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Bully’s ‘Days Move Slow’ Video Puts Grief Center Stage And Dears You To Try Your Best To Look Away

Grief is the yellow Starburst of deeply penetrative emotions. No one necessarily reaches for it, but when it is forced upon you, you have no choice but to stomach it. Indie rocker Alicia Bognanno, better known as Bully, knows this all too well. After being diagnosed with bipolar disorder, the musician has made a more conscious effort to find an outlet for her emotions. Bognanno’s previous track, “Lose You,” was a cathartic demonstration of that, but it was only the beginning.

On her latest single, “Days Move Slow,” off her forthcoming album, Lucky For You, Bognanno is forced to reach down even deeper as she pours the grief of losing her beloved dog and best friend on the track in under three minutes. When asked about her grief process, she told Flood Magazine, “As someone who has spent the majority of my life feeling agonizingly misunderstood, there is no greater gift than experiencing true unconditional love and acceptance,” adding, “I waited my whole life for the bond and irreplaceable companionship I had with Mezzi. She was my best friend and my only constant through some of the most pivotal moments and phases of my life. I was a stranger to the level of love I now know exists because of Mezzi.”

That pain is felt through the grayscale video, which is heightened by the fact that the visual was captured on film rather than digital.

Filmmaker Alex Ross Perry, the video’s director, shared that this emotional pulling was at the center of the visual inspiration. “Right away, it seemed striking to make a piece as stark and measured as possible, not to make a video that replicates the song’s sonic energy but to visualize the emotional weight and feelings of loss and grief depicted in the lyrics,” said Perry.

Watch the full video for “Days Are Long” above.

Lucky For You is out 6/2 via Sub Pop. For more information, click here.

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Young Dolph’s ‘Love For The Streets’ Is Evident In His Posthumous Video Showcasing His Hometown Pride

For over a year now, the family and fans of the late rapper Young Dolph have grieved his tragic death. To build upon his musical legacy, the recording artist’s estate has continued to produce projects under his Paper Route Empire label, the latest being Key Glock’s Glockoma 2. But that hasn’t stopped his supporters from spinning the label’s tribute project to him, Paper Route Empire Presents: Long Live Dolph, or his posthumous album, Paper Route Frank.

The most popular track off the album, “Love For The Streets,” produced by Dun Deal, has become yet another sobering reminder of his absence. To honor his memory, his estate blended archival footage of Dolph in his zone (in the recording studio, on stage, and riding around in one of his tricked-out foreign cars Memphis) while beaming with hometown pride. Throughout the video, several notable rappers make an appearance, including fellow Memphis native Juicy J.

The video blends together past clips with current clips of the community returning the love as murals, street sign dedications, and more flash across the screen.

Fans of the late rapper flooded the comment section with tribute posts. One user wrote, “Rest Easy, Dolph. Ima always support cause I know your kids own them masters to all yo music, so we gotta run it up for them, and you we watching every video back to back to back every time yo songs come on, we thumbs it up and never skip. Rest easy big bro.”

Another user wrote, “Legendary sh*t y’all don’t know how much this means to his fans,” and thanked the team for pulling together the footage for the video.

Watch the full video above.

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Shohei Ohtani Struck Out Mike Trout To Win The 2023 World Baseball Classic

The scriptwriters for the 2023 World Baseball Classic could not have come up with a better ending. Japan won the tournament, 3-2, over the United States in Miami on Tuesday night, with the final at-bat coming between two of the greatest players of this generation, both of whom happen to be teammates.

Japan slotted in Shohei Ohtani as a designated hitter on Tuesday night, but the Los Angeles Angels star did take the bump in the ninth inning with a chance to pick up his first save since 2016. Jeff McNeil walked to start the frame, and then Mookie Betts grounded into a double play. All that stood between Ohtani and Japan was none other than Mike Trout.

The at-bat was thrilling, with Ohtani touching triple digits on multiple occasions and Trout showing his discipline at the plate to stay off of several offerings that were just outside of the strike zone. The count got to 3-2, and instead of trying to blow his teammate away, Ohtani went with a slider. For how great Trout inarguably is, there was nothing he could do here.

Now, both of these titans in the world of baseball will return to Los Angeles, where they will try to help the Angels make the postseason for the first time since 2014.

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Ron DeSantis Took A Slight Swipe At Trump’s ‘Ron DeSanctimonious,’ Calling It ‘Hard To Spell’ (Which It’s Not)

Ron DeSantis hasn’t yet announced his probably inevitable presidential campaign, but he has started doing one thing: returning fire against his probably primary rival, Donald Trump (who’s killing him in the polls). It’s just baby steps so far, nothing too mean or, for Trump, anger-making. He didn’t even have too many mean things to say about one of Trump’s mature nicknames for him, treating it only to some beneath him jokes.

On Thursday Piers Morgan will run his full sit-down with the Florida governor, but he started dropping teases on Tuesday. One was a brief clip of Morgan asking him about “Ron DeSanctimonious” and “Meatball Ron.” DeSantis laughed them off, but only addressed the one that’s less mean (and also bad).

“I don’t know how to spell the sanctimonious one,” joked DeSantis. “I don’t really know what it means, but I kinda like it, it’s long, it’s got a lot of vowels. We’ll go with that, that’s fine. I mean you can call me whatever you want, just as long as you also call me a winner.”

Of course DeSantis knows how to spell “sanctimonious.” He went to Yale and Harvard. But he’s trying to win over Trump’s base, so he’s gotta dumb it down.

Transcripts from the interview were also published in The New York Post, in which DeSantis once again will neither confirm nor deny whether he’s running, possibly because he just got re-elected as governor. He also got in a customary dig at Dr. Anthony Fauci, whom he said he would have “fired” because “he got way too big for his britches, and I think he did a lot of damage.” There was also some woke talk, though like most people who use that word, he has yet to even adequately define what it means.

(Via The Daily Beast)

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Daniel Caesar’s ‘Never Enough’: Everything To Know Including The Release Date, Tracklist, And More

With two singles already under his belt, namely “Let Me Go” and “Do You Like Me,” Daniel Caesar is officially ready for the release of his third studio album. Titled Never Enough, it’s slated to thrust the songwriter back to the forefront of alternative R&B music. Although his last work, Case Study 01, didn’t have much staying power, the Toronto native is looking to change that with his latest.

Below is everything you need to learn about the album, including its release date, tracklist, features, tour dates, and more.

Release Date

Never Enough is out 4/7 via Republic. For more information, click here.

Tracklist

  1. “Ocho Rios”
  2. “Valentina”
  3. “Toronto 2014”
  4. “Let Me Go”
  5. “Do You Like Me?”
  6. “Always”
  7. “Cool”
  8. “Disillusioned”
  9. “Buyer’s Remorse”
  10. “Shot My Baby”
  11. “Pain Is Inevitable”
  12. “Homiesexual”
  13. “Vince Van Gogh”
  14. “Superpowers”
  15. “Unstoppable”

Features

At this time, it is unclear if the album will contain any guest features. Based on Caesar’s past releases, he may every so often slip in another vocalist into the mix, but for the most part he’s opted to highlight his own unique voice.

Artwork

Keeping in line with his cryptic nature, the album’s official artwork is a story within itself. What the cover is trying to tell us is not as clear without having listened to the album. However, thanks to Caesar’s latest Instagram caption, which reads, “I’m sensing a theme throughout my album covers,” viewers can guess the image emphasizes the singer’s desire to hide from the public eye. In the grainy blue overcast image, Caeser is seen in full sprint with his back towards the photographer.

Caesar’s past albums — namely, Praise Break in 2014, Pilgrim’s Paradise in 2015, Freudian in 2017, and Case Study 01 in 2019 — all capture the singer in his current state of mind. So, Never Enough, as Caesar shared on Instagram, may do the same.

Singles

So far, Caesar has released two singles from the album, “Let Me Go” and “Do You Like Me?” Fans were surprised to find out that his previously released 2022 single, “Horsepower,” did not make the album’s final tracklist.

Tour Dates

Caesar hasn’t announced a full tour as of yet. However, beginning in April, he’ll embark on a few spot dates for the Almost Enough: The Intimate Sessions performance stops. Pre-sale for the tour will begin on Thursday, March 23 at 10 am local time. General tickets go on-sale Friday, March 25 at 10 am local. For more information, click here.

04/06 — Los Angeles, CA @ The Belasco
04/11 — New York, NY @ Irving Plaza
04/13 — Toronto, ON @ History
04/18 — Paris, FR @ Elysee Montmartre
04/19 — London, UK @ Here at Outernet
04/22 — Berlin, DE @ Huxleys Neue Welt

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Tucker Carlson Is Trying Desperately To Spin That Whole Thing About Him Secretly Hating Trump ‘Passionately’

A lot of damning secrets about Fox News, its higher-ups, and its staff have recently been made public, all thanks to that looming $1.6 billion lawsuit by Dominion Voting Systems. (Two more lawsuits, made by a former producer and featuring extra dirt, surely won’t help their case.) Among the most explosive involve Tucker Carlson. Texts reveal that not only didn’t he actually believe the voter fraud nonsense he parroted on air, he also hated Donald Trump “passionately.” After weeks of just ignoring it, he’s finally trying to spin it.

As per The Daily Beast, on Monday Tucker went on conservative radio host Bo Snerdley’s show, where he was asked about all those private texts in a safer space than on, say, CNN. Indeed, Snerdley asked him straight up, “What’s the deal with you and Donald Trump?”

“I’m pretty straightforward; I love Trump,” Carlson said. “Like, as a person, I think Trump is funny and insightful. And I said this to Trump when he called me, you know, all wounded about those texts. That was a moment in time where I was absolutely infuriated.”

Granted, he was also mad when his damning texts, which say the opposite, “were all grabbed completely illegitimately.” He then claimed he wasn’t talking about Trump himself, but “Trump” as all his campaign staffers (and presumably not Trump himself).

“Those particular texts were pulled at exactly the moment where I was texting with one of my producers because some idiot on the Trump campaign had sent us the name of these dead voters who had voted,” Tucker declared. “And we went and I repeated them on air, and it turns out some of them were alive. So, I was just—I felt humiliated.”

Sure enough, Tucker — who says he still believes the 2020 election “was not on the level” — had reached out to Team Trump, asking them to provide evidence of voter fraud. They gave him easily-disprovable BS about dead voters voting, which he aired before properly vetting it.

“Well, it turned out some of them were still alive,” Carlson explained. “And I was so mad by the incompetence of that campaign, which was completely incompetent. I mean, completely you know, I’m like the one guy who’s open-minded about the election being unfair. And that’s what they send me? Anyway. Whatever. I was mad. That was a moment in time.”

For what it’s worth, Trump has forgiven him, though he did that thing he does by talking longer than he should and blurting out what’s probably the truth. “He doesn’t hate me, or at least, not anymore!” he wrote this month on his Twitter clone.

(Via The Daily Beast)

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Tori Kelly’s ‘Missin U’ Performance On ‘The Late Late Show’ Was A Flashback In More Ways Than One

Bad Bunny might have enjoyed putting The Late Late Show host James Corden into a chokehold physically as the pair played around in a wrestling ring. But Tori Kelly dropped by the show for the television debut performance of her latest single, “Missing U,” she decided to try something else.

Inspired by the early 2000s, the electronic R&B fusion track is warm and fun. Although she was unable to pull together an elaborate set design from the nostalgic videos reference in the track’s official Marc Clasfeld-directed video, Kelly was sure to dress the part, shorting a victorian styled quilted corset, ruched parachute, and a mesh super crop top. The singer delivered a heartfelt vocal performance leaving host Corden too stunned to speak.

When asked about the inspiration behind the song in an interview with People, Kelly said, “This song is about missing somebody, but it’s also, just so inspired by the early 2000s, late ’90s. We wanted to make sure that we got that nostalgic feeling both in the lyrics and in the music. I just knew, ‘OK, when people listen to this, I want them to be transported. I want them to think about that era or just that nostalgic feeling,’ whatever that is for them.”

She later added, “I love that about this song because I think everyone can relate to it in their own way. For me, I just want to blast it in my car and belt it out.”

Watch the full performance above.

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A Small But Kind Moment From Woody Harrelson Made Him A ‘Hero’ To Coldplay’s Chris Martin

The Conan O’Brien Needs A Friend podcast episode with Coldplay’s frontman Chris Martin is the interview gem that keeps giving. The latest clip making the rounds on social media is Martin’s subtle response to the backlash he received after viewers deemed his wardrobe at this year’s Grammy Award unacceptable. But after a conversation with his friend and hero, actor Woody Harrelson, Martin feels more comfortable with his decision.

“I am happy to feel like I have to wear an outfit if it helps me perform better, but I don’t agree with telling people what they have to wear,” said Martin.

However, when it came to presenting the award for Record Of The Year, Martin opted for a comfort beanie, environmental awareness sweater, and what looked to be dark-wash jeans. Martin says to O’Brien, “Then there’s also this thing of does clothing show respect? And I would never want to show disrespect because I love the Grammys.”

As the pair discussed the annual ceremony’s implied dress code and respectability politics, Martin asks, “what if you’re an axe murderer, but you are dressed correctly? Are you a better groom than Woody Harrelson over here, who loves to, with all of his heart, is wearing board shorts? No, you’re not.”

“I’m going to give a big shout-out to Woody Harrelson because he was at a concert of ours in Oswald. he was so kind to my brother when he had no reason to be that he just became an extra hero in my eyes,” said Martin.

But his love for the actor runs deeper than that, as he shared another interaction Harrelson had with a member of the Martin family, the singer’s dad. “My dad talks to everyone on the crew — he met Woody and asked; he started talking about ‘hey, what you do you do? Do you fold the cables?’” The actor was respectful and showed the same kindness to Martin’s father. “Again, Woody Harrelson was cool as f*ck,” laughed Martin.

Watch the full interview clip above.

Coldplay is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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The Movie Wing Of The ‘Star Wars’-Verse Suffers Yet Another Blow With Damon Lindelof Leaving His Top Secret Film

Will there ever be another Star Wars movie? Probably. It’s just a question of when. Thing is, “when” keeps getting pushed back, with one promised production cancelled after another. Earlier this month the Star Wars films by Kevin Feige and Patty Jenkins were revealed to be no more. Now this.

As per Deadline, Damon Lindelof has departed the semi-top secret Star Wars film he’d been working on with co-writer Justin Britt-Gibson. Not much is known about the project, although it’s not dead. It’s retaining its director, Sharmeen Obaid-Chinoy, who directed two episodes of Ms. Marvel.

Lindelof’s departure may not be that much of a surprise. In a recent interview with /Film, the co-creator of Lost and The Leftovers and the sole creator of the Watchmen series teased that Star Wars was proving tricky, even for him.

“I will just say, that for reasons that I can’t get into on this Sunday morning, on this day, the degree of difficulty is extremely, extremely, extremely high. If [the film] can’t be great, it shouldn’t exist,” Lindelof said. “That’s all I’ll say, because I have the same association with [Star Wars] as you do, which is, it’s the first movie I saw sitting in my dad’s lap, four years old, May of ’77. I think it’s possible that sometimes when you hold something in such high reverence and esteem, you start to get in the kitchen and you just go, ‘Maybe I shouldn’t be cooking. Maybe I should just be eating.’ We’ll just leave it at that point.”

And here we are.

Taika Waititi’s Star Wars film, which is also shrouded in mystery, appears to still be a go. But for now, with The Rise of Skywalker now over three years in the past, we live in a world in which Star Wars is something you watch on TV.

(Via Deadline)

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Study of Upworthy headlines claims negativity drives website clicks. We have some thoughts.

The adage, “If it bleeds, it leads,” refers to the media’s tendency to headline stories involving death or violence, but it can also be used to point to people’s negativity bias. Simply put, people tend to pay more attention to negative news stories than positive ones.

A new study seems to reinforce this idea. And much to our surprise, it’s centered on headlines used in Upworthy stories.

Using a public archive of Upworthy headlines and traffic data from 2012 to 2015, two separate teams of researchers analyzed whether people’s click tendencies changed with negative or positive words in headlines. In those olden days of Upworthy, a handful of headlines for a single story were tested on the website to see which one would receive the most clicks. The research teams analyzed those results and found that negative words in headlines led to more people clicking on a story (2.3% more), and positive words in headlines led to fewer clicks (1.0% fewer). They also found a preference for headlines that express sadness over those that express joy, fear or anger.


The two research teams submitted their findings to the journal Nature at the same time in a bit of kismet shared here: “Two Research Teams Submitted the Same Paper to Nature – You Won’t BELIEVE What Happens Next!!” (For those outside media industry circles, “You won’t believe what happens next,” is a mocking pseudo-headline that came into use during the past decade and has generally been used to degrade the editorial choices of Upworthy and similarly-minded publishers in the early days of social media news.) The teams ended up combining their results in a joint study whose title sums up its conclusion: “Negativity drives online news consumption.”

While we appreciate the researchers’ work, we’re not convinced that 10-year-old Upworthy headlines and traffic are the most appropriate data to draw such a conclusion from. From our perspective, “negativity drives clicks” isn’t a clear takeaway here due to the fact that 1) the fast-changing media landscape quickly makes data obsolete, 2) the increases and decreases in clicks were quite modest, which matters a lot since 3) a negative word being used in a headline does not automatically equate to “negativity.”

To illustrate these points, let us offer a peek behind the editorial curtain here.

Upworthy gained unprecedented fame in the early 2010s for mastering the “curiosity gap” headline, and for a hot minute, it was incredibly successful. The “Upworthy-style” headline became all the rage and was emulated to some degree by media outlets of all stripes before losing its novelty and falling out of favor somewhere around 2014.

That was a decade ago.

A lot has changed since then, both in media at large and here at Upworthy. “You won’t believe what happens next,” is several proverbial lifetimes of change in the way all media outlets, including Upworthy, approach storytelling and how our audiences engage with that content. Headlines that got people clicking in 2013 wouldn’t be written or clicked on the same way today at all in our experience. So, it feels like conclusions about people’s click habits are being drawn from outdated data (a bit like comparing the respective value of a thrift store TV antenna with optimizing your 4K Netflix stream).

People have pointed out some irony in a seeming preference for negative words and sadness here at Upworthy, a website branded as a “positive news outlet.” However, that’s a simplistic characterization of our content. Upworthy has always shared positive, uplifting stories, to be sure, but it’s an ongoing misconception that Upworthy only covers “positive news.”

The original idea behind Upworthy was to “change what the world pays attention to” by sharing meaningful stories that highlight our common humanity, and that core ideal hasn’t changed. Often, yes, that means telling feel-good stories. But it also means shedding light on and exploring solutions to challenges facing humanity, which aren’t always positive or uplifting. Sometimes it means sharing a viral celebrity story that touches on an important issue or an experience many people can relate to. Sometimes it looks like tapping into people’s curiosity to help us all better understand the world we live in. We tell stories that uplift and stories that deserve to be uplifted, and our headlines reflect that range of storytelling.

So what should we take from an Upworthy headline study that found people were a little more likely to click on headlines with negative words and sadness in them?

Honestly? Not a whole lot.

We already know negativity bias exists. None of this is revelatory to us (except perhaps the finding that anger does not appear to drive more clicks—that one was a bit of a surprise, to be honest). We’ve always known that if we wanted to, we could sell our souls and exploit the crap out of people’s baser tendencies with our headlines to drive cheap clicks and make bank from it. But we don’t, because that’s not who we are.

Upworthy’s current editorial team takes a different approach to headlines than the folks who were here a decade ago. We don’t test multiple headlines anymore to see what clicks. Our process is more organic and intuitive, partly due to our own experience, partly due to lessons learned from our predecessors’ data-driven approach and partly due to appreciating the art of a conscientious-yet-effective headline.

Speaking of which, the term “clickbait” gets thrown around with the Upworthy name a lot, including in the study. We have some thoughts on that, too.

Upworthy pioneered a specific headline style that drove a ton of website traffic and lots of people copied that style because it was effective. But a headline that makes people want to click on a story and read it does not automatically make it “clickbait.” As long as the story itself is solid, a “clicky” headline is simply a good headline. There is no point in writers creating articles for a website if no one clicks and reads them, and a good headline will make people want to click and read. That statement shouldn’t be the least bit controversial.

Genuine clickbait is when a headline promises something that isn’t delivered in the story. It’s a bait and switch, purely to rack up pageviews. That is not and has never been Upworthy’s MO. Of course, we want people to read our stories—we wouldn’t be here if we didn’t think what we share was worth reading. But headlines are not articles, and every detail of a story can’t be included in a 90-character headline. Being misled by a headline and clicking into a story that doesn’t deliver is a clickbait problem. Having to actually click on and read an article to get the full story behind a headline is not.

Okay, back to negative words in headlines. Do we ever use them today? Of course, but not for clicks. The top negative words analyzed in the headline study were wrong, bad, awful, hate, war, worst, sick, fight, scary, and hell, and some stories honestly lend themselves to including such words in the headline. And more importantly, a headline with negative words is not necessarily negative.

The researchers point out that they removed headlines that included both positive and negative words to avoid muddying the waters. But searching our website archives from the time period in question for the negative word “wrong,” for example, reveals headlines that are not actually negative (unless you think proving an incorrect assumption wrong is a bad thing).

“The classic image of a farmer is a man. These stunning pics prove that wrong.” (Certainly not a negative story.)

“5 times Jimmy Carter proved the haters wrong” (This one has two negative words, “hate” and “wrong,” but still isn’t actually a negative headline or story.)

“The world tells us there’s something wrong with us if we don’t want to have sex. One chart proves the world wrong.” (The word “wrong” in here twice—still not really a negative headline and definitely not a negative story.)

We could go through countless examples like this, not to prove that negativity bias isn’t a thing (because we know it is) but to show that not all negative-word-including headlines are created equal. There are headlines in the archives that we’d never write today, some of which truly were negative, but many included a “negative” word but weren’t actually negative at all. In light of that and considering the small increase in clicks for headlines containing negative words, we’re not convinced that our archive of decade-old headlines is the best measuring stick to use when determining whether people are more drawn to negativity than positivity in news headlines.

We’re also not convinced it’s a particularly useful question. What we’re most interested in is whether people are drawn to content that highlights our shared humanity, connects people around important causes, brings people together in celebration of joy and helps them learn something fascinating about the world we live in. And sure enough, our audience keeps proving time and again that that’s what keeps them clicking, reading and sharing our stories, regardless of how many “positive” or “negative” words we include in our headlines.