands I like” band I have ever heard. Listening to Lord Huron is like condensing nearly 70 years of rustic, rootsy rock music into easily digestible four-minute packages. You can hear Sun Sessions era Elvis and Dylan’s Time Out Of Mind period in there. And the first three My Morning Jacket records and the first two Fleet Foxes albums. And flashes of Wilco and Grizzly Bear and The Lumineers. And even the country and Americana artists that came after Lord Huron, like Zach Bryan or Tyler Childers. Anyone who goes to Spotify to hear those artists (and many others) could be credibly pointed to Lord Huron as a “recommended if you like” option.

When AI band The Velvet Sundown had their 15 minutes of infamy last week, I thought immediately of Lord Huron. Not only because they (it?) sort of sound like Lord Huron, but also because of Lord Huron’s own flesh-and-blood AI tendencies. I like “The Night We Met,” but if you told me that it was produced by artificial intelligence instructed to reconfigure the two most popular songs by Band Of Horses, “Funeral” and “No One’s Gonna Love You,” I’d believe it.

Let me reiterate that I like listening to this band. If the worst that can be said of Lord Huron is that they are very derivative of bands that don’t stream nearly as well, that shouldn’t completely overshadow the obvious craft that Schneider and company apply to the records. (His ability to create elaborate backstories for songs and the impressive scale of their live shows also dispel any overly reductive “generic” charges.) Best of all, they are — for now at least — a sign that humans are still better than robots at integrating preexisting sounds into new songs. I want my enjoyably imitative folk rock made by people, not machines.

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Big Thief Go All In On Love With ‘All Night All Day,’ A New ‘Double Infinity’ Single

The new iteration of Big Thief announced Double Infinity, a new album, last month.

They have a new song out today (July 9): “All Night All Day,” which is classic Big Thief with a bit of New Age influence thrown in. A press release describes it as “an expression of love and desire without shame.”

A press release previously noted the group recorded the album last winter at the Power Station, New York City, for three weeks. They worked with “a community of musicians” including Alena Spanger, Caleb Michel, Hannah Cohen, Jon Nellen, Joshua Crumbly, June McDoom, Laraaji, Mikel Patrick Avery, and Mikey Buishas.

Listen to “All Night All Day” above and check out Big Thief’s upcoming tour dates below.

Big Thief’s 2025 Tour Dates: The Somersault Slide 360 Tour

09/17 — Sacramento, CA @ Channel 24
09/19 — Troutdale, OR @ Edgefield
09/21 — Boise, ID @ Outlaw Field at the Idaho Botanical
09/22 — Salt Lake City, UT @ Twilight Concert Series
09/25 — Berkeley, CA @ The Greek Theatre
09/27 — Los Angeles, CA @ Hollywood Bowl
09/28 — San Diego, CA @ Rady Shell at Jacobs Park
10/01 — Mexico City, MX @ Teatro Metropolitan
10/20 — Portland, ME @ State Theatre
10/21 — Boston, MA @ MGM Music Hall
10/22 — Philadelphia, PA @ The Met
10/24 — Washington, DC @ The Anthem
10/25 — Forest Hills, NY @ Forest Hills Stadium
10/29 — Raleigh, NC @ Red Hat Amphitheater
10/30 — Atlanta, GA @ The Fox Theatre
10/31 — New Orleans, LA @ Saenger Theatre
11/03 — Tulsa, OK @ Cain’s Ballroom
11/04 — Dallas, TX @ The Bomb Factory
11/05 — Austin, TX @ Moody Amphitheater at Waterloo Park
11/07 — Houston, TX @ White Oak Music Hall Lawn

Double Infinity is out 9/5 via 4AD. Find more information here.

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Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.

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News Trending Viral Worldwide

Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.

Categories
News Trending Viral Worldwide

Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.

Categories
News Trending Viral Worldwide

Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.

Categories
News Trending Viral Worldwide

Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.

Categories
News Trending Viral Worldwide

Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.

Categories
News Trending Viral Worldwide

Wet Leg Debuted An Unreleased Song For Their First-Ever Tiny Desk Concert

Wet Leg did a home version of the Tiny Desk Concert series a few years ago, but now NPR has gotten the band into the office for a proper Tiny Desk performance, which was shared today (July 9).

It’s one fans are going to want to pay attention to. Aside from playing “CPR” and “Davina McCall,” Wet Leg also played “Mangetout,” an unreleased song they’ve played live before. They also debuted “11:21,” another unreleased track, but this one, they hadn’t performed before.

Meanwhile, a press release previously noted the group’s upcoming album “contains love songs of every stripe: stressed-out, gooey-eyed, gratuitously horny, blissed out, obsessive and mysterious.” The project is also said to be “defined by its sheer exuberance and Teasdale ended up finding the process empowering.”

Watch the video above and for more live Wet Leg, check out the band’s upcoming tour dates below.

Wet Leg’s 2025 Tour Dates: The North American Moistourizer 2025 Tour

09/01 — Seattle, WA @ Paramount Theatre
09/03 — Vancouver, BC @ Malkin Bowl
09/05 — Portland, OR @ Revolution Hall
09/09 — Minneapolis, MN @ First Avenue
09/10 — Chicago, IL @ Salt Shed
09/12 — Toronto, ON @ HISTORY
09/13 — Montreal, QC @ MTELUS
09/14 — Boston, MA @ Roadrunner
09/15 — Philadelphia, PA @ Franklin Music Hall
09/17 — New York, NY @ Summerstage in Central Park
09/19 — Washington, DC @ 9:30 Club
09/21 — Atlanta, GA @ Shaky Knees
09/30 — Oakland, CA @ Fox Theater
10/03 — Phoenix, AZ @ Arizona Financial Theatre
10/07 — Oklahoma City, OK @ The Criterion
10/14 — El Paso, TX @ Lowbrow Palace
10/17 — Los Angeles, CA @ The Greek Theatre

Moisturizer is out 7/11 via Domino. Find more information here.