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What To Watch: Our Picks For The TV Shows And Movies We Think You Should Stream This Week

Each week our staff of film and TV experts surveys the entertainment landscape to select the ten best new/newish shows available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.

20. Star Trek: Strange New Worlds (Paramount Plus)

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PARAMOUNT

What we have here is a spinoff of one show (Star Trek: Discovery) that was itself a prequel to another show (the original Star Trek), now in its second season. We are deep into the lore here. But that’s okay. It’s a fun little ride, good for both diehard fans of the franchise and newbies trying to dip their toes in a little. You could use a little galactic escape sometimes. We all can.

Watch it on Paramount Plus

19. Warrior (Max)

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Warrior is back for a third season, still starring Andrew Koji as Ah Sahm and still set in 19th century San Francisco and still based on the writings of Bruce Lee, but now it’s on Max, which was previously known as HBO Max, after originally debuting on Cinemax back in 2019. There’s a lot going on here, most of it involving some usage of the letters m-a-x, but the bottom line remains the same: it’s a good show that’s full of action and cool fights scenes and sometimes that’s exactly what you need when it starts getting hot outside.

Watch it on HBO Max

18. Survival of the Thickest (Netflix)

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Michelle Buteau delivers a heartfelt take on sudden singleness and chosen families with this Netflix comedy that was partly inspired by her book of the same name. Centered around an aspiring stylist whose life gets extremely complicated very quickly when she catches her live-in boyfriend hooking up with someone else, Buteau’s character gets lifted by her friends (fully developed friend characters!) and her indefatigable spirit. Still, none of this feels fairytale perfect, breaking the notion of a cliched story through charm, nuance, and realness to create something that’s as funny as it is empowering.

Watch it on Netflix

17. Foundation (Apple TV Plus)

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In case the clip of Lee Pace battling a group of relentless assassins dressed only in his birthday suit wasn’t a big enough clue, this season of Foundation f*cks. And fights. What we’re trying to say is there’s a ton more action involved in the latest batch of episodes as the struggle to save a small swath of humanity from a predicted galactic war grows more perilous. We’ve hurtled 100 years forward as Dr. Hari Seldon (Jared Harris) and his group of revolutionaries encounter a new threat to his psychohistory equation while navigating the unintended consequences of time travel. Meanwhile, the Emperor clones (Pace among them) are scrambling to hold onto power as rebellions and political upheaval threaten their DNA-replicating dynasty. Man, no one is doing sci-fi like Apple TV+ right now.

Watch it on Apple TV Plus

16. Praise Petey (Hulu)

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FREEFORM

What if Schitt’s Creek, but with ritual killings and space cults? That’s the basic idea driving Praise Petey, a new Hulu-streaming cartoon from Mike Judge, Greg Daniels, and SNL head writer Anna Drezen. Starring the voice of Schitt’s alum Annie Murphy, the show tells the story of a big city influencer who inherits a town from her father… and the weird cult at its core. Naturally, cultures clash when she decides to put her fancy shoed foot down and stop all the human sacrifices, but besides the ritual killings, everyone seems more quirky than nut-retractingly terrifying, so we’re sure these divergent sides can work out their differences before a comet comes to wipe us all out/save us.

Watch it on Hulu

15. The Witcher (Netflix)

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How will Henry Cavill be written off the show? Find out in volume two of season three.

Watch it on Netflix

14. Specials Ops: Lioness (Paramount Plus)

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PARAMOUNT PLUS

Because bucketfuls of Taylor Sheridan TV shows still aren’t enough, the former Sons Of Anarchy cop is here with an inspired-by-real-life story about the CIA’s Lioness Program. Zoe Saldaña stars as an operative who helps mentor and mold recruits, who will one day become fearsome assassins. Saldaña is surely relieved to be back in ass-kicking mode, over a decade after Colombiana proved how riveting she can be as an action star. Nicole Kidman also headlines as the chief of the Lioness Program, which is part of the “CIA’s efforts to thwart the next 9/11,” according to the show’s synopsis.

Watch it on Paramount Plus

13. Full Circle (Max)

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MAX

We are fixing to be awash in Tim Olyphant. Not only is Justified: City Primeval on the way, but he also plays an apparently hatless role in this crime drama series from Steven Soderbergh. Olyphant and Clare Danes portray parents of a kidnapped child, so yes, this might not be the kind of “tense drama” that you’re craving, but the talent is stacked into the stratosphere. Zazie Beetz plays the lead investigator on the case, and naturally, do not expect a cut-and-dried story from Mr. Soderbergh. Yes, there are secrets afoot here.

Watch it on Max

12. They Cloned Tyrone (Netflix)

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NETFLIX

They don’t make movies like They Cloned Tyrone anymore. Pulled from a Black List script from first-time director Juel Taylor, this slick, riotous crime caper is an amalgam of genres – one part mind-bending sci-fi, one part Blaxploitation homage, mixed with 70s era funk, infused with Nancy Drew references, and propped up by stellar comedic performances from Jamie Foxx and Teyonah Parris. John Boyega’s in here too, playing a reluctant hero tasked with saving his block from a secret government conspiracy that’s somehow twisted up in fried chicken recipes and grape drink offerings and hair relaxer. If we could have more of this, that’d be great.

Watch it on Netflix

11. The Afterparty (Apple TV Plus)

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The Afterparty was a ton of fun in its first season. It was a little whodunnit mystery with a cast full of your comedy favorites — Sam Richardson! Tiffany Haddish! Ben Schwartz! And so on! — and a fun hook where each episode focused on a different character and was presented using a different style of storytelling. Well, it’s back for a second season now, with a new murder and some new genres and a similar crew of characters. There is very little to complain about here.

Watch it on Apple TV Plus

10. Physical (Apple TV Plus)

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APPLE

Rose Byrne’s other Apple TV+ show (she recently scored a hit with Seth Rogen in Platonic) returns for a final season of darkly comedic aerobicizing. That exercise empire, Body By Sheila, is now under threat due to a rival workout goddess portrayed by Zooey Deschanel, so is there enough room on people’s VHS shelves for both fitness moguls to keep shining amid leg warmers and mega-hairstyles? This show has so much bite, and it will be sorely missed by those who dig tales about unhappy housewives who ditch their stifling lives and move onto entrepreneurial success, albeit with its own hazards.

Watch it on Apple TV Plus

9. Futurama (Hulu)

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HULU

Futurama has returned for a… third time? Fourth time? It’s hard to keep track. But what’s important here is that Matt Groening and David X. Cohen’s future-set animated series is back again, this time on Hulu, and the original voice cast, including Billy West, Katey Sagal, and John DiMaggio, have all returned. No matter how many times Futurama ends, it always seems to come back as clever and funny as ever.

Watch it on Hulu

8. How To with John Wilson (Max)

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A surprisingly stirring mosaic of human weirdness, modern annoyance, and the pursuit of presence and meaning, How To with John Wilson landed when we needed it most amidst the wall-to-wall coverage and heavy isolation of the peak pandemic. Like other revered HBO shows (Succession, Barry), it’s now leaving, perhaps a little sooner than we expected or wanted. Nevertheless, it feels like it’s going out on high and on its own terms creatively with another volume of mundane misadventures adding up to something touching profundity.

Watch it on Max

7. What We Do in the Shadows (FXX/Hulu)

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Body-swaps. Pride parades. Mall outings. The best comedy on TV is officially back, baby. WWDITS’ latest season introduces our favorite group of undead idiots to even more 21st century hijinks proving that this show – unlike its immortal characters – only gets better with age. Guillermo’s struggling with an identity crisis of supernatural proportions, Nadja’s been hexed, Colin Robinson is thriving in the service industry, and Nandor and Laszlo are knee-deep in a centuries-old feud. The house is in chaos, which is just how we like it.

Watch it on Hulu

6. Harley Quinn (Max)

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Even though there’s been a lot of upheaval at HBO Max/Max and even more so for films and TV shows starring DC characters, at least one supervillainess is safe. Miss Harley (who does not need the Joker for success) was almost pointedly renewed as a clattering of show cancellations and removals swirled. Heck, Kaley Cuoco’s voice even gave us the only Valentine’s Day special worth watching this year. Soon, we might find out whether Bane is still making love to a skyscraper as Harley attempts to get in good with the Bat Family. Quite a contrast there.

Watch it on Max

5. Justified: City Primeval (Hulu)

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Everyone’s favorite extralegal lawman is swaggering back into our hearts, long after he made it out of Harlan alive. Can he make it out of Detroit alive, too? We’ll see, and Raylan Givens’ daughter, Willa, is also onboard to give the hat a hard time because someone needs to do it. We’ve already pinpointed the one Justified episode, “Long In The Tooth,” that makes an ideal essential rewatch before this spinoff, and Raylan should have a swell time hunting bad guys in Motor City. At the top of his list: The so-called “Oklahoma Wildman,” portrayed by Boyd Holbrook and his tighty-whiteys.

Watch it on Hulu

4. Twisted Metal (Peacock)

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Peacock

Twisted Metal is one of the more unlikely video game-to-TV show adaptations, but the Peacock series has put together quite the crew for this post-apocalyptic joyride. The action-comedy stars Anthony Mackie, Stephanie Beatriz, Thomas Haden Church, Mike Mitchell (of Doughboys fame), and wrestler Samoa Joe as Sweet Tooth (Will Arnett provides the voice of the evil clown). The Last of Us was great, but did it have a clown driving an ice cream truck? Exactly.

Watch it on Peacock

3. Heartstopper (Netflix)

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NETFLIX

Heartstopper is really just a lovely little show. The first season introduced us all to Charlie and Nick, two teenage boys who became friends and then discovered that friendship might actually be… something… more than friendship. Season two takes things even further. It’s funny and sweet and charming and gay as all hell, which is… yeah, really just lovely.

Watch it on Netflix

2. Winning Time (Max)

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HBO

The continuing saga of the Showtime-era of the NBA and the LA Lakers, well, continues, injecting a lot more Larry Bird into the mix while also seeing the impact of fame and failure on the principal characters of the era, inspiring strong performances from Jason Segel, Adrien Brody, Solomon Hughes, and Quincy Isaiah. Off-the-court and out of the trainer’s room, the complex family dynamic between the members of Buss family proves volatile, giving us Succession vibes. Damn, Succession in the mid-80s, what a dream. For now, though, Winning Time is a worthy substitute and more than worth your time.

Watch it on Max

1. Reservation Dogs (Hulu)

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FX

The thing about Reservation Dogs is that it is a good show. It has been for a few seasons now. And it still is in its third and final season, which is airing right now. Funny and heartfelt and everything you could possibly want out of a television show about some teens figuring stuff out. There’s a lot of weird stuff going on out there in the world. Some of it is kind of scary. Maybe you should chill out and watch Reservation Dogs. You could absolutely do much, much worse.

Watch it on Hulu

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Blxst And Remble Praise The Lord In Their Spiritual ‘Child Of God’ Video

Last month, hyperarticulate San Pedro rapper Remble made his return to the spotlight with the help of Blxst on the spiritual single, “Child Of God.” Today, the duo shares the affirmative video for the song, which takes place in two major frames reflecting the song’s duality. We see a sunny day in LA, with children play fighting in the street, a group of women cruising around in a convertible, and Blxst performing in the hills flanked by a small choir.

But then, when the beat switches up for Remble’s verse, things get dark — literally, as his segment takes place at night under a fireworks display. We also see the other side of some of the brighter scenes. The kids playing “Duck, Duck, Goose” are running around a chalk outline, while one of the women from the convertible scene shows off her other skills, suggesting that there’s a price to be paid for some blessings.

“Child Of God” is just the latest song making Blxst one of the West Coast’s most ubiquitous voices lately. Earlier this year, he curated the soundtrack to NBA 2K23‘s latest season and appeared on tracks from Compton rappers Tyga & YG (“West Coast Weekend“) and Roddy Ricch (“Passionate“). As he told Uproxx in May, he’s not only working on his third album but also another joint Sixtape with Bino Rideaux.

Watch Blxst and Remble’s “Child Of God” video.

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A Salty Producer Of ‘The Witcher’ Decided To Blame The Audience’s Intelligence For The Show’s Falling Viewership

Back when The Witcher launched on Netflix, I happily declared that it didn’t need to be that great. Unfortunately, that might have triggered something on The Continent (and I’m sort-of kidding) because although Season 2 had its undeniable merits, the third season is not a banger. This did not escape Henry Cavill, obviously, given that he decided to ditch those leather pants and the white wigs, which will now both be worn by Liam Hemsworth if Season 4 still happens. Netflix hasn’t said otherwise, after all.

Henry, for his part, absolutely adores Andrzej Sapkowski’s The Witcher books and the video games, yet he hasn’t badmouthed anyone about the show’s downward spiral, and he will be nerding hard elsewhere (over at Amazon, where he will star in and help produced Amazon’s adaptation of the Warhammer 40,000 tabletop RPG universe). Back in The Witcher land, producer Tomek Baginski was in a decidedly more salty frame of mind while recently talking with Polish publication Wyborcza (via Hollywood Reporter). Baginski seemingly blamed the American audience for allegedly forcing the show to make “simplifications” to the source material:

“When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary … It’s painful for us, and for me too, but the higher level of nuance and complexity will have a smaller range, it won’t reach people.” Previously, Baginski suggested stories also need to simplified due to young viewers being inspired by only “emotions” rather than plot due to being raised on YouTube and TikTok.

It’s not the most diplomatic (or productive) way to address how the show’s audience stopped tuning in to greater degrees with each passing episode in Season 3. Forbes’ Erik Kain also took Baginski to task after the Wyborcza journalist told the EP that he was part of the show’s target audience as well as a YouTube and TikTok enthusiast, and Baginski responded, “Okay, so it’s time to be serious. Dear children, what you do to yourself makes you less resilient for longer content, for long and complicated chains of cause and effect.”

Foot-in-mouth statement speaks for itself, no further commentary needed.

(Via The Hollywood Reporter & Forbes)

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What Time Does Taylor Swift Go On Stage For ‘The Eras Tour?’

Taylor Swift’s The Eras Tour has blazed across North America for the better part of the year so far and is nearing its finale in Los Angeles, CA at the SoFi Stadium with openers Haim, Gracie Adams (Thursday, Monday, and Tuesday night), Owenn (Friday night), and Gayle (Saturday and Wednesday night) in tow. It has been a long, wild ride, but surely the wildest nights are still ahead as Swift takes on one of the biggest markets for final week of her tour — for now.

Swifties in the City of Angels will want to arrive well before she hits the stage at around 8 PM, according to past show coverage from cities like Chicago and Seattle. Fortunately for y’all, we’ve provided a handy guide for where to park to ensure you spend more time inside the stadium than outside (although the outside is really pretty).

And hey, fans outside the US: it’s almost your turn. Taylor announced her international dates in June; they kick off on August 24 in Mexico City, sweeping through Argentina and Brazil before hitting Tokyo, Melbourne, Sydney, Singapore, Paris, Stockholm, Lisbon, Madrid, and more next year. And US citizens who missed out the first time around may get a second chance to see the show, provided they live in one of the cities where new dates were announced today.

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Zendaya And Her ‘Challengers’ Co-Stars Are Doing A Great Job Of Making Tennis Sexy

The trailer for Challengers caught the internet’s attention because a) it’s a new movie from director Luca Guadagnino starring Zendaya, and 2) it’s a new movie from director Luca Guadagnino starring Zendaya where she appears to have a threesome with Josh O’Connor and Mike Faist.

Challengers is a “fizzy, sexy movie,” according to Guadagnino, but the sex scenes aren’t what they appear.

“What Luca’s really good at is finding sensuality and desire,” Zendaya told Empire in an interview that took place before the SAG-AFTRA strike. “There’s so much in just glances. The tension builds. Not having the release is a good thing sometimes.” O’Connor added, “The tennis is the sex. Those moments are so sexy. The film is dealing with the tension before and after. The sex they’re all desperate for is on the court.”

“The tennis is the sex” is the best tagline since “surgery is the new sex.”

Here’s more on Challengers:

Tennis player turned coach Tashi (Zendaya) has taken her husband, Art (Mike Faist), and transformed him into a world-famous grand slam champion. To jolt him out of his recent losing streak, she makes him play a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi’s former boyfriend (Josh O’Connor).

Challengers will be released on April 26, 2024.

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Donald Trump, On The Way To His Election Fiasco Arraignment, Still Finds Time To Dunk All Over Ron DeSantis

While traveling to his third arraignment after being indicted on conspiracy charges for his actions leading up to and including the January 6 attack on the U.S. Capitol building, Donald Trump still found time to attack his Republican primary challenger Ron DeSantis.

Despite being ensconced in a whirlwind of legal trouble, Trump has managed to stay ahead of DeSantis in the polls. In fact, Trump has actually widened the gap, and the former president isn’t about to stop pummeling his opponent anytime soon. In a new attack ad posted to Truth Social, DeSantis is seen profusely praising Trump while running for re-election in 2022.

Via Raw Story:

“I want to thank him for what he’s done for our economy,” DeSantis says in the ad. “Trump has almost the entire media against him. Fake news day after day after day. He’s facing opposition, unlike any other president we’ve seen. And he is standing tall for us.”

“And I think that Donald Trump has done a better job appointing judges to both the U.S. Supreme Court and the appeals court than any other president in my lifetime, including one of my heroes, Ronald Reagan,” the ad continues. “Is this Trump country or what?”

The campaign spot arrives on the heels of DeSantis trying out a new tough-talking approach to his campaign, which saw the Florida governor tell a crowd of New Hampshire Republicans that Mexican cartel members are going to be “shot stone cold dead” and federal bureaucrats are in for a rude awakening.

“We are going to start slitting throats on Day One,” DeSantis told a crowd full of barbecue-eating locals.

(Via Raw Story)

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The New Trailer For HBO’s Bishop Sycamore Documentary Looks Compelling As Hell

Two years ago, during the doldrums of August, IMG Academy, a boarding school in Brandenton, Florida renowned for its athletic programs, squared off against the Bishop Sycamore Centurions in a football game broadcast on ESPN. The only problem, it turned out, was Bishop Sycamore’s entire presence was a rouse. The high school wasn’t real, despite enticing players to join the program under the guise of national exposure and eventual collegiate scholarship offers. Naturally, IMG beat the brakes off Bishop Sycamore, 58-0, in a game where the teams understandably couldn’t look farther apart in quality and caliber. Social media had a field day with the whole happenings. It took Twitter by storm and the jokes were endless for a bit.

Now, HBO is set to release a documentary titled “BS High” uncovering the truth behind Bishop Sycamore and how it all came to be, focused on head coach Roy Johnson, who says “I think I’m the most honest liar that I know” in the trailer that released Thursday morning. That quote alone is enough of a pitch to hook me in and summarize why everything spiraled, I’d say.

The story looks pretty intriguing, frustrating and disappointing. Johnson seems to be portrayed as a longstanding con man who sold kids on a nonexistent dream while chasing his own attention and publicity. It’s like Fyre Fest meets football. “BS High” debuts Aug. 23 on HBO’s streaming platform, “Max.”

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Where To Park Near SoFi Stadium For Taylor Swift’s ‘The Eras Tour’

Did you get tickets to Taylor Swift’s The Eras Tour concerts at Inglewood, California’s SoFi Stadium this weekend? Congratulations and we hope you enjoy the show, but there’s still some planning to do. Getting Swift tickets is only part of the battle, because now a big question left to answer is: Where are you going to park?

Well, The Los Angeles Times recently shared some insight in a parking rundown made specifically for this occasion. They note that a good place to start looking is on SoFi Stadium’s own page dedicated to parking information.

ParkWhiz is also an option for booking a spot, as they show what parking areas are available to get through them for all the concerts. It’s not cheap, though, as some spots will run you hundreds of dollars. Reselling sites like StubHub and Vivid Seats also have parking accommodations available.

If you want to save some money, the city of Inglewood also offers a Park & Go service. Spots in the remote lots got for $38.25 each, while round trip rides on the shuttle from the lot to SoFi Stadium are $8.70 per person.

Also worth noting is that the Kia Forum is right near SoFi Stadium, and they’re selling parking for the Swift concerts, too. Beyond that, you could also just take an Uber, Lyft, taxi, or something like that to the stadium.

The LA Times piece has additional information about parking and traffic, so learn more here.

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Adidas Brought In Nearly Half-A-Billion Dollars Selling The First Batch Of Post-Kanye Yeezys

With Kanye West no longer a part of Adidas’ corporate strategy, the company was left in the awkward position of sitting on a massive supply of unsold Yeezy product and no great options for getting rid of it. Obviously, selling off the back stock would put more royalties in the hands of West just after public sentiment had turned against him (with no guarantee the product would move after it hit shelves), but destroying the kicks would be a huge financial blow. Ultimately, Adidas decided to go with option A, and according to Rolling Stone, it seems like the choice paid off, to the tune of nearly half-a-billion bucks.

In late May, Adidas unvaulted about a quarter of its remaining Yeezy merchandise, and since then, brought in about $437 million. A portion of that profit will be donated to two charities: the Anti-Defamation League and the Philonise & Keeta Floyd Institute for Social Change to offset the harm Kanye’s 2022 media tour caused.

The Philonise & Keeta Floyd Institute is a nonprofit established by the brother of George Floyd; during an interview with Drink Champs, Kanye parroted a racist right-wing conspiracy theory that Floyd died from a fentanyl overdose rather than being suffocated by a police officer in put his knee on Floyd’s neck, despite his protests that he couldn’t breathe. Meanwhile, the Anti-Defamation League is a well-known civil rights organization working to reduce antisemitic harm — which Ye did plenty of over the past year.

Adidas CEO Bjørn Gulden said this option is “much better than destroying and writing off the inventory and allows us to make substantial donations.” The company did not say how much it donated, only that the amount had been discussed with recipients beforehand, and cited its “contractual obligations” with regard to whether Kanye will receive royalties (he will).

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USWNT’s Group Stage Takeaways: What Needs To Change To Advance In The Knockouts?

The United States women’s national team’s last match of group play at the 2023 Women’s World Cup needed to double as a defining moment for a pressure-cooked team struggling to find its identity on the pitch. After a lackluster win against tournament debutants Vietnam and a hand-wringing draw against a precise and technical Netherlands side, Portugal was supposed to be the opportunity to answer questions about the team’s performance, its drive, and its ability to dominate an ever-expanding women’s game. These questions aren’t new, as they have been growing, in number and volume, since the USWNT’s third-place finish at the Tokyo Olympics.

The game against Portugal could’ve been a course correct for Vlatko Andonovski’s squad. Instead, it felt like a harbinger of even tougher battles for the two-time defending World Cup winners. A post, just a few inches wide, saved the USWNT from an early and embarrassing exit in group play. The team has never missed out on the chance to advance from the group stage since the Women’s World Cup began in 1991. Their second-place finish behind the Netherlands in Group E marks just the second time they’ve ever failed to win their group before heading into the knockout stages. They netted their lowest-ever points total in group play at the tournament and scored just four goals over the course of three games.

When faced with all of that, the knee-jerk conclusions some pundits have come to seem to be focused on the wrong issue. That “noise,” fueled by pundits and online fans, points to individual players, shifting team cultures, and an increased focus on issues off the pitch as to why the USWNT had to claw its way out of group play. Carli Lloyd, an all-time great player whose competitive fire is matched by few others in the sport’s history, was particularly upset with how the players celebrated getting out of the group despite not performing to the ultra-high standard players like herself set.

It’s, frankly, easy to point to things that are impossible to really define when a team is going through — by its own standards — an unprecedented dip in performance. But we’ve seen teams struggle in a similar manner to how the United States has struggled in New Zealand, so it stands to reason that the answer to why they’ve looked off throughout group play is not all that hard to figure out.

This squad sports incredible depth, on the field and on its bench. Even though some of the team’s most important players are out with injuries, it’s got world-class attackers in Sophia Smith, Lynn Williams, and Alex Morgan; midfield playmakers like Lindsey Horan and Rose Lavelle; and a sound defense in Naomi Girma, Emily Fox, Crystal Dunn, and Julie Ertz, who is a midfielder deputizing as a center back and doing well, all things considered. There’s fresh talent like Trinity Rodman, Ashley Sanchez, and Savannah DeMelo ready to bring flashes of brilliance to the game, and dependable workhorses like Emily Sonnett, Kelley O’Hara, Sofia Huerta, and Kristie Mewis.

But if the recipe is bad, it doesn’t matter how good the ingredients are, the final product is still going to be off. And through three games, that has been what we’re seeing with the USWNT.

Many of the squad’s problems originate in the midfield. It’s not because Horan, Lavelle, and Andi Sullivan can’t match up against teams like Portugal and the Netherlands for skill, but because the formation they’re in hampers their ability to move the ball forward when the attack demands it and to possess when the brakes are on. When Ertz stepped away from the game for a year and a half, the team needed a holding midfielder capable of sweeping up play and alleviating pressure at the back line. While asking anyone to single-handedly replace Ertz is an impossible task, Sullivan was the natural choice to step into the role. She’s managed to do enough of that, but unlike Ertz who could take care of quite literally everything in the middle of the park at her best, Sullivan can use some help, especially when tasked with cleaning up play against teams that like to crowd the midfield.

When the U.S. changed from a 4-3-3 formation (four defenders, three midfielders, three attackers) to a 4-2-3-1 lineup (four defenders, two defensive midfielders, three attacking midfielders, one striker) as they did in the SheBelieves Cup earlier this year, that meant Horan would stay back to help Sullivan while Lavelle or Sanchez could string passes through to create counter attacks. That formation didn’t solve all of the team’s problems – finishing chances in the final third is still an elusive feat – but it left the midfield less vulnerable to being swarmed, which made it easier for the Americans to control the game. They won the tournament with that formation and managed to solve the problem of Ertz’s absence in the process.

In the World Cup, Andonovski has reverted back to the 4-3-3 lineup during the group stage, saddling Sullivan with defending alone, placing Ertz in a center-back position where she can only clean up play, and putting pressure on Horan and her midfield partner to service the wings. Those “wings” aren’t really wingers — Rodman, Smith, and Williams are more number 9s who are at their best when they’re running head-on against lines of defense, able to dribble their way out of trouble, and have a laser-focused view of the back of the net. And Morgan, who occupies that number 9 role at present, really isn’t working as a striker anymore. She’s not receiving balls in the box and converting them like she used to, although she is the best of the bunch defensively.

The team’s defense has generally been rock solid — their 0.7 expected goals allowed is the fewest through three games, and Alyssa Naeher has only been beaten once. But the midfield and forwards have been strangely profligate all tournament. The Americans have the third-best expected goals mark in the field with 7.8 xG. They’ve scored a total of four goals. Their passing has been shockingly bad, as the United States is 21st out of 32 teams in completion percentage with a mark of 68.8 percent. The inability to do the simple stuff has been the strangest bit of it all, as the team falls to 25th in completion percentage among short passes. The defensive solidity and ability to create chances are reasons for optimism, but the sloppiness with the ball matches the eye test.

A Round of 16 matchup against Sweden, the No. 3 team in the world, is up next. Odds are Japan, which is 11th in the world and dominated its group, would be waiting for the winner in the quarterfinals. While it would show a level of bravery that he hasn’t shown in the tournament, changes to both the formation and the personnel could be in Andonovski’s best interest. Alana Cook, a trustworthy defender who’s played alongside Girma for the U.S. before, should start and Ertz — whose fitness really isn’t in question at this point since she’s played every minute of every game — should take up her more familiar spot in the midfield. Horan and someone like Sanchez can occupy the midfield (particularly against Sweden, as Lavelle is suspended due to yellow card accumulation), with Horan helping to defend and Sanchez springing balls forward. DeMelo and Sullivan can provide some crucial depth, but the USWNT needs Horan’s leadership and Ertz’s reliability in the middle of the pitch, and the third player in that trio needs to be the one who compliments them the best.

Smith should serve as the team’s number 9, pressuring defenders and sprinting towards goal while Williams and Rodman offer support (and more speed) on the wings. Having someone take Morgan’s place in the XI would be an especially bold move, although all the dirty work that Morgan does — connecting play, scooping up loose balls, pressing for every second she’s on the pitch — absolutely has a place in the team. It just doesn’t quite fit with with the team needs right now.

Pinging balls out wide seems to be a go-to gameplan for the team, but the USWNT’s peerless speed on the wings actually works against it when its midfield is sitting so deep to defend that only one or two players can make it to the box for a cross. There’s too many speculative crosses with the hopes that Horan (from her spot in midfield) or the opposite winger can get on the end of a ball from out wide and redirect it to net — a predictable pattern that most defenses can read a mile away. Adding support to the midfield means freeing up more members in the attack, which means more bodies in the 18, and potentially, more goals. And this doesn’t just mean players from the midfield can get into more dangerous areas, as Dunn and Fox being able to bomb forward from their fullback spots instead of being pinned deep gives the wingers players with whom they can combine out wide, or lets them tuck inside so the fullbacks can play balls into the box, instead.

The staff’s management of its own bench is another worrying trend. If you watched the USWNT vs. Portugal game, it was fair to wonder if the Americans were tired. They certainly looked it, especially after 15 minutes of high-press play gave way to lagging passes and slow-to-recover turnovers. If they were gassed, they had every right to be. Over the course of three games, Andonovski’s team has only made a handful of subs — most of them attack-minded, and nearly all of them around the 70-minute mark. In particular, the management of the bench against the Netherlands was shocking, as the only substitute came when Lavelle entered for DeMelo at halftime. Andonovski claimed this had to do with the rhythm of the game, and Lavelle’s introduction certainly played a major role in the team looking considerably better in the second half, but the team looked visibly exhausted by the end of a high-pressure game, looked gassed against Portugal, and is running on empty heading into a win-or-go-home situation with Sweden in the Round of 16.

So, what’s the answer? It’s likely not one big change needs to be made, but several small ones. Most lie with the coach — a readiness to dip into his subs, a willingness to switch formation and tactics when original plans fail to work. Whether Andonovski learns from the underwhelming group stage performance or not and makes tweaks remains to be seen, but even if he doesn’t, there are ways the players can get things on track. High pressure has always been something the U.S. has done well, but to crowd opponents the minute they get the ball is a coordinated move, which means players need to communicate better on the field, have more awareness of where their teammates are, take in the bigger picture instead of focusing solely on their role. The USWNT could use more aggression off the ball and more confidence on it, they could be quicker and more precise in their passing, more deliberate in their dribble, and more selfish in front of goal.

But ultimately, they need to find a connection with each other on the field. They must rediscover their collective drive to win and define what playing like a team means for them, away from the expectations, probing questions, and noise that has drowned out all they’ve achieved so far.