The Kid Laroi’s “A Cold Play” video puts the burgeoning actor’s emoting skills on display, as he strips away all the high-concept stuff to focus on his reaction to the song’s brokenhearted sentiments.
Rather than telling a contrived narrative, Laroi simply sits in front of a backdrop, willing tears into his eyes as he stares into the camera, which slowly pulls away to reveal his surroundings.
The one-take approach is straightforward and simple, but effective, capturing the emotion of the song. The video is a sharp contrast to the one for “She Don’t Need To Know,” which recounted a complicated relationship instead.
Despite releasing three songs in as many months — “She Don’t Need To Know” and “A Cold Play” were preceded by “All I Want Is You” — The Kid Laroi has yet to announce a follow-up for his 2023 debut The First Time.
Still, he’s kept relatively busy since its release, dropping singles like “Aperol Spritz” and “Slow It Down” with Quavo. He also appeared on burgeoning country star Bailey Zimmerman’s new single “Lost” earlier this year, raising his profile quite a bit. All the signs are pointing to some kind of announcement handing just over the horizon.
You can watch The Kid Laroi’s “A Cold Play” video above.
If there’s any modern online trend that has been grinding folks’ gears lately, it’s “the cookout.” The mythical, metaphorical gathering of Black folks for celebration and commiseration is beginning to lose its cultural cachet thanks to a laissez-faire approach to giving invitations to outsiders, and Houston rapper Monaleo is over it.
In the video for her new song “Sexy Soulaan,” Monaleo throws her own cookout in the backyard — and throws out anyone who comes along thinking they belong because they can mimic aspects of the culture. Combining well-worn adages with her own homespun wisdom, the Texas tongue twister details her philosophy, explaining why she thinks, “If you ain’t Black, stay the f*ck out the business.”
“Blacker the berry, the sweeter the juice / You know they say the bigger the bush, the deeper the root / I’m knowing it’s a bitch like me that’s being produced, but you can’t / Outdo the doer, I’m doing the do,” she raps, as her sisters and cousins twerk, line dance, and cavort — and a pair of nosy white boys get chucked.
Monaleo’s come a long way from “Crying On Your Birthday.” Earlier this month, she celebrated her nuptials in a hometown ceremony where she debuted the new song, which adds a new dimension to her artistry. We’re looking forward to hearing how this new facet develops on her upcoming follow-up to 2023 debut, Where The Flowers Don’t Die.
After releasing their joint album Psykos last year, Yung Lean and Bladee have re-teamed for a new single, “Evil World.” This follows their initial reunion, “Inferno,” released last week.
Since dropping their joint album, the two Swedes have released their own solo albums, with Lean dropping Jonatan and Bladee following up with Cold Visions.
The two artists will be performing together next year at Laneway Festival in Australia and New Zealand, encompassing six shows, following their respective solo tours which launch next week. You can see the dates below.
You can listen to Bladee and Yung Lean’s “Evil World” above.
Yung Lean Tour Dates
10/04 – Detroit, MI @ Russell Industrial Center
10/07 – Chicago, IL @ Fairgrounds at Salt Shed
10/09 – Denver, CO @ Fillmore Auditorium
10/11 – Oakland, CA @ Fox Theater
10/12 – Los Angeles, CA @ Hollywood Palladium
10/15 – Brooklyn, NY @ The Brooklyn Mirage
10/16 – Boston, MA @ Citizens House of Blues Boston
10/18 – Philadelphia, PA @ The Fillmore Philadelphia
10/19 – Washington, DC @ The Anthem
10/20 – Toronto, ON @ HISTORY
11/09 – Prague, CZ @ Forum Karlin
11/10 – Vienna, AT @ Gasometer
11/12 – Berlin, DE @ Uber Eats Music Hall
11/13 – Warsaw, PL @ COS Torwar Hall
11/15 – Milan, IT @ Fabrique Milano
11/17 – Barcelona, ES @ Hivernacle
11/19 – Tilburg, NL @ 013 Poppodium
11/20 – Offenbach am Main, DE @ Stadthalle Offenbach
11/22 – London, UK @ OVO Arena Wembley
11/24 – Paris, FR @ Zénith Paris – La Villette
11/26 – Manchester, UK @ O2 Victoria Warehouse Manchester
02/05 – Auckland, AUS @ Laneway Festival
02/07 – Gold Coast, AUS @ Laneway Festival
02/08 – Sydney, AUS @ Laneway Festival
02/13 – Melbourne, AUS @ Laneway Festival
02/14 – Adelaide, AUS @ Laneway Festival
02/15 – Adelaide, AUS @ Laneway Festival
Bladee Tour Dates
10/01 – Silver Spring, MD @ The Fillmore Silver Spring
10/03 – Brooklyn, NY@ Under the K Bridge
10/04 – Raleigh, NC @ The Ritz
10/05 – Richmond, VA @ The National
10/07 – Cleveland, OH @ The Agora
10/08 – Detroit, MI @ The Fillmore
10/10 – Boston, MA @ Roadrunner
10/11 – Montreal, Quebec @ M Telus
10/12 – Toronto, Ontario @ History
10/14 – Nashville, TN @ Marathon Music Works
10/15 – Atlanta, GA @ The Eastern
10/17 – Houston, TX @ 713 Music Hall
10/18 – Dallas, TX @ South Side Ballroom
10/19 – Austin, TX @ Stubb’s Waller Creek Amphitheatre
10/21 – Albuquerque, NM @ Revel
10/23 – Phoenix, AZ @ The Van Buren
10/24 – San Diego, CA @ Soma
10/26 – Los Angeles, CA @ Shrine Auditorium and Expo Hall
10/30 – Daly City, CA @ Cow Palace Arena & Event Center
11/01 – Sacramento, CA @ Channel 24
11/03 – Seattle, WA @ Showbox Sodo
11/05 – Portland, OR @ McMenamins Crystal Ballroom
11/07 – Salt Lake City, UT @ Rockwell at the Complex
11/08 – Denver, CO @ Mission Ballroom
11/10 – Minneapolis, MN @ The Fillmore
11/29 – Tallinn, Estonia @ Helitehas
12/01 – Riga, Latvia @ Palladium Riga
12/05 – Bucharest, Romania @ Quantio Club
12/07 – Vienna, Austria @ Gasometer
12/08 – Prague, Czech Republic @ SaSaZu
12/11 – Tilburg, Netherlands @ 013 Poppodium
12/13 – London, England @ Troxy
12/14 – Dublin, Ireland @ Academy
12/17 – Manchester, England @ O2 Victoria Warehouse
02/05 – Auckland, AUS @ Laneway Festival
02/07 – Gold Coast, AUS @ Laneway Festival
02/08 – Sydney, AUS @ Laneway Festival
02/13 – Melbourne, AUS @ Laneway Festival
02/14 – Adelaide, AUS @ Laneway Festival
02/15 – Adelaide, AUS @ Laneway Festival
Ice Spice is ready to make a second run at the crown, returning for a new bid for radio dominance with “Baddie Baddie.”
This time around, RiotUSA utilizes a sample of M.I.A’s “Bad Girls” to give Ice another NY drill backdrop for her to boast over. “And I back up a yacht / I’m still gettin’ paid off of ‘Deli’,” she brags. “I got some bitches for all of the bros / And we on the way to go T up the telly.”
The song is Ice Spice’s second new single of the month, after she teamed up with her former archrival Latto for “Gyatt.” Isis setting aside her differences with the former foe suggests not only some maturing as a person, but also possibly a shrewdness about drawing attention ahead of announcing the follow-up to her debut album, Y2K!.
In the meantime, she has begun expanding her portfolio, landing a short role in Spike Lee’s new movie Highest 2 Lowestalongside ASAP Rocky (she basically plays herself, but hey, it’s a credit in a Spike Lee picture, that looks good on a CV). But she knows where her bread is buttered, and she could be ready to go in.
It was just summer, and yet, we’re almost in October. That means the holiday season is coming up, and that means iHeartRadio is prepping its annual Jingle Ball Tour. All the big pieces are in place now: Today (September 26), they announced the locations and performers for this winter’s events.
This year, the show is going to Fort Worth, Los Angeles, Chicago, Detroit, New York, Boston, Philadelphia, Washington DC, Atlanta, and Miami. The performers include Alex Warren, BigXthaPlug, Conan Gray, Ed Sheeran, Jelly Roll, Jessie Murph, Laufey, MGK, MONSTA X, Myles Smith, Nelly, Olivia Dean, Ravyn Lenae, Reneé Rapp, Shinedown, The Kid Laroi, and Zara Larsson, along with “a special sing-along moment for KPop Demon Hunters.”
For tickets, the general on-sale starts October 3 at noon local time. Eligible Capital One cardholders will also have access to an exclusive pre-sale for each city, and cardholders can also get access to exclusive pre-show parties with one of the performing artists. The pre-sale starts September 30 at 10 a.m. local time and runs to October 2 at 10 a.m. local time, or while supplies last. More information is available on the Jingle Ball website.
Check out the full list of dates and performers below.
2025 iHeartRadio Jingle Ball Tour Dates
12/02 — Fort Worth, TX @ Dickies Arena (iHeartRadio 106.1 KISS FM’s Jingle Ball 2025): Alex Warren, Jessie Murph, MGK, Nelly, Reneé Rapp, Rachel Chinouriri, Shinedown, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/05 — Los Angeles, CA @ Intuit Dome (iHeartRadio 102.7 KIIS FM’s Jingle Ball 2025): Alex Warren, Audrey Hobert, Conan Gray, Feid, Jackson Wang, Jessie Murph, The Kid Laroi, Leon Thomas, Reneé Rapp, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/08 — Chicago, IL @ Allstate Arena (iHeartRadio 103.5 KISS FM’s Jingle Ball 2025): Audrey Hobert, Jackson Wang, Jessie Murph, Nelly, Ravyn Lenae, Reneé Rapp, Shinedown, Teddy Swims, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/09 — Detroit, MI @ Little Caesars Arena (iHeartRadio Channel 95.5’s Jingle Ball 2025): BigXthaPlug, Conan Gray, Jessie Murph, MOLIY, Nelly, Rachel Chinouriri, Ravyn Lenae, Shinedown, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/12 — New York, NY @ Madison Square Garden (iHeartRadio Z100’s Jingle Ball 2025): Alex Warren, BigXthaPlug, Conan Gray, Ed Sheeran, Jessie Murph, Laufey, MONSTA X, Myles Smith, Nelly, Ravyn Lenae, Reneé Rapp, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/14 — Boston, MA @ TD Garden (iHeartRadio Kiss 108’s Jingle Ball 2025): Ed Sheeran, Laufey, MOLIY, Myles Smith, Olivia Dean, Ravyn Lenae, Sean Paul, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/15 — Philadelphia, PA @ Xfinity Mobile Arena (iHeartRadio Q102’s Jingle Ball 2025): AJR, Alex Warren, BigXthaPlug, Laufey, MONSTA X, Myles Smith, Ravyn Lenae, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/16 — Washington, DC @ Capital One Arena (iHeartRadio HOT 99.5’s Jingle Ball 2025): AJR, Alex Warren, Conan Gray, Jelly Roll, Laufey, MONSTA X, Myles Smith, Nelly, Olivia Dean, Shinedown, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
12/18 — Atlanta, GA @ State Farm Arena (iHeartRadio 96.1 The Beat’s Jingle Ball 2025): BigXthaPlug, Jermaine Dupri & Friends, Kehlani, Lil Jon & Friends, Mariah The Scientist, MOLIY, and Nelly.
12/20 — Miami, FL @ Kaseya Center (iHeartRadio Y100.7’s Jingle Ball 2025): BigXthaPlug, Feid, Kehlani, MGK, MONSTA X, Nelly, Zara Larsson, and a special sing-along moment for KPop Demon Hunters.
Check out BigXthaPlug’s VISIONARIES performance below:
Olivia Dean has been a rising star over the past few years. Her 2023 debut album Messy charted highly in her native UK and she ought to have a more international impact with her new project out today (September 26), The Art Of Loving; Some Sabrina Carpenter fans will likely perk their ears up when they hear Dean performing live as an opener on some upcoming Carpenter tour dates.
To mark the album’s release, Dean has shared a video for “So Easy (To Fall In Love),” a breezy tune that sees Dean flaunting her romantic self-worth.
In a statement, Dean says of the album, “I don’t think this is a cynical thing to say but I don’t think love is just magic that happens to you, I think you’ve got to put the time in, it’s a craft, it’s like playing an instrument or any other skill… I’m a romantic, hopelessly hopelessly. And I suppose I’m trying to just bring a little bit of love, and loving, back into your life.”
Watch the “So Easy (To Fall In Love)” video above. Below, find the The Art Of Loving art and tracklist, along with Dean’s upcoming tour dates.
Olivia Dean’s The Art Of Loving Album Cover Artwork
Island Records
Olivia Dean’s The Art Of Loving Tracklist
1. “The Art Of Loving (Intro)”
2. “Nice To Each Other”
3. “Lady Lady”
4. “Close Up”
5. “So Easy (To Fall In Love)”
6. “Let Alone The One You Love”
7. “Man I Need”
8. “Something Inbetween”
9. “Loud”
10. “Baby Steps”
11. “A Couple Minutes”
12. “I’ve Seen It”
Olivia Dean’s 2025 Tour Dates
10/04 — Austin, TX @ Austin City Limits
10/11 — Austin, TX @ Austin City Limits
10/23 — Pittsburgh, PA @ PPG Paints Arena *
10/24 — Pittsburgh, PA @ PPG Paints Arena *
10/26 — New York, NY @ Madison Square Garden *
10/28 — New York, NY @ Madison Square Garden *
10/29 — New York, NY @ Madison Square Garden *
10/31 — New York, NY @ Madison Square Garden *
11/01 — New York, NY @ Madison Square Garden *
11/04 — Nashville, TN @ Bridgestone Arena *
11/05 — Nashville, TN @ Bridgestone Arena *
* supporting Sabrina Carpenter
The Art Of Loving is out now via Island Records. Find more information here.
Over the course of the past seven years since she first exploded into stardom with “Mooo!,” Doja Cat has proven to be a musical chameleon, equally willing to dive into bluesy R&B as she is aggressive battle rap. Yet with her new album, Vie, she insists she’s making a pop album. If that’s true, though, her effort warrants a look at one of the biggest questions facing modern musical discourse: Just what the hell is pop music in the first place?
For years, the answer has appeared to be: Black music with a white face. This isn’t exactly a shocking revelation. It’s a major plot point in Dreamgirls, it’s the argument that has cropped up again and again with each subsequent generation of “transgressive” hyper-sexy pop stars — the Madonnas, the Britneys, the Xtinas, the Arianas, the Mileys, the Taylors, and Justins Timberlake and Bieber. It’s even jumped entire oceans, as we now debate the merits of Koreans appropriating Black culture through their own maximalist lens.
Doja’s very existence, though, throws a kink in the narrative. The daughter of a white Jewish graphic designer and a South African actor and dancer, Doja has unwillingly become emblematic of the friction inherent to the entire pop music category. From the outset, her rap chops have been questioned. She herself maligned many of her fan-favorite works like “Say So” and “Kiss Me More” while on the campaign for Scarlet, her defiant attempt to wrestle control of the narrative away from chronically online fans’ conspiracy-cooked noodles.
Everything from Doja’s vocal talents to her very Blackness has been dissected and debated by the very fans who first elevated her, then turned on her when she embraced her own self-conception as “a rapper who makes pop.” So, who better to throw up a mirror and force those same fans to confront the origins of the sounds they reduce to mere background music? Vie doesn’t exactly set out to do this; By all means, Doja and producer Jack Antonoff seem to be paying respectful homage to Doja’s musical influences. But in doing so, the album highlights the folly of classifying music by color in the first place.
The overarching sound of the album is the funk-based offshoot of 1980s R&B that was, according to music historian Dan Charnas, never accorded an official title by the recording establishment powers that be. Alternatively described as electro, roller disco, synth funk, or even boogie, it’s the sound that you heard all over in the 1980s — at least, if you grew up Black in the inner city (or with parents that did, such as those of us who heard these records booming from car stereos in cities like Los Angeles, Detroit, Minnesota, and more).
It was the sound defined by Kashif, as pioneered by Prince’s work with The Time, codified in songs like George Benson’s “Give Me The Night.” Cameo and Zapp, Evelyn “Champagne” King, Cheryl Lyn, D Train, Carl Carlton, and others crafted songs with both swing and soul, heavy bass, brash drums, and blaring saxophones embellishing synthesized melodies throughout the decade, but radio programmers couldn’t get with the sounds of so-called “race records” — or just “Black music” — in the wave of a backlash against “disco” (a reminder here that Chicago’s infamous Disco Demolition Night saw white fans bring records to destroy that that didn’t strictly fit the event’s description).
And so, we saw those sounds filter out into more palatable avenues, into more modern works like Bruno Mars and Mark Ronson’s “Uptown Funk” and later, Mars’ own 24K Magic and Silk Sonic project with Anderson .Paak. With Vie, Doja thoroughly revitalizes the sound and recaptures ownership of it. What would have been classified as R&B a decade or so ago and wouldn’t even have made it on radio playlists in the decade the sounds were minted are redefined as “pop” music via a rapper who was derided as a pop star, whose pop bona fides were questioned when she turned back to rap.
In explaining her album title, she said, “I feel strongly about the meaning of the word ‘vie,’ because without life, there is no love, and without love, there is no adventure. This is an adventurous album, with homages and nods to the ’80s, ’70s, and ’90s, I wanted to give my own personal modern twist.”
So, hearing those post-funk chants on “Aaahh Men!” or those chunky bass licks on “Take Me Dancing” featuring SZA means more than just a good beat to dance to. The digitized 808s on “Happy” and the swinging snare on “Jealous Type” are smoke signals to the ancestors, to the ones who never got their credit or the recognition. Doja is using her pop star status to shine a light backwards, to show her fans where it all comes from and what it actually means.
Vie is out now via RCA Records. Find more information here.
Magdalena Bay had one of the best albums of 2024 with Imaginal Disk. (It ranked pretty high on the Uproxx Music Critics Poll.) As the album-making process goes, some tracks didn’t end up making the cut. But, the duo liked a couple of them enough to give them a proper release: Today (September 26), they shared “Second Sleep” and “Star Eyes,” which were made during the end of the album sessions.
In a statement, the band says of the songs, “‘Second Sleep’ and ‘Star Eyes’ are two songs we made around the end of Imaginal Disk — both a sort of spiritual successor to the album’s mood and emotional arc. We like how they complement each other, so here they are as a pair.”
Listen to “Second Sleep” and “Star Eyes” above and find the band’s upcoming tour dates below.
Magdalena Bay’s 2025 Tour Dates: Imaginal Mystery Tour
09/26 — Los Angeles, CA @ Fairbanks Lawn at Hollywood Forever Cemetery
09/27 — Los Angeles, CA @ Fairbanks Lawn at Hollywood Forever Cemetery
09/29 — Seattle, WA @ Showbox SoDo
09/30 — Vancouver, BC @ The Orpheum Theatre
10/01 — Portland, OR @ McMenamins Crystal Ballroom
10/03-05 — Austin, TX @ Austin City Limits
10/05 — Dallas, TX @ House of Blues Dallas
10/07 — Indianapolis, IN @ Egyptian Room at Old National Centre
10/08 — Nashville, TN @ Marathon Music Works
10/10 — Austin, TX @ Emo’s
10/10-12 — Austin, TX @ Austin City Limits
10/12 — Oklahoma City, OK @ The Criterion
10/14 — Houston, TX @ House of Blues Houston
10/15 — New Orleans, LA @ The Fillmore New Orleans
10/17 — St. Petersburg, FL @ Jannus Live
10/17-18 — Miami, FL @ III Points Festival
10/20 — Atlanta, GA @ Coca-Cola Roxy
10/21 — Raleigh, NC @ The Ritz
10/22 — Norfolk, VA @ The NorVa
10/24 — Boston, MA @ MGM Music Hall at Fenway
10/25 — Washington, DC @ The Anthem
10/26 — Philadelphia, PA @ The Filmore
12/31 — Denver, CO @ The Mission Ballroom
You’ve definitely heard him singing about that history on one of the biggest songs ever, “A Bar Song (Tipsy)” which spent a record-tying 19-weeks at number 1 on the Billboard Hot 100. Now in an exclusive interview with Uproxx, Shaboozey took a moment to talk about his relationship with Jack Daniel’s, his preferred way of enjoying whiskey (sometimes the drink does need a mix), and the one person in the world he wants to sit down and have a drink with.
Check out the full interview below, which was edited for clarity.
First of all, it’s such a pleasure to sit down and chat with you. Do you remember the first time that you had Jack Daniel’s Whiskey?
It’s a great question, but probably not. I’ve spent too many nights drinking it at this point, but I definitely remember going over to the distillery in Tennessee for the first time, and trying out a lot of different (Jack Daniel’s) whiskeys, and learning how they’re made. It was really cool to have that experience. I felt like, honestly, I hadn’t really tried whiskey until that experience, man. They really know how to make it special over there.
So what’s your favorite way to enjoy whiskey? Do you like cocktails? Do you like it on the rocks? Or is it true that the “Drink Don’t Need No Mix”, and you just drink it straight up?
(Laughs) It really just depends, you know? I’m definitely an old-fashioned guy, and I definitely like mixed drinks. I also enjoy a clean drink, either straight or nice and chilled with a big ol’ ice cube, to enjoy that with my friends. It really depends on how I’m feeling and the type of mood I’m in.
Does whiskey inspire your songwriting in any way, and are there ever times when you have it with you in the studio?
Yeah, for sure. I mean, man, I’ve got, like, 300 cases of Jack Daniel’s in the studio, that I usually hand out to friends, and different people in the industry that I meet along the way. I definitely will have it around, and I think it’s just been a staple of country music. You probably won’t hear a country song without a mention of whiskey, so it’s one of those things that’s just in the brains of every country writer; it’s in our vocabulary, so it definitely inspires a lot of tunes.
I’ve definitely noticed that. And I’m curious, do you feel like listening to country music inspired you to want to drink more whiskey, or does whiskey make you want to listen to more country music?
I think it’s both (laughs). They go hand in hand. No pun intended, but I 100% believe they go hand in hand.
What is it about whiskey that you enjoy the most? Is it the feeling? Is it the experience of being with friends and loved ones when you drink? Or is it the flavor that you taste?
I think it’s the flavor, and the way it makes you feel like yourself, if that makes sense, you know? It just reminds you to slow down and enjoy the moment, honestly. I know a lot of songs encourage you to just take a shot of whiskey, but it’s definitely one of those things that’s meant to be enjoyed and experienced rather than just drinking it to party hard. In those moments (when enjoying a drink), it just shows me to slow down, take it all in, and just be.
You mentioned how you have a lot of whiskey at home. Do you personally try to find new and exclusive whiskeys, or do you stick to the classics?
I’m open-minded. I’m open to different kinds, because Brown-Forman has a lot of really great ones that they’ve also put me onto. But the classics: Jack Daniel’s and Woodford Reserve, those are the go-tos.
Finally, I have a two-part question. First, who’s the one person in the world that you would love to have a drink with? And second, who’s the one person that you already love sharing a drink with?
That’s another great question (laughs), I would say Denzel, man. Denzel Washington. I feel like he probably enjoys a nice Old-Fashioned, or just a strong drink, you know what I mean? He’s someone I would definitely like to sit up at a bar with, have a conversation, and enjoy a glass of Jack Daniel’s.
And right now…my friends, honestly. My friends weren’t huge whiskey drinkers back in the day, so it’s really cool just to see how much they’ve come to love and enjoy it, and how it’s been a part of some of our most memorable times.
With their new album, Amerika’s Next Top Party!, coming out next month, PartyOf2 (formerly known as GroupTherapy) has announced the dates for their accompanying Amerika’s Next Top Party! US tour. Kicking off at the end of November in Atlanta after their performance at Camp Flog Gnaw, the tour will see the duo hit stops in Charlotte, Chicago, Dallas, DC, Houston, Seattle, and more.
In addition to announcing the tour, Swim and Jadagrace also released the latest preview song from their album, “Out Of Body” (kind of weird that there are two songs with the same title today, right?). In the press release, they said, “Writing ‘Out Of Body’ felt like we were in the heat of battle. This is one of the first songs we wrote after becoming a duo, the anger and frustration we felt in being doubted or underestimated manifested into this song. We both felt a certain energy that was like ‘Now is the time to prove ourselves’.”
Tickets are on sale now. You can see the tour dates below and find more info here.
Amerika’s Next Top Party! Us Tour Dates:
11/29/25 – Atlanta, GA @ The Masquerade – Purgatory
12/01/25 – Charlotte, NC @ Neighborhood Theatre – Side Room
12/02/25 – Washington, DC @ Union Stage
12/04/25 – Brooklyn, NY @ Baby’s All Right
12/07/25 – Toronto, ON – The Drake Hotel
12/10/25 – Chicago, IL @ Schubas Tavern
01/20/26 – Houston, TX @ House of Blues – Bronze Peacock
01/22/026 – Dallas, TX @ House Of Blues Dallas – Cambridge Room
01/24/26 – Seattle, WA @ Madame Lou’s (Early Show)
01/26/26 – San Francisco, CA @ Brick & Mortar Music Hall
Amerika’s Next Top Party! is due 10/17 via Def Jam Recordings.
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