Category: News

Damar Hamlin, the Buffalo Bills safety who went into cardiac arrest on the field during the team’s game against the Cincinnati Bengals on Monday night, cleared an important hurdle on Friday. According to multiple reports and the team, the breathing tube that he had been using since getting hospitalized on Monday was removed overnight.

While the last day or two has been filled with positive updates regarding Hamlin’s status, this was important as it means he can breathe on his own. According to Ian Rapoport of NFL Network, Hamlin “spent basically the entire morning on FaceTime” talking to friends, both within the NFL and from before he entered the league.

The Bills went on to confirm what Rapoport said about Hamlin FaceTiming into a team meeting. Buffalo’s official Twitter account provided the update and relayed the message the former standout from the University of Pittsburgh sent to the locker room.

Hamlin went into cardiac arrest after a collision with Bengals receiver Tee Higgins during the first quarter of Monday’s game. After receiving medical attention on the field, Hamlin was brought to a local hospital, where he has spent the last few days in recovery. On Thursday, the Bills announced that Hamlin “appears to be neurologically intact.”

It’s not easy being a fan of The Simpsons, what with having 700-plus episodes worth of references constantly floating around your brain. It also means you’re the buzz cola, I mean, buzzkill who feels obligated to inform people, “No, The Simpsons did not predict Donald Trump would test positive for COVID,” or the Queen’s death, or the Russia-Ukraine war. The Simpsons also did not predict 9/11, but don’t take it from me — here’s former Simpsons showrunner Josh Weinstein ending this bizarre rumor once and for all.

Weinstein, who co-wrote many of the best episodes of the show with Bill Oakley including “Lisa vs. Malibu Stacy,” “Sideshow Bob Roberts,” and “Bart vs. Australia,” recently told his Twitter followers that he would answer whether something is a reference. When one wrote, “Anytime conspiracy theories based on the belief that the show predicted the future,” Weinstein replied, “I can tell you the unfortunate 9/11 one was strictly because 9 dollars seemed like the funniest low bus fare and we wanted the World Trade Center buildings in the ad because that’s where the story took place. Totally, totally a coincidence. The Fox/Disney one seems prescient!”

Weinstein is referring to the fantastic season nine episode, “The City of New York vs. Homer Simpson,” where Lisa holds up a promotion for a “special super-sitter fare” to New York City, which is famously full of pimps and CHUDs. The bus ride only costs nine bucks, and the $9 in the ad unfortunately appears to the World Trade Center, making it appear as “9 11.” The episode aired four years before the attacks, but the misinformation about this so-called “prediction” continues to this day. Hopefully now that Weinstein has weighed down, it can be flushed down the toilet, like so much Mountain Dew.

Also, if you’re attending SF Sketchfest, the very good and insightful Talking Simpsons podcast is hosting a show all about Simpsons predictions.

(Via Vulture)

In 2021, Rebecca Black celebrated the 10-year anniversary of “Friday” with a bad-ass remix featuring Dorian Electra and Big Freedia. She suffered lots of trolls at the time in 2011, but her comeback has been big and rejuvenating.

Today, January 6, she took to Twitter to react to a viral clip of Andrew Tate’s unlistenable song “Sugar Daddy” and its embarrassing music video. She quote-tweeted the clip with a simple statement: “i was 13 this man is 36,” in reference to the fact that she was just a kid when her song gained online infamy while Tate’s cringe-worthy output is less excusable. Of course this diss immediately went viral, and some are pointing out that “Friday” is actually not a bad song. This follows the recent arrest of Tate as part of a sex trafficking investigation, which happened after he was dissed by Greta Thunberg.

About coming out as queer, Black told Uproxx, “Gosh, it’s been a really intense year and a half for all of us. I feel now, especially in hindsight, just really fortunate to have been able to take the time to really focus on what was important for me to prioritize in my life and in my world. Coming out definitely had a lot to do with the direction that my project has taken. I feel really good and proud of the progress that I’ve made.”

Vince McMahon has started the process of selling WWE with his official return to the company. In an SEC filing Friday morning, McMahon has used his majority voting power due to his ownership of WWE’s Class-B stock to elect himself to WWE’s board of directors, along with former co-presidents and directors Michelle Wilson and George Barrios.

The move comes one day after it was reported from the Wall Street Journal that “unless (McMahon) has direct involvement as executive chairman from the outset of a strategic review, he won’t support or approve any media-rights deal or sale.” The move essentially holds WWE from negotiating television deals for its flagship programs, Raw or Smackdown, as well as his apparent goal of selling the company unless he is directly involved.

McMahon previously sent two separate letters to the Board in late December in which he expressed the urgency of his return to the company as Executive Chairman and his desire to work collaboratively with the Board and management team, he announced via a press release. McMahon determined, “consistent with his rights as controlling shareholder,” that the steps announced are necessary to maximize value for all WWE shareholders after — per the WSJ — a review was reportedly initiated for McMahon’s potential return and it was determined it “wouldn’t be in shareholders’ best interest.”

“WWE is entering a critical juncture in its history with the upcoming media rights negotiations coinciding with increased industry-wide demand for quality content and live events and with more companies seeking to own the intellectual property on their platforms,” said McMahon, via a press release on Thursday. “The only way for WWE to fully capitalize on this opportunity is for me to return as Executive Chairman and support the management team in the negotiations for our media rights and to combine that with a review of strategic alternatives. My return will allow WWE, as well as any transaction counterparties, to engage in these processes knowing they will have the support of the controlling shareholder.”

On the heels of allegations of misconduct, millions of dollars in reported settlements, and investigations into other nondisclosure agreements, the 77-year-old McMahon retired from WWE, handing the reins to the company to his daughter, interim chairwoman and chief executive Stephanie McMahon, and co-executive Nick Khan, the company’s former president and chief revenue officer. There are currently no details on what, if any, impact this return would have on Stephanie McMahon or Khan’s roles.

The news of McMahon’s impending WWE return comes on the heels of new legal demands, per a separate WSJ report, from two women who allege that he sexually assaulted them.

Dave Bautista used to be a huge friend and supporter of Manny Pacquiao until the Filipino boxing champ revealed his homophobia in 2016 by saying that gay people are “worse than animals.” At the time, Bautista didn’t mince words when TMZ cameras caught up with him.

“My mom happens to be a lesbian, so I don’t f**king take that sh*t. I don’t think it’s funny,” an angry Bautista said. “If anyone called my mother an animal, I’d stick my foot in his ass.”

As it turns out, Bautista didn’t just cut Pacquiao out of his life, he literally removed him from his body. The wrestler turned actor recently revealed to GQ that he used to have a Pacquiao tattoo on his left forearm, but he had it covered up following the controversial incident.

Via PEOPLE:

“It used to be a team logo,” he said in a clip shared to TikTok. “I was part of a team of a person I considered a friend and someone I really looked up to. And then, he later came out publicly with some anti-gay statements and turned out to be an extreme homophobe.”

“So, I had a huge issue with it. It’s a personal issue with me, my mom’s a lesbian. And I just could no longer call him a friend. So, I had it covered up with this,” Bautista added, displaying the updated ink of a woman with a sugar skull face painting.

When it comes to his support of the LGBTQ community, Bautista doesn’t mess around. Here he is supporting his mom during Pride Month in 2022, and encouraging others to “BE LOUD, BE PROUD, BE YOU.”

(Via PEOPLE)

STARZ’s BMF made its return on Friday for its second season. The show, which is loosely based on the story Demetrius “Meech” Flenory and Terry “Southwest T” Flenory’s Black Mafia Family, picks up in the 1980s as Meech continues toward his goal of becoming Detroit’s biggest drug dealer. In episode one, we’re introduced to the official Black Mafia Family, which Meech forms by combining the previous 50 Boyz and 12th Street Boyz. We’re also reintroduced to a few names from season one. They include K-9, who becomes Meech and BMF’s new drug supplier, and Big L who Meech has quite an interesting past with.

If you recall from episode four (“Heroes”) from season one, Meech and Terry both met with Big L as they were in search of a new drug supplier. However, during this meeting, Big L did not reveal her true identity to the duo because she wanted to watch their behavior and tendencies. She concludes that Meech is too flashy for her liking and resorts to making a deal with Terry under one condition: that she only works directly with Terry. They shake hands and finalize the agreement.

In episode eight (“The King Of Detroit”), tensions run high between Terry and Big L after the former disregarded their agreement to bring Meech to a supply re-up. Meech tries to explain his presence, but Big L doesn’t want to hear it as she draws a gun on him and demands that he exit the area. The tension between Meech and Big L was hard to ignore in the season two premiere, but with K-9 siding with Meech, he took care of the issue for his new client.

New episodes of ‘BMF’ are available on the STARZ app on Fridays at 12:00 am EST and on the STARZ TV channel at 8:00 pm EST.

The Stranger Things kids are all grown up, and so is their bank account.

Puck reports that the cast of the Netflix series “recently closed new deals to return for the show’s fifth and final season,” and like the cast of Friends back in the day, they negotiated together. The sprawling ensemble was grouped into three tiers: Tier 1 is the adults, Winona Ryder (Joyce) and David Harbour (Hopper), who will make $9.5 million for the final season; Tier 2 is the original four, Gaten Matarazzo (Dustin), Caleb McLaughlin (Lucas), Noah Schnapp (Will), and Finn Wolfhard (Mike), as well as Sadie Sink (Max), for just over $7 million; Tier 3 is the Steves and Nancys of the world, Natalia Dyer (Nancy), Maya Hawke (Robin), Charlie Heaton (Jonathan), and Joe Keery (Steve) for around $6 million; and Tier 4 is “everybody else” for “much less.”

To put those numbers in perspective, Ryder and Harbour reportedly made $2.8 million in season three, while the kids earned $25,000 an episode in season one. As for Millie Bobby Brown (Eleven), she’s in her own record-breaking tier, having signed a “separate (and ridiculously lucrative) overall deal with Netflix.”

Stranger Things is Netflix’s biggest English-language show with strong merch sales, so it’s money well spent. As long as there’s enough left to fit the next “Running Up That Hill” in the music budget. Season four took place in 1986, so let’s assume that season five will be set in 1987. Surely “The Way It Is” can’t be that expensive.

The final season of Stranger Things is expected to premiere in 2024.

(Via Puck)

Going out on a limb here: you could probably use a good laugh. Fortunately, a lot of modern stand-up is more than just silly stuff. Comedians today have expanded their vision to become more like camp counselors and philosophers who can also tell a mean fart joke. Fortunately, it’s fairly obvious where to turn for The Funny these days because no streamer has invested in stand-up quite like Netflix. Forget the world and stream some acerbic humor because we’re listing the Top 25.

1. Chris Rock, Tamborine

Year: 2018
Length: 64 minutes
Rating: TV-MA
Trailer: Watch here

After making us wait ten years, Rock commanded the stage for a soul-bearing set that proved he’d gained an elder statesman’s wisdom without losing any of his youthful rebellion. The topical political riffs may hit differently now that we’re not in the dead center of the Trump presidency, but his barbs are sharp as ever, and the real meal is his personal journey of fatherhood (and personhood). With Bo Burnham in the director’s seat, the special feels like we’re right there in the room, witnessing the funniest therapy session in history. For those that want even more, Rock directed his own version with another half hour of material. Chris Rock Total Blackout: The Tamborine Extended Cut 2021 has a slightly less intimate vibe, but comes with a huge extra serving of jokes.

Watch it on Netflix

2. Richard Pryor, Live in Concert

Year: 1979
Length: 78 minutes
Rating: TV-MA
Trailer: Watch here

Rock’s spiritual predecessor is also on Netflix — a legendary standup where, 40 years earlier, Pryor broke down his experiences as a Black father, the absurdity of American policing, and a host of other raw topics. It’s no wonder Eddie Murphy considered it the single greatest stand-up routine captured on film, and why it influenced hundreds of comedians who followed. Pryor was bold enough to do what had never been done before: release a movie in theaters that consisted solely of his stand-up. The result is an uproarious hour delivered with his unmatched manic expertise. It’s a must-watch (and must-rewatch) for comedy fans.

Watch it on Netflix

3. Jim Jefferies, Bare

Year: 2014
Length: 76 minutes
Rating: TV-MA
Trailer: Watch here

There are few comics who get away with saying anything they want quite like Jefferies. The bombastic Australian went for everyone’s jugular in this special with an impish “telling it like it is” glee. Beyond offering excruciating detail about his dating life and his appreciation of certain uncomfortable sex acts, he went long on the absurdity of how America deals with its epidemic of gun violence. That’s why you see clips of this special crop up in regular rotation. Jefferies expounds on Australia’s gun ban and skewers gun culture in the United States in an extended bit that remains sadly relevant.

Watch it on Netflix

4. Mark Maron, End Times Fun

Year: 2020
Length: 71 minutes
Rating: TV-MA
Trailer: Watch here

Who better to laugh through the depression than Marc Maron? The impending end of the world has offered exactly one silver lining: the culmination of Maron’s specific brand of happy sadness applied to a global existential threat. Sure, the sky is on fire, but at least we all brought our own bags to the grocery store. Despite reducing his job to “thinking of things that are funny,” Maron is at the top of his game here as one of the most humane critics of our current state of being. As he faces down the end of everything (and questions his own existence with philosophy-killing cat Monkey), he goes after the bullsh*t artists making our time on earth worse.

Watch it on Netflix

5. Sarah Silverman, A Speck Of Dust

Year: 2017
Length: 71 minutes
Rating: TV-MA
Trailer: Watch here

In typical Sarah Silverman fashion, this is simultaneously her filthiest and most heartfelt. Not only does it feature her coolly telling jokes that bring about profound shame and belly laughs, it also offers an origin story for her comedic superpowers which involve serial bedwetting, sleepaway camp, and her dad gifting her two raunchy joke books the year she learned to read. The next time someone tells you that comedians just can’t say anything taboo anymore because of the PC Police, sit them down with a giant tub of popcorn and press play on the story Silverman tells about her sister’s freshman year at college. Then, watch the rest after they’ve recovered.

Watch it on Netflix

6. Dave Chappelle, The Age of Spin

Year: 2017
Length: 67 minutes
Rating: TV-MA
Trailer: Watch here

Some will want to fast-forward through certain portions of The Age of Spin. The full experience is evidence of a genius comic mind who is shaking his fist at the clouds at the ripe old age of 42. What makes it work is that Chapelle is direct and honest about his confusion at the modern world he’s somehow aged out of. To that end, a lot of the subject matter is weirdly dated, even for 2017, but Chapelle makes it all work with astonishing insight and clarity. It’s raw, and while Chapelle is bracing and biting, he’s also introspective and attempting to feel what younger generations are all about: namely the relation of his watching the Challenger explosion as a child and wondering how the new generations can stand seeing tragedy like that unfold every single day of their lives.

Watch it on Netflix

7. Aziz Ansari, Right Now

Year: 2019
Length: 65 minutes
Rating: TV-MA
Trailer: Watch here

Directed by Spike Jonze, Ansari’s special features crew watching from offstage as the Parks and Rec alum riffs on social media, the race relations of white people watching Crazy Rich Asians, and more. It’s a phenomenal routine that features perhaps the finest possible example of a comedian heckling his own audience. Riding the wave of stand-up expanding its horizons, Ansari weaves thought-provoking concepts, personal tragedy, and toweringly hilarious jokes together to form a unique storytelling experience. With his goofy smile firmly in place, its a massive step forward for him as a comedian, and we get to reap the silly benefits.

Watch it on Netflix

8. Eric Andre, Legalize Everything

Year: 2020
Length: 51 minutes
Rating: TV-MA
Trailer: Watch here

With some comedians, you get jokes and maybe a little light introspection. With Andre, you get to see a man doing a full Crossfit cardio set while screaming and making you fall out of your chair laughing. The natural heir to Sam Kinison, it sometimes feels like Andre doesn’t even need an audience for this special, content to rant and rave like no one’s watching. Yes, he’s intense. He also lets us live vicariously through his outrageous life, whether that’s finding a new erogenous zone while on an unadvisable amount of MDMA or trying to see the Tupac Hologram at Coachella while insanely high. Or doing some other stuff while sober, possibly. After watching this special, you’ll have lost 400 calories and want to legalize ranch.

Watch it on Netflix

9. Bo Burnham, Inside

Year: 2021
Length: 87 minutes
Rating: TV-MA
Trailer: Watch here

Is he making fun of people or empathizing with them? Hard to say! Although diving into the claustrophobic special made during Covid may feel a bit like running back into the haunted house you just escaped from, the flourish of Burnham’s songs beautifully captures that funny feeling of living in a hurricane of loose context provided by a constant internet connection. Each is meticulously crafted and performed in flashy sequences despite the limitation of being stuck inside a small guest house. The layers of artifice alone are worthy of a TED Talk, but it’s a stellar achievement to craft songs that are viral, hilarious, and worthy of being covered by Phoebe Bridgers.

Watch it on Netflix

10. Adam Sandler: 100% Fresh

Year: 2018
Length: 73 minutes
Rating: TV-MA
Trailer: Watch here

Adam Sandler is an enigma. The same guy who can skewer his own schlocky movie work in Funny People has no problem going right back making schlocky movies (and then sprinting headlong into Uncut Gems). He completely lacks pretension, and this special highlights what a lowbrow knucklehead he’s remained since we first met him on SNL in the ’90s. Yet he’s matured. A little. Most of the special involves a patchwork of Sandler bits at different venues where he sings entire songs about taking his phone, wallet, and keys with him wherever he goes, but he delves deeper in a clear search for human connection. It’s hilarious, sometimes sweet, and it ends with a powerhouse musical tribute to Chris Farley that won’t leave a single eye dry.

Watch it on Netflix

11. John Mulaney, Kid Gorgeous at Radio City

Year: 2018
Length: 64 minutes
Rating: TV-MA
Trailer: Watch here

If you’re wondering why all your friends spent the latter years of his Presidency referring to Trump as a horse in a hospital, this special will finally solve that mystery for you. Mulaney is at the top of his game here, annoyance laced in every golden riff and the wisdom to offer some of the funniest lines of modern stand-up as throwaway gags. He has the audacity to mine his entire life for outrageous nuggets, targeting himself as the butt of the joke more often than not. With the voice of a 1930s horse racing announcer about to order an illegal gimlet, Mulaney chronicles his psychologically damaging childhood, his unwise college choices, and a whole lot of Catholicism (and Mick Jagger). From there, a thousand memes were born.

Watch it on Netflix

12. Taylor Tomlinson: Quarter-Life Crisis

Year: 2020
Length: 61 minutes
Rating: TV-MA
Trailer: Watch here

Breezing toward 30, Tomlinson is already an old lady of comedy having been performing since she was 16. After making the top ten on Last Comic Standing in 2015, 2020 really felt like a breakout year for her as she utilized a squeaky clean upbringing to set herself apart stylistically and as fodder for some stellar bits. She’s deep in the diary here, building an outstandingly funny set from the surreal limbo of being a little too old to be partying so hard but a little too young to stop having fun. The result is fresh and fantastic, leaving no doubt as to why her star continues to rise. Already a seasoned stand-up, Tomlinson is also proof that Netflix’s experiment with giving new comics a 15-minute spotlight on The Comedy Lineup has paid dividends.

Watch it on Netflix

13. Patton Oswalt, Annihilation

Year: 2017
Length: 66 minutes
Rating: TV-MA
Trailer: Watch here

Annihilation is really two specials in one. The first is a whip smart, ludicrous routine about politics and the bizarre wonders of everyday life. The second is a reflection on losing your soul mate. Written, polished, and performed in the year after his first wife, crime writer Michelle McNamara, died, this stand-up is a magnum opus to the early phases of profound grief. The same Patton that lovingly mocks Star Wars is still around, but he’s angrier and messier, pushing through a lot of darkness to find his own weird version of the light. The special feels like someone who’s returning to what he knows best to find some stable ground and using that foundation to build something new.

Watch it on Netflix

14. Daniel Sloss, Jigsaw

Year: 2018
Length: 60 minutes
Rating: TV-MA
Trailer: Watch here

When he was a little kid, Scottish comedian Daniel Sloss got a powerful lesson from his father about life, the universe, and everything. The rest of the special is a banger, but the heart of the hour is his explanation of the Jigsaw analogy for finding love — and the explanation for why he’ll probably die (happily) alone. Sloss manages to spin a self-help guru truism into something gracious and awkwardly funny, splitting the audience between those laughing and those who will probably break up within a few months or hours. In fact, Sloss openly credits his Netflix special as directly leading to hundreds of breakups and divorces. Don’t be sad, though. The point is that sometimes those splits are for the best.

Watch it on Netflix

15. Hannibal Buress, Comedy Camisado

Year: 2017
Length: 67 minutes
Rating: TV-MA
Trailer: Watch here

Buress stands alone. No one else finds the same simple surrealness to life or delivers it with his detached, jovial irritation. His down to earth vibe comes cleanly through in this masterful special where he essentially delivers a fireside chat about weird interactions he’s lived through — from a police officer going full fanboy in a crummy airport to the nuisance of having to show ID as someone in his 30s. Buress’s comedic gift is finding a punchline on top of the punchline on top of the first punchline. He fills all the nooks and crannies with extra little gags and deadpan additions that keep the laughter flowing. Comedy Camisado is like inviting your funniest friend into your home to hang for a bit.

Watch it on Netflix

16. Hannah Gadsby, Nanette

Year: 2018
Length: 69 minutes
Rating: TV-MA
Trailer: Watch here

Gadsby’s 2018 special blazed a huge trail, building on Tig Notaro‘s 2012 vulnerability tour de force to craft a special that defies comedy convention so thoroughly that people are still debating whether it counts as stand-up. Spoiler alert: it does. It conforms far more to the Edinburgh Fringe style than the standard Chuckle Hut rhythm. If you don’t want to think with your comedy, look elsewhere, because Gadsby doesn’t let the audience turn off their brains for a single moment. Like a huge sign in the outback warning about the last gas station for a trillion kilometers, she even warns the audience when the last joke comes… before she weaves together intense depictions of physical and psychological abuse with shocking throwaway lines to let some steam off. It’s a truly stunning comic achievement.

Watch it on Netflix

17. Hasan Minhaj: Homecoming King

Year: 2017
Length: 72 minutes
Rating: TV-MA
Trailer: Watch here

Homecoming King is very much an extension of his politically charged show Patriot Act. Yes, he sets the jokes up and knocks them down, but Minhaj shines more as a storyteller, especially here with American flags projected on big screens behind him. This is a special about growing up as a second generation Indian Muslim immigrant, mocking and celebrating the differences he noted between him and his father after 9/11. The political gets merged with the personal, and Minhaj masterfully navigates both with his gigantic eyes and freewheeling energy. Unlike other specials, the camera work here follows next to Minhaj, letting him directly address the home viewer as much as the theater audience, creating a remarkably intimate tone for an intimate series of topics.

Watch it on Netflix

18. Ali Wong: Baby Cobra

Year: 2016
Length: 60 minutes
Rating: TV-MA
Trailer: Watch here

Wong performed this special while 7 and a half months pregnant. It provided rich territory that felt and sounded revolutionary at the time, pushing it far beyond a gimmick into something profound and appropriately angry. Wong tackled the double standards not only between male and female comics but between fathers and mothers, finding unexpected laugh lines and pushing the social hypocrisy far enough to convert it to hilarity. Fortunately, the special isn’t solely notable for the boundaries it pushed; it’s still knock down funny today. Baby Cobra is well worth a revisit for a healthy laugh at all the boundaries that haven’t been erased yet.

Watch it on Netflix

19. Trevor Noah, I Wish You Would

Year: 2022
Length: 60 minutes
Rating: TV-MA
Trailer: Watch here

Noah absolutely explodes on the stage in this energetic special. Shifting away from The Daily Show, Noah proves again to be a powerhouse of observational comedy, narrowing his eyebrows at the abject stupidity of political figures, bigots, and life’s tiny absurdities. As with his book Born a Crime, Noah riffs on his upbringing as the child of a Xhosa woman and a Swiss man. He also unsurprisingly hammers American government and its various sex pests, trotting out a shocking amount of incredibly good impressions. It’s a Jim Carrey-esque side to Noah that hasn’t really been seen until I Wish You Would, and Noah emerges from the event as a rock star of comedy.

Watch it on Netflix

20. Wanda Sykes: Not Normal

Year: 2019
Length: 76 minutes
Rating: TV-MA
Trailer: Watch here

Sykes is hands down one of the smartest comedians of the past hundred years. She’s dangerously incisive, and can turn those razor sharp observations into deeply funny monologues, all of which are on full display in Not Normal. After performing for three decades, Sykes leaves it all out on the field again here, crafting an uproarious stand-up routine that sounds an awful like the last sane person shouting about all the crazy nonsense in the world. From her special relationship to Vicks VapoRub to head-shaking/knee-slapping takes on race relations, each bit is funnier than the last, proving that the GOAT stays on point. Fair warning: watching this will make you want to watch everything she’s ever done, and that might take a while.

Watch it on Netflix

21. Bill Burr: Paper Tiger

Year: 2019
Length: 67 minutes
Rating: TV-MA
Trailer: Watch here

Burr is another legacy comic who continually proves his relevance by exploiting a unique ability to piss off an entire audience before winning them all back. It happens multiple times during Paper Tiger, none more than when he relates how happy he is that Stephen Hawking is dead. Most comics are terrified of boos, a few endure them momentarily, some build an identity on only receiving hate, but Burr luxuriates comfortably in the boos before impossibly wringing more laughs from the crowd that was just about to grab their pitchforks. He’s on fire here, pouncing on social landmines with a jester’s joyful abandon.

Watch it on Netflix

22. Steve Martin and Martin Short: An Evening You Will Never Forget For the Rest of Your Life

Year: 2018
Length: 73 minutes
Rating: TV-MA
Trailer: Watch here

Before Only Murders in the Building, Martin and Short brought their delightful chaos to the Peace Center for a variety show undergirded by their Vaudevillian style and a friendship that can handle an hour of mutual mockery. Beyond music from Martin’s Steep Canyon Rangers, the show mostly consists of Martin and Short playfully digging at each other, one-upping, and getting progressively weirder. These two amigos may be aping an antique style, but they’re still experimenting wildly, whether that’s Short performing as a Jiminy Glick puppet or Martin getting goofy with his straight man duties. It’s a wondrous show, not to be forgotten any time soon.

Watch it on Netflix

23. Tig Notaro, Happy To Be Here

Year: 2018
Length: 58 minutes
Rating: TV-MA
Trailer: Watch here

It must have been amazing to sit in this small crowd for this show. Notaro’s 2012 cancer set was immediately iconic, so to see her approach comedy under far happier circumstances almost feels like an act of rebellion. Some performers might have been a flash in the pan, even after such a powerhouse introduction to the national stage, but with Happy to Be Here and many other sets, Notaro continually shows that she’s a singular voice in comedy, sardonic and powerfully empathetic. Somehow, even her sharpest sarcasm sounds loving. Not only will you double over laughing, you’ll also think twice about meowing to your cat and will probably end up googling whether a bee can sting another bee.

Watch it on Netflix

24. Jenny Slate, Stage Fright

Year: 2019
Length: 66 minutes
Rating: TV-MA
Trailer: Watch here

Smart idea: attach a seatbelt to your sofa. Watching Slate’s special is like watching a waterskiing honey badger. It’s hilarious, and you never know what’s gonna happen next. Slate dips, ducks, dives, and dodges between morbid nihilism and familial sweetness, all while revealing her myriad psyches living inside her brain. With pure theater kid energy, she covers too many topics to list. They all tend to revolve around her life and upbringing, punctuated with home videos from her childhood (only picking her nose in one of them) and documentary style interviews with her grandmother and sisters. It’s an exhaustingly funny show that takes the standard stand-up bookend concept and makes it even more revelatory and personal.

Watch it on Netflix

25. Pete Davidson, Alive From New York

Year: 2020
Length: 49 minutes
Rating: TV-MA
Trailer: Watch here

The initial pleasure of Alive From New York is Davidson’s naturalistic gift for delivering punchlines while exposing his most embarrassing moments. The secondary pleasure of Alive From New York is listening to Davidson laugh at his own jokes. It’s a classic SNL tradition, but it’s also fun to see how much fun he’s having. Sweet and astonishingly self-deprecating, the set fully embraces the tabloid nonsense that everyone is tuning in for — opening with a story about how Louis C.K. tried to get Davidson fired from SNL for smoking pot, telling tales out of school about Ariana Grande, and delighting in some jaw droppingly awkward family stories. Davidson magically owns the room while harnessing underdog energy, leaning into the high highs and low lows that Davidson has lived out in full view of the public.

Watch it on Netflix

SZA has dealt with a lot of haters after the release of her stunning new album SOS. “Sos is me singing about relationships from 6 years ago,” she clarified in one tweet after people criticized the content of her lyrics. “Ctrl was about relationships from high school n college. Reflection is a part of growth. Reflection is good.”

She’s taken to Twitter again to clear up something else — rumors of bad blood between her and Taylor Swift, who recently released her new album Midnights. “Uhh I feel silly that I even have to say this but i see supporters arguing and I hate that,” she wrote. “I don’t have beef w ANYONE especially not Taylor lmao I genuinely loved her album and the writing!Everyone’s jus tryna do their BEST as we all should . LOVE TO EVERYONE. Gn [white heart emoji].”

She also had to point out that her new record isn’t all sad songs; there are some uplifting tracks as well, and she didn’t want them to be dismissed or belittled. “Ignoring songs like ‘SOS,’ ‘PSA,’ ‘Conceited,’ ‘Low,’ ‘Forgiveless,’ ‘Seek N Destroy,’ ‘Notice Me,’ or ‘Ex Pack,’ to pretend I only make sad girl music is dumb,” she wrote, and then added in the replies, “Forgot ‘Good Days.’”

Last night (January 5), a man reportedly attempted to break into Billie Eilish and Finneas’ childhood home in LA, according to reports from ABC7 Los Angeles, KTLA, and TMZ.

A housekeeper who was not present at the time reportedly received an alert on an electronic device, which showed an unidentified man, wearing all black and a mask, on camera after climbing a fence at the property. The housekeeper didn’t recognize the person and called the police. Officers responded to the Highland Park residence at around 9:15 p.m. and found the suspect, who they took into custody, about a block away from the home. It’s unclear if anything was stolen from the home, but TMZ noted that investigators don’t believe anything was. It’s also uncertain who was at the home at the time of the incident.

In a 2019 installment of “Carpool Karaoke,” Eilish gave James Corden a tour of the home, which Eilish was still living in at the time. A highlight was Finneas’ childhood bedroom, where he and Eilish spent a lot of time working on the latter’s debut album, 2019’s When We All Fall Asleep, Where Do We Go?.

Understandably, Eilish has been intentionally quiet about her housing situation, telling Rolling Stone in 2021, “I’m secretive about what’s really going on. It’s been a couple of years now where I’ve been doing my own thing. But secretly, because nobody needs to know that.”