Among the project’s highlights is “Lost,” a new collaboration with The Kid Laroi. Zimmerman recently told Billboard about how the song came to be, saying:
“He’s like, ‘I want to have dinner with Bailey.’ I’ve listened to his songs since like 2016 and had just started. We got to dinner and I was nervous — so [we] got there and he was the nicest guy ever. We get along [about] everything, and all of just what we believe in and life and our careers — it was like the Spider-Man thing where I was pointing at myself. We had a wild night in Nashville, went out to Morgan’s [Wallen’s Nashville bar] — I took him to Loser’s, and the next morning he pushed his flight back because he wanted to have breakfast. On the way there, he was like, ‘Last night, you played me a song. Can you play that again?’ and I had played him ‘Lost.’ He kept asking to hear it, so I asked him to get on the song.”
Listen to “Lost” above.
Different Night Same Rodeo is out now via Atlantic Records/Warner Music Nashville. Find more information here.
Gunna‘s new album, The Last Wun, has arrived. In addition to previously released tracks like “Won’t Stop” and “Him All Along,” the album brings 25 tracks with features from fellow Atlantan Offset and Afrobeats stars like Asake, Burna Boy, and Wizkid.
The latter appears on album standout “Forever Be Mine,” which you can listen to above. “Forever Be Mine” is Gunna’s version of a romantic love song, with the rapper boasting of all the things he does for his paramour. “She know I’m one of a kind / She don’t see none of these guys / She know I don’t do no harmonizing / I stroke her and give a massage / I push her and tell her to strive / Rolls-Royce Phantom, I let her recline / She say, ‘You forever be mine’,” he croons in that signature melodic rap.
In Gunna’s recent Visionaries cover story for Uproxx, he told will.i.am that his latest era is defined by: “‘alignment,’ because I’m aligned with everything creatively that’s personally going on in my life. When it comes to music, this era has all been today in time. What’s current with me.” Fans can catch up with his life on The Last Wun, which is out now via YSL Records/ 300 Entertainment. You can find more info here.
Zach Bryan and Kings Of Leonperformed together earlier this year. Now, the two entities, who both have roots in Oklahoma, have done more than that, as they’ve teamed up on a new song, “Bowery,” that was released today (August 8).
When Bryan announced the song a few days ago, he wrote on social media, “Honor of my life.” Kings Of Leon added in their own post, “Did a song with our friend. Had fun doing it. Couldn’t be more proud.”
This comes a few weeks after Bryan revealed that a new project called With Heaven On Top is set for release next January. Bryan has kept details about the release close to the vest, so it’s not clear if “Bowery” will be included on the project.
This past January, Bryan also teased an album called Motorbreath, sharing some spoken-word audio from Matthew McConaughey in which the actor says, “This is not a film about a band. This is a film about a boy from Oklahoma, a boy who joined the Navy with a love of writing. That writing connected with people — a lot of people. This film is about a group of best friends taking a two-week motorcycle ride across America while recording one final major-label album. Oh, and the title of the film, you ask? Motorbreath.”
Lucy Dacus released her latest album, Forever Is A Feeling, back in March. But, since then, there has been something about it she wasn’t completely satisfied with, and now, she has made a change.
Yesterday (August 7), Dacus, fresh off performing at Maine’s inaugural Back Cove Music & Arts Festival, revealed she was changing the album art. The new image features the original painting, but now framed and photographed in a picture frame storage area. She explained:
“Thank you to [Jon Henry] for helping me see my original idea for the cover of Forever Is A Feeling. There wasn’t time to make this image at first, but it never left my mind. From here on, I’m changing the album art to this because… I want to and I can! lol thank you as ever to [Will St. John] for the painting, and thank you to [Lowy 1907] for the beautiful frame and letting us take photos in the shop.”
The post also noted she would be sharing new music today, and two fresh songs, “More Than Friends” and “Bus Back To Richmond,” are out now.
Listen to the songs above and find Dacus’ upcoming tour dates below.
Lucy Dacus’ 2025 Tour Dates: Forever Is A Feeling
08/08 — Portland, OR @ Edgefield %
08/09 — Boise, ID @ Morrison Center %
08/10 — Carnation, WA @ Remlinger Farms %
08/12 — Vancouver, BC @ Queen Elizabeth Theatre %
08/13 — Vancouver, BC @ Queen Elizabeth Theatre %
08/16 — Berkeley, CA @ The Greek Theatre %
09/09 — San Diego, CA @ Cal Coast Credit Union Open Air Theatre
09/11 — Phoenix, AZ @ Arizona Financial Theatre
09/12 — Abiquiu, NM @ Blossoms & Bones Ghost Ranch Festival
09/13 — Oklahoma City, OK @ The Criterion
09/15 — St. Louis, MO @ Stifel Theatre
09/16 — Indianapolis, IN @ Murat Theatre
09/17 — Louisville, KY @ The Louisville Palace Theater
09/19 — Richmond, VA @ Altria Theater
09/20 — Durham, NC @ DPAC
09/21 — Atlanta, GA @ Shaky Knees Festival
09/23 — Asheville, NC @ Asheville Yards
09/24 — Pittsburgh, PA @ Benedum Center for the Performing Arts
09/26 — Forest Hills, NY @ All Things Go Music Festival
09/27 — Columbia, Maryland @ All Things Go Music Festival
11/14 — Mexico City, MX @ Corona Capital
# with Katie Gavin and jasmine.4.t
* with Jay Som
% with Julia Jacklin
^ with Julien Baker & Torres
Forever Is A Feeling is out now via Geffen Records. Find more information here.
We open this week in a very unexpected place: “Home,” the 2010 hit by Edward Sharpe And The Magnetic Zeros, which had a viral moment this week that went on for days. What is it about this song that people hate so much, and what are some of the actual worst songs of all time?
The guys also talk about the recent Billy Joel documentary, which Ian recently watched, and pick the modern-day equivalent to the Piano Man. After a brief check-in on the Fantasy Album Draft, Steven and Ian run down a list of classic albums turning 20 in the next month or so, including landmark releases from My Morning Jacket, the New Pornographers, Wolf Parade, and more. They also do a “yay or nay” segment on Death Cab For Cutie.
In Recommendation Corner, Ian recommends Anamanaguchi and Steven stumps for Tyler Childers.
New episodes of Indiecast drop every Friday. Listen to Episode 251 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at [email protected], and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.
On his last album, Chromakopia, Tyler, The Creator delved into some heavy subjects. From the paranoia inherent to stardom to the complex relationship he has with his hair, Tyler unpacked a lot on his last album — which is why he says he pivoted so hard with his new one, Don’t Tap The Glass.
As he told Apple Music 1’s Zane Lowe, he “just wanted to be silly again,” which is what led to the looser sound of the new album. “Chromakopia was so… I’m not saying it’s the most mature, deep sh*t,” he admitted. “But whether it’s me talking about my relationship with my hair and how that’s affected me, or me almost being a father last year, or the relationship that I have with my father now, just so many things that I decided to dive deep into. After the weight of that got off, I just wanted to be silly again.”
“I just want to be fun and say outrageous shit and say sh*t that… inside jokes that me and my friends laugh at, and just talk big fly sh*t,” he explained. “That was the goal. That was the main 100% goal.”
He also broke down how the various dance music scenes from around the country and throughout history influenced the album’s sound. “I never called it a dance album,” he declared. “It’s just some sh*t that I would love people to dance to because it’s music that I will want to dance my body to. And that’s all type of dance music on there.”
“Bro, if you grew up in the South and you know New Orleans Bounce, ‘Don’t Tap That Glass’ is New Orleans Bounce,” he noted. “‘Don’t You Worry, Baby’, that’s Atlanta bass, that’s Miami bass. But some of these folks, they didn’t grow up within that culture. So, ‘I’ll Take Care of You, that’s a UK jungle record. And some people might be like, ‘You can’t dance to that,’ but that’s dance music.”
You can watch Tyler’s full interview with Zane Lowe above.
The Uproxx Music Travel Hot List series is sponsored by Priceline, where music fans can find deals on flights, hotels, and more.
Japanese-American singer, songwriter, and producer SHIMA knows the value of carving out your own path. After turning down the chance to be a Jpop idol – she trained for years in Tokyo with a five-piece girl group called FAKY – SHIMA headed stateside, studying music production and making beats on her dad’s old MacBook. SHIMA was determined to trade her overly manufactured pop past for something more authentic, eclectic, and meaningful. Her journey took her to Miami, LA, and plenty more underground hotspots where genres merged and SHIMA found her singular sound, one that blends mesmerizing basslines with electronic funk and a bit of Japanese folklore. Her latest track, “Maitake,” turns a Japanese children’s story about dancing mushrooms into a playful fantasy soundscape complete with flute melodies and rhythmic percussion. And she plans to spin it everywhere, continuing a tour run that’s taken her to festivals like Coachella, Electric Forest, and more.
Uproxx linked up with SHIMA on the road to get her unique recs. From the cliffs of Sardinia, Italy, to late-night Ramen refuels, and which countries inspire her sound, the promising artist gave us her read on the undeniable connection between music and travel.
What’s the one venue every music lover has to experience once in their life, and why?
I’ve never actually been there, but Tomorrowland has been a huge bucket list item of mine forever. It just feels like one of those things everyone needs to experience at least once.
Which city has the best nightlife?
Tokyo, for sure. I’m biased because that’s where all my friends live, but it’s such an international hub of underground scenes for all types of music, from dancehall to amapiano to techno to jazz. People really appreciate culture. You also don’t need money to have fun.
What’s in your carry-on bag?
I always have my laptop and headphones with me because I’m constantly tweaking my sets until the last minute.
If you weren’t DJing, what city would you travel to just to experience the music scene?
Probably Brazil. Cultures with a big emphasis on dancing tend to have the best dance music. I feel like I would find endless sources of inspiration.
You land in a new city, what’s the first thing you do?
Try some local food.
Have you ever played in a truly wild, outdoor setting? Where was it?
It wasn’t an actual set in front of a crowd; it was just to film, but the craziest place I played was on the edge of a cliff in Sardinia, Italy. Getting all the equipment up there and setting everything up was a mission.
Which city has the best late-night food after a set?
Again, Tokyo. Nothing beats post-set Ramen.
What’s your dream festival to headline, or place to perform?
I would love to headline Electric Forest one day. I have a special attachment to EF because it was the first festival I ever went to. They’ve also just cultivated such a great crowd and culture.
If you could only spin one set in one city for the rest of your life, where would it be and why?
It would probably be some type of chill sunset rooftop set somewhere warm, because I will never get tired of that vibe no matter how old I get.
Where’s somewhere you’d still like to travel and why?
I’ve still never been to Africa, so that’s been on my bucket list for a while. I’d probably go to either West Africa or South Africa, because a lot of music I like comes from those regions.
The Uproxx Music Travel Hot List series is sponsored by Priceline, where music fans can find deals on flights, hotels, and more.
The Uproxx Music Travel Hot List series is sponsored by Priceline, where you can go to book your next music travel adventure.
Dance floors, dinosaur digs, and a detour through the Pacific – Canadian pop star Kiesza’s journey to dance music icon has led her to plenty of unexpected places. She’s studied ballet, sailed to Hawaii on a tall ship, dabbled in amateur paleontology, and served in the Navy. Despite all that, music has always been the artist’s true passion – and it’s taken her to some unbelievable places. Currently, she’s prepping to go on tour, hitting up stops in Chicago, Los Angeles, and Mexico City to share her latest electropop experiment, Dancing and Crying, Vol. 2, with fans. Her club-kid crowd has been clamoring for more after Kiesza, who skyrocketed to the top of the charts with 2014’s “Hideaway,” dropped a dark, seductive collab with alt-legend Peaches, aptly titled “So Erotic.” And, after taking some time off to heal from a traumatic car accident, Kiesza is ready to give it to them, planning a cross-country run of shows that will hopefully motivate people to get up and move.
Speaking of, before she hits the road for her Dancing and Crying tour, Uproxx tapped Kiesza for her best travel recs and memories. From rolling in the mud at Glastonbury to why Spain is on her music-scene bucket list, here’s what she told us about sound and the adventures it inspires.
Have you ever played in a truly wild, outdoor setting? Where was it?
Coachella 2015 was an amazing outdoor set. I wore a Superman outfit made out of New York Yankees baseball hats and had Joey Bada$$ do a surprise performance!
What’s the one venue every music lover has to experience once in their life, and why?
Red Rocks Amphitheater. The view from the stage is better than [from] the audience.
Which city has the best nightlife?
New York, for sure.
What’s in your carry-on bag?
Usually, some epic pair of shoes I was too afraid to check, an emergency performance outfit, a casual change of clothes in case of flight delays, my computer, a makeup bag, some healthy snacks, and headphones.
If you could only spin one set in one city for the rest of your life, where would it be and why?
I would spin an ambient music set in some remote mountaintop village for a bunch of wild animals. Humans? Probably not.
You land in a new city, what’s the first thing you do?
Find a great restaurant! I’m a foodie.
Which city has the best late-night food after a set?
Toronto has great food. New York food trucks are pretty epic. I’ve never been, but I imagine Tokyo has some good late-night sushi.
What’s your dream festival to headline, or place to perform?
I would love to headline Glastonbury. I love all the mud at that festival. One of my favourite festival memories is being covered in mud at Glastonbury.
If you weren’t performing, what city would you travel to just to experience the music scene?
I would love to experience the music all over Spain. I love flamenco guitar.
Where’s somewhere you’d still like to travel and why?
Japan is still on my bucket list. I’m so eager to visit. Also, New Zealand. And there’s a wombat rescue farm in Australia that I really want to go to someday.
It’s said that “time heals all,” and while that hasn’t always been strictly true, in the case of the surviving members of Migos, it seems to have borne out. During a recent interview, Offset revealed that he and former bandmate Quavo are on much better terms than before, saying they talk “every other week.”
“It be the internet trying to do some old sh*t, but with us, it ain’t about that,” Offset told the 7PM in Brooklyn with Carmelo Anthony crew. “We gotta holla at each other in the day, at the end of the day, man. That’s family at the end of the day, man. You’re gonna bump heads with your family sometime. In the day, a n**** ain’t finna play with him, or a n**** ain’t finna play with me.”
While that doesn’t exactly sound like they’re on the cusp of recording a new album together or anything, it’s certainly a far cry from the barbs they exchanged with each other in the months leading up to the death of their trio’s third member Takeoff in October 2022, or the time immediately following his loss.
The two most recently reunited to celebrate their fallen partner in rhyme on what would have been his 31st birthday, with Offset explaining, “Gotta celebrate him. Any bullsh*t get put aside about bruh. Because he was the glue. He was the one who keep our head straight when we were trying to — you know how that sh*t be? The three of us n****s think one way. He always was the n**** that was the medium.”
You can watch Offset’s full interview with 7PM in Brooklyn above.
We’re getting closer to the release of Laufey’s new album, A Matter Of Time, later this month. She seems to be ramping up in anticipation, dropping “Lover Girl” last week and returning today (August 7) with the tender “Snow White.”
Laufey says of the song, “‘Snow White’ is about the never ending chase for perfection that comes with being a woman. It’s about looking in the mirror and seeing all the ways in which you can improve yourself.”
It arrives alongside a lovely video shot in her native Iceland and directed by Junia Lin, Laufey’s twin sister and creative director.
She previously said of her upcoming album, “Every new album for me is a blank book of stories to write. […] I’m constantly thinking about classical and jazz, how to properly preserve them and pay homage. For this album, I just wanted to let my heart wander.”
Watch the “Snow White” video above and find Laufey’s upcoming tour dates below.
Laufey’s 2025 Tour Dates: A Matter Of Time Tour
07/30 — Norfolk, VA @ Virginia Arts Festival at Chartway Arena *
07/31 — Norfolk, VA @ Virginia Arts Festival at Chartway Arena *
08/02 — Chautauqua, NY @ Chautauqua Institution †
08/03 — Chautauqua, NY @ Chautauqua Institution †
08/07 — Cuyahoga Falls, OH @ Blossom Music Center ‡
08/09 — Saratoga Springs, NY @ Saratoga Performing Arts Center §
09/15 — Orlando, FL @ Kia Center **
09/16 — Atlanta, GA @ State Farm Arena **
09/18 — Fort Worth, TX @ Dickies Arena **
09/20 — Houston, TX @ Toyota Center **
09/21 — Austin, TX @ Moody Center **
09/23 — Phoenix, AZ @ Desert Diamond Arena **
09/24 — San Diego, CA @ Pechanga Arena **
09/26 — Los Angeles, CA @ Crypto.com Arena **
09/30 — San Francisco, CA @ Chase Center **
10/02 — Vancouver, BC @ Rogers Arena **
10/04 — Seattle, WA @ Climate Pledge Arena **
10/06 — Salt Lake City, UT @ Delta Center **
10/08 — Morrison, CO @ Red Rocks Amphitheatre **
10/10 — Chicago, IL @ United Center **
10/11 — Minneapolis, MN @ Target Center **
10/13 — Nashville, TN @ Bridgestone Arena **
10/15 — New York, NY @ Madison Square Garden **
10/19 — Toronto, ON @ Scotiabank Arena **
10/21 — Laval, QC @ Place Bell **
10/23 — Washington, DC @ Capital One Arena **
10/24 — Philadelphia, PA @ Wells Fargo Center **
10/27 — Boston, MA @ TD Garden **
* with The Virginia Symphony Orchestra
† with The Chautauqua Symphony Orchestra
‡ with The Cleveland Orchestra
§ with The Philadelphia Orchestra
** with support from Suki Waterhouse
A Matter Of Time is out 8/22 via Vingolf Recordings/AWAL. Find more information here.
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