It’s been nearly a month now since María Zardoya, of The Marías, shared her first solo album, Melt, as Not For Radio. Last week, she shared her first solo video, for “Swan.” Now, here’s another first: Today (November 3), she announced a run of solo tour dates.
The tour is dubbed Not For Radio Presents: Winter In The Garden. The tour hits a handful of North American theaters, in Oakland, Chicago, Brooklyn, San Antonio, and Los Angeles. There’s a pre-sale, for which fans can register here. The general on-sale starts November 7 at 10 a.m. local time.
In a recent Billboard interview, Zardoya said of the project, “I went into Not For Radio with the intention of not writing any pop songs. […] It’s a project with songs that I want people to experience the way that I love experiencing music — out in nature, lying under a tree or going on a walk. [It’s written] completely out of my comfort zone and away from the industry.”
Check out the upcoming tour dates below.
Not For Radio’s 2026 Tour Dates: Winter In The Garden
01/06/2026 — Oakland, CA @ Fox Theater
01/07/2026 — Oakland, CA @ Fox Theater
01/10/2026 — Chicago, IL @ The Auditorium
01/14/2026 — Brooklyn, NY @ Kings Theatre
01/15/2026 — Brooklyn, NY @ Kings Theatre
01/18/2026 — San Antonio, TX @ Tobin Center
01/19/2026 — San Antonio, TX @ Tobin Center
01/22/2026 — Los Angeles, CA @ United Theater
01/23/2026 — Los Angeles, CA @ United Theater
01/24/2026 — Los Angeles, CA @ United Theater
Not For Radio’s Melt Album Cover Artwork
Nice Life/Atlantic
Not For Radio’s Melt Tracklist
1. “Puddles”
2. “My Turn”
3. “Moment”
4. “Back To You”
5. “Swan”
6. “Not The Only One”
7. “Magnet”
8. “Vueltas”
9. “Water On Your Nose”
10. “Slip”
Melt is out now via Nice Life/Atlantic. Find more information here.
Jay Som’s (Melina Duterte) new album Belong, her first in a few years, is here now. Among the highlights, both in terms of the song itself and how jazzed Duterte is about it, is the Hayley Williams collaboration “Past Lives.” The song and album have both been out for a little while now, but today (November 3) brings a new video.
It’s a cool visual, too. The animated video is presented in an impressionist sort of style and it’s beautiful throughout. Studio Sparks (Cristiana Figueiredo & Lucas Moreira), who directed the video, explain in a statement:
“We wanted the animation to reflect the journey of personal discovery that the song represents. We imagined a tiny, music-box-sized character who escapes into a vast frozen world, haunted by shadowy reflections of her past self as she travels through melting cliffs, falling stars, and cracking ice — a fragmented narrative mirroring her emotions and confusions through surreal sequences. Caught between collapse and transformation, she spirals upward through abstract scenes of memory and feeling, ultimately reconnecting with all the lives that live within her.”
Duterte previously said of the collab, “It’s a dream come true to have Hayley sing on my first feature on an album before the recording of ‘Float,’ I still can’t believe it happened. She’s one of the kindest artists out there and she graciously accepts and uplifts the people around her. We’re all so lucky to witness her talent and live on the same timeline as her.”
Watch the “Past Lives” video above. Below, find the Belong cover art and tracklist, as well as Jay Som’s upcoming tour dates.
Jay Som’s Belong Album Cover Artwork
Polyvinyl
Jay Som’s Belong Tracklist
1. “Cards On The Table”
2. “Float” Feat. Jim Adkins
3. “What You Need”
4. “Appointments”
5. “Drop A”
6. “Past Lives” Feat. Hayley Williams
7. “D.H.”
8. “Casino Stars”
9. “Meander/Sprouting Wings”
10. “A Million Reasons Why”
11. “Want It All”
Jay Som’s 2025 Tour Dates
10/31-11/01 — Amsterdam, NE @ London Calling @ Paradiso
11/03 — Berlin, DE @ Kantine am Berghain
11/06 — Brussels, BE @ Botanique, Rotonde
11/05 — Paris, France @ Pitchfork Paris @ Le Trabendo
11/08 — London, UK @ Pitchfork London
11/23 — Los Angeles, CA @ El Rey
12/02 — Austin, TX @ The Parish
12/03 — Dallas, TX @ Club Dada
12/05 — Atlanta, GA @ Aisle 5
12/08 — Washington, DC @ Atlantis
12/09 — Philadelphia, PA @ Foundry
12/11 — New York, NY @ Warsaw
12/12 — Pittsburgh, PA @ Spirit Hall
12/13 — Chicago, IL @ Lincoln Hall
12/14 — Minneapolis, MN @ Fine Line
Belong is out now via Polyvinyl. Find more information here.
As I write this post, tens of thousands of residents of the city of Los Angeles are descending on the city’s downtown to prepare for the Los Angeles Dodgers’ championship parade after the team became the first in 25 years to win back-to-back Major League Baseball championships.
Notable Angelenos will.i.am and Taboo of the Black Eyed Peas simulate just what that raucous crowd will look like in the music video for their new Dodgers anthem, “We LA.” The video finds will and Taboo performing in real locations around East LA, as well as simulating performances at locations such as Dodger Stadium as they celebrate the city and its new back-to-back champs.
The duo similarly feted their hometown earlier this year with the video for “East LA” in response to the illegal actions taken against the city by the federal government. will has been advocating for Los Angeles since early this year, when he hosted multiple events to benefit relief efforts after wildfires ravaged northern Los Angeles.
The Dodgers won the 2025 MLB championship on Saturday night (November 1) in a thrilling game 7 against the Toronto Blue Jays that went to 11 innings and saw them come back from down three runs to win it all, 5-4.
Oklou’s debut album, Choke Enough, dropped earlier this year. Even since then, it remains one of 2025’s best-received new albums. It created enough buzz to land Oklou a performance slot at Coachella in 2026, and Oklou plans to make good use of that visibility: Today (November 3), Oklou announced a North American tour that will start immediately after Coachella this coming April.
This will follow a previously announced run of UK, Europe, Australia, and New Zealand shows set for late this year and early next year.
An artist pre-sale for tickets starts November 5 at 10 a.m. local time and registration is open here. The general on-sale starts November 7 at 10 a.m. local time and more information can be found on Oklou’s website.
Find Oklou’s full list of upcoming shows below.
Oklou’s 2025 & 2026 Tour Dates
11/07/2025 — London, UK @ Pitchfork Festival @ Roundhouse
11/09/2025 — Esch-sur-Alzette, Luxembourg @ Rockhal w/ Lorde
11/19/2025 — Amsterdam, Netherlands @ Melkweg
11/20/2025 — Tourcoing, France @ Le Grand Mix
11/24/2025 — Villeurbanne, France @ Transbordeur Club
11/25/2025 — Cenon, France @ Le Rocher de Palmer
11/27/2025 — Rennes, France @ Antipode
11/30/2025 — Manchester, UK @ New Century
12/01/2025 — Glasgow, UK @ Queen Margaret Union
12/03/2025 — Dublin, Ireland @ The Academy Dublin
12/09/2025 — Berlin, Germany @ Huxleys Neue Welt
12/11/2025 — Cologne, Germany @ Live Music Hall
12/16/2025 — Paris, France @ Salle Pleyel
02/05-15/2026 — Australia & New Zealand @ Laneway Festival
02/10/2026 — Sydney, Australia @ Metro Theatre
02/12/2026 — Melbourne, Australia @ Northcote Theatre
04/10-19/2026 — Indio, CA @ Coachella
04/14/2026 — Seattle, WA @ Showbox SoDo
04/15/2026 — Portland, OR @ McMenamins Crystal Ballroom
04/17/2026 — San Francisco, CA @ The Warfield
04/21/2026 — Salt Lake City, UT @ The Depot
04/22/2026 — Denver, CO @ Ogden Theatre
04/24/2026 — Minneapolis, MN @ First Avenue
04/25/2026 — Milwaukee, WI @ The Pabst Theater
04/27/2026 — Washington, DC @ 9:30 Club
04/28/2026 — Philadelphia, PA @ Union Transfer
04/30/2026 — Boston, MA @ Royale
05/02/2026 — New York, NY @ Terminal 5
06/03-07/2026 — Barcelona, ES @ Primavera Sound
06/11-14/2026 — Porto, PT @ Primavera Sound
Festival season isn’t necessarily at the forefront during this time of year, but it’s never too early to start thinking about it. Today (November 3), Suffolk, UK’s Latitude Festival announced its 2026 lineup. Set to take Henham Park from July 23 to 26 are headliners David Byrne, Lewis Capaldi, and Teddy Swims.
The lineup also includes The Flaming Lips, The Last Dinner Party, Self Esteem, Tom Grennan, Wet Leg, Alex James’ Britpop Classical, Alice Phoebe Lou, Billy Ocean, Dry Cleaning, English Teacher, Kevin Morby, Vanessa Carlton, Florence Road, Getdown Services, Just Mustard, Keo, and Westside Cowboy.
Tickets sales start with festival headline sponsor Klarna’s pre-sale, starting November 3 at 10 a.m. GMT here. The general on-sale starts November 5 at 10 a.m. GMT here.
A couple of the headliners offered statements. Byrne said, “Really looking forward to this. A wide-ranging festival, and well curated (looking forward to catching some of the other acts). A great day in the country.” Swims also said, “I’m so excited to be returning to Latitude this year. Twenty years of this festival is an incredible milestone, and the thought of standing on the Obelisk stage in such a beautiful setting, under open skies with all of you, gives me chills. I loved being part of Latitude in 2023, and to come back as the headliner feels like a dream.”
Paul McCartney is the subject of perhaps the most famous hoax in music history: Supposedly, the Beatle died back in the 1960s and was replaced by an imposter. McCartney has heard all about this, of course, and over the years, he has gained a fresh perspective on the situation.
McCartney discusses it in a new piece for The Guardian published over the weekend. It starts, “The strangest rumour started floating around just as the Beatles were breaking up — that I was dead. We had heard it long before, but suddenly, in that autumn of 1969, stirred up by a DJ in America, it took on a force all its own, so that millions of fans around the world believed I was actually gone. At one point, I turned to my new wife and asked, ‘Linda, how can I possibly be dead?’ She smiled as she held our new baby, Mary, as aware of the power of gossip and the absurdity of these ridiculous newspaper headlines as I was.”
He later adds:
“But now that over a half century has passed since those truly crazy times, I’m beginning to think that the rumours were more accurate than one might have thought at the time. In so many ways, I was dead… A 27-year-old about-to-become-ex-Beatle, drowning in a sea of legal and personal rows that were sapping my energy, in need of a complete life makeover. Would I ever be able to move on from what had been an amazing decade, I thought. Would I be able to surmount the crises that seemed to be exploding daily?”
The feature offers more interesting perspectives from McCartney, so check it out here.
In case you missed it, Justin Bieber is a Twitch streamer now. During a Halloween broadcast this past weekend, he offered some insight into what his mindset around touring is like at the moment: He doesn’t seem jazzed about the idea, but he would still like to perform in a limited capacity.
“I think just because I’ve been touring for so long, just even the idea of touring at this point in my life sounds super daunting. I think I always start out really loving it, and then it always gets to a point where I’m just super burnt out. And so, like, I think at this point in my life, I really want to do spot dates, where I just pick maybe a city and do a couple shows, and not commit to a whole, like, two-year run; That’s usually what it is, is like, for a year and a half, two years.”
He added (in a clip seen here), “But right now, I’m just focusing on Coachella. I got one show next year, in April, which is a long time away, and I’m just gonna focus on that for now and give my all to it. And so that doesn’t feel super overwhelming. I’m just really excited for that. I’m gonna do the whole… both [Swag] projects, probably, and just find a way to, like, merge some of the old songs in where I can and, like… I haven’t performed these songs live yet, and that’ll be kind of the first time I really do them all live like that. I’m super excited.”
Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.
This week saw Rosalía go big with a new video and the Crutchfield sisters reunite. Yeah, it was a great week for new music. Check out the highlights below.
When Rosalía initially announced her album Lux, she didn’t share any new music along with the news. She was saving it for a grand unveiling last week, releasing “Berghain.” The video in particular was an event, capturing the music world’s attention.
Tyler, The Creator — “Mother”
It’s been a year since Tyler released Chromakopia and to mark the occasion, he dropped a track that stems from the album sessions, “Mother.” In a post, Tyler noted that it was actually the first song he made for the album and that he’s “still not sure why I took it off last-minute.”
Fred Again.., Kettama, and Shady Nasty — “Hardstyle 2”
Fred’s ongoing USB project continues as he’s in the process of rolling out a new batch of songs to add to his always-growing album. Last week, he delivered “Hardstyle 2,” a high-energy collab with Kettama and Shady Nasty.
Snocaps — “Coast”
Once upon a time, twin sisters Allison And Katie Crutchfield (the latter now better known as Waxahatchee) were in a band, P.S. Eliot, together. Well, surprise: They’re back as Snocaps, a new band that just released a debut album out of nowhere last week. Aside from the siblings, they’re also backed on the project by MJ Lenderman and Brad Cook.
Orville Peck — “Drift Away”
Orville Peck also has his 7th annual rodeo coming up next month (not something many artists can say is on their agenda). Before that, he’s releasing a new EP, Appaloosa. He previewed it with “Drift Away,” an epic slow-burner guided by Peck’s signature bassy vocals.
Magdalena Bay — “Unoriginal”
Magdalena Bay are on their way to releasing a sort-of album this year, at least in terms of volume. Over the past few weeks, they’ve followed 2024’s Imaginal Disk by sharing new songs, two at a time. Last week brought “Unoriginal” and “Black-Eyed Susan Climb.”
Big week for Oklou: Aside from playing a Tiny Desk Concert, the French musician shared a deluxe edition of her 2025 album Choke Enough. Added here are three new songs, including the atmospheric “What’s Good.”
Ken Carson — “Yes”
Carson is on the Antagonist tour right now, but he’s still amenable to dropping new music, like he did with “Yes.” Uproxx’s Aaron Williams notes that on the song, Carson “adopts the melodic delivery that has been part of Atlanta’s trap scene for the past decade or so, sounding very much like the offspring of Young Thug and collaborators like Gunna, Lil Keed, and Lil Baby.”
Kelly Lee Owens — “132 Techno”
Owens has said that her upcoming Kelly EP is “about embodying sound and those collective, physical experiences we only really have in clubs or at music events.” That’s indeed what’s happening on last week’s “132 Techno,” a thumping banger that’s absolutely ready for the dance floor.
Welcome to SNX DLX, your weekly roundup of the best sneakers to hit the internet. Is there a holiday that the big sneaker brands love more than Halloween? We don’t think so. Every year around this time sneakerheads are hit with the most gimmicky sneakers imaginable but this year, we’ve done our best to keep them out of SNX.
Now granted, I said we’ve tried our best, that doesn’t mean there aren’t a couple of Halloween-themed kicks on our list this week, but trust us, they’re worth both worth the gimmick. Outside holiday-themed sneakers, we have a new collaboration between Adidas and Wales Bonner, Auralee and New Balance, and a new cozy take on the Air Jordan 4.
Let’s dive into this week’s best sneaker drops, and where to find them.
Wales Bonner is back at Adidas with a new deep purple take on the Japan Silhouette. The sneaker sports a leather upper with textile lining, co-branded tongue tags, and a semi-translucent gum outsole. We love this sneaker because it takes classic Adidas design silhouettes and elevates them just a touch with premium fabrics and a lot of visual flair.
The Adidas Wales Bonner Japan is out now for a retail price of $200. Pick up a pair via the Adidas CONFIRMED app or aftermarket sites like GOAT.
As much as we tried to resist the gimmicky Halloween sneakers released this week, we had to make an exception in two cases. That first case is this Hyper Grape and cave Purple Kobe 9 Protro. Now granted, this sneaker isn’t explicitly Halloween themed, but it definitely has some heavy goth vibes with its rich purple upper and foggy icy blue outsole.
For better or worse, it looks like the sort of Kobe that would sell at Hot Topic. Depending on your vibe you might find that offensive but, it is what it is!
The Nike Kobe 9 Elite Low Protro Hyper Grape and Cave Purple is out now for a retail price of $220. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT and Flight Club.
Nike Ja 3 Spooky Season Light Lemon Twist and Hemp
Here is the other Halloween sneaker we’re making an exception for, and this time, the reference is explicit. I mean, it’s right there in the name, “Spooky Season.” This Ja 3 sports a slime green slow in the dark upper with a fanged dubrae and a crimson outlined swoosh. Gimmicks aside, this design works on a lot of levels.
The Nike Ja 3 Spooky Season Light Lemon Twist and Hemp is out now for a retail price of $140. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT and Flight Club.
Now I’m just going to come out and say it. The Shox MR4 is one of the most ridiculous sneakers I’ve ever seen. This is going to be a polarizing design, and if you don’t get its appeal, it straight up isn’t a design for you. But we can definitely see someone being able to easily pull these things off. With the resurgence of y2k fashion and the resurrection of the Nike Shox, we sort of expected something this ridiculous would hit the market eventually.
We like it because it dares to go there.
The Women’s SHOX MR4 White and Varsity Red is out now for a retail price of $210. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT.
The Tokyo-based streetwear brand Auralee has teamed up with New Balance for a new double color iteration of the brand’s early 80s tennis shoe, the T5000. The sneaker features a leather and suede upper with a puffy-style “N” logo, a vintage woven tongue label and a co-branded sockliner. The sneaker drops in two colorways, a warm Java-inspired take, and our personal favorite, the faded Asparagus green.
Both sneakers look great and should slot nicely into your fall wardrobe rotation.
The Auralee x New Balance T500 is out now for a retail price of $129.99. Pick up a pair at New Balance or aftermarket sites like GOAT and Flight Club.
This Women’s Air Jordan 4 is bringing the winter vibes a few months early. The sneaker features a leather and slightly shag suede upper in hemp tones with a bright white midsole. If you’re looking for sneaker that looks as comforting as a warm winter blanket, this is your shoe!
The Nike Women’s Air Jordan 4 Cozy Girl Hemp is set to drop on November 1st at 7:00 AM PST for a retail price of $220. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT and Flight Club.
Nike Air Force 1 Low Protro Linen and University Blue
This is a sneaker reserved only for hardcore Kobe fans, but what else would you expect from a sneaker that literally has the dude’s face on it. Wearing a pair of these without being a Kobe fan is just straight up weird.
The sneaker, first released in 2007, this take on the Air Force 1 features some performance-based enhancements, like the ReactX foam midsole and a soft leather finish for a slightly elevated edge.
The Nike Air Force 1 Low Protro Linen and University Blue is set to drop on November 1st at 7:00 AM PST for a retail price of $150. Pick up a pair via the Nike SNKRS app or aftermarket sites like GOAT.
Disclaimer: While all of the products recommended here were chosen independently by our editorial staff, Uproxx may receive payment to direct readers to certain retail vendors who are offering these products for purchase.
The Grammy nominations are nearly upon us, and in honor of that, as Uproxx’s resident rap expert, it seems that it makes the most sense for me to talk about the Best Rap Album category.
Here’s the thing: there’s almost no suspense to parse here; Kendrick Lamar and Clipse are locks for Best Rap Album Grammy nominations. Not only that, but the award will be more or less a two-horse race between them, all apologies to whatever other artists have the misfortune to get tossed into that gladiator fight.
I thought about doing a song-by-song breakdown or some other such self-serious exercise in justifying the above assertion, but come on. You know it. I know it. Pusha T and Malice know it. Hell, Kendrick Lamar is probably already over it. Between the Grammys’ historical preferences, the overwhelming public response to GNX and Let God Sort Em Out, and the truly suspicious Billboard chart rule adjustment that has no rap hits in the Hot 100 Top 40 for the first time since the ’90s, come February, either Clipse will be accepting their first-ever(!) golden gramophone, or Kung-Fu Kenny is making space for yet another trophy in his case (he’s gotta be running out of room in there).
So, here’s what we’ll do: Pick one song from each album to explain why it’s a lock, then, look at some of the other releases from the year to fill out the category. Ready? Here we go:
Kendrick Lamar — GNX: “Reincarnated”
This is actually a tougher choice than you’d think. After all, GNX is also home to “Luther,” Kendrick Lamar’s longest-charting Hot 100 No. 1 (and the second-longest-charting hip-hop song after “Old Town Road”), the inescapably catchy “TV Off,” which spawned the “MUSTAAAARD!” meme that still goes off at pretty much any public performance of the song, “Squabble Up,” a good, old-fashioned nod to LA’s dance music history that will surely bring a nostalgic tear to Academy Gen-Xers’ eyes, and “Gloria,” which utilizes that favorite hip-hop standby of personifying artform as a woman.
But “Reincarnated” undoubtedly has the most fascinating lyrical device of the album’s truncated runtime — and probably of the last three Kendrick Lamar albums, “Duckworth” and “We Cry Together” notwithstanding. In the course of the song’s three verses, Kendrick embodies blues legends like John Lee Hooker, soul divas like Billie Holiday, and even the devil himself, unspooling the through line between Black music, divine inspiration, and the hellish conditions that have anchored heavenly ambition. It’s an incredibly thoughtful, poised, and thoroughly impressive balancing act that the Compton rapper deftly lands despite its high degree of difficulty. Award show catnip.
Clipse — Let God Sort Em Out: “The Birds Don’t Sing”
This one is a no-brainer. Look: we all know the key to Clipse’s longevity has been the honestly astonishing depth and breadth of lyrical devices they’ve been able to employ in the service of finding new and creative ways to rap about their favorite substance. It’s not just a signature, or even a trademark; it’s the albatross flying alongside their ship, and they’ve wisely refrained from shooting it down for 25 years. But even Tim Duncan had to add a trick or two to his incredibly fundamental bag to seal four NBA championships.
Likewise, the brothers Thornton add an unexpected dimension to their craft, finally showing us something novel after all these years. Sure, they’ve flashed vulnerability in their discography before; the paranoia of “Nightmares” from Hell Hath No Fury, the self-recrimination of “Freedom” from Til The Casket Drops as examples. But “The Birds Don’t Sing,” hits another level as an honest, quiet reflection on the loss of their late parents. Having just put my own pops on a plinth, the universal nature of that theme rings more authentic to me than any New Jack City-inspired tall tale.
Everybody Else
So here’s a quick rundown of the other albums likely to be nominated for Best Rap Album.
Cardi B — Am I The Drama?
Cardi remains just the second woman to win a Best Rap Album Grammy for her 2018 debut, Invasion Of Privacy) and its long-awaited follow-up has the juice to impress Grammy voters looking to imbue this year’s field with a bit more gender balance.
Chance The Rapper — Star Line
Sort of underrated and overlooked, but Chance has the Recording Academy connections to make a dark-horse run. Star Line is being touted by fans as a return to form, and while it’s not as tightly wound as Coloring Book, it’s a deft examination of both Chance’s personal life since then, and the state of the world.
Larry June, 2 Chainz & The Alchemist — Life Is Beautiful
The Alchemist already has some name recognition with Academy members thanks to his run at the Best Rap Album category with Freddie Gibbs and Alfredo in 2021. While Al reunited with Fred for a sequel this year, his collaboration with Larry and Tity Boi was the more engaging listen.
Playboi Carti — MUSIC
I maintain, as I did in 2018 when I reviewed Die Lit, that we need a new category for Carti. Even he has given up the pretense that he’s doing much rapping, per se, with the title of his latest. Still, for an aging institution needing a shot in the arm and a little more goodwill from the youth, a surprise nom for Carti could begin to build credibility with the under-40 set.
Tyler The Creator — Chromakopia
Released in the fourth quarter of 2024 like GNX, T’s masterful self-exploration again displayed a new facet of his personality, while landing squarely outside the eligibility for the 2025 Grammys. He may have hurt his own chances, though, releasing Don’t Tap The Glass just a few months later.
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