Earlier this month, Ari Lennox announced her third studio album, Vacany — her first under a new deal with Interscope Records, separate from Dreamville, her label home for the past ten years. At the same time, Lennox shared the album’s second single, “Under The Moon,” a doo-wop accented update of her dreamy, neo-soul-influenced sound.
Today, she’s shared the music video, which takes more influence from Black music history, and its spooky season release date. Yes, folks, that’s a Thriller reference, and the “Under The Moon” is absolutely awash in them. Tapping into the ’50s aesthetic of the instrumental, the video opens with Ari on a diner date, giving the first foreshadowing something is off with her date’s unusual order (it’s basically just a slab of ground beef, if you read for context).
Of course, rather than being a helpless victim in her interpretation of the werewolf legend, Ari prefers to be a willing participant, revealing her own animalistic tendencies. It has about as happy an ending as you could expect from this sort of thing, more Twilight than Wolfman, if you will. Ari may be in her “soft girl era,” but that looks like that means embracing her darker impulses as much as it does indulging in cuddly self-care.
You can watch Ari Lennox’s “Under The Moon” video above.
Vacancy is out 1/23/26 via Interscope. You can find more info here.
Stephen Curry is one of the NBA’s all-time greats, but he’s been making moves off the court, too. In 2018, Curry formed a new production company, Unanimous Media, and entered into a partnership with Sony Pictures. Since then, he has been involved with movies like Breakthrough and TV shows like Holey Moley.
Now he has an animated film on the docket: GOAT. Naturally, it’s focused on basketball (rather, a fictional sport called “roarball”) and the journey of the film’s main character, Will, parallels Curry’s own path.
Ahead of the movie’s release, keep reading for everything you need to know before it hits theaters.
Plot
An official description reads, “This original action-comedy set in an all-animal world follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball — a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that ‘smalls can ball!’”
“I relate to the entire story of GOAT because a lot of my journey resembles Will’s journey. Being overlooked — underrated, if you will. Just looking for an opportunity but finding your self-confidence through it all and what makes you unique, and understanding that that’s good enough. […]
Obviously, it’s about the power of a team, too. No matter what walk of life, you can’t do anything great without the people around you. So it’s kind of cool to bring some of those storylines into GOAT and know how relatable it is, not just to my story but to everybody’s.”
He added, “I think you relate to one, if not multiple characters in the movie. It’s entertaining and meant to be seen on the big screen. It’s got some good laughs and some good energy. I think the biggest thing too is the visuals — hopefully it’s something people haven’t seen before with the way that we brought the all-animal world to life.”
Cast
The movie stars Caleb McLaughlin, Gabrielle Union, Curry, Nicola Coughlan, Nick Kroll, David Harbour, Jenifer Lewis, Aaron Pierre, Patton Oswalt, Andrew Santino, Bobby Lee, Eduardo Franco, Sherry Cola, Jelly Roll, and Jennifer Hudson.
Curry told People of voice-acting, “Recording is so different, because you’re kind of in your own world. You understand what you’re trying to do with what voice you’re bringing and bringing energy, but I think the only thing I underestimated with voice acting is how much it’s just full-body — you’re putting your entire being into it. It’s not just you talking into a mic. You’re trying to embody the character with everything that you have. It was super fun, though, and something that I really enjoyed.”
Release Date
The film is set to hit theaters on February 13, 2026.
At the allegedly “cringe” concerts on his current tour, Sombr has found a fun gimmick. Routinely, he’ll invite a fan to join him on stage and have them call one of their exes, at which point Sombr will usually have something to say to them (here’s an example). During his October 27 show at the Bill Graham Civic Auditorium in San Francisco, he put a spin on it by making the call himself, to one of his own supposed exes.
Videos of the moment (like this one) show Sombr announcing to the audience, “I’m going to be calling my ex instead of you guys calling your ex.” From there, he pulls out his phone, makes the call, and says hello to “Selena.” A male voice responds and Sombr asks, “Benny? Is this Benny Blanco?” It was Blanco, with the premise being that Sombr was trying to call Selena Gomez.
Blanco didn’t seem super into the call, but it was also likely that he, frequently down to joke, was playing along with the bit. After hanging up, Sombr declared, “OK, that was really awkward.”
Check out the clip here and find Sombr’s upcoming tour dates below.
Sombr’s 2025 & 2026 Tour Dates: The Late Nights & Young Romance Tour
10/29/2025 — Los Angeles, CA @ Shrine Expo Hall
10/31/2025 — Phoenix, AZ @ The Van Buren
11/01/2025 — Pomona, CA @ Fox Theater
11/02/2025 — Los Angeles, CA @ The Fonda
11/05/2025 — Brooklyn, NY @ Brooklyn Steel
11/06/2025 — Brooklyn, NY @ Brooklyn Steel
12/02/2025 — Auckland, New Zealand @ Auckland Town Hall
12/04/2025 — West Melbourne, VIC, Australia @ Festival Hall Melbourne
12/06/2025 — Newington, VIC, Australia @ Spilt Milk Ballarat 2025 (Victoria Park)
12/07/2025 — Claremont, WA, Australia @ Spilt Milk Perth 2025 (Robinson Pavilion, Claremont Showground)
12/09/2025 — Moore Park, Australia @ Hordern Pavilion
12/11/2025 — Brisbane, Australia @ Fortitude Music Hall
12/13/2025 — Canberra, Australia @ Spilt Milk Canberra 2025 (Exhibition Park)
12/14/2025 — Carrara, Australia @ Spilt Milk Gold Coast 2025 (Gold Coast Sports & Leisure Centre)
12/16/2025 — Moore Park, Australia @ Hordern Pavilion
02/10/2026 — Stockholm, Sweden @ Annexet
02/11/2026 — Copenhagen, Denmark @ KB Hallen
02/13/2026 — Hamburg, Germany @ Inselpark Arena
02/15/2026 — Warsaw, Poland @ Stodoła
02/16/2026 — Prague, Czech Republic @ Forum Karlín
02/18/2026 — Vienna, Austria @ Gasometer
02/19/2026 — Munich, Germany @ Tonhalle
02/20/2026 — Dubendorf, Switzerland @ The Hall
02/22/2026 — Milan, Italy @ Alcatraz Milano
02/24/2026 — Madrid, Spain @ Sala La Riviera
02/25/2026 — Barcelona, Spain @ Sant Jordi Club
02/27/2026 — Paris, France @ Salle Pleyel
03/01/2026 — Paris, France @ Salle Pleyel
03/02/2026 — Amsterdam, Netherlands @ AFAS Live
03/04/2026 — Berlin, Germany @ Velodrom
03/05/2026 — Cologne, Germany @ Palladium
03/06/2026 — Brussels, Belgium @ Ancienne Belgique (AB)
03/08/2026 — Brixton, UK @ O2 Academy Brixton
03/09/2026 — Brixton, UK @ O2 Academy Brixton
03/10/2026 — Brixton, UK @ O2 Academy Brixton
03/12/2026 — Manchester, UK @ Aviva Studios
03/13/2026 — Birmingham, UK @ O2 Academy2 Birmingham
03/15/2026 — Glasgow, UK @ O2 Academy Glasgow
03/16/2026 — Dublin, Ireland @ 3Arena
04/10-12/2026 — Indio, CA @ Coachella
The 2025 Rock & Roll Hall Of Fame induction ceremony is set for November 8, and recently, the telecast has started to come together. A bunch of names for artists participating in the show were just announced, and Chappell Roan is among them, to induct Cyndi Lauper. Roan is pretty pumped about it, too.
“I’m so excited to be inducting Cyndi Lauper into the Rock & Roll Hall Of Fame on November 8th. She has inspired me with her fashion, her hair, of course, her makeup, her music. I actually auditioned with ‘True Colors’ for America’s Got Talent when I was 13! I didn’t make it, but the song is still incredible [laughs]. I’m so excited, thank you for having me. Cyndi!”
Lauper herself responded in the comments section with a trio of kissy-face emojis. She previously wrote in response to her induction, “I’m humbled to be in the company of so many of my heroes. Aretha [Franklin], Tina [Turner], Chaka [Khan], Joni [Mitchell], Wanda [Jackson], to name just a few. Women have made so many important contributions to music and to rock n roll and a win for one of us is a win for all of us. Thank you to the voting members of the Rock & Roll Hall of Fame for this honor. And thank you to my fans for supporting me throughout my career. I could not do any of this without you.”
Roan is part of a list of guests that also includes Avril Lavigne, Beck, Brandi Carlile, Bryan Adams, David Letterman, Doja Cat, Donald Glover, Elton John, En Vogue, Feist, Flea, Gina Schock, Hurby Luv Bug Azor, Iggy Pop, J.I.D, Janelle Monáe, Jerry Cantrell, Jim Carrey, Joe Perry, Killer Mike, Lisa Coleman, Maxwell, Mick Fleetwood, Mike McCready, Missy Elliott, Nancy Wilson, Nathaniel Rateliff, Olivia Rodrigo, Questlove, Raye, Sleepy Brown, Taylor Momsen, Teddy Swims, Tedeschi Trucks Band, The Killers, and Twenty One Pilots.
Every month, Uproxx cultural critic Steven Hyden makes an unranked list of his favorite music-related items released during this period — songs, albums, books, films, you name it.
1. Geese Live At The Amsterdam Bar & Grill in St. Paul, Minnesota, October 18
About two-thirds into this gig, one member of the Brooklyn indie band’s intensely locked-in audience exclaimed, “Cameron fucking Winter!” It was during a break between songs, so everybody heard it. Some laughed, but at least one person protested. With perfect timing, they shouted, “There’s other people, too!” The exchange echoed a familiar refrain — one that I’ve made myself — amid the ecstatic response to Getting Killed, the third Geese LP that already feels like a lock for “album of the year” status in 2025, at least among indie listeners.
The album’s reception had been primed for months in advance by lead singer Cameron Winter’s solo recordHeavy Metal, which arrived last December with little fanfare before gradually (and then quickly) becoming a word-of-mouth sensation. Before then, Geese was adrift in terms of critical and popular esteem, despite putting out one of the more exhilarating rock records in recent memory with 2023’s 3D Country, But after Heavy Metal, they were suddenly a hot property, though in the minds of some in attendance they were, apparently, The Cameron Winter Band. (Or, I guess, The Cameron Fucking Winter Band.) But they’re not that. Geese is… Geese, a real unit in the classic “I thought they didn’t make ’em like this anymore” sense. They are also the band right now. That’s clear from the combustive alchemy achieved on Getting Killed, but it’s doubly apparent if you’re lucky enough to catch one of their remarkable live gigs this fall.
2. Mitski: The Land
In this fascinating concert film, shot over three shows last year in Atlanta, we see the enigmatic indie-pop star move about a starkly decorated stage alone, with members of her excellent seven-piece band situated on the outer edges. On film, director Grant James takes a cue from Andi Watson’s minimalist stage design by emphasizing Mitski’s singularity, framing her at a remove from the audience and her fellow musicians. She is, in almost every shot, holding all our attention; When James cuts to the band, he keeps her out of the frame. Otherwise, Mitski’s most prominent on-screen co-stars are the two chairs she deploys as props at center stage.
It’s a fascinating contrast with the biggest concert film of the decade, 2023’s Taylor Swift: The Eras Tour. That movie is designed to show off the enormity of the subject’s fame, with endless sweeping overhead stadium shots where tens of thousands of delirious Swifties genuflect at the altar of Taylor. It is meant to be a worshipful monument to Taylor Swift As One-Woman Monoculture, a representation of Pop Fandom As Community. But Mitski, as she said, is a woman apart. In The Land, she’s building a world, her own world. And she’s inviting you to watch her move through that world. Though, importantly, she doesn’t necessarily extend that invitation to join her there.
3. Jonny Greenwood — One Battle After Another soundtrack
Greenwood is rightly celebrated for his contributions to Paul Thomas Anderson’s films. As I wrote in 2018, his partnership with the director is not unlike his union with Thom Yorke in Radiohead: “If Yorke is Radiohead’s writer-director figure, the equivalent to PTA, then Greenwood is like a hybrid of cinematographer, composer, and executive producer — a supplier of mood and texture, as well as a fix-it man.” But Greenwood’s PTA scores also work surprisingly well as stand-alone albums.
When I ranked the entirety of Radiohead’s discography a few years ago — taking into account solo records and side projects along with proper band releases — I put There Will Be Blood and Phantom Thread in my top 10, just ahead of Pablo Honey and right behind Yorke’s The Eraser. I called them the OK Computer and Kid A of Greenwood’s film scores, which would then make his music for One Battle After Another in the analogy In Rainbows, the “mature” work that might very well prove to be his best.
4. Bruce Springsteen — Electric Nebraska
This month, Electric Nebraska was made available in record stores and on streaming platforms. It is the focal point of a new box set commemorating the release of the sixth Bruce Springsteen album, which is also the subject of a new film starring Jeremy Allen White. Just like that, Electric Nebraska is this very tangible and accessible thing. And that’s pretty strange, given that only four months ago, not even Bruce Springsteen thought a full-band version of his famously solo acoustic record even existed.
Here’s the problem, though: The regular Nebraska exists. And it is perfect as is. That’s what those songs are supposed to sound like. And because the songs sound like that, Nebraska will always be unique in Bruce Springsteen’s catalog. Electric Nebraska, meanwhile, is composed of eight outtakes that sound a bit like Born In The U.S.A. and a bit like The River. The E Street Band, road-tested and at the peak of their powers, take Bruce’s quiet meditations on regret, guilt, and trauma and turn them into pile-driving rock songs. Because that’s what they do, and they’re extremely good at it. Electric Nebraska sounds good! But it was never going to be more than just an interesting subplot to this album the world has recognized as a masterpiece for 43 years. Electric Nebraska is not a full-fledged album in its own right. It’s the musical equivalent of a DVD “making of” extra.
5. Jay Som — Belong
I first wrote about Melinda Duterte — the Oakland native who records and performs as Jay Som — back in 2017, when she first emerged as a member of the so-called “Bandcamp Generation” of millennials who got popular online and then formed bands to tour. At the time I described her as “a multi-hyphenate wunderkind — a singer, songwriter, and producer of sneakily sophisticated indie-pop songs.” And I still believe that, though it’s been a minute since she’s put out a record. In the meantime, she’s produced other artists (like Chris Farren) and toured as part of Boygenius. Thankfully, she’s back this month with Belong, her first album in six years, and it finds her not missing a beat when it comes to making instantly enjoyable and replayable indie-pop tunes.
Recently, someone put a bug in my ear about this young Chicago band, who describe themselves as playing “country and folk, power pop and rock ‘n’ roll.” So, yes, they are part of the Wilco School Of Chicago Bands, residing squarely in the “Being There crossed with Summerteeth” zone. Their latest EP, Early Riser, dropped back in May, but I just caught up with it and I’ve been playing it regularly.
This Indianapolis band is named after a Guided By Voices song. More specifically, a Tobin Sprout song from Alien Lanes, my favorite album of all time (and the inspiration for the name of my Substack newsletter). So I was already on board before pushing play on their new album. But then I was really on board once I heard how well they execute the admittedly well-worn jangle-pop formula, which is hard to make sound fresh but when it works (as it does here) it goes down easy.
8. Hannah Frances — Nested Tangles
This beguiling singer-songwriter welcomes Joni Mitchell comparisons due to her use of alternate tunings as well as the Hejira vibes that permeate albums like 2024’s Keeper Of The Shepherd and her strong new LP. But fans of aughts-era freak folk will also find much to love here, as Frances specializes in melodic and transportive musical eccentricity. There’s also a “time out of mind” quality that evokes the the chilly beauty of ’60s British folk. (I actually thought she was British the first time I heard Keeper Of The Shepherd, but she’s actually from Chicago, which makes her about as English as Mike Ditka.)
Initially launched as a one-off event in an airplane hanger back in 1999, Iceland Airwaves, the world’s most northern music festival takes place each year in downtown Reykjavík. This year the fest will once again showcase global and local talent, in venues around the city, from historical churches to record stores and museums. From November 6 to 8, the Iceland Airwaves will celebrate it’s 26th year with homegrown acts like Sunna Margrét and Elín Hall, as well as global artists, like US emerging acts Joey Valence & Brae, UK talent Kenya Grace, and Toronto’s very own Saya Gray.
But what I discovered last year while attending the festival, is that even with its wealth of opportunities to enjoy new music amid gorgeous venues, during a festival that — instead of building makeshift stages allows the city to become the stage itself — is how much of the culture in Iceland is a mixture of modern and historic identity. That includes wellness, nature, and deep appreciation for art as part of its every day tradition. This is what makes Iceland Airwaves the perfect retreat for music lovers — making it possible to slow down, reset, and not only discover the wonders of Icelandic music but the wonders on the Nordic island itself. Here are just a few of the ways Iceland Airwaves is the perfect music festival getaway for music lovers looking to recharge, reset, and renew.
The Sky Lagoon Concert Experience
Pursuit
Iceland is brimming with geothermal pools, bodies of water heated by the Earth’s internal heat — and just a quick 15 minute drive from Reykjavik, you can experience the warmth and relaxation of these wonders at Sky Lagoon, a thermal spa that celebrates Icelandic bath culture. Last year, mid festival, we were able to take a plunge, and enjoy the spa’s seven step Skjól ritual — first dipping into the natural warm pool with an infinity-edge view of the Atlantic Ocean. Next, you cool down (literally) with a cold plunge that stimulates the senses and gives you a natural high. After that, you sit in the sauna and take in more panoramic views of the ocean before refreshing in a misty room inspired by Icelandic fish-drying houses. Then you apply the spa’s signature Sky Body Scrub, before heading into a steam room, to take in all the effects of the scrub. And once that’s done, you rinse of the scrub and enjoy a shot of juice made of crowberries — native to the Iceland that grow in lava fields — ending the ritual with an actual taste of the island before roaming back into the thermal pools. It’s the ultimate mid-fest reset, and this year, they’re taking it even further — with its first ever concert experience on Nov. 5, featuring a performance from Icelandic artists Una Torfadóttir, a perfect marriage of self care and live music.
The Community
Joana Fontinha
One overlooked aspect of wellness is community — the ability to connect with likeminded individuals, the art of reminding yourself that you’re not alone. Community may not always involve a yoga class, a shared mediation, or even a communal dip in a geothermal pool (but it’s nice when it does… ) but since humans are wired for connection, and social bonding allows us to release oxytocin, reminders of purpose and belonging are key to overall wellness. Thankfully, Iceland Airwaves is not just a festival but also the IA Conference, where you can sit in on talks about the future, importance, and sustainability of music. This year’s topics range from the importance of grassroots nurturing of artists, embracing strange and singular artistry, the joy of creating and rethinking automation when it comes to unlocking creative potential. There are also multiple windows of networking and lunches, where delegates and attendees can relax, be human, and (of course) connect.
The Meditative Music
Joana Fontinha
One of the things you’ll notice when attending Iceland Airwaves is just how integral music seems to be for the performers — they appear in each other’s bands, talk about songwriting and jam sessions the same way many people talk about eating and breathing — it’s part of their day, in their bones, something that is innate to their culture and the way they communicate with the world around them. Digging into the history of music in Iceland, you’ll be able to trace back notable national acts like Sigur Rós to rímur — a traditional form of Icelandic epic poetry. That storytelling ability, mixed with ethereal sounds and ambient symphonics has became a sort of calling card for the region — and the way it’s made, distinctive in its rhythm and alliteration, is a testament to the Nordic tradition. But even acts with less notoriety than Björk and, more recently, Laufey, still have the undeniable and palpable meditative draw when it comes to music that connected to the land of fire and ice, an atmospheric bent that had me completely present while listening to every note Lúpína sang in a historical cathedral last year. Maybe it’s the post spa relaxation, the stillness of the dramatic landscapes, or the upholding of songwriting and poetic tradition, but even acts from the US, like Magdalena Bay who played at the city’s Art Museum, take on a fresh, reflective, and spiritual slant to their sound, while playing at Iceland Airwaves.
The rollout for Danny Brown’s sixth studio album Stardust continues with the video for its second single, “Copycats.” Released a couple of weeks ago, the song finds Brown in full-on ego mode, taunting imitators with his one-of-a-kind, rock star style.
True to the song’s catchy chorus, the “Copycats” video focuses on the perks of fame, aiming the camera at the backseat of a limo, where Danny, guest vocalist Underscores, and their entourage indulge in the trappings of a flashy lifestyle.
In the press release for the video, Danny said, “It was dope to be reunited with underscores in Brooklyn to make the ‘Copycats’ video. It’s been a fun journey from linking up, creating the song together in Austin, then performing at Coachella earlier this year then making this video. I’m excited for everyone to hear the album and see us on tour.”
Stardust will break new ground for Danny; not only will he experiment with the hyperpop and EDM sounds found on previous single “Starburst” and Fred Again.. collab “OGdub,” but it’ll be his first album recorded completely sober. In addition to the video, Danny and longtime collaborator A-Trak have released XXX for 30, an exclusive retrospective playlist on Apple Music spanning Danny’s career. You can check it out here.
You can watch Danny Brown’s “Copycats” video featuring Underscores above.
Stardust is out 11/7 via Warp. You can find more info here.
Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.
This week saw Megan Thee Stallion celebrate love and Hayley Williams return with more solo goodness. Yeah, it was a great week for new music. Check out the highlights below.
Amid her fresh relationship with NBA legend Klay Thompson, Megan Thee Stallion has unveiled her latest single, “Lover Girl.” If Klay was the inspiration behind the new song, then it sounds like he and Meg are treating each other very, very well.
Fred Again.. and Floating Points — “Ambery”
Fred is in the middle of unveiling a bunch of new songs as part of her evolving USB release, and last week, he came through with a pair of fresh tracks. One of them was “Ambery,” a collaboration with Floating Points that runs for a skittery seven minutes.
Jessie Murph — “I’m Not There For You”
Murph wrote this one when she was 17 and teased it online in 2022. Fans have since become attached to the track, so now, Murph has given the song a bit of a facelift (some updated songwriting and a new recording) and shared the entirety of “I’m Not There For You.”
The Neighbourhood — “Private”
After Jesse Rutherford spent last year pushing a solo album, his focus is back on the band now. Last week, the group announced a new album that’s about to wear out your parentheses keys, (((((ultraSOUND))))), and shared a trio of new songs.
Leon Thomas — “My Muse”
Thomas’ new EP Pholks is out now and its soulful content is appropriate for its label home of Motown. “My Muse,” for instance, is a smooth and upbeat ode to a woman who has left Thomas inspired.
Tyla — “Chanel”
“How you say you love me? You ain’t put me in Chanel,” Tyla wonders on her latest single, “Chanel.” Affinity for designer wares was a big part of the video, too, as everything Tyla wears in the visual is vintage Chanel, which wasn’t easy to round up.
Foo Fighters — “Asking For A Friend”
Between personal drama and replacing their drummer again, things have been a bit rocky for Foo Fighters lately. Now, though, they’re prepping a full-blown comeback and they’ve heralded the new era with “Asking For A Friend,” a characteristically intense rocker, as well as by announcing a tour for next year.
Le Sserafim — “Spaghetti” Feat. J-Hope
Le Sserafim hope that “Spaghetti” will be so catchy that you can’t get it out of your head. There’s certainly a good chance that’ll happen, thanks in part to a feature from BTS’ J-Hope.
Hayley Williams — “Good Ol’ Days”
Williams is continuing to release solo music at an impressive rate, the latest being last week’s “Good Ol’ Days.” On the song, Williams looks back nostalgically, singing, “Who knew the hard times were the good old days?”
Oneohtrix Point Never — “Lifeworld”
Daniel Lopatin just did the music for the movie Marty Supreme, but now his focus is back on Oneohtrix Point Never business. A week ago, he announced a new album, Tranquilizer, and shared a trio of sound-collage-y songs, including Lifeworld, which is somehow both frenetic and a bit soothing at the same time.
Big Thief have had a transformative past couple years. Most notably, there were some lineup changes, and in September, they released their latest album, Double Infinity. They also just found themselves on late-night TV again, performing on The Tonight Show last night (October 27).
For their time on stage, they went with “Grandmother.” Officially, the group is down to three members, but they performed with a large backing band to give the track a fleshed-out sound.
“Buck [Meek] and James [Krivchenia] and I wrote this one all together. this one shows me that rock and roll goes way outside of any genre and is really in a spirit. Laraaji vocalizes and is featured. His contributions are such an exciting gift and it was such an honor to hear him shine. the whole band goes together and rocks like the shoulders of the mountains and rolls like the water and the wind. The earth is rock and roll, and so are our bodies, with the power to heal. This song comforts me and reminds me that we have the power to transform energy and reclaim disconnected or alienated parts of ourselves. There’s a world worth living for, a love bigger than everything that is always there. This song reminds me to weave the shadows into the light and let it flow through, turning it all into music.”
Watch the performance above and find the band’s upcoming tour dates below.
Big Thief’s 2025 & 2026 Tour Dates
10/29/2025 — Raleigh, NC @ Red Hat Amphitheater
10/30/2025 — Atlanta, GA @ Fox Theatre
10/31/2025 — New Orleans, LA @ Saenger Theatre
11/03/2025 — Tulsa, OK @ Cain’s Ballroom
11/04/2025 — Dallas, TX @ The Bomb Factory
11/05/2025 — Austin, TX @ Moody Amphitheater at Waterloo Park
11/06/2025 — Wimberley, TX @ 7a Ranch Opera House — The Watershed Association benefit show, with Stacey Foster, Aaron Huff
11/07/2025 — Houston, TX @ White Oak Music Hall (Lawn)
04/08/2026 — Oslo, Norway @ Sentrum Scene
04/09/2026 — Oslo, Norway @ Sentrum Scene
04/10/2026 — Stockholm, Sweden @ B-K
04/11/2026 — Copenhagen, Denmark @ K.B. Hallen
04/13/2026 — Berlin, Germany @ Columbiahalle
04/14/2026 — Cologne, Germany @ E-Werk
04/17/2026 — Paris, France @ L’Olympia
04/18/2026 — Paris, France @ L’Olympia
04/21/2026 — Amsterdam, Netherlands @ AFAS Live
04/23/2026 — London, UK @ O2 Academy Brixton
04/24/2026 — London, UK @ O2 Academy Brixton
04/25/2026 — London, UK @ O2 Academy Brixton
04/26/2026 — London, UK @ O2 Academy Brixton
04/29/2026 — Dublin, Ireland @ 3Arena
05/27/2026 — Manchester, UK @ Aviva Studios
05/28/2026 — Manchester, England @ Aviva Studios
05/30/2026 — Glasgow, UK @ Barrowland Ballroom
05/31/2026 — Glasgow, UK @ Barrowland Ballroom
06/02/2026 — Brussels, Belgium @ Forest National
06/03/2026 — Luxembourg City, Luxembourg @ den Atelier
06/04-06/2026 — Barcelona, Sant Adrià de Besòs @ Primavera Sound
06/14/2026 — Milan, Italy @ Circolo Magnolia
06/15/2026 — Munich, Germany @ TonHalle München
06/16/2026 — Hamburg, Germany @ Große Freiheit 36
Double Infinity is out now via 4AD. Find more information here.
Daniel Caesar’s new album Son Of Spergy is out now, and today, the Canadian singer shared a gritty music video for its song, “Call On Me.” The video is shot on grainy VHS as Caesar and his crew road trip across the US, firing guns in the desert and bringing strippers to their hotel room with a giant bag of cash.
The “Bonnie and Clyde” vibes of the video care reflect the ride-or-die lyrics of the song itself, in which Caesar promises, “Whenever you feel your tummy rumble / Need something to eat / Whenever you feel your pockets empty / Can call on me.”
Caesar kicked off the rollout for the new album in July, with the single “Have A Baby (With Me),” keeping it going with “Call On Me” in August, along with the album announcement. “Moon” with Bon Iver preceded the album’s release, while another Bon Iver collaboration, “Sins Of The Father,” appeared on the project itself.
In addition to releasing Son Of Spergy, Daniel Caesar did a lot of collaborating this year, appearing on songs from Rex Orange County and Blood Orange.
You can watch Daniel Caesar’s “Call On Me” video above.
Son Of Spergy is out now via Hollace Inc. and Republic Records. You can find more info here.
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This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
