There are so many ways humans experience and express joy.
Smiling is one way, of course. But joy can also cause us to giggle gently or laugh out loud. It might make us sigh with contentment or cry when our heart starts to overflow. We might jump for joy or dance when we’re delighted.
But no matter how we share it, joy is arguably the most desirable human emotion. Is it possible to experience too much joy? Naturally, we can’t expect to be in a constant, unshakable state of joy—nor would that even be healthy—but most of us want to infuse our lives with as much joy as possible.
And there are a million ways for us to do that. We might find joy in quality time with our families and friends. We might find it in nature as we soak in the wonders of our world. We might find it in the arts—painting, pottery, plays or poetry. We might find it in a baby’s giggle or a child’s curiosity or our favorite person’s smile.
We might even find it in silly memes and adorable dog videos on the internet. It’s all good. Joy comes in all shapes and sizes, and unless it’s causing someone hurt or harm, joy should not be judged.
So kick back, relax and enjoy these 10 things that made us smile this week.
The energy and enthusiasm of this Texas A&M physics professor are absolutely infectious.
Dr. Tatiana Erukhimova teaches at Texas A&M University and she clearly loves her subject. See more of Dr. Erukhimova’s educational and entertaining demonstrations here.
Watch how these two took the traditional father-daughter dance to a whole other level.
It’s always funny when the actors themselves can’t keep it together. But what’s even funnier here is that Carol Burnett had specifically told everyone to stay in character—then she was the first one to lose it. Vicki Lawrence’s perfectly timed a-bomb knocking them flat was just icing on the cake. Read the details of how this scene came about here.
Grandpa’s candid reaction to his first FaceTime call with his grandchild was so wholesome.
Patagonia founder just gave away his $3 billion company to help fight climate change.
Patagonia was already known for doing good. But now Yvon Chouinard, the 83-year-old founder of the outdoor clothing and camping gear company Patagonia, has given the $3 billion company away to a charitable trust and environmental nonprofit so that all of its profits will go toward fighting climate change. Amazing. Read more about the hows and whys of this move here.
Random New Yorkers stop to help a woman with a baby put together a new stroller.
New York gets a bad rap for being unfriendly, but those who’ve lived there know that kindness trumps surface manners. Love seeing humans show up for perfect strangers.
Let’s leap into the weekend with the confidence and grace of this floofball.
u201cArguably the most beautiful jump in cat history.https://t.co/chGiB8Y1uuu201d
Hope that brought a grin to your chin and a yay to your day! (Wow, that’s a bit yikes, isn’t it. Sorry, friends. I’m running out of ways to say I hope this post made you happy. I really hope it did.)
Keep finding joy wherever you go, and come back next week for another roundup of delights from around the internet.
Anthony Fantano, the polarizing music critic known for his YouTube channel The Needle Drop, has been a longtime critic of Drake’s music. While there are hordes of people with bad things to say about “The Six God,” a lot of which he ignores, there have been several occasions where the rapper who stated, “Diss me, you’ll never hear a reply for it” back in 2009 on “Successful” has chosen to go against that assertion and fire back whether through bars or social media posts. After years of slander, Fantano’s time to get a reply finally came but the reason for it is a bit odd.
On Thursday evening (September 15), Anthony Fantano uploaded a video to his YouTube channel titled “Drake Slid Into My DMs.” The video shows a series of fake messages from the 35-year-old rapper sharing a vegan cookie recipe with the music critic and acknowledging most of Fantano’s negativity toward him, though he was thankful for the positive reviews of 2011’s Take Care and 2015’s If You’re Reading This It’s Too Late.
@champagnepapi/Instagram
As always when it comes to information about Drake, whether real or fake, the DMs made their rounds on the internet and seemingly led the rapper to finally speak up. Sometime after Fantano’s video was posted, Drake took to his Instagram Story to show some actual messages he sent to the critic. “Your existence is a light 1,” the rapper said. “And the 1 is cause you are alive. And cause you somehow wifed a black girl. I’m feeling a light to decent 1 on your existence.”
Fantano went on to savor the moment on social media, saying that he lived “rent-free” in Drake’s head, changing his Twitter username to “Anthony ‘Light 1’ Fantano,” re-sharing his review of Pusha T’s It’s Almost Dry and even broadcasting live on Instagram to fully break the situation down.
R E N T F R E E E E N R T F F T R N E E E E R F T N E R
Chicago-based singer Johari Noelle dropped her new song “Your Way” today. Teaming up with producer ReezyTunez (D Smoke, Tamar Braxton), Noelle shines over the electronic R&B instrumental, as she lyrically details playing a guy right back. “I could’ve broke your heart, that’s just a fact,” she sings on the chorus, before giving a warning. “Don’t get in your feels when it’s your way.”
Noelle said in a statement, “When writing ‘Your Way’, it was to encourage the good girls or good guys to tap into their inner villain. Do not be afraid to be the bad guy. Do not be afraid to get back at the person that hurt you, revenge can be healing too. Let us shift the narrative a little.”
Noelle’s new single serves as the follow-up release to her 2021 EP Forever Grey. She has also teased it as the start of her next project Past Tense, which will include more collaborations with Jared “ReezyTunez” Thorne and writer Rachel Chelvin.
Next month, Noelle will also take the stage at Chicago’s The Promontory to perform “Your Way” live for the first time, as well as her other prior popular releases. The show will mark her first concert back since the pandemic, making it all the more special for fans. Sponsored by Shure Audio and DMG Presents, the event includes other supporting performances from Emery Kelly, Lei Dominque, Matt Muse, and Pierce Lanvin.
Thanks to Top Gun: Maverick smashing box office records all summer long, we already know that audiences will flock to see Tom Cruise. Well, apparently, so will sheep. The set of the next installment in the Mission: Impossible franchise was reportedly interrupted by the woolly critters, which didn’t seem to bother Cruise who was in the middle of, you guessed it, jumping out of a plane like it’s no big thing. It’s his favorite.
The actor, 60, was seen admiring the large flock as he stood to the side to make way for the sheep passing through. Cruise was also captured mid-air attached to a blue parachute while filming a scene in the upcoming movie.
Cruise, who plays Ethan Hunt in the film series, sported a black jumpsuit as he descended back down to the ground.
Since the start of the pandemic, Cruise has been filming in Europe for the back-to-back production of what could be his final two Mission: Impossible films. With COVID restrictions significantly loosened, Cruise has been having more and more interactions with the locals, animals and humans alike.
While shooting a mountain scene in England near the beginning of August, Cruise reportedly stumbled across a pair of hikers. The actor was “cool as a cucumber” as he apologized to the couple for all of the noise from the helicopters, complimented their dog, and then jumped off a freaking cliff with a paraglider as Tom Cruise does.
(Plenty of SPOILERS from Cobra Kai will be found ahead.)
The last time we talked to Jacob Bertrand, his Cobra Kai character (Eli “Hawk” Moskowitz) was riding high off a win at the All Valley High Tournament. This iconic showdown, made famous decades ago by Daniel LaRusso’s crane kick in the first The Karate Kid movie, actually ended up going (as a whole) to the Cobra Kai dojo because ultimate karate villain Terry Silver cheated his ass off. And although Hawk had switched over to Daniel LaRusso and Johnny Lawrence’s Miyagi-do/Eagle Fang dojos, Evil ended up prevailing over Good. And that’s where Season 5 (which still has the “Eye Of The Tiger”) begins, and where Hawk finds himself out of practice because Miyagi-do shut down, which (of course) does not last forever.
Hawk has had quite a journey over the seasons. Given that he was born with a cleft lip, his scar led to a childhood of being bullied, which led him to become an even more menacing bully and even villainous at times. Yet Hawk managed to redeem himself (while also tragically losing his mohawk to Cobra Kai), and he’s now fighting to make things right between the dojos. It’s odd! Remember when he trashed Miyagi-do? The horror. And Jacob Bertrand (who cut his acting teeth in Community and Parks and Rec) gets to do all of these things in one of the show’s more textured roles. Jacob was gracious enough to speak with us about his character’s evolution, what he would snag from Terry Silver’s house, and what he wants to happen in a (hopeful) Season 6.
There are so many younger characters on this show, but Hawk is one of the most developed of the bunch.
I would say that my character out of a lot of them — especially after being a guest star and then being brought on as a series regular — definitely got at least an arc every single season, and that’s something that’s kind-of crazy to me. After we wrapped Season 3, I thought I’d probably be coasting through the tournament. I’m always surprised with what they come up with, and I’m definitely grateful.
So let’s start with Hawk’s evolution. What’s it like toning him down, where he’s almost a pussycat?
It is very different, and I feel almost like I went from driving a sports car, and now it’s like, I’m in a Prius. It’s a really nice Prius, but it goes kinda slow, but it’s been fun. It’s cool because I got to film with a lot of different people than I used to. That’s probably the highlight, you know, getting to film with Ralph and being on the Miyagi-do set. Obviously, being the new guy there does have the highest of highs. I got to win that tournament, so being the new guy definitely has its perks.
Netflix
Looking at social media, I think the overriding sentiment was that Hawk got done dirty this season, at least in his fight with Kenny and that horrible punch.
Oooooh, so the writers will usually set us down at the beginning at every season. We all have a 1-on-1 meeting with them, and they will tell us the arc of our season, what they’re planning on doing with our character and just kind-of get our thoughts about it. And they were like, “Yeah, you know, Hawk is coming off his big win, and he’s feeling very confident. There’s a lot of people looking up to him, and he really feels that pressure as a role model. And towards the end of the season, there’s a lot of fighting, and he loses to Kenny in this sort-of mock tournament.” And I was like, “Okay. Was Hawk poisoned or something? How does this happen? Is his arm chopped off, and in what world?”
Yeah, I’ll bet that it didn’t totally track to you.
They were making Kenny out to be this karate prodigy, “and Miyagi-do’s been shut down, and you haven’t been training, and he has this secret move,” and I was like, “Okay? I don’t know if I see it, but ya know, we’ll see how we get there.” I’m super competitive with Hawk, and I think he’s the best. And I think he’s the best out of all of them!
You’re not alone in that belief, for sure.
Yeah! He just won the tournament, but I think from a story point of view, I think that moment makes a lot of sense. And it also sets up how Robby also gets hit with that during the last episode. And I think that seeing my reaction and how I kind-of crumble, when you see Robby get hit with that, and all the Cobra Kai guys were like, “Oh sh*t!” That raises the stakes, but I’m excited to see what happens with Season 6 and what happens with the Kenny character. He’s almost realized that, “Oh, you know, I was in the wrong the whole time. Everyone was trying to pull me out of this.” There were scenes of people telling him that Cobra Kai is dangerous. Tanner is trying to pull him out of Cobra Kai, and it shows you how that unfolds with Kenny.
And about that move that Kenny put on everybody…
Oh yeah, the Silver Bullet.
Did they tell you ahead of time that’s what it was? Or was it a mystery — did you wonder if it was the crane kick or something of that nature?
No, they told me right away what it was and that Silver was teaching him a secret technique called the Silver Bullet. This punch that takes your breath away. And I was like, “Huh, that’s crazy, I can hold my breath for a very long time.”
Does that move really exist?
Noooo, no. It’s totally like a Cobra Kai-type thing.
Yes, like the crane kick. I talked to Thomas Ian Griffith about how that move is so telegraphed, it’s crazy that it works every time Daniel uses it.
Seriously! I think it’s just like you’re in that world. These types of things happen in the world that these writers have built, so yeah. I think you do suspend your belief and you really commit to what’s going on, and I wouldn’t say that it’s difficult. I definitely hate losing, so I think that’s the more difficult part.
You mentioned the words “Season 6” a minute ago. We haven’t heard about it officially, but I can’t see how they won’t have a Season 6.
Oh my god. I want there to be a Season 6 so bad. This is my dream, that I somehow am linked up with Kreese, fresh out of prison. We start some illegal ring of some sort, and I go back to the bad side. I’m kidding, but I think it would be so cool if we got a Season 6, and we actually got to go to some crazy world tournament. And actually go to Brazil or something and not like it have it be, “Oh we’re in Brazil! But it’s really just a basement studio in Atlanta.”
They could give Hawk a spinoff where he opens his own dojo. Dimitri could be the business guy.
Yeah! Hawk could punch all the kids in the face, and Dimitri could run the money.
Speaking of these two, I was looking at Reddit, which has the most insane fan theories. I think my most-and-least favorite is that Dimitri is actually Hawk’s father.
[Laughs] Yeah, I guess that would be news to me!
And people want Terry Silver to be several people’s father.
I mean, that would be a perfect and awesome twist, though. My dad, or secretly Xolo’s dad. He’s looking for Terry Silver in Mexico the whole time!
Let’s go back to Hawk as a bad guy. I mean, when he purposefully broke Dimitri’s arm…
…Oh man, that was the best!
But were you shocked? That’s so extreme.
I was more shocked when I heard that I had trashed Miyagi-do and then I go to the good side. I was like, “Oh my god, they’re all gonna hate me!” How was I gonna make this work? They said that was the point. When I was breaking the arm, I was knee-deep in being a bad guy, so I thought, “Of course, this is naturally the progression of these things.” It was more like, “We’re going deeper.”
Netflix
You’ve been in show biz for much of your life, but the paparazzi are starting to trail you. How do you cope? And how have none of the people on this show gone off the rails yet?
Hey, no one has gone off the rails just yet. There’s always time, c’mon. Just give us that. But the paparazzi’s weird. It’s only happened a couple of times, and the first time it happened to me, I was like so shocked and nervous that I kind of just spilled too much. And I feel like that’s what happens with most people’s first time. It’s a weird thing because I don’t wanna be like mean or rude, and at the same time, I genuinely value my privacy. For me, it’s super rare or random, and I have no idea how these people deal with it all the time and don’t get angry or caught on camera yelling at people constantly. If it started happening more, I think I would start leaving my house less. Or this is more likely to happen. I would be like master of disguise. I’d walk around like a turtle or something.
I think people are also more aware of paparazzi as a thing these days. It’s not like when Britney Spears was being followed, and it was chaotic and no one really intervened. Now the paparazzi know they’re being watched as well.
Yeah, I definitely think it’s easier now. You know, when Britney Spears was really big — now there’s a lot of other famous people — but then it was like, oh, it’s Britney. And now there are so many shows and so many people to follow. So they could take a picture of me, but I bet you 50 bucks that, literally on the next block, there’s probably someone way more famous walking around. That’s what I’ll bet on.
Alright, we’re outta time, but if you could, both as Eli and Jacob, take one thing from Terry Silver’s house, what would it be?
Ohhhhhhh.
I’d nab a smoothie machine for sure.
[Laughs] I would probably take, realistically, one of his amazing, super-rare swords. And then on the way, snatch the keys to his Ferrari. I’m sure that he’s got so many cars, so he probably won’t notice that any of them are gone.
He’s a little busy right now, so he won’t notice anything.
Top Dawg Entertainment is a label chock-full of elusive figures, but Ab-Soul is probably the most elusive of all. Despite coming to prominence alongside Kendrick Lamar, Jay Rock, and Schoolboy Q as the quartet Black Hippy and drawing every bit as much interest as his peers, he’s had the spottiest output among them, going nearly six years without a release after dropping his fourth album, Do What Thou Wilt., in December 2016.
Today, though, Soul-o returns with his second new solo song of 2022, “Moonshooter.” Following up April’s “Hollandaise,” “Moonshooter” is accompanied by the announcement that Ab-Soul’s next album has been completed. “Album done,” read the caption on Top Dawg’s Instagram post. “Warmup tonight.” On the song, Soul maintains his well-established form, spitting out intricate, sinuous rhymes over a mournful string sample. “I question everything,” he sings on the chorus. It’s familiar territory for fans of the philosophy-spewing Soul, which likely bodes well for the next project.
Before this year, the last we heard from Ab-Soul on the solo tip was 2020’s “Dangerookipawa Freestyle.” In the meantime, he contributed guest verses to songs like Russ’ “Rap City” and made an animated cameo in SiR’s “John Redcorn” video. Now that Kendrick Lamar’s final TDE album is out of the way, though, it looks like Ab-Soul is up next in the lineup, one of the last OGs on TDE as the label shifts its focus to the next generation.
Mumford & Sons leader Marcus Mumford’s debut solo album Self-Titled is out today, and it includes a new collaboration with Phoebe Bridgers called “Stonecatcher” as well as a song with Clairo called “Dangerous Game.”
The “Bags” singer’s vocals are subtle but add a layer of beauty and lightness to the twangy track. Their voices together clash to make a mesmerizing harmony; it’s obviously a perfect match.
Before announcing his album in July, Marcus clarified in his role in Mumford & Sons in his newsletter, writing, “In January last year I set myself the task of trying to write some songs and just follow where they led. When I showed the first two to the lads in the band, we all agreed it was probably a story I had to tell on my own.” When he announced the LP, he wrote, “In January 2021, facing demons I danced with for a long time in isolation, I wrote a song called ‘Cannibal.’ I took it to my friend Blake Mills, and we began the process of making this album, dear to my heart, called (self-titled).’ It comes out September 16th 2022, produced by Blake Mills and featuring Brandi Carlile, Phoebe Bridgers, Clairo & Monica Martin.”
The Showtime Lakers are back. While the current version of the Los Angeles Lakers are trying to figure out how they are going to bounce back from a disappointing 2020-21 campaign that saw them miss the play-in tournament altogether, a number of the players and the most prominent head coach from one of the greatest eras in franchise history got together for a reunion in Hawaii.
The news of the reunion was previously mentioned on an episode of ESPN’s “The Lowe Post” by Zach Lowe and Ramona Shelburne. And on Friday, members of the team started to post on social media about the reunion, with Kareem Abdul-Jabbar sharing an image of everyone involved and noting that this was the first time he practiced since he retired from basketball in 1989.
First time we were all together for a practice since I retired in 1989…. This is how you make a memory !! pic.twitter.com/eONXTDNHWI
Magic Johnson likewise posted about it, saying that the team went through a “walk around” on Thursday and included a few videos of the team practicing running plays — the first and last videos show that Bob McAdoo and Byron Scott, respectively, can still knock down jumpers.
Mychal Thompson shared a few pictures of himself with Kareem and made it a point to praise Magic and Pat Riley for their ability to lead.
There are no better “Leaders” u can hav lead yor team than Pat Riley and Magic Johnson…Geez those guys are the Epitomy of Leadership…I love being around them…
Spectrum SportsNet has some additional footage of the gathering, which was more than just a bunch of dudes playing basketball.
The Showtime Lakers reconnect and reminisce over sun, golf and of course basketball. We’re there with over 20 Showtime Lakers – including Magic, Kareem, Big Game James, Byron, Coop & Riles. A special #BackstageLakers premieres on November 4th at 11:00PM, after the post-game show. pic.twitter.com/kAF4JGGm3w
This era of Lakers basketball saw the team win five championships, with three players — Abdul-Jabbar, Johnson, and Michael Cooper — helping to lead to team to each one. While other coaches were around during this era, which ran from 1979-1991, Riley led them to four of those rings, while Paul Westhead was at the helm for the first one.
Bad Bunny, who is currently continuing his World Hottest Tour in support of his album Un Verano Sin Ti, met 10-year-old Uvalde survivor Mayah Zamora during his Dallas show on September 9. The news of Bad Bunny giving Zamora VIP access was shared by the Correa Family Foundation, a nonprofit led by baseball player Carlos Correa. While the foundation typically provides “transformative experiences and financial support to children battling cancer and their families,” it also helps children affected by extreme circumstances.
“A huge thank you to @badbunnypr for welcoming our Hero of the Month, Mayah Zamora, to your concert, and for making sure she had a beautiful and fun night dancing with her family! All the love she received from you and your team @noahassad @rimas made this an incredible experience she and her family will cherish,” the post said.
Zamora had been chosen as the Correa Family Foundation’s Hero of the Month initiative for August for her “bravery.” The program chooses children each month who “exemplify bravery, hope and outstanding courage as they work to overcome some of life’s most difficult challenges.” In a Facebook first pitch at a Houston Astros game in August. Correa’s foundation also raised enough money to build Zamora and her family a new home, with Bad Bunny being among the donors.
Kendrick Lamar’s Big Steppers Tour is just as electrifying, frustrating, and mystifying as the album it promotes. In May, when Kendrick released Mr. Morale & The Big Steppers, it received a polarizing response from fans who weren’t quite sure how to parse the dense themes or the Compton rapper’s handling of those themes. While some observers like Pusha T and Tyler The Creator praised the album’s lyrical dexterity and honesty (especially on songs like “Auntie Diaries“), others were put off by the discomfort of hearing Kendrick get cussed out by his lady on “We Cry Together” and his questionable stance on COVID conspiracies on the probably overly metaphorical “N95.”
None of that stopped Mr. Morale & The Big Steppers from going straight to No. 1 on the Billboard 200 in its first week with the biggest streaming and sales week of 2022 to that point. Say what you want about how tangled and obscure K. Dot made his Top Dawg swan song, but he is still one of hip-hop’s brightest-shining stars. And really, on Thursday night at Staples Center — sorry, Crypto.com Arena (ugh) — he shined as brightly as he ever did, even as the album’s strained symbolism threatened to throw a lampshade on the whole affair.
The thing about symbolism and metaphors is that they are only really as effective as the audience’s ability to readily interpret them. Jesus spoke in parables, Aesop taught in fables, and American Southerners have dozens of witty aphorisms for just about every situation imaginable. But something I’ve noticed over the last few years — and you may have, as well — is that a lot of the truths those lessons were designed to teach have been lost on a lot of us. It may be easier for a camel to fit through the eye of a needle than a rich man to get into heaven, but that hasn’t stopped supposedly devout evangelicals from hoarding wealth. The Old Woman and the Doctor might well condemn the greed inherent to the medical profession but it’s still a billion-dollar business.
So it goes with Mr. Morale. Kendrick was disinterested in providing a codex for translating the hyper-confessional project, which may have contributed to its divided reception. Likewise, the show also eschews easy interpretation, incorporating shadow play, fraternity marches (big steppers, get it?), and oblique references to the ongoing pandemic that hewed dangerously close to Hotep bullshit. On one hand, the staging is remarkably stark; Kendrick spends much of his time alone on the stage, with little going on around him to distract from his always dazzling performance. On the other hand, when Kenny’s dancers re-emerge a half dozen times to line step around him in various outfits, it feels both cluttered and hashed together, like it’s supposed to mean something, but nobody ever took the time to figure out what.
Maybe I have been to too many arena shows at this point, but in terms of theme and aesthetic presentation, this might have been the least impressive one I’ve seen in a while. What was on display was Kendrick’s star power, the fact that he could basically just stand there on stage and do nothing and elicit an explosive reaction from the audience — which is why I wish he’d left goofy gimmicks like a barely utilized ventriloquist’s dummy and the plastic quarantine cube in his imagination. Even his wardrobe — a white nudie suit with “Compton” airbrushed on the back worn with a sparkling bedazzled glove on just one hand like a certain King Of Pop with an eroded legacy — gave “half-baked allusion to other, more thoughtfully-produced ideas.” I mean, was the MJ reference an effective homage in the context of the thesis or just derivative? I still can’t decide.
Meanwhile, that suit called to mind another recent piece of pop culture that turned out to be polarizing but that I loved. In Jordan Peele’s recently released summer blockbuster Nope, Steven Yeun’s Ricky “Jupe” Park sports a similarly elaborate getup in his UFO-themed rodeo show as he seeks to create a spectacle that can both return him to the spotlight and ease his trauma from his last run-in with notoriety. However, Jupe has learned all the wrong lessons and pays the price for his hubris; Nope, as has been repeatedly stated throughout the film’s press run, is about the dangers of spectacle for spectacle’s sake.
That isn’t to say that Kendrick is in any danger of flying too close to the sun himself — yet. But it is starting to feel like he’s entering the messy, late-stage Kanye West phase of his career, where the appearance of meaning in his art is starting to become paramount to actually conveying a message that audiences can pick up loud and clear. Over the past few weeks, Kanye has given us plenty of cause to consider cults of celebrity being built on spectacle, and how easy it is for artists to lose touch and start buying their own bullshit. In an arena with thousands of people screaming for your every move and hanging on your every word, it’s easy to believe the hype — why else would someone loosely compare themselves to one of the biggest global pop stars to ever exist when they aren’t anywhere near the same level of celebrity?
I questioned all of this when I guested on Spotify’s RapCaviar Podcast a few weeks ago — ironically, through another metaphorical tale, The Emperor’s New Clothes. But maybe that’s the point of all the silliness, too. Maybe it’s a way for Kendrick to ground himself, to poke fun at the pretentiousness of it all — one of the running themes of the album that gets highlighted on “Savior.” Either way, as a fellow Comptoner, I have always rooted for Kendrick Lamar. May he always remain that kid from Compton and never lose sight of that humility, however bright the spotlight gets.
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