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The Style, Vibes, And Flavors Of Outside Lands, In Pictures

Some festivals are too big. Some are too small. For the Goldilocks of festival-goers in search of something truly special, San Francisco’s Outside Lands is “just right”.

Hitting the sweet spot in all the major categories isn’t easy. Nevertheless from the lineup to the landscape, 2022’s edition of Outside Lands continued its 15-year tradition of somehow always having something for everyone, featuring cavalcade of music industry heavyweights like Green Day, Mac DeMarco, Claude VonStroke, TOKiMONSTA, Polo and Pan, Post Malone, Disclosure, Grammy-winning vocalist SZA.

With 96 restaurants, 35 wineries, and 30 breweries, Outside Lands also might be the tastiest music festival on the planet. As an all-ages event, sundry looks are a staple too. Fashionistas were on fleek in all manner of fishnets, fancy hats, and abalone spangles, while the cornucopia of flavors and aromatic wafts of garlic and fresh bread were distracting enough to lead festival goers around by their nose.

The event took these offerings to a whole other level with complementing spaces, like WineLands, BeerLands, and GrassLands – where cannabis can be legally sold and consumed thanks to a landmark team-up of major cannabis industry powerhouses like Embarc, High Times, Traditional, STIIIZY, among others.

If there’s a drawback to San Francisco’s gem among music festivals, it’s that in all the action it’s simply too easy to miss some of the magic (even if you’re streaming from home).

But not to worry. UPROXX is here to help you relive the most lovable parts – or see what you missed – with these 50 quick captures of Outside Land’s splendor.

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Madonna Wants To Work With Kendrick Lamar And ‘Worships’ Him ‘More Than Anything In Life’

When Madonna dropped by 30 Rock to promote her upcoming remix album Finally Enough Love: 50 Number Ones (and make host Jimmy Fallon extremely uncomfortable), the pop music icon showed off her grill, played some word games with Fallon, and performed a classroom instruments version of her hit song “Music.” In another part of her interview, though, Fallon does get in some decent questions, including whether there are any artists that Madonna really wants to work with after nearly 40 years of popularity.

“There’s one artist that I worship more than anything in life and I would love to collaborate with,” she agrees, “and that’s Kendrick Lamar.” After a quick pause for applause, she elaborates, “His new record is history-making, mind-bogglingly brilliant.”

That new record is, of course, Mr. Morale & The Big Steppers, which Kendrick dropped in May this year after a five-year hiatus since his Pulitzer Prize-winning album, DAMN. The album had the biggest first week of 2022 and was accompanied by a short film for “We Cry Together” and The Big Steppers Tour.

Meanwhile, in addition to her own new project, Madonna is getting plenty of attention for her remix of Beyonce’s dance hit “Break My Soul” for which Beyonce sent Madonna a thankful note after the remix’s release.

You can check out Madonna’s Tonight Show interview (she mentions Kendrick at the 2-minute mark) above.

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Matt Amodio Has ‘Jeopardy!’ Fans Worked Up Again And He Didn’t Even Do Anything

Jeopardy! isn’t even airing new episodes right now, but even its choice of reruns is getting hardcore fans worked up on social media. Unlike previous years, Jeopardy! is not re-airing tournaments, but instead, a curated assortment of episodes from Season 38. Included in that mix is Matt Amodio who had a polarizing 388-day winning streak on the hit game show and will return later this year for the 2022 Tournament of Champions.

Like the first time he appeared on Jeopardy!, fans are once again strongly reacting to his play style thanks to the reruns. Amodio didn’t even do anything this time around, but just his mere presence is enough to spark reactions from the show’s very opinionated fanbase.

Via Yahoo!:

“Matt is one of my favorites,” one person wrote on Instagram. “Love you Matt!!! ❤,” another added. “Matt all the way!” a different fan said.

On the other hand, some folks had different feelings about seeing the Ohio native again. “I’ve been watching the reruns this week; one rerun was was more entertaining than the others 😉. Hat’s off to Matt but I don’t find him super entertaining,” a follower commented on Instagram.

Of course, Amodio is no stranger to controversy when it comes to his Jeopardy! victory streak. After losing early in the season, he had to ward off conspiracy theories that he lost on purpose after effortlessly crushing his opponents for so long.

“I wasn’t being fed the answers when I was winning and I didn’t throw the game when I lost. It’s just a competition, I was doing well and then I lost. There’s nothing more to it,” Amodio wrote in Newsweek. “My buzzer was working fine. The only thing that wasn’t working was my brain at full capacity.”

(Via Yahoo!)

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Emma Thompson Doesn’t Sound Like She’s A Fan Of Sean Bean’s Unfortunate Intimacy Coordinator Comments

Last week, actor Sean Bean very casually admitted that he did not like using intimacy coordinators during intimate scenes with his co-stars, and it may not have gone over well with other actors who are very thankful for intimacy coordinators. One of the stars that is defending the use of intimacy coordinators is Dame Emma Thompson, who thinks that they are great! And also doesn’t seem to know who Sean Bean is.

While promoting her new film Good Luck To You Leo Grande, in which she embarks on a sexual relationship with a much younger man, the interviewers of the Australian radio show “Fitzy& Wippa” (the most Australian-sounding name ever) mentioned Bean’s comments. “Sean Bean, who was Ned Stark in Game of Thrones said he didn’t really appreciate the work of the intimacy coordinator because he said that it spoilt the spontaneity. So is that how you found it? Did you guys have an intimacy coordinator there on set advising you what to do in these scenes?” Of course, Thompson had a very eloquent response.

“Intimacy coordinators are fantastically important and I don’t know you were speaking to somebody who found it distracting but another conversation you might find people go, ‘It made me comfortable, it made me feel safe, it made me feel as though I was able to do this work,’” Thompson told the host, via Variety.

Thompson added, “So intimacy coordinators are the most fantastic introduction in our work. And no, you can’t just ‘let it flow.’ There’s a camera there and a crew. You’re not on your own in a hotel room, you’re surrounded by a bunch of blokes, mostly. So it’s not a comfortable situation full stop.”

It seems like Thompson either 1) did not understand the interviewer or 2) just simply does not know who Sean Bean is, because she added: “So I don’t know who the actor was but maybe he had an intimacy coordinator accidentally at home.” Well then!

Thompson is known for her roles in Harry Potter, Sense and Sensibility, Pride & Prejudice, and a number of other well-known British films. Sean Bean was in Game Of Thrones, so maybe their paths just haven’t crossed!

(Via Variety)

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De’Aaron Fox And Domantas Sabonis Could Have The Kings’ Offense Thriving Next Season

Last winter, scuffling along at 20-35, 12th in the Western Conference and two games back of a Play-In spot, the Sacramento Kings radically reoriented the vision of their team in an effort to snap their lengthy playoff drought.

Just two days shy of the 2021-22 trade deadline, Sacramento dealt Buddy Hield, Tristan Thompson, and blooming star Tyrese Haliburton to the Indiana Pacers in exchange for Jeremy Lamb, Justin Holiday, and All-Star big man Domantas Sabonis.

Despite starting the Sabonis Era 2-0, Sacramento ultimately went 5-10 when he suited up. The 26-year-old didn’t play past late March and the Kings finished the season 30-52, six games behind the New Orleans Pelicans for the 10 seed. The dreams of Sabonis and De’Aaron Fox immediately shepherding a two-month run to the playoffs were swiftly extinguished, but there’s still reason for optimism given how the duo performed, even as the team as a whole faltered. The Lithuanian lefty averaged 19-12-6-1 on 60 percent true shooting and the Southwestern speedster slapped down a nightly 29-7-4-1 on 58 percent true shooting in their 15 post-trade games.

Heading into 2022-23, the Kings are equipped with a new head coach in Mike Brown and a revamped roster. Much of the club’s struggles were not at the hands of Sabonis and Fox. Although I’m skeptical they actualize the franchise’s playoff objective in a deep Western Conference, this team should be primed to play its most consistent and high-level basketball of the past 15 years next season, led by the dynamite offensive tandem of Sabonis and Fox.

So, how can their 14 games together inform our expectation of this partnership? What sort of style, actions, and schemes might be ideal for optimization and help fashion a prolific offense around them?

Brown, a defensive-minded coach, will bring a distinct philosophy from his predecessor, Alvin Gentry, an offensively inclined head man. But there should be some overlap between their approaches to extract the most from Fox and Sabonis’ talents.

The grandest hallmark of the Sabonis-Fox Kings was how outrageously fast they operated offensively. Prior to acquiring Sabonis, per InPredict, they ranked fifth in time of possession (14.1 seconds) and second in time of possession following a made shot (16.5). In the 16 games between Feb. 9 and March 16 — the stretch post-trade and before Fox was sidelined the rest of the year — they ranked third in general time of possession (13.6 seconds) and first after a made shot (15.5 seconds).

They wasted absolutely no time flowing into offense, often generating a paint touch or field goal attempt by the time the shot clock read 20. Sometimes, camera crews even struggled to properly toggle among broadcasting the basket, the inbounds pass and whatever Sacramento promptly cooked up offensively. From dribble handoffs to improvisational drives to wide-ranging ball-screen formulas, the Kings were in a jiffy to hoist up looks whenever possible.

The problem was playing fast didn’t necessarily correlate with efficient offense. During this span, they ranked 20th in points per possession following a make (1.09) and 21st in offensive rating (112.1).

These developments were largely independent of whatever Sabonis and Fox brought to the table, however. When possessions slowed, Sacramento’s floor-spacing and off-ball positioning were flawed and cramped. Teammates knew Sabonis thrives in slinging feeds to cutters, but would overindulge on half-hearted ventures inside or float around the dunker spot to frequently clog actions.

To counter this stagnation, the Kings sought shots before the defense was organized and the spacing provided greater room inside the key. That priority led to quite a few ill-advised and hurried decisions. This season’s roster seems better arranged to amplify the duo, especially with the luxury of time and personnel to adapt to a Sabonis-Fox-led brigade, which did not really exist in the five weeks post-trade last year.

A projected rotation could look something like Fox-Kevin Huerter-Harrison Barnes-Keegan Murray-Sabonis as the starting unit, with Davion Mitchell-Malik Monk-Jeremy Lamb-Trey Lyles-Richaun Holmes off the bench. Maybe, Chimezie Metu and/or Terence Davis see some burn, too, though I’d opt for a nine-person rotation excising Lyles to let Murray and Barnes garner all the minutes at power forward.

Regardless, there’s a whole lot of off-ball shooting, closeout-attacking, and DHO threats in that group to complement Sabonis and Fox, whose offensive ethos will always be built within the paint. Hammering home the understanding of rules and duties around actions involving Sabonis and Fox is vital. This pairing showcased enticing versatility and optionality during their brief run last season, even if the results didn’t always mirror the intrigue.

We saw lots of snug pick-and-rolls in which Sabonis’ screening opened runways for Fox’s afterburners and midrange comfort. Empty corner alignments were often fruitful on this action. Given the added shooting around them, the intention should be to increase empty corner, snug pick-and-rolls to stretch the defense thin.

We saw double drag and this could emerge as a reliable early offense staple to benefit from all the newfound shooting (Huerter, Monk, Murray) next season. Imagine lineups where one of Barnes or Murray is the stretch 4 popping on this play and Sabonis or Holmes is diving inside, while some configuration of Monk, Huerter, Barnes and Murray spaces around the perimeter.

We saw pick-and-rolls featuring early motion to shift the defense before Fox and Sabonis linked up. They’re such contrasting offensive presences, with Fox winning via his speed, flexibility, and handles, and Sabonis winning via his footwork and bruising strength. As such, defenses are timid to switch the play if they trail behind after a brush screen, ram screen, etc. and this tag-team can exploit that hesitancy.

The Kings should call for more of this, as Huerter, Monk, and Mitchell are viable complementary ball-handlers who can let the captains of the offense initiate plays on the move. Last season, after the trade, Mitchell was the only one who capably fit this mold, despite Donte DiVincenzo’s admirable efforts. In Year 2, Mitchell should be even better prepared to supplement his track star backcourt mate.

We saw inverted pick-and-rolls, typically before the defense was set, to highlight Sabonis’ handling chops and knack for attacking from the top of the key. The possibilities of these two collaboratively wielding their distinct games against opponents were displayed in spurts last season. Brown will add his own wrinkles and some of these actions will probably be excluded, but the potential variance at their disposal is encouraging.

Sabonis’ offensive arsenal helped unlock space for Fox’s driving nature. He chiseled open lanes to the rim, lured defensive anchors away from the hoop as a playmaking hub and found him on dimes inside. According to Cleaning The Glass, Fox shot 64 percent at the rim pre-trade and 24 percent of those makes came from assists. After Sabonis’ arrival, he shot 69 percent at the rim and 33 percent of those makes were assisted. His passing, screening, and advantage creation simplified Fox’s responsibilities.

There’s allure in this pick-and-roll flexibility, yet I find myself drawn to the dribble-handoff playbook, where Sabonis usually shines brightest. Chicago action, traditional DHOs, and Blind Pig could all be part of the regimen; the Memphis Grizzlies ran a decent amount of Blind Pig for Ja Morant last year, utilizing Steven Adams’ screening prowess and their stockpile of secondary ball-handlers. Sacramento fields similar personnel, with Fox, Sabonis, and complementary creation. I’d also like for it to explore Huerter and Monk as options in staggered DHO assortments to leverage their marriage of shooting and ball-handling.

For a few different reasons, the Kings didn’t run a ton of Fox-Sabonis spread pick-and-rolls last season. With heightened chemistry and floor-spacing, that should be remedied moving forward, though maximizing them here necessitates some growth from Fox specifically. He’s prone to being one-dimensional in ball-screens, lasering in on his preferred midrange pull-up and missing pocket passes or windows to shooters on the perimeter, particularly the latter. His cadence to keep all openings available could improve as well.

With their contrasting, immense interior gravity, Fox and Sabonis should routinely bend defenses in spread pick-and-rolls. In these scenarios can Fox diversify his processing to properly capitalize on the shooting, scoring and playmaking flanking him? Sabonis is adept at pacing his dives to the rim to maintain passing angles for ball-handlers. Mitchell quickly recognized this trait and complemented the big fella well. Fox showcased kernels of adaptation, but further growth remains ahead.

After being pigeonholed under Rick Carlisle for half a season in Indiana, Sabonis vaulted to northern California and was afforded the luxury of freedom. He piloted fast breaks as a funky, stampeding creator. The ball spun between his paws as a wily DHO conductor. Clear-outs in the post were directed to him. Pick-and-rolls of all shapes and sizes demanded his services.

Whether any of this continues under Brown’s rein is difficult to foresee exactly. A new offensive ideology could dictate how Sabonis and Fox function, both individually and collectively. Even so, the chances for the retooled Kings to be one of the NBA’s more potent, distinctive and joyful offenses this year is rather plausible.

Pairing these two dudes was a prudent move six months ago, but the surrounding roster and situation wasn’t conducive to imminently prosperous outcomes. An entire summer to streamline things and upgrade the ancillary talent should have the Kings doing some effective and rad stuff this fall. I’m excited to watch them experiment and learn, regardless of how it reflects upon their win-loss record.

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The Best Bourbons And Ryes From The 2022 American Whiskey Masters Awards

The 2022 American Whiskey Masters Award bourbon and rye winners are here. What makes these awards so unique is that they’re tied to a publication based in the U.K., giving us a bit of an outsider’s perspective on American whiskey from a world dominated by Scotch. To add an extra layer to that, I decided to call out the top of the top and provide my own tasting notes for each bottle.

The American Whiskey Masters Awards are part of The Spirits Business (the aforementioned U.K. publication), which is where industry insiders get all their spirits business news pretty much daily. The Spirits Business (SB) runs a vast awards program that covers whisk(e)ys by region — we’ll get to the Scotch whisky winners next. The whole competition is run by SB Editor, Melita Kiely, who assembles a team of industry pros to judge whiskeys from their London base.

So far, this is a pretty straightforward spirits competition. The biggest difference is the award structure. Instead of the standard bronze, silver, gold, double gold, best in show (or some variation of that), it goes silver, gold, master, and taste master (with an emphasis on “master” as the higher award and the “taste master” as the best in class). All of that aside, we’re looking at another spirits competition that has a unique POV worth paying attention to. So let’s just dive in and see which bourbons and ryes they picked.

Also Read: The Top 5 UPROXX Bourbon Posts Of The Last Six Months

Masters Winners

Rye Ultra Premium ($52+) — 291 Colorado Whiskey Finished with Aspen Wood Staves, Barrel Proof Single Barrel

291 Single Barrel Rye
291 Colorado Distillery

ABV: 64.3%

Average Price: $108

The Whiskey:

291 uses a quick aging process. For this single barrel expression of rye whiskey, they added Aspen wood staves into the barrels to accelerate the aging process while adding depth to the spirit. Once those barrels hit just the right flavor profile, they were bottled as a single barrel expression with no fussing, filtering, or cutting.

Tasting Notes:

The whiskey opens with a bold sense of wet pine with a pitchy vibe next to maple syrup over sourdough pancakes with a hint of sour apple and toffee in the background. The palate has a grassy nature that’s supported by an echo of vanilla, more resin, and woody/warm winter spices with a hint of cherry lurking somewhere in there. The end leans into sharp and warm spices with a focus on Red Hots and maybe even some nasturtium with a wet oak sweetness and a twinge of bitter espresso bean.

Bottom Line:

This is a pretty solid (albeit fleeting) whiskey. I tend to pour this over a rock to calm it down a little and let this nice creamy honey vibe loose.

Rye Aged up to 7 years — Russell’s Reserve Rye 6 Years Old

Wild Turkey

ABV: 45%

Average Price: $51

The Whiskey:

Russell’s Reserve is where we really dive into the “good stuff.” This expression is a collaboration between Jimmy and Eddie Russell, who search through the center cut of barrels in their rickhouses for the exact right minimum-six-year-old ryes to create this expression. The end results are a window into the Russells’ shared palate for whiskey.

Tasting Notes:

This is subtle rye with hints of crusty rye bread soaked in apple honey paired with a hint of vanilla. The rye spiciness isn’t overdone, allowing more of a sweet Christmas cake full of dried fruit, nuts, and spicy rum to shine through than, say, black pepper. The oakiness shines late as the spice, sweetness, and vanilla fade away, leaving you with a sense of sour cherry tobacco, mulled wine spices, and lush vanilla cream with an echo of old wicker.

Bottom Line:

This is a great everyday pour. That said, this really feels more like a great cocktail base than a sipper.

Rye Single Barrel — Russell’s Reserve Single Barrel Rye

Wild Turkey

ABV: 52%

Average Price: $71

The Whiskey:

This hand-selected single barrel expression hits on some pretty big classic rye notes (“classic” is becoming a theme here, as anticipated). The juice is selected from the center cuts of the third through fifth floors of the Wild Turkey rickhouses. There’s no chill filtering and the expression is only slightly touched by water for proofing.

Tasting Notes:

White peppery spice greets you with a sense of an old barrel, worn leather, and soft vanilla, with a light touch of sweetness from orchard fruit. The mouthfeel is svelte with fresh tobacco leaves accenting that hot chili pepper and cinnamon with a minor note of lush vanilla and toffee mellowing everything out. There’s a musty barrel edge that leads towards a cedar box full of cigars, vanilla beans, and toffee on the long fade.

Bottom Line:

The ABVs are low enough to drink this neat all day long, but it does benefit from a drop or two of water (or a rock) to get the creamier flavors. Either way, this is a great sipper to have around.

Bourbon No Age Statement — WL Weller C.Y.P.B. (Craft Your Perfect Bourbon)

Sazerac Company

ABV: 47.5%

Average Price: $899

The Whiskey:

This is the most interesting expression from Weller. A few years back, Buffalo Trace asked hardcore Weller fans to “Craft Your Perfect Bourbon.” C.Y.P.B. was born according to those fans choosing their favorite bourbon recipe, proof, warehouse location, and age. A consensus shook out that pinned the ideal whiskey to a wheated bourbon aged on the highest warehouse floors for eight years that’s then bottled at 95 proof. Today, that manifests yearly as a very limited release that’s part fan service and part special limited edition bourbon for all of us to enjoy.

Tasting Notes:

The nose opens with dried orange peels that have been loaded into an old cedar box and left in the back of a cupboard for years. Then this creaminess arrives that’s kind of like the halfway point between a vanilla flan with caramel sauce and spicy sasparilla on the nose. As the taste rolls towards the back of your mouth and settles in, you get this warming sense of eggnog spice next to soft tobacco leaves and dark chocolate-covered marzipan. The end marries that soft tobacco with spiced orange dark chocolate with a hint of espresso and vanilla.

Bottom Line:

This is a brilliant pour of whiskey. It does need a little water to help it bloom, but that’s about all it needs.

Bourbon Ultra Premium ($52+) — Remus Repeal Reserve Straight Bourbon Whiskey

Luxco

ABV: 50%

Average Price: $94

The Whiskey:

This year’s Remus Repeal Reserve V is a hell of a whiskey. The MGP of Indiana signature bourbon is comprised of 9% 2005 bourbon with a 21% high-rye mash, 5% 2006 bourbon with a very high-rye mash of 36% of the sticky grain, 19% 2006 bourbon with the same 21% high-rye mash, 13% 2008 bourbon with that 21% rye mash, and 54% 2008 bourbon with the 36% high-rye mash.

Tasting Notes:

The nose on this is brilliantly fruity with touches of fresh raspberries, strawberries resting in dry straw, candied cherries, freshly peeled tangerines, apple cores and stems, and a touch of caramel malts. That caramel sweetness merges into a fresh honeycomb next to Dr. Brown’s Cream Soda vanilla and pep while the fruit dries out, leaving you with meaty dried figs, dates, and prunes driving the midpalate toward the finish. A touch of candied ginger spices things up as a fruity but dry tobacco leaf rounds out the end with the faintest touch of walnut shells.

Bottom Line:

This is another killer whiskey. If you can find it, buy two.

Bourbon Aged over 8 years — WL Weller 12 Year Old (Taste Master)

Sazerac Company

ABV: 45%

Average Price: $298

The Whiskey:

This expression of Weller rests in the warehouse for 12 long years. A fair amount of juice is lost to the angels during that stretch. In the end, the whiskey is vatted from the barrels that survived and then proofed down to a soft 90 proof.

Tasting Notes:

There’s a deep, creamy sweet corn note on the nose that gives way to old wool sweaters and vanilla pancakes rolled around in soft marzipan. The palate has a warm biscuit vibe with hints of buttery toffee syrup and old cutting boards that still smell of dark spices and dried fruit. The end takes its time and touches back on the cakey vanilla, buttery syrups, soft marzipan, and old, fruit-stained wood as it gently fades away.

Bottom Line:

This won “Taste Master” which is the best-in-show American whiskey for this category of awards. And that feels right. This is a wonderful whiskey that lives up to the hype (but maybe not the aftermarket price).

In case you’re looking for more great whiskeys, I’ve listed all the Gold Medal winners from each American whiskey bourbon and rye categories below.

Gold Medals

Bourbon Premium (0 to $30) — Four Roses Small Batch Bourbon
Bourbon Premium (0 to $30) — Four Roses Straight Bourbon
Bourbon Super Premium ($31‐$51) — High West American Prairie Bourbon
Bourbon Super Premium ($31‐$51) — Four Roses Single Barrel Bourbon
Bourbon Super Premium ($31‐$51) — Four Roses Small Batch Select Bourbon
Bourbon Super Premium ($31‐$51) — Angel’s Envy Kentucky Straight Bourbon Whiskey Finished in Port Wine Barrels
Bourbon Ultra Premium ($52+) — Eagle Rare 17 Year Old
Bourbon Ultra Premium ($52+) — Wild Turkey Rare Breed Bourbon
Bourbon No Age Statement — Stagg Jr.
Bourbon No Age Statement — WL Weller Antique
Bourbon No Age Statement — Elmer T Lee Single Barrel
Bourbon No Age Statement — Colonel EH Taylor Jr Small Batch
Bourbon No Age Statement — WL Weller Single Barrel
Bourbon No Age Statement — WL Weller Full Proof
Bourbon No Age Statement — Colonel EH Taylor Jr Single Barrel
Bourbon No Age Statement — Early Times Bottled in Bond
Bourbon No Age Statement — 291 Colorado Bourbon Whiskey Finished with Aspen Wood Staves, Small Batch
Bourbon Aged up to 7 years — George Remus Straight Bourbon Whiskey
Bourbon Aged up to 7 years — Bently Heritage Estate Distillery Bourbon Whiskey
Bourbon Aged up to 7 years — Wild Turkey 101 Bourbon
Bourbon Aged over 8 years — Eagle Rare 10 Years Old
Bourbon Aged over 8 years — Russell’s Reserve Rye 10 Years Old
Bourbon Single Barrel — Wild Turkey Kentucky Spirit
Bourbon Single Barrel — Russell’s Reserve Single Barrel Bourbon
Bourbon Single Barrel — Russell’s Reserve Rye 13 Year Old
Bourbon Cask Strength — A Smith Bowman Cask Strength
Tennessee Super Premium ($31‐$51) — Uncle Nearest 1884 Premium Small Batch Whiskey
Tennessee Super Premium ($31‐$51) — Uncle Nearest 1856 Premium Aged Whiskey
Tennessee Super Premium ($31‐$51) — Daddy Rack
Tennessee Ultra Premium ($52+) — Uncle Nearest Master Blend Edition Batch No.001
Rye Super Premium ($31‐$51) — High West Double Rye
Rye Super Premium ($31‐$51) — Wild Turkey Rare Breed Rye
Rye Ultra Premium ($52+) — High West Rendezvous Rye
Rye Aged up to 7 years — Wild Turkey 101 Rye
Rye Aged up to 7 years — Rossville Union Master Crafted Straight Rye Whiskey
Rye Aged up to 7 years — Rossville Union Master Crafted Straight Rye Whiskey Barrel Strength
Rye Aged up to 7 years — Bently Heritage Estate Distillery Rye Whiskey
Rye No Age Statement — Yellow Rose Rye
Rye No Age Statement — Whistlepig Piggyback Rye
Rye No Age Statement — Colonel EH Taylor Jr Straight Rye

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Anderson Cooper Opened His Show By Torching Trump, Lindsey Graham And Other Republicans For Their Staggering ‘Law And Order’ Hypocrisy

Despite the fact that Donald Trump is currently under investigation for inciting the Capitol riots of January 6, 2021 — which was a violent attack on the Capitol police as much as it was on democracy as we know it — he has a habit of painting himself as an unwavering supporter of law enforcement officials and a “champion of law and order.” But Anderson Cooper is calling bullsh*t.

On Wednesday night, as Mediaite reports, the CNN host opened his show by laying into Trump and Republicans like Lindsey Graham, who have allowed the former president to pick and choose when to praise law enforcement and intelligence officials (a.k.a. when it benefits Trump) and when to criticize and question their integrity (a.k.a. again, when it benefits Trump).

Cooper played a clip of Trump’s speech from January 6th, in which he lamented that “We’re living in such a different country for one primary reason: there is no longer respect for the law, and there certainly is no order. These are great people. Border patrol, ICE, and our police, of course, our police, all of our law enforcement.”

But, based on Trump’s own statement regarding the FBI raid on his home, Cooper added a caveat to that “great people” sentiment:

Except for FBI agents, who applied for the search warrant whom he’s now heaping scorn upon, and whom his followers in Congress are now threatening to defund and dismantle or drag before committees if they win control in November. Great people except for the federal magistrate judge who is thought to be the person who approved the Mar-a-Lago search warrant, whose identity is now being concealed because of threats on his life. Great people in fact.

Trump’s official statement on Monday echoed the wording of his January 6th speech, but with one marked difference: law enforcement are now the bad guys.

“These are dark times for our Nation, as my beautiful home, Mar-A-Lago in Palm Beach, Florida, is currently under siege, raided, and occupied by a large group of FBI agents,” Trump wrote. “Nothing like this has ever happened to a President of the United States before. After working and cooperating with the relevant Government agencies, this unannounced raid on my home was not necessary or appropriate.”

As Cooper noted, Trump even went so far as to suggest “without anything at all to back it up, that federal agents planted evidence when they searched Mar-a-Lago on Monday, which then quickly became a Republican talking point.” (With Fox News’ Jesse Watters seemingly trying to lead the pack of getting Trump’s version of the story out there.)

You can watch the full clip above.

(Via Mediaite)

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Megan Thee Stallion Announces ‘Traumazine,’ Her New Album

Finally, after unveiling songs like “Plan B” and “Pressurelicious,” Megan Thee Stallion has announced her new album Traumazine, which she has been teasing for months. It arrives tomorrow, August 12, and features artists like Latto, Key Glock, Pooh Shiesty, and more.

The record was rumored to be named Traumazine after she posted the definition of the word “traumazine,” reading “the chemical released in the brain when it is forced to deal with painful emotions caused by traumatic events and experiences.” She announced that the LP was finished at the end of last month by sharing an Instagram story with the text: “So happy abt my album. It’s finished. It’s for the hotties. It’s honest. It’s me. It’s real.”

Check out the album art and tracklist below.

Traumazine
Megan Thee Stallion

1. “NDA”
2. “Ungrateful” feat. Key Glock
3. “Not Nice”
4. “Budget” feat. Latto
5. “Her”
6. “Gift & A Curse”
7. “Ms. Nasty”
8. “Who Me” feat. Pooh Shiesty
9. “Red Wine”
10. “Scary” feat. Rico Nasty
11. “Anxiety”
12. “Flip Flop”
13. “Consistency” feat. Jhene Aiko
14. “Star” feat. Lucky Daye
15. “Pressurelicious” feat. Future
16. “Plan B”
17. “Southside Royalty Freestyle” feat. Sauce Walka, Big Pokey & Lil Keke
18. “Sweetest Pie” feat. Dua Lipa

Traumazine arrives 8/12. Pre-order it here.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Rage Against The Machine Cancels Their UK And European Tour Dates

Bad news for European Rage Against The Machine fans looking forward to seeing the band when they crossed the pond later this month: The European leg of their world tour has officially been canceled due to Zack de la Rocha’s leg injury. After kicking off the COVID-delayed tour in East Troy, Wisconsin in July — their first show in eleven years — Zack injured his leg during just the second show of the tour in Chicago. While he finished that show sitting on a monitor and continued to perform while seated through the remaining US dates, apparently, this isn’t medically advisable for the UK and European dates.

In a statement on the band’s Instagram, the band wrote:

Per medical guidance, Zack de la Rocha has been advised that the August and September 2022 UK and European leg of the Rage Against The Machine tour cannot proceed. It is with great disappointment that we announce this cancellation.
Rage Against The Machine will be finishing their run at Madison Square Garden on August 11, 12 & 14 and then Zack must return home for rest and rehabilitation. The flights, travel time, and rigorous schedule in the UK and Europe are simply too much of a risk for a complete recovery.
We are so sorry to all of our fans who have waited years to see us and hope to Rage again soon.
Please contact your point of purchase for refunds to any headline shows.
Brad, Tim, Tom & Zack

It’s tough that it went this way after the tour was already postponed due to the pandemic, but hopefully, with enough rest and recovery, Zack and the band will be back on stage across the Atlantic, raging it up soon enough.

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ASAP Rocky’s Alleged Shooting Victim ASAP Relli Comes Forward And Plans To Sue

In April, ASAP Rocky was arrested at LAX in connection with a November 2021 shooting and was subsequently released from jail after posting bail for $550,000. The following week, LAPD confiscated several guns from the home of ASAP Rocky.

Now, ASAP Relli — a talent manager, producer, and a member of the hip-hop collective ASAP Mob — has stepped forward as a victim of the shooting. Real name is Terell Ephron, he will be filing a civil lawsuit against Rocky, according to Rolling Stone. Attorneys Jamal Tooson and Brian Hurwitz claimed that Rocky lured Relli to central Hollywood and showed up with semi-automatic handgun. “After arriving at the location, a conversation ensued whereby without provocation, warning, or any justification, ASAP Rocky produced the handgun and intentionally fired multiple shots at Mr. Ephron,” they told Rolling Stone.

They also said that Relli has received “multiple death threats and irreparable harm to his career in the entertainment industry as a result of this incident.”

ASAP Rocky has an extensive history of legal issues in his native New York, where he spent time on Riker’s Island for selling drugs and has been involved in several fights that ended with him being charged with assault, but nothing involving guns.