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Pablo Alborán Embraces Mexican Music In His ‘Viaje A Ningún Lado’ Video Featuring Carin León

Pablo Alborán is embracing regional Mexican music in his new music video for “Viaje A Ningún Lado.” In the captivating video that was released today (October 14), the Spanish pop star teamed up with Mexican singer Carin León.

Alborán’s music career spans over a decade. His breakthrough hit, “Solamente Tú,” has over 593 million views on YouTube. Last year, his ethereal love song “Saturno” went viral on TikTok. The track has since amassed over 316 million streams on Spotify. There’s no genre limits to Alborán’s sound as he’s collaborated with artists like Ava Max, Sebastián Yatra, and Camilo. He’s continuing to prove that with “Viaje A Ningún Lado” alongside León.

In “Viaje A Ningún Lado,” the banda music sound that León is known for meets a flamenco influence by way of Spain. Alborán masterfully blends both their worlds of music into an empowering kiss-off anthem. Both singers take turns telling their toxic lovers to take a hike out of their lives. Their soulful Spanish and Mexican voices compliment each other well. In the video, a romantic uncoupling takes place as Alborán and León sing together in a bar.

“Viaje A Ningún Lado” will be included on Alborán’s upcoming album La Cuarta Hoja that’s due out November 2. The US leg of Theater Tour 2022 kicks off in LA on November 9. Alborán’s song “Castillos De Arena” is nominated for Record Of The Year at 2022 Latin Grammy Awards.

Pablo Alborán is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Tyler Alvarez Talks ‘Blockbuster’ And Bringing Queer Latinx Representation To The Screen

In Netflix’s upcoming series Blockbuster (it debuts November 3rd), Tyler Alvarez is one of six eccentric employees at the former video rental giant’s last existing store. While his character, Carlos, is a 24-year-old aspiring film director, Alvarez shines bright in front of the camera.

In one of his earliest roles, Alvarez played Benny Mendoza on Orange Is The New Black, the trouble-making, potty-mouthed son of inmate Gloria Mendoza (Selenis Levya). He landed his breakthrough role in 2017 as the investigative, thorough Peter Maldonado on the Peabody-winning American Vandal. In between seasons, he and Tamara Yajia stared in a YouTube miniseries called Me Llamo Alma, which taught Spanish lessons as Yajia’s Alma put Alvarez’s Miguel in various awkward situations.

Alvarez’s latest role sees the actor coming into his own, as a confident, queer, Latino man, on a mission to make his dreams come true. Throughout the series, viewers see Carlos navigate dating as a bisexual man, making his immigrant parents proud, and using his directorial ambitions to help keep the last Blockbuster in business, by way of TikToks and viral moments.

In his career thus far, Carlos and Alvarez have the most in common out of any of the other characters he’s played. They are both movie buffs, they both admit to being “high strung, at times,” and they are both of Cuban descent, the latter of which, Alvarez specifically requested for Carlos.

Here’s Alvarez talking with us about the show, almost passing on some of his most signature roles, and on the many aspects of his character and his self.

From watching you play Benny on Orange Is The New Black, to the Me Llamo Alma videos, and now, Blockbuster, I feel like I’ve watched you grow up on-screen. Where did your love of acting begin?

My old babysitter, who took care of me when my mom and dad were working, would walk me to pre-K. She said to me that every single day while she was walking me to pre-K, I would say, “I don’t wanna go to school, I’m gonna be an actor one day.” And that was a shock to me because I thought that I had decided that I wanted to do this at like 11 or 12. It was just something that was innately inside of me my whole life. I loved performing as a kid, I used to put on shows for my family. I joke around saying I love acting as much as I love my mother.

New York is a very arts-centered city. What are some of your fondest memories of growing up in the Bronx?

My parents divorced when I was really young, so I moved with my mom to Long Island after that. But my dad moved to the same block that I grew up on in the Bronx. I go back there very frequently. What I love about this neighborhood is, like, one person comes outside, another person comes outside, then another person comes outside. The neighborhood kind of all hangs out together on the same block.

What do you remember about Blockbuster, the video store?

Obviously, my memories of Blockbuster, are limited, but I remember going to the Blockbuster in Washington Heights with my dad and my brother. On a hot summer night, you could walk in and it’d be freezing in there. And you could smell the little buckets of popcorn they had while you were checking out. I would rent video games too, all the time from there.

What was the audition process like for Blockbuster, the TV show?

When I first got the audition, I was looking for a drama as a series that I wanted to do. So I wasn’t too interested in [Blockbuster] when it first came around, but my agent was telling me “Just read the script.” And I read it and fell in love with it, and it all worked out perfectly. And thank God, it always happens that way. I have to tell you, most of the projects that I end up doing, like, even American Vandal, I was so close to not doing it. Thank God I did, because it was so meant to be. Even the last movie I did, Crush, I was like,” I don’t know if I wanna do it.” And then I made the best of friends [on set.]

I’m glad you ended up doing Crush, because I totally made a meme out of your character telling Rowan Blanchard’s character, “you listened to Phoebe Bridgers for eight hours straight last night, which is concerning because she only has two albums.”

(Laughs) Yup, yup.

Tell us about your Blockbuster character, Carlos.

Carlos is a first-generation Cuban American. Carlos has a huge passion for movies and is dying to become a filmmaker, but his strict immigrant parents have their own ideas of what they want his life to be. A lot of immigrant parents come to this country, and they’ve sacrificed a lot to be here, and then they want you to get a job, do something stable, and make money – they almost want you to fulfill their unfulfilled dreams. I see a lot of my friends dealing with the same thing, where it’s like, do I settle and do this stable career? Or do I risk something and go for my dreams? I think a lot of people can relate to that.

He’s bisexual, but at the same time, it doesn’t define him. So often when there’s a queer character, their queerness becomes their whole identity. And with this show, we touch on it, but it’s not all I talk about. It’s one aspect of me. I’m an avid movie… almost a movie snob, which is why working at Blockbuster is perfect for me.

I remember when the show first entered production, story editor Francisco Cabrera-Feo tweeted about bringing more Latino male bisexual representation to television. How does it feel to be the face of this, with Carlos?

I was talking to a friend recently and they were like, ‘I didn’t realize how Latino I was until I came to Hollywood.” And it’s kind of the same thing for me. It’s just who I am in my own life. I’m queer and I am Latino, but I don’t really walk around thinking like, “Oh, I’m queer and Latino.” I just like walking around as Tyler. But in the show, it’s an honor to represent myself in a lot of ways. I am queer, I’m Latino and I love movies.

How do you feel about the current landscape of representation on television, whether it be Latinx representation or LGBTQ+ representation? How do you think it can improve?

I think there’s still a lot of work to be done. I was thinking about how I used to feel like my being Latino was a disadvantage in the industry. How, when I was 15 years old and I was auditioning for the first time, I was like, “I’m not gonna get this. They’re gonna pick a white kid.’ And I knew that. No one told me that, I didn’t have parents in the industry who told me that, I didn’t have agents who said that to me. I somehow just like inherently knew that. And that’s kind of messed up that I knew that without being taught that. Today it’s like, we’re in this time where we’re being celebrated for our differences, which is incredible.

But I think we need to start casting Latinos, not just as side characters. I can name [several movies] where it’s like all the are white, and then their best friend is Latino or a person of color It’s like, just casting them as the sidekick, and cast them as a lead.

What advice can you give to other young, queer, Latinx actors in the industry?

“Who you are won’t inhibit you from getting jobs. And if it does, it’s not something you want to be a part of. That took me a long time to learn. I’ve been out since I was in high school, but I was in the closet a bit in the industry. I didn’t necessarily try to hide it, but I wouldn’t talk about it either. And now that’s not the case. I’m totally out on my social media and in my life. I heard an interview with Viola Davis and she said “If it means something to you, let it cost you something.”

I’ve had a chance to see the first three episodes of Blockbuster and they are fantastic. What can we expect from Carlos at the season continues?

We will see him struggling with whether he should chase his dreams, or continue to play it safe. More things to do with his relationships with love and dealing with his parents’ pressures and uh, and of course, just the antics of trying to save Blockbuster. Because you know, it’s about a small business and basically, all of us are just trying to keep this business afloat.

‘Blockbuster’ debuts on Netflix on November 3.

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Elena Rose Releases Her Epic ‘La Ducha’ Remix Featuring Becky G, María Becerra, Tini, And Greeicy

Elena Rose is making a splash with her debut single. Today (October 14), the Venezuelan-American singer released the remix of “La Ducha” featuring fellow Latina stars Becky G, María Becerra, Tini, and Greeicy.

Rose is a songwriter behind many of today’s Latin music hits. Last year, she co-wrote Selena Gomez’s debut Spanish-language EP Revelación. Rose’s recent smash as a writer includes Becky G and Karol G‘s “Mamiii,” which reached No. 15 on Billboard‘s Hot 100 chart. She also helped pen hits like Tini and Becerra’s “Miénteme,” which has over 431 million views on YouTube. In July, Rose signed with Warner Music Latina to launch her career as an artist.

About stepping into the spotlight, Rose tells Uproxx, “It feels like the right time to do it. It’s always been my dream to make music, to sing, and to be an artist. I needed my time to understand what that really meant. The responsibility that is behind being an artist in the world that we live in today and I take mine very seriously. I feel ready to bring all the love and spread that love with what I do.”

Some of the women that Rose has co-written with are returning the favor: Becky G, Becerra, Tini, and Greeicy feature on Rose’s remix of “La Ducha.” In the sultry song, the women take turns singing about self-love in the shower while thinking about their lovers. In her guest verse, Becky G slyly interpolates her 2014 breakthrough hit “Shower.” Rose assembled the league of extraordinary Latina singers for this girl power remix.

“I admire them so much,” Rose said. “They’re amazing collaborators, but also, they’re my friends, so it came out with women that I admire, that I care about, and that I just wanted to have fun with. It feels like going out with your girls. It feels so amazing.”

Rose is nominated for five Latin Grammy Awards this year as a songwriter. She is happy to be transmitting her music into the world whether as a writer or an artist.

“I want people to feel good [with my music],” Rose said. “I want people to feel that they have a safe space with me. That my music translates a lot of things that they feel, but maybe don’t talk about, or that my music hugs them and gives them love.”

Some artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Camilo, Mau y Ricky, And Ricardo Montaner Star In The Disney+ Series ‘The Montaners,’ Which Just Got A Trailer

One of Latin music’s most famous families is turning to reality TV. On Wednesday (October 12), the trailer was released for The Montaners starring Argentine icon Ricardo Montaner, his sons Mau y Ricky, and Colombian popstar Camilo.

Since emerging in ’80s, Montaner has become one of Latin music’s top-selling artists. Among his biggest hits are “Tan Enamorados” and “La Cima Del Cielo,” the latter of which peaked at No. 1 on Billboard‘s Hot Latin Songs chart. He is the father of Venezuelan duo Mau y Ricky, who have become stars in their own right. The brothers have collaborated with artists like Karol G, Becky G, and Leslie Grace.

In 2020, Montaner’s daughter Evaluna wed Camilo, who has emerged as one of today’s top-selling Latin acts. His music videos on his YouTube page boast over six billion views. Camila Cabello, Shakira, and Selena Gomez have teamed up with Camilo for collaborations. For the first time, Ricardo’s family will be letting the world into their lives with Disney+ docuseries The Montaners.

In the past year, the Montaner family has grown with the birth of Evaluna and Camilo’s daughter Índigo and the arrival of Mau’s son Apollo. Ricky also married his wife, Argentine actress Stefania Roitman. All of that and more will be covered in the show. According to a press release, the series “reveals the Montaners’ most intimate moments, providing unrestricted access to their family life and uncovering the behind the scenes of events that gained great notoriety in the press and on social media.”

The first five episodes of The Montaners will be premiering on Disney+ on November 9. The series was created by the Montaners and Lex Borrero and it was produced by NTERTAIN Studios with Disney Branded Television’s unscripted team.

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Tegan And Sara’s ‘High School’: What To Expect From The Duo’s New TV Drama

Tegan And Sara’s new television series, High School, premiered on Amazon Freevee today. Inspired by the sisters’ 2019 memoir of the same name, the show centers around the twins navigating life as teenagers in the ’90s.

“High School is a story about finding your own identity — a journey made even more complicated when you have a twin whose own struggle and self-discovery so closely mimic your own,” an early press release read. “Told through a backdrop of ’90s grunge and rave culture, the series weaves between parallel and discordant memories of twin sisters growing up down the hall from one another.”

Railey and Seazynn Gilliland appear as the adapted versions of the musical duo. Cobie Smulders (How I Met Your Mother) plays their mother, Simone, with Kyle Bornheimer as Simone’s boyfriend, Patrick.

“There was something undeniably intriguing about them: They were sweet and original, impossible not to watch,” Tegan said of the Gilliland sisters, who they discovered and cast through TikTok. “I felt compelled to send Sara the video. ‘Too bad they don’t act,’ I texted her. Sara wasn’t deterred. They were performers, musical and dynamic. ‘You can’t teach charisma,’ Sara said, which they had in spades. Sara was relentless — these were the twins that had to play us. We were overjoyed when they were cast, and we couldn’t be more thrilled that it all worked out.”

The first four episodes of High School are currently streaming now on Amazon Freevee. View an early trailer of the show above.

Tegan And Sara is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music.

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Roy Wood Jr. And ‘The Daily Show’ Are Concerned About The Well-Being Of That Fox Business Guy Who Claims He Ate $28 Of Taco Bell Food For Lunch

Earlier this week, Fox Business contributor Scott Martin went viral after claiming that it cost him $28 dollars for lunch at Taco Bell. Martin was attempting to criticize the level of inflation under President Joe Biden, but instead, he found himself getting dragged on social media by people wondering how much food he ordered to rack up an almost $30 bill. Taco Bell food is still notoriously cheap as hell. What did the guy eat?

As “$28 of Taco Bell” went viral on Twitter, Martin eventually shared his lunch order, which would’ve been lower had he went with combo meals. Instead, he separately ordered a Burrito Supreme, Nachos Bellgrande, Nacho Cheese Doritos Locos Taco Supreme, Doritos Cheesy Gordita Crunch, and a large frozen Mountain Dew Baja Blast.

After catching wind of Martin’s Taco Bell debacle and seeing what he ordered, The Daily Show correspondent Roy Wood Jr. was understandably concerned. The comedian dropped a video asking everyone to pray for Martin and all of the “s**tting” he’ll be doing.

Via The Daily Show on Instagram:

You can’t be eating $28 of Taco Bell on a work day. I bet he called in today for Fox Business. You can’t do a live hit with $28 of Taco Bell in your stomach like that. Somebody check on that man! Like you gotta, what they call it, a wellness check. You gotta do a wellness check. Like when you ain’t heard from your loved one in a while, the police gotta roll by. I bet the police go by the house right now he be in there — s**tting.

Wood ended the video with a personal message for Martin and some friendly advice. “Scott, if you get this, I just want you to know that we care about you,” Wood said. “And we love you. And you gotta shift your weight to one a** cheek at a time on the toilet because otherwise your legs get numb and circulation get cut off.”

Wood then asked for everyone to leave a “Get Well” message for Martin in the comments, and The Daily Show fans did not disappoint.

(Via The Daily Show on Instagram)

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Do Charlie Puth And Taylor Swift Have A Song Coming?

Taylor Swift’s sprawling empire is built on Easter eggs. Swifties are searching for the next cleverly hidden foreshadowing at every turn, and the treasure map recently intersected with Charlie Puth. Fresh off the release of his long-awaited third album, Charlie, the 30-year-old pop maven visited The Tonight Show Starring Jimmy Fallon. He created a song using only a coffee mug, dished on performing with Halsey at the sweet sixteen party for Adam Sandler’s daughter, and was asked about a potential collaboration with Swift.

Fallon pointed toward Puth’s “Light Switch” video, where he painted a fence red and sent Swifties into a tizzy that it was a subtle hint that Puth would soon release a song with the Red mastermind.

“No,” Puth said. “I think we’ve spoken once. But that would be great.”

You can’t blame Swifties for getting their hopes up. Last month, Puth played an intimate New York City show and performed Swift hits “Teardrops On My Guitar,” “Fifteen” and “Blank Space” while dubbing her the “queen of these types of chords” and reminding people to listen to Charlie before Swift’s 10th studio album Midnights inevitably monopolizes the pop zeitgeist upon arrival next Friday (October 21).

@matthewbelcher1

Charlie being a Swiftie @Charlie Puth @Taylor Swift #charlieputh #nyc #CHARLIE

♬ original sound – Matthew Belcher

While with Fallon, Puth also gave a medley performance of Charlie singles “Left And Right” and “Loser.” Watch that below, or watch his conversation with Fallon above.

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Pusha T Viciously Slayed ‘Just So You Remember’ For Living Rooms Across America On ‘Seth Meyers’

Earlier this year, Pusha T claimed his first ever No. 1 album in the country with It’s Almost Dry. “We all can’t be number 1 at the same time, this week it’s mine,” the rapper said at the time as he finally got his flowers. The achievement was well-deserved, as the Pharrell Williams- and Kanye West-produced It’s Almost Dry is nothing short of a contemporary rap triumph as Push continues to make a valiant case as one of the best rappers on the planet — and easily one of the best performers.

So on Thursday night, the Virginia Beach rapper was beamed on TV screens across America when he performed “Just So You Remember” on Late Night With Seth Meyers, and good lord did he rise to the occasion. He stood on the stage by himself and viciously delivered captivating bar after bar on a song loaded with King Push’s signature cocaine raps: “Just so you remember who you dealin’ with. The purest snow we sellin’ white privilege. Designer drugs will turn n****** limitless. Designer clothes, these hoes losing innocence. The book of blow, just know I’m the Genesis.”

While Push says that elusive Clipse reunion is ultimately up to his brother No Malice, Pusha T continues to be an undeniable singular force.

Watch Pusha T perform “Just So You Remember” on Late Night above.

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‘Halloween Ends’ Is Another Solid If Unspectacular Addition To The Franchise

I’ve always had to squint a bit to understand the appeal of the Halloween movies, and this latest one, Halloween Ends, playing in theaters and streaming on Peacock, is no different. Best I can come up with, Halloween taps into the fear of the unknowable, the idea that some Michael Myers character could make it his mission to kill you simply because he saw you standing by his house one day, like he did with Laurie Strode in the original.

Laurie, played by Jamie Lee Curtis, is back for this presumably final installment of the David Gordon Green/Danny McBride trilogy they started in 2018 with Halloween. Laurie is a grandmother now, living with Allyson (Andi Matichak), her now-grown granddaughter whose mother Karen (Judy Greer) Michael Myers killed in the last installment, Halloween Kills. This still in the town of Haddonfield, Illinois, where all the Halloween characters steadfastly refuse to move out of for some reason.

Allyson works as a nurse, and the Strodes are all kind of low-key town pariahs on account of being inexorably associated with the town’s most traumatic day. I’m not sure this really tracks, because if October 31st is Haddonfield’s 9/11, wouldn’t the Strodes be their pre-Trump Giuliani? Instead, they’re partly blamed for the trauma, for whatever reason. Anyway.

The town has another, even less low-key pariah in the form of Corey (Rohan Campbell), who accidentally killed a kid he was babysitting a few years back, which we saw in the film’s opening frame (its best scene). Even though this was all a terrible accident, no one really believes it, and Corey becomes an outcast.

One of the best, most “out there” plot conceits in Halloween Ends is that Corey’s chief bullies are a group of rich high school band nerds, led by a guido kid (Michael Barbieri) with a never-explained New Yawk accent, whose chief henchman has pale-dyed eyebrows, a truly disgusting mullet, and is played by (and this part I only just learned) a one-named singer/songwriter named Marteen. If horror movies are meant to tap into primal fears, you could do a lot worse than the fear of being menaced by local teens with inexplicable social mores and fashion. You can survive a knife attack but there’s no coming back from getting roasted by teens. Yikes!

Anyway, Laurie eventually notices that Allyson and Corey, these two sweet-faced 20-somethings alienated from their town, could both use a friend, and tries to play matchmaker. Which works… not so well at first, and then well, and then a little too well. To say victims make the best victimizers is true, but empathy isn’t a rewind button once the die is cast.

If Halloween was about the fear of the unknowable, externalized in the form of Michael Myers, Halloween Ends is about the unknowable evil that lurks within. It doesn’t feel like the most incisive commentary to point this out, seeing as how Laurie has a monologue in which she basically says this all outright. Halloween is also traditionally, intentionally un-“thinky,” to the point that it’s never going to belabor these themes. It’s always going to be more about the guy in the mask holding the knife. John Carpenter, who started the franchise, famously refuses to acknowledge that “elevated horror” is even a thing.

To the extent that even the schlockiest horror movie should have themes and allow the audience to assign their own metaphorical value the material, I understand what he’s saying. Yet it still feels to me (and has always felt) like Halloween falls in some awkward middle ground, eschewing the sometimes-didactic allegory of your A24 and Jordan Peele horror, but also lacking some of the schlocky panache of gorier 80s horror or something like Malignant.

Halloween Ends has some narrative grounding, and the theme of internalized evil in people that can’t quite be excised or negotiated with is a compelling riff on the themes of the original. Likewise, there are occasional scenes of gleeful gore and brutal kills to make you throw your popcorn in the air and/or chuckle stonededly. There’s a tasteful balance to all the things Halloween Ends is trying to be — a little thinky, a little schlocky, a little plotty.

But it also strikes me as a little too tasteful. This is a movie that’s just good enough at a handful of things without really being great at any one. The who’s-going-to-live, who’s-going-to-die of it is compelling enough, though never quite white knuckle intense. And while there is some thematic heft, it’s never explored quite deeply enough to leave you thinking about it after you leave the theater. The acting is solid from top to bottom, if never quite delicious.

In the end, we’re left with a(nother) Halloween movie that’s just watchable enough and mostly pretty fine. It’s perfectly of a piece with a franchise that seems to mean more to film history than it ever meant to me personally.

Vince Mancini is on Twitter. You can read more of his reviews here.

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Seth Green Recalls Being Held Upside Down Over A Trash Can By ‘Jerk’ Bill Murray Backstage At ‘SNL’

Bill Murray saying “no one will ever believe you” has taken on a more sinister tone based on recent stories. The actor reportedly straddled and kissed a “much younger” female production staffer without consent on the set of Aziz Ansari’s directorial debut, leading to production for the film being suspended. Actress Geena Davis, who worked with Murray on 1990’s Quick Change, also revealed that he screamed at her for being late and insisted on gifting her with a massage device known as The Thumper. “That was bad,” she told the Times. “The way he behaved at the first meeting… I should have walked out of that or profoundly defended myself, in which case I wouldn’t have got the part.”

The latest tale of Murray’s misconduct comes from Seth Green. After being asked on the Good Mythical Morning YouTube show who’s the rudest celebrity he’s ever met, the Family Guy and Robot Chicken star answered, “When I was nine years old, I did a spot on Saturday Night Live when Mary Gross was one of the on-the-scene anchor people for the news, and she did a whole thing about what kids think about the Christmas holiday.”

Before the sketch was filmed, Green was hanging out in the green room, where he asked then-SNL cast member Eddie Murphy if he could change the channel on the TV. Murphy said it was fine, but that week’s host wasn’t so accommodating.

“[Murray] saw me sitting on the arm of this chair and made a big fuss about me being in his seat,” Green said. “And I was like, ‘That is absurd. I am sitting on the arm of this couch. There are several lengths of this sofa. Kindly eff off.’ And he was like, ‘That’s my chair.’” Green’s mom suggested that her son should maybe move for Murray, but Green was “indignant” about “this power play” to a literal child.

“He picked me up by my ankles… Held me upside down… He dangled me over a trash can and he was like, ‘The trash goes in the trash can.’ And I was screaming, and I swung my arms, flailed wildly, full contact with his balls. He dropped me in the trash can, the trash can falls over. I was horrified. I ran away, hid under the table in my dressing room, and just cried.”

Green, who never told this story until now, hasn’t seen Murray since. But he still remembers what it’s like to be held upside down by him.

Via seth green bill murray

You can watch the Good Mythical Morning video above.