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Geraldo Rivera Is Claiming That Fox News Colleagues Privately Thanked Him For Calling Out Tucker Carlson

With Fox News in his rearview after the veteran TV anchor walked away from the network over a behind-the-scenes dispute with another personality on The Five, Geraldo Rivera is opening up about his public rebuke of Tucker Carlson.

Even before Carlson’s revisionary take on the January 6 attacks made it to the air, Rivera was suspended by Fox for literally calling “bullsh*t” on Tucker’s attempt to paint the MAGA riot as a false flag. When the “documentary” aired earlier this year, it scandalized Fox News, and Rivera once again slammed Carlson shortly after the controversial anchor was shockingly fired.

However, Rivera would soon be next out the door, but he looks back proudly at his efforts to hold Tucker’s feet to the fire, which privately earned him the praise of his colleagues who were afraid to speak out.

“I got calls from within Fox. Right on. You know, we’re shocked, we’re outraged by what Tucker is trying to do. Thank you for speaking out, you know from people that could not speak out,” Rivera told Mediaite. “You know, I even advised some prominent people just to cool it, that I could, I’ll take the heat because I felt that I was more bulletproof. I mixed my metaphors there, but I felt that I could say things that others, perhaps more vulnerable in their or more early in their careers, could not say.”

Rivera went even further to say that his ouster at Fox had less to do with his reported clashing with Greg Gutfeld and more to do with his refusal to toe the network line.

“I don’t want to focus in on any particular person, you can read the record, but I can tell you what happened vis a vis me and Tucker because that was the real substantive part of it,” Rivera revealed.

(Via Mediaite)

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Why Did Olivia Rodrigo Leave ‘High School Musical: The Musical: The Series?’

Olivia Rodrigo is currently preparing to drop her second album, Guts, this fall — with the latest single, “Bad Idea Right,” making waves since its release last week. Although the pop star found major success in 2021 with her debut record, Sour, she was acting long before that.

One of Rodrigo’s main roles that brought her a fan base was as Nini in Disney+’s High School Musical: The Musical: The Series. Although she appeared as a prominent character during the first two seasons, she took a step back in Season 3 to be a guest star — as she was focusing on her music career instead.

Her episodes had been filmed just before she kicked off her Sour Tour.

“All of that was shot with this crazy schedule in mind, which Olivia deserves because she is the queen of the world,” the show’s creator, Tim Federle, told People Magazine last year, as season three gave closure to Nini as a character.

Still, despite Rodrigo no longer appearing on the show, she hasn’t ignored her roots completely. She attended the red carpet for the Season 3 premiere last July and posed with her castmates.

During an interview with Bru On The Radio last month, Rodrigo also shared that she kept some set keepsakes, including a varsity jacket and her name insert from the director’s chair.

With Season 4 of the show getting released earlier this month, fans had been wondering if Rodrigo would reappear. However, she does not, but it is also not ruled out in the future.

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Raquel Leviss Claims That Tom Sandoval Recorded An ‘Intimate’ FaceTime Video Without Her Consent, Leading To ‘Scandoval’

Even if you’ve never seen a second of Vanderpump Rules (guilty!), you’re probably aware of “Scanadoval.” Or at least heard of it. The abridged version is this: Tom Sandoval, one of the stars of the Bravo series, cheated on his girlfriend Ariana Madix with another member of the cast, Raquel (or Rachel) Leviss. There’s more to the story, but that’s all you need to coming into Leviss’ new interview on the Just B with Bethenny Frankel podcast.

Leviss strongly hinted that she’s finished with Vanderpump Rules. “My mistakes that I’ve made on camera live on forever,” she told Frankel. “And you mentioned something about the addiction of doing reality television and the way that they always dangle that carrot in front of you, like, ‘Well, you need to tell your side of the story otherwise it’s gonna be written for you.’ And that’s terrifying. So I almost went back… just because of that.” (The “almost” is the giveaway that she won’t be back.) Leviss also revealed how a FaceTime video recorded without her consent led to Madix learning about the affair.

“I decided to be adventurous and look at the adult section on the TV,” she recalled. “And Tom and I FaceTimed a lot, so it turned into something more of an intimate FaceTime. I expected to have privacy in that moment, so that happened.” Leviss spent the following day doing press, only to suddenly receive a text from Madix that contained “two screen recorded videos and a text that said, ‘You’re dead to me.’” That’s how Leviss learned Madix knew about the affair — and it’s also how Leviss learned “that I had been recorded without my consent.”

Leviss sent an “immediate cease and desist letter” to stop the video from being shared, but “some of Ariana’s friends have described the video in great detail online,” she said. “And she also sent it to me, so I don’t know who else she sent it to. I wouldn’t be surprised if she sent it to other people, but it’s not legal.” You can listen to the podcast below.

(Via Rolling Stone)

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J. Cole’s Next Album Will Make Him Bigger Than Kendrick Lamar, According To Kendrick’s Former TDE Labelmate

Despite once sharing a label home, Del Amo, California rapper Reason is convinced that another rapper is going to be bigger than his former labelmate Kendrick Lamar. Appearing on the podcast New Rory & Mal, Reason predicted that when J. Cole releases his album The Fall Off, he will be “bigger” than Kendrick and explained why.

As the hosts reminisced about Kendrick’s seismic verse from Big Sean’s “Control” in 2013, they noted that the Compton rapper was a bigger name than almost everyone he named, except for Drake. However, when Mal asks if Reason thinks Kendrick is bigger than J. Cole today, Reason has to offer his rationale for saying no.

“I think when The Fall Off drops, the fruits of his labor from being so active will show,” he says, after being careful to note that it was “not ’cause he’s better than [Kendrick]” due to TDE fans being “f*cking crazy.” “They’ve done this for years, though,” he elaborates, miming a set of scales going up and down. “To me, they’ve kinda like — [Kendrick] is bigger at this point, Cole [is bigger at that point]. They’ve kinda done that for a long time.”

He knows just how crazy TDE fans — and staff — can be after a controversial appearance on another show last week, during which he criticized the label for the disjointed rollout of his new album Porches. His comments prompted TDE president Moosa to call in and get into a heated debate about his position on the label, reminding him that Moosa’s predecessor Dave Free hadn’t wanted to sign Reason at all. Reason says that he and Moosa both have things they wish they hadn’t said but that the conversation was necessary.

Meanwhile, hip-hop fans have debated for years whether Kendrick or J. Cole was the bigger artist (after Drake, of course) due to their similar levels of commercial success and parallel rises through the blog era. However, J. Cole himself said around the time his last album, The Off Season was released, “As I’ve gotten older, I realize … no one is truly my peer or can relate to what’s going on in my life better than these people right here — just in terms of whatever pressures there might be … nobody can really relate to that like these dudes, and I really genuinely f*ck with these dudes.”

Check out videos of Reason addressing both questions above.

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Broken Social Scene’s Kevin Drew Grapples With Death On ‘Aging,’ His Newly Announced Solo Album

Broken Social Scene co-founder and lead vocalist Kevin Drew is gearing up to release new solo music. Today (August 16), Drew has announced his fourth solo album, Aging. Ahead of Aging, Drew has shared two new songs — “Out In The Fields” and “Party Oven.”

Many of the songs on Aging are inspired by the passing of Drew’s close friends and mentors. Drew wrote the songs on the album over the course of the past 10 years.

“Pain is a hard thing to let go until you’re ready,” said Drew in a statement. “And that’s kind of where I was at with this record. Music, for me, is a release–it’s a place where I can go and express what it is that I want to say.”

Aging will arrive this fall, by way of a rather peculiar rollout. The physical version will actually release first in September, with the digital version to follow. Perhaps the nostalgia factor of it all is one that comes with age.

You can listen to “Out In The Fields” and “Party Oven” above and see the artwork and tracklist for Aging below.

kevin drew again
Arts + Crafts

1. “Elevator”
2. “Out In The Fields”
3. “Party Oven”
4. “All Your Fails”
5. “Don’t Be Afraid Of The Dark”
6. “Awful Lightning”
7. “Fixing The Again”
8. “You’re Gonna Get Better”

Aging will be out on physical formats on 9/22 via Arts + Crafts. It will be available on streaming platforms beginning 11/3. Find more information here.

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Chvrches Head Back To ‘Manhattan’ To Honor The Tenth Anniversary Of Their Debut Album In A Special Way

To honor the tenth anniversary of their debut album, The Bones Of What You Believe, Chvrches will be releasing a special edition of the album that includes four previously unheard songs and five live tracks.

“It feels quite strange that Bones is almost a decade old,” lead singer Lauren Mayberry shared in a statement. “In some ways, it’s like it just happened, but also like that era was a lifetime ago. We are very grateful to all the fans who gave that album a special place in their heart, and still show us so much kindness today.”

The first of these unheard songs to see the light of day is “Manhattan,” which was one of the first songs that Iain Cook and Martin Doherty played for Mayberry — after they wrote it back in 2011. It also is a reference to the Manhattan Project, making it a fitting time to release among the Oppenheimer craze.

Check out Chvrches’ “Manhattan” above. Below, find the tracklist and cover art for The Bones Of What You Believe‘s anniversary edition.

chvrches bones of what you believe anniversary
Glassnote Records

1. “The Mother We Share”
2. “We Sink”
3. “Gun”
4. “Tether”
5. “Lies”
6. “Under The Tide”
7. “Recover”
8. “Night Sky”
9. “Science/Visions”
10. “Lungs”
11. “By The Throat”
12. “You Caught The Light”
13. “Manhattan”
14. “White Summer”
15. “Talking In My Sleep”
16. “City On Fire”
17. “We Sink” (Live)
18. “Now Is Not The Time” (Live)
19. “Lies” (Live)
20. “Strong Hand” (Live)
21. “By The Throat” (Live)

The Bones Of What You Believe (10th Anniversary Edition) is out 10/13 via Glassnote. Find more information here.

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Anthony Edwards’ Defensive Growth Has Been On Display With USA Basketball

Through three Team USA exhibition games — wins over Puerto Rico, Slovenia, and Spain — Anthony Edwards’ numbers do not pop off the page. The All-Star wing is averaging 14 points (54.8 percent true shooting), 4.3 rebounds, two assists, and one turnover in 21 minutes per contest. Team USA has thus far elected for an egalitarian approach offensively, with Jalen Brunson and Tyrese Haliburton typically initiating the action. Edwards has rarely been compelled to assert himself, nor did the first two games ask him to do that, as they were blowouts.

Late in Sunday’s win, though, the newly minted 22-year-old strung together a handful of sequences that distanced his squad from the Spaniards, sparked nine points, and led the team to a third straight victory. Among those plays was Edwards turning defense to offense by winding around a pindown screen after a tardy start, rejecting a jumper, and cramming home a fast break slam.

Despite the occasional hiccup — he could get lower in his stance on the ball, he’s prone to gambling, and his execution on switches remains dicey — Edwards’ defense has been a steadfast positive in these three international appearances. Whether that translates to FIBA World Cup play or the NBA’s regular season is a mystery, but Edwards has looked sharper, particularly with his off-ball awareness, motor, and impact.

Before entering the NBA, his understanding and investment in adhering to schemes off the ball lagged, along with his screen navigation. Because of his frame, quickness, and dexterity, he’s long projected as an overwhelming isolation defender, yet struggled wiggling over screens, which substantially narrowed his utility at the point-of-attack. Most encouraging from his summer showings up to this point is how well he’s performing in a chaser role. Mikal Bridges is usually assuming on-ball duties and that’s left Edwards to craft his signature elsewhere, weaving through pindowns and other off-ball screening actions.

He’s ducking his shoulder under picks to stay attached to assignments and wielding his strength and length to overwhelm opponents. Even if he’s caught on a pick or a tad late recognizing movement, he won’t give up on the play. His attention to detail and off-ball activity are persistent, something that’s predominantly ebbed and sometimes flowed in his career. He’s been a menace with his 6’9 wingspan to populate passing lanes, strip ball-handlers, and recover back into plays. In just 63 minutes, he’s tallied 10 steals and three rejections.

Part of Edwards’ defensive exploits are tied to his tantalizing physical tools. The athletic advantage he’s held on the international circuit is not as drastic on the NBA scene — he’s blotted out a few gaffes that would likely descend into full-fledged breakdowns in the league. Yet his willingness to remain engaged and generally dictate the terms of engagement are critical. Too frequently throughout his career, he’s banked on those tools being a magic bullet, only to be out of position for them to not matter. That’s rarely happening much in these exhibition games. He’s blending effort, technique, and athletic gifts, which would help turn an already impressive American defense into something even more troublesome for opponents.

At the point of attack, he’s played more erratically, though the instances of bouncy, enticing mobility to curb drives and prompt giveaways arise nonetheless. He’s pursuing tons of steals, sometimes to the detriment of a defensive shell, but is also rewarded fairly commonly to explain why he’s trying for so many pickpocketing possessions. That’s his style in the NBA, though, and it’s less fruitful. Sharpening the approach may behoove him long-term.

Anecdotally, his on-ball screen navigation hasn’t matched his off-ball endeavors, so translating some of these sequences to the NBA could also prove more challenging. It is, however, not difficult to watch him completely erase offensive intentions and ogle at his possibilities on the domestic stage. Crouch low, harass a live dribble, and gobble up space laterally. Edwards is doing precisely that on occasion, just as he’s exhibited in spurts with the Minnesota Timberwolves.

Given the lack of practice time and familiarity, Team USA’s offense has unsurprisingly been a bit sticky at times (cold outside shooting has also hurt). The playmaking aptitude of the roster is somewhat thin after Haliburton, too, though there are certainly talented distributors supplementing him. I just think the offense could shift into stagnant shot-making displays if Haliburton’s creation is quelled, although this group is capable of thriving that way.

Regardless, the defense, in part because of Edwards’ initial returns, might end up as the USA’s calling card. Fresh off his Defensive Player of the Year nod, Jaren Jackson Jr. is patrolling the interior like a hawkish hall monitor, whether it’s in ball screens, help rotations, or switching onto the perimeter. He’s been the team’s best player, complementing his domineering defense with efficient, selective scoring.

Together, he and Bridges form a sprawling pick-and-roll tandem. Jackson’s discipline, positioning, and timing as a drop defender are clinical, and Bridges is a nightmare when he tethers himself to initiators or walls off pocket passes around screens. I’ve loved watching them zap the gusto from offenses individually and collectively. I understand why the Memphis Grizzlies reportedly dangled four first-round picks to land Bridges and pair him with their All-Star big man this past winter.

Two more exhibitions await Edwards and USA before their World Cup debut against New Zealand on Aug. 26. Those represent a pair of chances to continue his upward ascent defensively. Behind playmaking and pacing refinements, he became a bona fide star last season. If he translates and maintains these defensive improvements into the fall, he’ll soon add “two-way” to that moniker, and everyone — himself, the Timberwolves, Team USA — will benefit.

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Airbnb host wakes his guest up in the middle of the night so she wouldn’t miss the northern lights

Seeing the northern lights is a common bucket list adventure for many people. After all, it ticks a lot of boxes—being a dazzling light show, rich historical experience and scientific phenomenon all rolled into one. Plus there’s the uncertainty of it all, never quite knowing if you’ll witness a vivid streak of otherworldly colors dance across the sky…or simply see an oddly colored cloud. It’s nature’s slot machine, if you will.

Traveler and content creator Pency Lucero was willing to take that gamble. After thorough research, she stumbled upon an Airbnb in Rörbäck, Sweden with an actual picture of the northern lights shining above the cabin in the listing. With that kind of photo evidence, she felt good about her odds.

However, as soon as she landed, snow began falling so hard that the entire sky was “barely visible,” she told Upworthy. Martin, the Airbnb host, was nonetheless determined to do everything he could to ensure his guests got to see the spectacle, even offering to wake Lucero up in the middle of the night if he saw anything.

Then one night, the knock came.


In a video Lucero posted to TikTok, which now has over 12 million views, we hear Martin ushering her out to take a peek. Then we see Lucero’s face light up just before seeing the sky do the same.

“I thought it was a prank,” the onscreen text reads in the clip. “And then I see it….”

Watch:

@penslucero

I’m on the verge of crying every time I watch this video I still cannot believe it. 📍 Rörbäck, Sweden

“I was mostly in awe of what this Earth is capable of,” Lucero recalled. “I never expected it to be THAT beautiful for the naked eye.” This is a hopeful sentiment against the widely accepted notion that the northern lights are often better looking in photos than they are in real life.

As Lucero asserted in a follow-up video, “Our video doesn’t do it justice at all…I would argue it’s even better for the naked eye.”

@penslucero Replying to @PatriotFamilyHomes ♬ Golden Hour: Piano Version – Andy Morris

Others were quick to back Lucero with anecdotes of their own experience.

“It’s definitely possible to see it like in the pics. I saw it this winter in Norway, there was bright green, purple and so much movement.”

“They’re so much better in person, the way they dance and move around is insane and beautiful.”

Of course, if you ask Martin, who everyone agreed was the best host ever, seeing guest reactions of pure wonder and joy is even “better than the lights themselves.” But still, he can’t deny that there’s a breathtaking magic to it all. He shared with Upworthy that “Sometimes it feels like it will pull you up in the sky like you are in the middle of it. I wish everyone would have the chance to witness it.”

northern lights

When it comes to tips for actually seeing the northern lights, Martin admits it still mostly comes down to being in the right place at the right time. Luckily, his Airbnb listing can help with that.

Nature has a great way of reminding us that beyond the distractions and distresses of modern life, there is sublime beauty waiting for the chance to capture our hearts.

This article originally appeared on 03.27.23

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Turns out, the hamburger is as rich in history as it is in flavor

It’s something so simple, yet something so good — two tasty buns around mouthwatering meat.

Yes, it’s true: Hamburgers are wonderful. But what exactly makes them so wonderful? With so many parts and so many variations, it’s hard to know precisely why this dietary delight has become such an iconic part of our culture.

Over the centuries — yes, centuries — the hamburger has evolved from an umami underdog to a ubiquitous food staple all across the globe. And at the center of that strange journey is some surprising insight into humanity itself (and also a tasty meat patty).

Here are seven fascinating facts from across the years and continents that will make you appreciate the burger for more than just its taste.


1. The hamburger was invented in New Haven, Connecticut.

It was 1900 when Danish immigrant Louis Lassen first took the trimmings from his trademark steak sandwiches (which he also helped pioneer), packed them into patties, and placed them between two slices of toast from his sandwich wagon. The family still runs Louis’ Lunch Shop on Crown Street today and still serves the sandwiches on toast with no option for ketchup.

As someone who was born and raised in New Haven, I can assure you that this is 100% unequivocal truth. Even the U.S. Library of Congress has it on record!

sandwich, trademark, mobile food, health

2. Unless it was not invented in New Haven at all.

Perhaps it was Fletcher Davis of Athens, Texas, that actually invented it. He supposedly started cookin’ up those patties in the late 1880s, then brought his treat to the 1904 World’s Fair in St. Louis, where it gained global attention.

Or it could have been Charles and Frank Menches of Hamburg, New York, who ran out of sausage at a fair in 1885, so they packed together ground beef with coffee, brown sugar, and other brown spices to mask what was otherwise considered “lower class” meat.

Some people even give credit to Charlie Nagreen of Seymour, Wisconsin, who began serving flattened meatballs on bread in 1885, even though that’s pretty clearly a “meatball sandwich” and not a “hamburger.”

Maybe it all began at root beer-maker Oscar Weber Bilby’s Fourth of July party in 1891, right in Oklahoma — the heartland of America.

As you can see, there’s some question as to which of the 50 states can actually claim credit for this distinctly American delicacy. Unfortunately, people didn’t keep very clear records of these things back then, so it’s kind of hard to determine which one was the real pioneer.

national landmarks, state law, America, culinary

3. But we do know that the first record of a hamburger-like recipe was from 1758.

The Art of Cookery made Plain and Easy” by Hannah Glasse — the most popular cookbook in England for more than a century — was well-known in the American colonies too.

The cookbook was updated many times after its initial publication in 1747, but it was the 1758 edition that first made mention of a “hamburg sausage” — a combination of ground beef and spices that was cured and then served roasted on a single piece of toast.

recipe, hamburgers, history, documents

4. The hamburg sausage wan’t quite a sandwich. But neither was the “hamburg steak,” another cousin of the burger.

Obviously, the question of “what defines a sandwich” has resulted in much debate. But one thing we can all agree on is that it requires some kind of casing in order to qualify as a “sandwich” … right?

While Glasse’s hamburg sausage could have arguably been an open-faced sandwich, the popular hamburg steak was definitely not a sandwich. The German dish gained popularity in the 18th century and comprised of, um, well, a patty of ground beef packed together — sometimes with spices or onions or egg — and then cooked and served. Which, come to think of it, does sound a lot like a hamburger without the bun.

(Some would argue that a hamburger without a bun is not technically a hamburger, but that’s a philosophical discussion for another time.)

middle east, cuisine, world views, studies

5. Come to think of it, no one’s really sure who invented the sandwich either.

This may not sound like an important part of hamburger history, but bear with me. You’ll see how it connects.

Credit often goes to John Montagu, the fourth Earl of Sandwich, who allegedly needed some way to contain his food so that he could continue playing cards with his friends without making a mess or needing utensils.

But he was hardly the first to think of such a thing — Hillel the Elder was known for eating flatbread sandwiches as far back as the first century, and of course, many Middle Eastern and Eurasian cultures made use of the pita to contain all kinds of tasty treats, including — wait for it — minced meats.

Now do you see where this is going?

art, food, historical data, research, marketing

6. That’s right: The hamburger goes all the way back to Genghis Khan. (Sort of.)

Look, there’s a lot of world to conquer, OK? And when you were part of Khan’s Golden Horde, you didn’t have a lot of time to stop and eat between invading 2/3 of the planet. Khan’s soldiers would sometimes stay on horseback for days at a time, which wasn’t really conducive to eating soup either.

They found a way around the problem by thinly slicing meat and packing it together into portable patties that could be taken on the road and eaten as needed. Sometimes they were boiled, sometimes cured ahead of time, and more often than not, they were just eaten raw (but, contrary to popular belief, they were not placed under their saddles and cooked by butt-heat friction).

historical figures, art, Mongolia, war

In one part of the world, this minced meat may have evolved into kebabs, which of course were then contained in the aforementioned pitas. Genghis’s grandson Kublai Khan is believed to have passed this raw meaty snack on to the Russians, who called it “steak tartare,” reportedly after their name for the Turco-Mongol peoples.

It would only be a matter of time before Russians shared the recipe with Germans, who gave it a twist of their own and turned it into hamburg steaks.

7. But the absolute oldest reference to a burger-like food comes from fourth-century Rome.

The ancient Roman Empire contributed a great many things to the modern world — including, believe it or not, fast food in the form of the ready-to-go thermopholia markets (literally “a place where something hot is sold”). According to a fourth-century cookbook, some of these thermopholia sold a packed patty known as Isica Omentata, which was made from minced meat, pine nuts, fish sauce, wine, and other spices. You can even find some modernized recipes and make your own Roman patties the next time you’re in the mood for a gladiator match!

cookbooks, Roman Empire, history, nutrition

The hamburger’s globe-trotting history shows us exactly why people around the world love those meaty buns.

(Besides the fact they’re delicious, I mean.)

The real power of the burger is much more primal than that. Bread and meat are dietary staples of every culture since pretty much the dawn of civilization as we know it. It only makes sense to bring them together in such a simple way. And as technologies continued to evolve, of course we’d use them to perfect this quintessential combination, which would, in turn, give rise to the modern burger as we know it.

sculpture, diets, fast food, farming

That’s why the hamburger’s winding journey from Rome to Mongolia to Russia to Germany and, finally, to the United States is such a telling story: It shows how separate cultures have so much in common across time and space. In that regard, it almost doesn’t matter who was first to slap that patty on a bun or what inspired them do it — because the impulse was intrinsically human. Which means, yes, the hamburger has the power to unite us all, no matter where we come from, like one big global barbecue.

But also, they’re delicious.

This article originally appeared on 03.22.18

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Charli XCX Used The High-Octane Video For Her ‘Barbie’ Song ‘Speed Drive’ To Seemingly Tease A Big-Time Collaboration

The Barbie movie soundtrack is full of big moments, including Charli XCX’s relentlessly upbeat “Speed Drive,” for which she just released a high-octane new video.

Worth noting is about half a minute into the visual, the song stops as Charli apologizes for her phone ringing in her pocket. It turns out to be a video call from Sam Smith, who asks, “Did you have a chance to listen to the new mix, babe? What do you think?” Charli lets Smith know she’s on the video set, so the singer responds, “Oh, OK OK, I’m sorry, I just… we’ve got to submit it so we can get it out.” So, it seems Charli and Smith used the “Speed Drive” video to reveal they have some sort of collaboration on the way.

Charli recently told Rolling Stone, “I’ve always really liked singing about cars. For me, there is this intrinsic link between driving and music and feeling like you’re a star when you’re in a car.” She added that she wanted “Speed Drive” to “feel quite bratty” and “about just being hot.”

Earlier this month, the song debuted at No. 73 on the Billboard Hot 100 chart. It’s her first song to appear on the chart in nearly a decade, since “Break The Rules” in 2014. (That said, her most recent album, last year’s Crash, was her first to reach the top 10 on the Billboard 200, peaking at No. 7).

Watch the “Speed Drive” video above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.