Maybe banning TikTok isn’t a bad idea after all. Last month, Jahelis Castillo, who goes by @Jahelis on TikTok where she has over 100,000 followers, posted a video where she wondered why SNL has never hired a “hot woman.”
She clarified (a.k.a. further dug her own hot take grave) that she’s “not saying that every single woman on SNL is ugly, it’s just that none of them have ever been, like, hot. They all just kind of have looks that eventually grow on you.”
According to Newsweek, Castillo’s theory is that for a woman “to be considered funny, you have to be more funny than you are hot. And if you’re more hot than you are funny, then it boils down to you just not being funny at all.” Also, she called Jimmy Fallon “a conventionally super hot guy,” compared to Jason Sudeikis, Andy Samberg, Bowen Yang, who are “relatively hot.” Toonces the Driving Cat and Adam Driver’s dead bird were not ranked by their hotness.
Current very funny SNL cast member Sarah Sherman responded to the TikTok on X. “just found out i’m not hot. please give me and my family space to grieve privately and uglily at this time,” she wrote.
just found out i’m not hot. please give me and my family space to grieve privately and uglily at this time. https://t.co/YXvXMGvbYN
Aside from her metrics being really goofy, there’s something very immature and antisocial about people who are this fixated on how attractive someone is or isn’t. https://t.co/WrcgEmXpku
okay okay we all agree she’s wrong but why is no one talking about the part where she says jimmy fallon was hot which is an even worse take https://t.co/bBFcRv4zUg
Donald Trump had a very normal Easter. Well, normal for him, a guy who loves to post in all-caps on his rapidly crumbling social media ghost town. “HAPPY EASTER TO ALL,” the former president (and “rich asshole”) wrote on Truth Social, “INCLUDING CROOKED AND CORRUPT PROSECUTORS AND JUDGES THAT ARE DOING EVERYTHING POSSIBLE TO INTERFERE WITH THE PRESIDENTIAL ELECTION OF 2024, AND PUT ME IN PRISON, INCLUDING THOSE MANY PEOPLE THAT I COMPLETELY & TOTALLY DESPISE BECAUSE THEY WANT TO DESTROY AMERICA, A NOW FAILING NATION…”
Trump goes 165 words without a period, so I’m going to stop there.
This was only one of 70 times that Trump posted on Easter, as host Seth Meyers noted during Monday’s episode of Late Night. “What’s in the baskets at the Trump family Easter egg hunt, Cadbury meth eggs?” he joked.
After reading the entirety of the post above, Meyers called it “the most deranged thing Trump has ever posted online, which is saying something because he once misspelled his own name. Just put yourself in a place where a friend or loved one sent you a text like this. Would you immediately alert your entire family and urge them to seek help? Or would you write back and say, ‘You’ve got my vote in November!’?”
The 2024 iHeartRadio Music Awards went down last night, April 1. Ludacris hosted the show live from the Dolby Theater in Los Angeles, and Taylor Swift had the most total nominations with nine. Jelly Roll, SZA, and 21 Savage also had eight nods apiece and Olivia Rodrigo had seven of her own.
As for who won what, check out the full list of nominees and winners (via iHeart) below.
Innovator Award
Beyoncé
Icon Award
Cher
Landmark Award
Green Day
Song of the Year
“Calm Down” — Rema and Selena Gomez
“Creepin’” — Metro Boomin with The Weeknd and 21 Savage
“Cruel Summer” — Taylor Swift
“Dance The Night” — Dua Lipa
“Fast Car” — Luke Combs
“Flowers”- Miley Cyrus
“Kill Bill” — SZA — WINNER
“Last Night”- Morgan Wallen
“Paint The Town Red” — Doja Cat
“vampire” — Olivia Rodrigo
Artist of the Year
Drake
Jelly Roll
Luke Combs
Miley Cyrus
Morgan Wallen
Olivia Rodrigo
Shakira
SZA
Taylor Swift — WINNER
Usher
Duo/Group of the Year
(G)I-DLE
Blink-182
Dan + Shay
Fall Out Boy
Foo Fighters
Jonas Brothers
Måneskin
OneRepublic — WINNER
Paramore
Parmalee
Best Collaboration
“All My Life” — Lil Durk ft. J. Cole
“Barbie World (with Aqua)” Nicki Minaj and Ice Spice
“Boy’s a liar Pt.2” — PinkPantheress and Ice Spice
“Calm Down”- Rema & Selena Gomez — WINNER
“Creepin’” — Metro Boomin with The Weeknd and 21 Savage
“Good Good” – Usher, Summer Walker and 21 Savage
“Rich Flex” — Drake and 21 Savage
“Thank God” — Kane Brown and Katelyn Brown
“Tomorrow 2” – GloRilla with Cardi B
“TQG” — Karol G and Shakira
Best New Artist (Pop)
David Kushner
Doechii
Jelly Roll — WINNER
Rema
Stephen Sanchez
Pop Song of the Year #
“Calm Down” — Rema and Selena Gomez
“Cruel Summer” — Taylor Swift
“Flowers”- Miley Cyrus — WINNER
“Kill Bill” — SZA
“vampire” — Olivia Rodrigo
Pop Artist of the Year #
Doja Cat
Miley Cyrus
Olivia Rodrigo
SZA
Taylor Swift — WINNER
Pop Album of the Year
GUTS — Olivia Rodrigo — WINNER
Country Song of the Year
“Fast Car” — Luke Combs
“Heart Like A Truck” — Lainey Wilson — WINNER
“Last Night” — Morgan Wallen
“Rock and A Hard Place” — Bailey Zimmerman
“Thank God” — Kane Brown and Katelyn Brown
Country Album of the Year
One Thing At A Time — Morgan Wallen — WINNER
Country Artist of the Year
Jason Aldean
Jelly Roll
Lainey Wilson
Luke Combs
Morgan Wallen — WINNER
Best New Artist (Country)
Corey Kent
Jackson Dean
Jelly Roll — WINNER
Megan Moroney
Nate Smith
Hip-Hop Song of the Year
“All My Life”- Lil Durk ft. J. Cole — WINNER
“fukumean”- Gunna
“Just Wanna Rock” — Lil Uzi Vert
“Rich Flex” — Drake and 21 Savage
“Tomorrow 2”- GloRilla with Cardi B
Hip-Hop Album of the Year
Heroes & Villains — Metro Boomin — WINNER
Hip-Hop Artist of the Year
21 Savage
Drake — WINNER
Future
Gunna
Lil Durk
Best New Artist (Hip-Hop)
Doechii
Ice Spice — WINNER
Lola Brooke
Sexyy Red
Young Nudy
R&B Song of the Year
“Creepin’”- Metro Boomin with The Weeknd and 21 Savage
“CUFF IT”- Beyoncé
“Good Good” – Usher, Summer Walker and 21 Savage
“On My Mama” — Victoria Monét
“Snooze”- SZA — WINNER
R&B Album of the Year
SOS — SZA — WINNER
R&B Artist of the Year
Beyoncé
Brent Faiyaz
Chris Brown
SZA — WINNER
Usher
Best New Artist (R&B)
Coco Jones
Fridayy
Kenya Vaun
October London
Victoria Monét — WINNER
Best African Music Artist
Burna Boy — WINNER
Rema
Tems
Tyla
Wizkid
Alternative Song of the Year
“Lost” — Linkin Park
“Love From The Other Side” — Fall Out Boy
“One More Time”- Blink-182 — WINNER
“Rescued”- Foo Fighters
“This Is Why”- Paramore
Alternative Album of the Year
The Record — boygenius — WINNER
Alternative Artist of the Year
Blink-182
Fall Out Boy — WINNER
Foo Fighters
Green Day
Paramore
Best New Artist (Alt and Rock)
Bad Omens
HARDY
Jelly Roll
Lovejoy
Noah Kahan — WINNER
Rock Song of the Year
“72 Seasons” — Metallica
“Dead Don’t Die”- Shinedown
“Lost” — Linkin Park — WINNER
“Need A Favor” — Jelly Roll
“Rescued” — Foo Fighters
Rock Album of the Year
72 Seasons — Metallica — WINNER
Rock Artist of the Year
Disturbed
Foo Fighters — WINNER
Jelly Roll
Metallica
Shinedown
Dance Song of the Year
“10:35”- Tiësto ft. Tate McRae
“Baby Don’t Hurt Me” — David Guetta, Anne-Marie and Coi Leray
“Padam Padam” — Kylie Minogue
“Praising You” — Rita Ora ft. Fatboy Slim
“Strangers” — Kenya Grace — WINNER
Dance Artist of the Year
Anabel Englund
David Guetta
Illenium
Kylie Minogue
Tiësto — WINNER
Latin Pop / Urban Song of the Year
“La Bachata” — Manuel Turizo
“La Bebe (remix)” — Yng Lvcas and Peso Pluma
“Lala”- Myke Towers
“Shakira: Bzrp Music Sessions, Vol. 53”- Shakira and Bizarrap — WINNER
“TQG”- Karol G and Shakira
Latin Pop / Urban Album of the Year
MAÑANA SERÁ BONITO — Karol G — WINNER
Latin Pop / Urban Artist of the Year
Bad Bunny
Feid
Karol G — WINNER
Manuel Turizo
Shakira
Best New Artist (Latin Pop / Urban)
Bad Gyal
GALE
Mora
Yng Lvcas
Young Miko — WINNER
Regional Mexican Song of the Year
“Bebe Dame”- Fuerza Regida and Grupo Frontera
“Ella Baila Sola” — Eslabon Armado and Peso Pluma — WINNER
“Indispensable” — Carin León
“Qué Onda Perdida” — Grupo Firme ft. Gerardo Coronel
“Qué Vuelvas”- Carin León and Grupo Frontera
Regional Mexican Album of the Year
Genesis — Peso Pluma — WINNER
Regional Mexican Artist of the Year
Calibre 50
Carin León
El Fantasma
Grupo Frontera
Peso Pluma — WINNER
Best New Artist (Regional Mexican)
Gabito Ballesteros
Gerardo Coronel
Grupo Frontera
Junior H
Peso Pluma — WINNER
Kid Harpoon
Dan Nigro
Rob Bisel
Carter Lang
Jack Antonoff — WINNER
Metro Boomin
Songwriter of the Year
Jack Antonoff
Ashley Gorley — WINNER
Aldae
Michael Ross Pollack
J Kash
Best Lyrics *
“Dial Drunk”- Noah Kahan
“Flowers”- Miley Cyrus
“Greedy”- Tate McRae
“Houdini”- Dua Lipa
“Is It Over Now? (Taylor’s Version)”- Taylor Swift — WINNER
“Last Night”- Morgan Wallen
“Lovin On Me”- Jack Harlow
“Nonsense”- Sabrina Carpenter
“Paint The Town Red”- Doja Cat
“vampire”- Olivia Rodrigo
“Water”- Tyla
“What Was I Made For?”- Billie Eilish
Best Music Video *
“3D”- Jung Kook ft. Jack Harlow
“Dance The Night”- Dua Lipa
“FLOWER”- JISOO
“Flowers”- Miley Cyrus
“I’m Good (Blue)” — Bebe Rexha and David Guetta
“Kill Bill”- SZA
“La Bebe (Remix)”- Yng Lvcas and Peso Pluma
“Paint The Town Red”- Doja Cat
“Seven”- Jung Kook ft. Latto — WINNER
“TQG”- Karol G and Shakira
“vampire”- Olivia Rodrigo
“What Was I Made For?”- Billie Eilish
Alex Warren
David Kushner
Flyana Boss
Gracie Abrams — WINNER
Jessie Murph
Megan Moroney
Natalie Jane
Noah Kahan
Favorite Tour Photographer *
Alfredo Flores — Sabrina Carpenter
Anna Lee — Coldplay
Carianne Older — Charlie Puth
Catherine Powell — Kelsea Ballerini
Cynthia Parkhurst — Jonas Brothers
David Lehr — Morgan Wallen
Joshua Halling — Louis Tomlinson — WINNER
Mason Poole — Beyoncé
Matty Vogel — Misterwives
Ravie B — Adele
Ryan Fleming – 5 Seconds of Summer
Sanjay Parikh — Shinedown
Favorite On Screen # *
“j-hope IN THE BOX” — WINNER
“Love To Love You, Donna Summer”
Louis Tomlinson “All of Those Voices”
“Prince: The Final Secret”
“Renaissance: A Film by Beyoncé”
“Save Me” Jelly Roll
“Taylor Swift: The Eras Tour”
“TLC Forever”
TikTok Bop of the Year *
“Boy’s a liar Pt. 2”- PinkPantheress and Ice Spice
“Collide (Sped Up Remix)”- Justine Skye
“Cruel Summer”- Taylor Swift — WINNER
“Cupid (Twin Version)”- FIFTY FIFTY
“Daylight”- David Kushner
“Her Way (Sped Up)”- Party Next Door
“If We Ever Broke Up”- Mae Stephens
“Paint The Town Red”- Doja Cat
“Water”- Tyla
“What It Is (Solo Version)”- Doechii
“What Was I Made For?”- Billie Eilish
Favorite Tour Style *
Beyoncé
Carrie Underwood
Doja Cat
Elton John
Harry Styles
Jonas Brothers
Madonna
Måneskin
Sabrina Carpenter
Shania Twain
SZA
Taylor Swift — WINNER
Favorite Debut Album # *
GOLDEN — Jung Kook
In Pieces — Chlöe
Layover — V — WINNER
Lucky- Megan Moroney
Mirror — Lauren Spencer Smith
My 21st Century Blues — Raye
Religiously — Bailey Zimmerman
Snow Angel — Reneé Rapp
Tyler Hubbard — Tyler Hubbard
* socially voted category
# new for 2024
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Beyoncé got music icons contemporary and classic to help her out with her new album Cowboy Carter, collaborating with everybody from Dolly Parton to Miley Cyrus to Willie Nelson to Post Malone. It turns out the roster of collaborators goes deeper than the features: The full album credits were revealed previously and Stevie Wonder is credited with playing harmonica on the cover of Parton’s “Jolene.”
Beyoncé referenced this while accepting the Innovator Award at the iHeartRadio Music Awards on Tuesday (April 1). Wonder presented it, and Beyoncé said, “Thank you so much, Stevie, I love you. I love you and I honor you. I want to thank you for making a way for all of us. I’m honored to receive this recognition from you, Stevie Wonder. Whenever anyone asks me if there’s anyone I can listen to for the rest of my life, it’s always you. So thank you, God bless you.”
Wonder responded, “I just want to thank you for motivating the world to become a better place.” Bey replied, “Thank you so much. And thank you for playing the harmonica on ‘Jolene.’”
Looking over the full album credits (again, find those here) reveals some other under-the-radar contributors to the album: Jay-Z, Raye, The-Dream, Pharrell Williams, and 070 Shake all have songwriting credits.
Latto might be one of the biggest names from her native Atlanta (although she’ll be the first to get really specific and clarify she’s from Clayton County), but she stands on the shoulders of giants. During her performance at the 2024 iHeartRadio Music Awards (hosted by another Atlanta native, Ludacris), Latto acknowledged one of her late forebears with a rendition of Left Eye’s classic verse from TLC’s “Waterfalls” alongside TBoz and Chili. Her performance left fans on Twitter gushing in appreciation — although, of course, a certain fanbase looked less than enthused. However, even the Barbz couldn’t put a damper on the wave of love from the performance, which one accounted noted is a full-circle moment for Latto and TLC.
Latto performing Left Eye’s verse on Waterfalls in her memory just made my heart smile. pic.twitter.com/l4lniAck5V
— Latto’s Tre | Fan Account (@LattosTre) April 2, 2024
Meanwhile, with both Latto and Ice Spice in attendance — and no news of an outright fight, as of press time — fans are waiting with bated breath to see if the two rappers set their differences aside to celebrate their mutual successes or… well…
Meanwhile, Latto’s got another big performance coming up: This Saturday is the NCAA’s Super Saturday event in Cleveland ahead of the Women’s National Championship Game. She’s racking up accomplishments left and right, and with so many co-signs from legends in addition to her own penchant for supporting up-and-coming artists, they are all well-deserved.
Beyoncé released a new album recently and unless you’ve been asleep for the past few weeks, you’ve likely heard about it. While everyone knew she was going to make a more significant splash into the country music genre, the details of the album were scarce until it’s release. To many people’s surprise it wasn’t simply a country album, it was a genre bender that somehow seamlessly transitioned country, pop, R&B and rap all in one album, Cowboy Carter.
Country music legends like Willie Nelson and Dolly Parton made an appearance, with Parton introducing Beyoncé’s cover of her infamous song “Jolene.” While the spin on that country classic has the internet abuzz over the lyric changes that take the singer from begging to assertively telling Jolene to stay away, it’s “Blackbird” that many can’t get enough of.
“Blackbird” was originally written by Paul McCartney and sung by a little band he was in named The Beatles. Maybe you’ve heard of them. The song topped the charts in the 60s and will likely make its way to the charts again with Queen Bey’s cover of it. But it’s the meaning behind the song that has people talking.
The song was written at the height of the civil rights movement, and that 60s boy band from Britain never shied away from tackling social movements in their music. Fans of Bey’s version of “Blackbird” are just becoming aware of McCartney’s reason for writing the song in resurfaced interviews. The retired Beatle explains he wrote the song about seeing Black girls desegregate schools in the south, and more specifically, The Little Rock 9, a group of Black students that desegregated Little Rock Central High School.
The children brave enough to desegregate all white schools were met with verbal and physical violence. Ruby Bridges speaks about parents pulling their children from the classroom, leaving just her and the only teacher that would teach her.
McCartney reveals in the book, Many Years From Now, by Barry Miles, “I had in mind a Black woman, rather than a bird. Those were the days of the civil rights movement, which all of us cared passionately about, so this was really a song from me to a Black woman, experiencing these problems in the States: ‘Let me encourage you to keep trying, to keep your faith, there is hope.”
The revelation of the reason behind the song is evoking emotion and think pieces from Beyoncé fans. One woman shared a clip of the song along with the caption, “Beyonce does everything with such intention. Finding out that Paul McCartney wrote Blackbird to show support to Black women during the Civil Rights movement and Beyoncé decided to add Black country women to feature on the song.”
“I already loved Blackbird, and this cover, but knowing this history makes it so much more meaningful, another user captioned her video.
One person wrote in the comments praises, “The Beatles get a lot of hate but they always stood on business! They refused to play segregated shows.”
Another commenter marvels, “Then to have 4 black female country singers trying to integrate into country music and also waiting for their moment to arise as to sing with her, layers on layers.”
Garrison Hayes gives a succinct breakdown of the song, the imagery and the civil rights movement all in one video, which you can watch below. If you were unaware of the original meaning of the song, now you know. One bonus that people continue to note is that it sounds like Beyoncé is singing over the original Beatles track.
Oh, an excuse to talk about Beyoncé AND Black history?? Count me in. Paul McCartney’s inspiration for the song Blackbird was actually the images of “black girls” integrating schools across the American south during the civil rights era. More specifically, he was inspired by the images of the Little Rock 9 in Arkansas, being assaulted and jeered by an angry mob. Beyoncé’s rendition takes this idea of Black girls being free and pushes it to the next level.
PartyNextDoor is a lot more low-key than his OVO Sound benefactor Drake, but like his fellow Torontonian, he knows how to get people talking. In this case, they are talking about the cover for his upcoming album, PartyNextDoor 4, which has fans split between turned on and grossed out with its NSFW photo.
The photo, which you can view on Party’s Instagram, depicts a nude woman on all fours (heh) from behind, insinuating that it was taken mid-coitus. Her lower back bears a “tramp stamp” tattoo with a number 4. While some fans are celebrating it as an indication of a fully unhinged, hedonistic album on the way, others think it’s so raunchy it has to be an April Fools’ joke.
bro partynextdoor cnt b serious w this album cover
Party announced the album’s upcoming release date after sharing a pair of singles, “Resentment” and “Real Woman.” The album is due on April 26, over four years since the release of his last album, Partymobile.
Party explained the long delay between albums in an interview with Billboard, ironically blaming it on romantic entanglements, the very thing that fuels his his music’s popularity. “I get into relationships and then music becomes second,” he explained, before vowing, “I think I’m going to take a break from relationships, a long break, and just get back to making music.”
PartyNextDoor is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Caitlin Clark and the Iowa Hawkeyes are heading to the Final Four. Iowa took on the LSU Tigers in a rematch of last year’s national championship game and watched Clark put forth one of the most emphatic performances of her decorated career, as the Hawkeyes picked up a 94-87 win behind 41 points on 13-for-29 shooting from the field and 9-for-20 shooting from three with 12 assists and seven rebounds from their superstar guard.
Few players had a more difficult night than Hailey Van Lith, the high-profile transfer guard from Louisville who joined the Tigers this past offseason. Despite being under the weather and needing an IV before the game, Van Lith drew the Clark assignment for much of the game, with Clark, as she is wont to do, usually getting the better of her opponent.
At one point, the cameras caught Van Lith having an extremely understandable reaction to Clark knocking down a jumper. With the national player of the year celebrating a jumper that put her team on the verge of making the Final Four, all Van Lith could do was shrug.
Iowa will now prepare for a trip to Cleveland this upcoming weekend, where they’ll play either USC or UConn with a spot in the national title game on the line.
Caitlin Clark and the Iowa Hawkeyes are headed to the Final Four for the second consecutive season. In the most anticipated game of the 2024 NCAA Women’s Basketball Tournament to this point, Iowa and LSU squared off in a rematch of the 2023 national final and, while the game was both riveting and competitive throughout, Clark finished with 41 points and 12 assists to lead Iowa to a 94-87 victory.
The first half more than lived up to the billing, as the two teams exchanged haymakers for the opening 20 minutes of the game. While Iowa managed to race out to a 17-9 lead, LSU’s size eventually began to overwhelm them, particularly Angel Reese.
— NCAA March Madness (@MarchMadnessWBB) April 1, 2024
After the Hawkeyes found their footing a bit — and Reese went out due to what appeared to be an ankle injury — much of the first half occurred with both teams within four points of one another. With less than two seconds left in the frame, Flau’jae Johnson scored to send both teams into the locker room tied at 45.
— NCAA March Madness (@MarchMadnessWBB) April 2, 2024
Clark and Reese lived up to the star billing in the first half, with the Iowa sensation putting up 19 points and 5 assists, while LSU’s standout stuffed the stat sheet with eight rebounds, three assists, two steals, and two blocks.
The Hawkeyes once again raced out of the gates in the third quarter, led unsurprisingly by Clark. She got absolutely nuclear hot to start the frame as the team opened things up with a 18-7 run.
— NCAA March Madness (@MarchMadnessWBB) April 2, 2024
Iowa built a 69-58 lead after three quarters, and, while LSU scored the first five points of the fourth quarter to cut the lead nearly in half, Clark wasn’t ready to cede control. By the five-minute mark of the fourth quarter, Clark had tied a career high (and tournament record) with nine triples, and Iowa’s lead was back to 11 points.
Nothing was assured at that juncture, but the run LSU needed never materialized. With 2:29 remaining, Clark set up Hannah Stuelke for a layup to give Iowa a 12-point lead, and it was all but academic from there.
— NCAA March Madness (@MarchMadnessWBB) April 2, 2024
The Hawkeyes will now head to Cleveland to face either USC or UConn the national semifinal on Friday. Iowa certainly won’t be satisfied with anything but a national title given the team’s No. 1 seed and the presence of Clark, but it was a monumental performance for both player and team.
The Detroit Pistons and Memphis Grizzlies squared off on Monday evening in a battle between teams navigating difficult seasons. The Pistons entered with the NBA’s worst record at 13-61 and, while the Grizzlies were 11 games ahead of Detroit in the standings, Memphis also ranked seventh-worst in the league in winning percentage. As such, the game wasn’t heavily consequential from a win-loss standpoint, but both teams are evaluating for the future, and the matchup intriguing young big men in Jaren Jackson Jr. for Memphis and Jalen Duren for Detroit.
Unfortunately, the pair collided in the first quarter, and the result was particularly rough for Duren. In short, Duren had a tooth knocked out and went directly to the locker room.
The slow-motion replay clearly showed Duren’s tooth flying out and onto the floor, which isn’t the easiest thing to watch and was certainly even more difficult to experience. Detroit initially listed Duren as questionable to return, but he was ruled out just a few moments later.
Fortunately, Jackson Jr. was able to stay in the game and the hope would be that it is only a short-term absence for Duren. Still, this isn’t something that is super fun for anyone, and it marred what was otherwise a strong first half for the Pistons as they built a 13-point lead by the break.
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