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Indiecast On The New Sufjan Stevens Album and U2 At The Sphere

Loyal listeners are aware that Steven is currently wiping the floor with Ian in their Fantasy Fall Albums draft. But Ian has a shot this week to make up some ground with the release of Javelin, the new critically acclaimed album by Sufjan Stevens. While Steven respects Sufjan’s talent and stature in the indie world, he’s never quite warmed up to the singer-songwriter, due to his undeniable “theater kid/youth pastor” vibes. Ian meanwhile is a big fan and considered Javelin a return to form. Hear the guys hash it out over one of indie’s most beloved legacy acts.

From there the conversation shifts to Steven’s recent trip to Las Vegas to see U2 play at the new state-of-the-art venue Sphere. We have all seen video clips of this thing by now, but what was it like to be there in person? And what other acts can possibly play this thing? Changing gears dramatically, the guys get down to talking about the amazing popularity of Duster, the ’90s-era slowcore band that was mostly ignored in their time and now ranks as one of the most streamed bands of the era. What’s it like to see your own musical past re-written by future generations?

In Recommendation Corner, Ian talk about the emo revival band Bewilder while Steven recommends the emerging Minneapolis alt-rock outfit Prize Horse.

New episodes of Indiecast drop every Friday. Listen to Episode 158 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at [email protected], and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.

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Jimmy Kimmel Knows Of A Rootin’ Tootin’ Lawmaker Who Could Do One Thing Better Than Anyone Else As House Speaker

Rootin’ tootin’ Lauren Boebert once expressed her confidence in being named House Speaker. Jimmy Kimmel is kind-of on board? Well, he at least knows of one thing that she could do better than anyone else, including those who are officially vying for the position in 2023. And man, the late night talk show hosts really are going for it during this first week back.

This week also coincides with the historical ousting of Kevin McCarthy and, in general, a ton of catch-up jokes about Boebert’s Beetlejuice groping incident. One of these efforts turned out to be far more athletic than the rest, but Kimmel thinks that Boebert could put her apparent groping abilities to the test in another way.

Aafter the 5:45 mark above, Kimmel discusses how Jim Jordan and Steve Scalise are far-right frontrunners to lead. Kimmel added, “I don’t like either one of those guys,” but he does know someone who could bring people together. Not politically, of course. Boebert is a born divider in that way, but literally, Boebert could, well, you know: “I mean, we saw at that Beetlejuice musical — she does know how to reach across the aisle.”

(To be clear, Kimmel obviously isn’t in favor of this, but he does have a point. If the House GOP is gonna pick a cartoonish leader, Boebert fits the bill, too.)

It truly is amazing how much mileage that one Bar Guy incident can provide. That groping went down nearly a month ago, and the late night shows brought it back right as the furor was beginning to die down. John Oliver was so happy to tackle the topic, and his audience was happy for him.

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Drake Let His Son Adonis Rap On ‘Daylight’ From ‘For All The Dogs’ And Fans Can’t Get Enough Of It

Drake’s new album For All The Dogs is full of surprises. The first one fans noticed was when the album didn’t drop at midnight, but instead arrived at 6 a.m. ET today (October 6). In terms of the project itself, fans were delighted to see Drake’s 5-year-old son Adonis Graham get his own verse at the end of the song “Daylight.”

The boy raps, “Don’t talk to my man like that / I like it when you like it / My, my, my, my man / My, my, my, my man / Don’t talk to my man like that / I like it when you like it / My, my, my, my man / My, my, my, my man / You know which one you want / I don’t care which one you want / You can take whatever / I don’t care what you do / I will always, watchin’ for you.”

Listeners immediately loved Adonis’ appearance. The kid became a trending topic on X (formerly Twitter) after the album’s release.

Popular streamer Kai Cenat was also pumped to hear Adonis as he listened to the album live:

Adonis, of course, has been heavily involved in the album, whether he’s illustrating the cover art or co-starring in the “8AM In Charlotte” video.

Check out some more reactions to the Adonis verse below.

For All The Dogs is out now via OVO Sound. Find more information here.

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Stephen Colbert Compared A Trump Family Member’s Tom Petty Cover To ‘Domestic Terrorism’

It was six years ago this month that Tom Petty died. One of the greatest American songwriters of all-time, gone too soon at 66 years old. But at least he never had to hear Lara Trump‘s cover of “I Won’t Back Down.”

Released as the first single from 1989’s Full Moon Fever, “I Won’t Back Down” is Petty’s ode to perseverance, to keeping this world from draggin’ you down and standing your ground. It has frequently been co-opted by conservatives, including Donald Trump, who played at his rallies in 2020. “Trump was in no way authorized to use this song to further a campaign that leaves too many Americans and common sense behind,” Petty’s family wrote on then-Twitter. “Both the late Tom Petty and his family firmly stand against racism and discrimination of any kind. Tom Petty would never want a song of his used for a campaign of hate. He liked to bring people together.”

Trump eventually stopped playing the song, but Lara Trump, Eric’s wife and Donald’s daughter-in-law, decided to cover it. On Thursday’s episode of The Late Show, host Stephen Colbert offered his review of her deceptively off-key performance on Sky News Australia. “Well I’ve never been to the gates of hell but now I’m pretty sure I know what they sound like,” he joked.

Lara Trump has claimed that her song has been “shadowbanned” on streaming services for being too political, to which Colbert quipped, “Yes, too political, her singing has been legally designated as domestic terrorism.”

You can watch the monologue above.

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J. Cole Used Drake’s ‘For All The Dogs’ To Address His Alleged Beef With NBA YoungBoy

There have been rumors lately that J. Cole and YoungBoy Never Broke Again are beefing. Cole, though, made a guest appearance on Drake’s new album For All The Dogs, in which he seemingly puts the rumors to rest.

On “First Person Shooter,” Cole raps, “I still wanna get me a song with YB / Can’t trust everything that you saw on IG / Just know if I diss you, I made sure you know that I hit you like I’m on your caller ID.”

As for what’s going on here: In 2021, it was reported that NBA Youngboy had a studio session with Cole scheduled, but he apparently made Cole wait for 8 hours and never actually showed up. YoungBoy claimed at the time, “They lied and said I stood J. Cole up. They lied, they said I ain’t wanna go in the studio with him. That wasn’t even the case. I was going through something so what the f*ck I’ma go in this man’s studio session for a meet up with him, knowing that I ain’t in a mode to talk or just to be in the mode to f*ck around. What the f*ck I’ma go around this man if I know I ain’t in a mood to talk to nobody or sit there, or even be around somebody.”

Fast-forward to earlier this year, when YoungBoy rapped on “F*ck The Industry Pt. 2,” “J. a ho, that n**** played it cold like he was gon’ do a feature / So I texted his line a muscle sign, I swear it’s gon’ be nice to meet you.”

Last month, Cole featured on Lil Yachty’s “The Secret Recipe” and rapped, “N****s makin’ threats and I laugh, that’s ’cause you ain’t a threat / Don’t ask how I feel ’bout no rappers, sh*t, they OK, I guess / Incomin’ call, press the button, the one that say accept / He FaceTime to ask for a feature and saw the face of death / I’m on your song, your streams goin’ up, not quite the Drake effect / But don’t complain, b*tch, take what you get and cut the label check.”

While that was widely interpreted as being about YoungBoy, Cole’s manager Ibrahim Hamad wrote on X (formerly Twitter), “I’m pretty sure this is [cap]. Not sure how y’all heard that cole verse and put that together, impressive.”

Listen to “First Person Shooter” above.

For All The Dogs is out now via OVO Sound. Find more information here.

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Drake’s ‘For All The Dogs’: Here Are All The Features And Producers On The Album

The journey toward Drake’s For All The Dogs lasted a bit longer than expected. After announcing it over the summer during his It’s All A Blur Tour with 21 Savage, rumor had it that the project would initially arrive on August 25. However, that day came and went without its release and Lil Yachty blamed fans for believing a date that was not announced by Drake himself. Well, Drake later announced an official release date of September 22 for For All The Dogs, but he was later forced to delay it to October 6, in order to complete the project and not cancel any tour dates to do so.

At long last, as promised, Drake delivered For All The Dogs on October 6. It was made available to stream at 6am EST as opposed to the traditional time of 12am EST, but nonetheless, the album is here. It features 23 songs and appearances from Teezo Touchdown, 21 Savage, J. Cole, Yeat, Snoop Dogg, SZA (two times), JeRonelle, PartyNextDoor, Chief Keef, Bad Bunny, Sexyy Redd, and Lil Yachty.

As you dive into the new album, scroll down to see the full list of guest artists and producers throughout the For All The Dogs album.

1. “Virginia Beach” (prod. Harley Arsenault, Noah “40” Shebib)
2. “Amen” Feat. Teezo Touchdown (prod. Budgie, Sango & Teezo TouchDown)
3. “Calling For You” Feat. 21 Savage (prod. Cash Cobain, GENT!, Jaystolaa, Lil Yachty, Noah “40” Shebib & PowrTrav)
4. “Fear Of Heights” (prod. Bnyx, Nik D, Oz, Pooh Beatz & xynothing)
5. “Daylight” (prod. Alessio “Lil Esso” Bevilacqua, Smatt, Southside & T9C)
6. “First Person Shooter” J. Cole (prod. Boi-1da, COLEMAN, FNZ, Oz, Tay Keith & Vinylz)
7. “IDGAF” Feat. Yeat (prod. Bnyx & Sebastian Shah)
8. “7969 Santa” Feat. Teezo Touchdown & Snoop Dogg (prod. Alex Lustig, Bnyx, Jahaan Sweet & Nyan)
9. “Slime You Out” Feat. SZA (prod. Bnyx, Dalton Tennant, Drake, Noah “40” Shebib & Noel Cadastre)
10. “Bahamas Promises” (prod. Jahaan Sweet & Ray “Quasi” Nelson)
11. “Tried Our Best” Feat. JeRonelle (prod. Jahaan Sweet & Noah “40” Shebib)
12. “Screw The World Interlude” (prod. DJ Screw)
13. “Members Only” Feat. PartyNextDoor (prod. Dnny Phntm, Eli Brown, Noah “40” Shebib, Sauceboy, TheBoyKam, Tommy Parker, Young Troy)
14. “Drew A Picasso” (prod. Noah “40” Shebib & Stwo)
15. “What Would Pluto Do.” (prod. Bangs, Bnyx, GENT! & Lil Yachty)
16. “All The Parties” Feat. Chief Keef (prod. Bnyx, Boi-1da, COLEMAN, Fierce, Harley Arsenault, J Dolla & Maneesh)
17. “8AM In Charlotte” (prod. Conductor Williams, Jason Wool & Mario Luciano)
18. “BBL Love Interlude” (prod. Kid Masterpiece)
19. “Gently” Feat. Bad Bunny (prod. Gordo, Nik D & Oz)
20. “Rich Baby Daddy” Feat. Sexyy Red & SZA (prod. Bnyx, Dougie F, Gordo, Klahr, Richard LIOHN Zastenker, The Loud Pack & Uv killin em)
21. “Another Late Night” Feat. Lil Yachty (prod. Childboy & Lil Yachty)
22. “Away From Home” (prod. Bnyx, Justin Riasen, Lil Yachty, Lukas, & Sad Pony)
23. “Polar Opposites” (prod. Anthoine Walters, Cangs, Beatmenace, GENT!, Lil Yachty & Noah “40” Shebib)

For All The Dogs is out now via OVO Sound/Republic Records. Find out more information here.

PartyNextDoor is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Janelle Monáe, Latto, And Quavo Are On Their ‘Champagne Sh*t’ On The Song’s New ATL Remix

Janelle Monáe‘s world takeover continues. Tonight (October 6), the illustrious musician has shared a remix to a fan favorite from her fourth studio album, The Age Of Pleasure.

On a special ATL remix to “Champagne Sh*t,” Monáe joins forces with fellow Atlanta rap stars, Latto and Quavo. Throughout the course of the song, the three are in triumphant spirits, as they toast to their wins.

Monáe’s first verse and chorus remain the same as those on the original album version, with Quavo and Latto adding even more southern flair.

“We gon’ drink ’til we faint now it’s tasting like water / Proud of the times when we came from the bottom / Right now I’m hot, it’s time to go harder / How we keep winnin’, because I’m a starter,” raps Quavo on his triumphant verse.

Having been killing the rap game and maintaining a consistent flow of features and hits, Latto enjoys the fruits of her labor.

“College girl I’m tryna pay your tuition / Red bone kissing, casamigos pissin / Trying go home to the D like a piston,” she raps, reminding us that she’s got the game on lock.

You can listen to “Champagne Sh*t (ATL Remix)” above.

Janelle Monáe is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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It’s Just ‘You & Me’ On Jennie Of Blackpink’s New Solo Single

Blackpink has become one of the biggest names in K-Pop over the past five years. Perhaps this is largely in part to the group’s star power both as a collective and as individual artists. Tonight (October 6) Jennie is the latest member of the group to drop solo music — with her new single “You & Me.”

On “You & Me,” Jennie has found a joyous new love, and ravels in the solace she finds when the two of them are together. Pulsating bass beats imitate the sound of a heartbeat, as she can’t deny the euphoria she feels.

“I love you and me dancing in the moonlight / Nobody can see, it’s just you and me tonight,” she sings on the song’s chorus.

The song marks Jennie’s first solo drop since 2018, her last single appropriately titled “Solo.” She has previously performed the song on Blackpink’s Born Pink tour, which took place over the course of the past year. Despite only getting a formal release just now — a year after she first performed it — the song has been a fan favorite among the Blinks.

Now, fans can finally listen to “You & Me,” as Jennie kicks off a promising new solo era.

You can listen to “You & Me” above.

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Noah Kahan And Kacey Musgraves Make A Pleasant Connection On Their New Duet, ‘She Calls Me Back’

Noah Kahan has been killing it with collabs this summer. Over the course of the past few months, he’s released songs with the likes of Post Malone and Lizzie McAlpine. Tonight (October 6), Kahan has another promising duet on his hands — this time, with Kacey Musgraves.

The two artists have collaborated on a new version of “She Calls Me Back,” a fan favorite from Kahan’s 2022 album, Stick Season. On this song, two lovers reconnect briefly, finding joy in their rekindled friendship.

“Lost for a long time / Two parallel lines / Everything’s alright when she calls me back,” sings Kahan on the song’s chorus.

On her verse, Musgraves assures the man that while she has accepted that their past love is over, she still is happy to talk with him from time-to-time, while setting healthy boundaries.

“If you think that you could wake me up / Then you don’t know how well I’ll sleep / You love me and I don’t know why / I only call you once a week,” she sings.

With this updated version of “She Calls Me Back,” as well as his other collaborations, Kahan continues to demonstrate his versatility, as well as showcase his unmatched songwriting abilities.

You can listen to “She Calls Me Back” above.

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These before-and-afters will make you question everything about how our economy works



Images via GooBingDetroit.

Yup. These images were taken only two years apart. And what you’re seeing was not an accident.

When the economy crashed in 2008, it was because of shady financial practices like predatory lending and speculative investing, which is basically gambling, only the entire economy was at stake.


When the recession hit, it literally hit home for millions of people. And Detroit was right in the middle of it.

I spoke with Alex Alsup, who works with a Detroit-based tech company that’s mapping the city’s foreclosed homes to help city officials see the bigger picture and find solutions. He also runs the Tumblr GooBingDetroit, where he uses Google Street View’s time machine to document the transformation of Detroit’s neighborhoods over the last few years.

“There’s a common sentiment that Detroit’s looked the way it does for decades, but it’s just not true,” Alsup said.

It’s astonishing to see how quickly so many homes went from seemingly delightful to wholly unlivable.

When the recession went into full force, home values took a nosedive. But the city expected homeowners to pay property taxes as if they hadn’t.

Not only does the situation defy logic, but it’s like a brass-knuckled face punch to the people the city is supposed to be looking out for. Alsup explains:

“You had houses — tens of thousands of them — that were worth only $20,000 or so, yet owed $4,000 a year in taxes, for which very few city services were delivered (e.g. police, fire, roads, schools). Who would pay that?”

Indeed.

A local group calls what happened to Detroit a “hurricane without water.”

And like a real hurricane, homeowners aren’t the ones to blame. They’re even calling for what is essentially a federal disaster response.

Here are the three strategies they want to see in action — and they can work for basically anywhere in the country that’s struggling with a housing crisis.

1. Stop kicking people out of their homes.

They want the city to end foreclosures and evictions from owner-occupied homes. Many people aren’t just losing their homes — they’ve lost jobs, pensions, and services because of budget cuts. Putting them on the street is like a kick in the teeth when they’re down.

2. If a home is worth less on the market than what the homeowner owes on their loan, reduce what they owe.

Those are called underwater mortgages. Banks caused this mess, and governments ignored it. It’s only fair that people’s mortgages be adjusted based the current value of their home.

3. Sell repossessed homes at fair prices to people who actually want to live in them.

Selling to banks and investors only encourages what led to the financial crisis in the first place. Wouldn’t it make more sense to sell to people who are going to live in them and have a genuine interest in rebuilding the community?

Housing is a human right. And an economy based on financial markets doesn’t care about human rights. Maybe it’s time for a new economy?

Click play below for a silent cruise down a once lovely residential block in Detroit.

This article originally appeared on 12.15.14