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Anya Taylor-Joy Turned Down A Part In A Disney Project For ‘The Witch’

Anya Taylor-Joy‘s “sliding doors” moment came in 2013 or 2014. One door led to a Disney Channel pilot; the other, The Witch. The Disney door might have paid better and led to immediate fame, and it’s fun to imagine Taylor-Joy waving the iconic Disney Channel wand, but walking through The Witch door has proven to be the right decision.

“I remember it was the same day I got asked to be in a Disney Channel pilot, and it was so exciting to be offered anything at all that I ran around the house like a loon,” she told Harper’s Bazaar about the day she was offered a role in the Robert Eggers film. “But I just had this really good feeling about The Witch that made me willing to forego the Disney experience for the thing that felt unknown to me, the thing that felt sacred.”

Taylor-Joy’s hunch paid off. Not only did she avoid getting churned through the Disney machine, but The Witch also launched her career, leading to starring roles in The Northman, The Queen’s Gambit, and The Dark Crystal: Age of Resistance. Taylor-Joy will have her biggest years yet in 2023 and 2024 with The Super Mario Bros. Movie, where she voices Princess Peach, and the Mad Max: Fury Road prequel Furiosa.

I don’t see the stars of, like, Dog with a Blog working with George Miller (and Mario!).

(Via Harper’s Bazaar)

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Liam Gallagher Thinks Modern Rock Music Has ‘No Stars,’ Just ‘Sh*t Bags Scared To Open Their Mouths’

These days, generally speaking, it tends to be pop and hip-hop songs that dominate the charts. By some estimates, the last rock song to hit N0. 1 on the Billboard Hot 100 is Nickelback’s “How You Remind Me” in 2001 (although it’d be easy to consider Olivia Rodrigo’s 2021 chart topper “Good 4 U” rock). Whatever the case, for at least the past couple decades, rock fans have lamented the lack of rock in the mainstream music conversation.

As for how the rock landscape looks now, Liam Gallagher has identified what he sees as an issue.

In response to a previous unrelated Gallagher tweet, a fan wrote, “Mate I can feel a little rumble of guitar music coming through proper RnR I rekon it’s on its way back to top Rkid where it belongs. C’mon.” Gallagher responded, “Fingers crossed RKID lots of guitar bands out there but unfortunately there’s no STARS man all sh*t bags scared to open there mouths.”

(“Rkid, by the way, is a slang term meaning brother, sister, or friend that was coined by Gallagher himself, according to Urban Dictionary.)

As for that Oasis reunion that people seem to be clamoring for, the odds of one don’t look good. Noel Gallagher recently said, “As funny as this sounds, Oasis sell as many records now per year as we did when we were together. We’re as popular now in the eyes of the people as we ever were, and I’m happy with it. If we got back together, it would be a circus and there’s no point. Just leave it as it is. I’m happy, he’s [Liam] doing his thing. He’s still selling out Knebworth. It’s like, mate, good luck to you, do you know what I mean?”

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The ‘John Wick 4’ Trailer Had Lots Of People Hyped For Wick Vs. Donnie Yen

The countdown to a John Wick 4 trailer is finally over. Thursday brought the first extended look at the next chapter in the favorite action movie franchise of both dog and horse enthusiasts, and while only the latter appeared in the preview, there was plenty to like all around.

The Keanu Reeves-led franchise has steadily expanded into an extended universe of sorts in the coming years, with a Continental-based TV show in the works and another prequel — an Ana de Armas-anchored Ballerina — set to feature the high-stakes assassin universe of Wick lore. That’s great news for fans, as the franchise has featured some outstanding action sequences with some very talented people.

Reaction to the trailer was almost universally positive, as was news that the film would hit theaters on March 24. There were some very meme-worthy screenshots in the trailer, for sure.

But mostly people were just excited that everyone’s favorite assassin is back in action.

The big reveal in the trailer was the general plot of John Wick 4, in which the titular character sets up a battle for freedom from the assassin game. But perhaps the biggest reaction to what we saw was a bit of casting news: Donnie Yen, the Hong Kong action star and anchor of the Ip Man franchise.

As Collider reported on Thursday, Yen will also square off against another legend, Hiroyuki Sanada, in the film. That alone has plenty of folks excited, and hopefully the trailer’s bullets-deflected-by-swords sequence will be enough to get fans through the long winter to come before John Wick 4 hits theaters.

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Where Was Netflix’s ‘Falling For Christmas’ With Lindsay Lohan Filmed?

As we swiftly guide through the Brendan Fraser Rennaissance, over into the Jennifer Coolidge Jennaissance, we must keep someone very important in mind: Lindsay Lohan.

The Lindsayssance has been building for a few years as the former child star slowly picks up projects, beginning with her latest two-picture Netflix deal that was confirmed earlier this year. The first movie, Falling For Christmas, hits the streamer this week, just in time to kick off the holiday season with a little bit of rom-com fun.

Falling For Christmas follows a wealthy heiress who gets into an Overboard situation while on a skiing trip, and suffers from amnesia from an accident, which puts her under the care of the charming lodge owner and his daughter. Here is the official synopsis:

A newly engaged, spoiled hotel heiress (Lindsay Lohan) gets into a skiing accident, suffers from total amnesia and finds herself in the care of a handsome, blue-collar lodge owner (Chord Overstreet) and his precocious daughter in the days leading up to Christmas.

The movie features a perfectly snowy backdrop of Utah, as it was filmed in both Salt Lake City and Park City last November. This means the crew got some prime picturesque snowy shots to pair with Lohan’s spunky rendition of “Jingle Bell Rock.” The holiday season is upon us!

Falling For Christmas is now streaming on Netflix.

(Via HITC)

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Marco Rubio Is Out There Admitting That Republicans Are Unpopular, And It’s A ‘Miracle’ That They Win Elections

Marco Rubio stopped by Sean Hannity’s show on Wednesday night to talk about the midterm election results. Despite the lack of a Republican “red wave,” Rubio and Florida Governor Ron DeSantis were both big winners with the latter garnering a significant amount of support to claim the top of the Republican ticket in 2024 instead of Donald Trump, who’s getting alive right now.

However, Rubio wasn’t there to talk about the upcoming presidential showdown. Instead, he explained to Hannity that his reelection signified a groundswell of support from “common sense” Hispanic voters in Florida. Rubio then warned that he’s concerned with the rest of the country because Joe Biden and the Democrats are holding up the midterm results as a “license to go out and be crazier than they’ve ever been” because they didn’t get “wiped out.”

According to Rubio, the Democrats are going to be even more “radical” because they think that’s what the country wants. Except the Florida Senator inadvertently supported that argument by essentially admitting that Republicans are wildly unpopular with voters.

Via Andrew Lawrence on Twitter:

But I think we also have to understand something. I mean, literally everything in our society and cultures align against Republicans. It’s a miracle Republicans win anywhere. Virtually every major television and media outlet in America is against us, all the celebrities, all the movie actors. You name it.

So, basically, Democrats shouldn’t look at the midterm results as proof that their policies are want America wants, but at the same time, most of America doesn’t want what Republicans are selling, and it’s really hard for them to win because of it.

Nothing contradictory there, Marco!

(Via Fox News, Andrew Lawrence on Twitter)

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LeBron On The Refs Not Calling Fouls When He Gets Hit: ‘I Gotta Learn How To Flop Or Something’

LeBron James is not spending a whole lot of time at the charity stripe this season. Through the first 10 games he’s played this year, James is averaging 4.8 free throw attempts per game, which is the lowest mark of his career. He has not registered double-digit attempts from the line in a game this season, and is in the midst of five consecutive games with five or fewer free throws attempted.

It’s a bit strange that this is happening to James, a player whose physicality and style of play has essentially guaranteed that he’ll score at least 5-6 points a night on free throws alone for the entirety of his career. But that has not been the case this year, and after Wednesday night’s loss to the Clippers in which James got up four shots from the line, he was asked whether the physicality of the games is making it harder for him to score.

James said no, but he does have a solution: flopping.

“I’m ok with that, I love physicality,” James said. “But I also would like for the whistle to be blown when I get hit. I mean, four free throws once again. I look at a lot of guys tonight, shoot a lot of jump shots, and they going nine, 13 times to the free throw line. I gotta learn how to flop or something. Seriously, I need to learn how to do that, swipe my head back or do something to get to the free throw line.”

James scored 30 points on 12-for-22 shooting in the Lakers’ 13-point loss, which dropped them to 2-9 on the season.

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Ava Max’s ‘Weapons’ Will Make You Feel Invincible And Ready To Dance

Ava Max’s greatest weapon is an unwavering self-belief in her new disco-pop bop “Weapons,” out today (November 10) via Atlantic Records. Last month, Max expressed she was “extremely upset” that her forthcoming album Diamonds & Dancefloors was allegedly leaking online, but there’s no sight of any melancholy on “Weapons.”

“Stop using your words as weapons,” Max proclaims in the opening line, setting up a strong first verse sung atop an infectious beat. “I swear this town’s a battlefield / Can make you feel strong and vulnerable / These empty hearts are made of steel / But underneath I’m not invincible.” And by acknowledging her human fallibility and vulnerability, Max realizes she actually is invincible, with “a bulletproof vest under my dress” and a big heart that makes her a target. “Stop using your words as weapons,” the multi-platinum star reasserts in the chorus. “They’re never gonna shoot me down.”

“Weapons” was co-written by Max, Ryan Tedder, Henry “Cirkut” Walter, Madison Love, Michel “Lindgren” Schulz, and Melanie Fontana. It joins the similarly catchy, upbeat Diamonds & Dancefloors singles “Million Dollar Baby” and “Maybe You’re The Problem.” Max also teamed up with Tiësto for “The Motto” late last year.

Max foreshadowed the tone of these releases as Uproxx’s August 2021 cover star. “It’s like a new wave of pop music, and it was needed. I love it,” she said, reflecting on her June 2021 single “Everytime I Cry.” “Like, yes I can do a song about something like drinking. And I might, because it’s fun. But it doesn’t mean anything. I want to release meaningful songs. New empowering music. I think empowering music is important.”

Diamonds & Dancefloors is out 1/27/2023 via Atlantic. Pre-order it here.

Ava Max is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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HYBE Reveals 2023 Plans For New Music, New Groups, World Tours And More From Its Artists

As 2022 is coming to a close next month, HYBE is keeping fans of its artists on their toes for the new year.

In a “2022 HYBE Briefing With The Community” live streamed on YouTube held earlier today (November 10), the South Korean music giant presented updates and plans for the rest of the year and 2023.

Spearheaded by the company’s CEO, Park Ji Won, a slew of announcements were made that included the debut of new groups, new music, world tours, and reality shows under its labels.

HYBE Japan will be debuting its first Japanese boy group next month, December 7, and will be named &TEAM.

Popular acts like TXT and rising rookies NewJeans will make comebacks in January respectively. Though a date has yet to be settled for TXT’s fifth EP, NewJeans will release a new single album on January 9 titled OMG. In addition, it was revealed a b-side track off the forthcoming single album will be released next month on December 19.

Meanwhile, BELIFT LAB revealed the second season of its survival reality show I-LAND is on the way following the success of its first season and creating ENHYPEN. An air date for the second season is geared toward the first half of the year. As for the ENHYPEN themselves, a new album will be released following their world tour

PLEDIS Entertainment artists SEVENTEEN and fromis_9 are slated to release new music in the first half of the year, with plans on debuting a new boy group along the way.

On the other hand, SOURCE MUSIC’s very own LE SSERAFIM has plans for a world tour in 2023, with the girl group visiting cities in Asia, North America, and more. However, a date has yet to be settled.

As for BTS, the HYBE CEO emphasized the group will continue focusing on individual projects following Jin‘s enlistment.

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Donovan Mitchell’s Career Reset Is Off To A Roaring Start

Because Donovan Mitchell is so obviously talented, greatness means something different for him. It’s something Mitchell can take pride in, that he’s risen to a level where he is measured just as much by team success and the performance of his teammates as he is his individual achievements. But judging him on that scale, Mitchell missed the mark last season.

Mitchell has said the 2021-22 campaign was one of his most disappointing seasons ever, and it’s not hard to see why. The Utah Jazz won 49 games. He scored 26 points a night. In spite of this, the team flamed out in the first round. The Dallas Mavericks, which did not have Luka Doncic for the first three games of the series due to a calf injury, ended Utah’s season as deep-seeded narratives engulfed the team: Mitchell will not pass to Rudy Gobert, the Jazz chased Danny Ainge to run — and potentially blow up — the team.

This makes it all the more impressive to watch Mitchell now, in his first year in Cleveland after a big offseason trade. Not only is he off to a torrid start as a scorer (with 31 points per game and 50 percent shooting from the field) and as a closer (with the most points in the clutch in the NBA so far), but Mitchell is elevating the team around him to be their best.

Utah was better when Mitchell was on the bench in the two regular season following the 2020 Bubble, per Cleaning the Glass. Through 11 games with Cleveland, however, Mitchell-centric lineups are annihilating the opposition. Mitchell is playing an astounding 39.2 minutes per game, creating offense like few others in the league, and competing like someone who has a chip on his shoulder on the heels of a high-profile trade. Depending on what stat you look at, Mitchell is anywhere from a top-five to top-20 most valuable player in the league through the first three weeks of the season.

An overtime game against Boston on Nov. 2 saw Mitchell go toe-to-toe with Jayson Tatum in crunch time before making a winning play that had nothing to do with putting the ball in the basket: a soaring rebound to end a Boston possession late. Mitchell is playing off the ball more, with about as many touches per game as last season while taking far fewer shots per 36 minutes. He’s also getting up the most catch-and-shoot 3s of his career as he adjusts to a tandem with Darius Garland, which is still a work in progress. He can lay off and still make an impact, or he can catch fire and drive the bus home.

It’s clear this team suits Mitchell better than the Jazz did by the end. He and Garland, who missed several games early with an eye injury, can be prone to trading possessions and don’t pass to each other often, but a feeling-out process was to be expected. Both are ball-dominant players, but by all accounts have a solid relationship and have bought into making this work. They are also two of the best shooters in the league and willing passers. They are each the most talented guard the other has played alongside.

We only have to look a few hundred miles south to Atlanta for a picture of how a Mitchell-Garland backcourt can work. While Cavs lineups with both star guards have struggled, the Hawks are outscoring opponents by 13.6 points per 100 possessions when Trae Young and Dejounte Murray share the floor, per Cleaning the Glass. Perhaps Mitchell can learn from Young a bit when it comes to doing more with less. While Mitchell is indeed catching and shooting more and taking fewer shots overall, he is operating largely the same way as he has in the past. Young, on the other hand, is averaging almost 10 fewer touches per game this year than last and isolating slightly less often.

After an ugly night in Sacramento this week in which Garland shot just 1-for-9 in a loss while Mitchell went for 38, head coach J.B. Bickerstaff dug into his team for not playing “Cavaliers basketball,” and demanding “not hero ball, not my turn, not selfish defensively, not executing game plans.” There is a clear-cut understanding of how they want to play, and with two players so gifted and creative leading the offense, the Cavs have time to figure out how to sort things out.

Cleveland also features a number of other guys who can create for themselves, including Evan Mobley, Caris LeVert, and Kevin Love. That’s a luxury that Mitchell has never had on his roster, outside of an older Mike Conley and some intermittent bursts from Jordan Clarkson and Bojan Bogdanovic in Utah. Assuming general manager Koby Altman can sort out the wing rotation by the trade deadline, this Cavs roster is deep and won’t rely on Mitchell to do it all on offense like Utah’s did.

On defense, the Cavs are bringing big ball back to the NBA, with a killer zone defense and the perfect personnel to snuff out the paint and simplify what Mitchell (and Garland) have to do on defense. Still, Mitchell has rediscovered his snappy hands and ability to fight through screens — it is worth mentioning that, coming into the league, he was viewed as a pitbull on the defensive end of the floor who needed his offense to catch up due to his athleticism and 6’10 wingspan. He’s on pace for the best block rate of his career and the defensive metrics love him so far. Even defending next to Gobert while the Frenchman was filling up his trophy case with DPOYs, Mitchell never looked this good.

Mitchell is a unique character in the NBA in that he is a three-time All-Star with no All-NBA appearances. He’s made the playoffs every year but never played in the conference finals. And while the numbers that show Utah playing better without Mitchell reversed during the two pandemic playoffs, that doesn’t change the fact that in back to back years in 2020 and 2021, the Jazz imploded in the postseason on his watch.

Climbing over these hills and to the final level of star status in the NBA isn’t easy, particularly when you join a new team and are expected to immediately raise the ceiling. Mitchell’s former teammate Gobert arrived in Minnesota with similar expectations of transforming an up-and-coming franchise into a consistent winner. Those results have been ugly — as of this writing, the Timberwolves are 5-7 and have lost five of their last six. It’s difficult for a player like Mitchell to hit the ground running individually and with his team, smashing the accelerator on the franchise’s fortunes.

Because of his box score brilliance and the fact that the Cavs were on an upswing when he joined, Mitchell will have to drive winning at the highest level, leading this team to the top of the conference to be properly celebrated for how he’s impacted things in northeast Ohio. He’s done everything short of this already, so winning and winning big are all that’s left.

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Who Is The Sea Snake In ‘House Of The Dragon?’

Now that season one of the soapy and dragon-y Game of Thrones spin-off House of the Dragon is over, you find yourself in a dark, lonely place without your little, terrible, and hot blonde people to look at every Sunday night on HBO, although there is always The White Lotus. In the tortuous, lengthy downtime between seasons, you might as well become an expert on Westerosi history, including The Sea Snake.

The Sea Snake turned out to be one of the most valuable players in House of the Dragon. But who is he? He is many things, and you’re about to find out because you either forgot (there are a lot of characters to keep track of, and many of them have the same names), or you were looking at your phone while you were allegedly watching the show and thusly have no idea who anyone is at the moment.

The Sea Snake is also known by some by his real name, Corlys Velaryon. On House of the Dragon, he is played by Steve Toussaint. Corlys Verlaryon is the Lord of Driftmak, which is the largest castle on Blackwater Bay in the Crownlands. It is a short distance southwest of the Targaryen home of Dragonstone, and northeast of the Westerosi capital of King’s Landing. House Velaryon is of Valyrian descent, which connects them to the Targayrens, who also call the destroyed city their ancestral home.

Driftmark is known for its massive navy, which the Sea Snake leads. According to the ever so reliable A Wiki of Ice and Fire, Corlys Velaryon gained the nickname the Sea Snake due to his many voyages beyond Westeros and across the known world. Corlys also served as master of ships on King Viserys’ council.

Corlys is married the Princess Rhaenys Targaryen, also known as the Queen Who Never Was. Although she was considered by many as the rightful heir to the Iron Throne, a council voted that as a man, King Viserys I should be the heir instead. This has not stopped Corlys from fighting for more power in Westeros, and possibly for the Iron Throne himself. Throughout the first season, Corlys tried to gain the favor of Daemon Targaryen when King Viserys cast him out, leading to a conflict in the Stepstones that resulted in Corlys’ near-death. By the end of the first season, the Sea Snake shows support for Rhaenyra Targaryen in what is about to be the Dance of the Dragons. With his entire fleet on her side, Rhaenyra actually stands a chance against her enemies.