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Foo Fighters Canceled A Gig Hours After Announcing It Because The Venue Refused To Comply With Covid Precautions

Like plenty of other artists right now, Foo Fighters are eager to get back on the road and start performing for fans again. Yes, that MSG show helped kick things off, and yes, the “Hanukkah Sessions” help entertain for those who still don’t feel comfortable at shows, but there’s still really nothing that holds a candle to the healing power of live music. Earlier today, the band announced a full slate of tour dates for 2022, which had fans more than excited for the comprehensive stops, but just hours after announcing one of those gigs already had to be canceled.

Sorry to the fans in Minneapolis, but the August 3 show at Huntington Bank Stadium has been canceled because the venue refused to comply with Covid-19 precautions. And considering the band themselves are at the most risk, to say nothing of a desire to keep their fans safe, the decision on the venue’s part really doesn’t sit right. The band posted about the change on their Twitter, and are looking to reschedule the show shortly. “Updates: Minneapolis, please see below – we hope to see you soon! Maryland/D.C., info on your show is coming shortly!” the band wrote on Twitter, along with a statement:

“Due to Huntington Bank Stadium’s refusal to agree to the band’s Cover safety measures, Foo Fighters are unable to perform at that venue. We apologize for any inconvenience and are working on finding a suitable replacement — one that will prioritize the health and safety of everyone working and attending the show.”

Hopefully another venue will step up so those who want to get that Foo experience, but good on the band for prioritizing fan and crew safety above all.

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Erykah Badu, Nas, And The Roots Are Headlining The Unreal Smokin Grooves Festival Lineup

Ready for one of the best, most comprehensive hip-hop and soul music festival lineups ever? Formerly taking place at the Queen Mary Ship & Events Park in Long Beach, CA, Smokin Grooves Fest has moved to Downtown Los Angeles and the lineup is unreal.

Going down on Saturday, March 19th at LA’s State Historic Park, Smokin Grooves has Erykah Badu, Nas, and The Roots leading the way for it’s flat out spectacular lineup. Miguel, Jhene Aiko, The Internet, Flying Lotus, and Kamasi Washington are also on the festival’s top slates and also all happen to be from the Los Angeles area. But don’t be fooled, this is much more than a regional fest and is on par with the biggest and best hip-hop culture festivals around the nation.

The names on this bill from top to bottom are impressive. From the eclectic indie sounds of Toro y Moi, Little Dragon, and Hiatus Kaiyote, to a legend like composer and vibraphonist Roy Ayers, to the vital lyricism of Talib Kweli and millennial backpack hip-hop of Slum Village and Dead Prez. There’s a stellar R&B slate with Macy Gray, India.Arie, Musiq Soulchild, and Angie Stone, plus sneaky awesome names on the rise at the bottom of the bill like Toronto’s Charlotte Day Wilson and Chicago’s Ravyn Lenae.

Pre-sale ticketing sign-ups for this extravaganza go on sale this Friday 12/03 at 10 am PT. Any unsold tickets will be made available to the general public at 2 pm PT on the same day. Register/purchase tickets and check out the full lineup and info at https://www.smokingroovesfestival.com/.

Smokin Grooves
Smokin Grooves
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Empty nesters share their genius—and surprisingly touching—secret to downsizing

When your final child leaves the house for good, it’s like a whole new world has opened up. The decades raising babies and children are full, rich, exciting and loud. Your house is filled with laughter and sibling bickering, school projects and kid collections, never-ending laundry and food purchased in bulk. Life is big during those years. It takes up space physically, mentally and emotionally.

Then come the empty nest years, when you find yourself swimming in a house full of unused rooms and piles of memories. Suddenly you don’t need all that space anymore, and you have to figure out what to do with those rooms and those piles and those memories.

For one couple, the process of downsizing brought about a reflection on their family life, their relationship with their kids and their stuff. Jimmy Dunne shared that reflection on Facebook in a viral post that’s resonating with many people who are at or near this stage in life.


Dunne wrote:

“My wife Catherine and I recently moved.

I realized I had something I never knew I had.

Thirty-four years ago, I carried my wife in my arms over the threshold in our home. Thirty-four years ago. From newlywed days, to witnessing our babies go from little girls to young adults. So many great memories in every inch of every room of our home.

I didn’t think I was ready to ‘downsize.’ What an awful word. I liked walking through our girl’s bedrooms and still seeing their stuff on the walls and on the shelves. I liked our backyard. I liked imagining our kids coming down the steps every Christmas morning.

We put it on the market, it sold in a couple days, and suddenly agreements thicker than my leg were instructing me to clear everything I ever had and knew – out.

Every night I found myself saying goodbye to our backyard, to our garden of roses that Catherine would till and trim, to the sidewalk where the girls drove their Barbie cars and learned to ride their bikes, to our front lawn where we hosted tons of talent shows with all the kids on the block – and the red swing on the front porch.

We found a condo in town and started lining up our ducks of what we were keeping, and what we were tossing. We vowed, if we’re going to do this, we weren’t putting anything in storage.

I literally threw out half my stuff. Half. Half of the furniture. Half of my clothes, books. And the big one… way more than half the boxes in the attic.

The attic was more than an attic. It held our stories. Every thing in every box, every framed picture was a story. After we gave away almost all of the living room furniture, we split the room in half and brought down everything of the girls from the attic and from their rooms. We invited the girls over, handed them a cocktail and said, “There’s good news and bad news. We’ve saved all this stuff; your outfits, drawings, dolls, skates — for you. It’s now yours. The bad news, whatever’s not gone by Friday at 10 in the morning, it’s getting chucked in that giant green dumpster in front of the house.”

The girls thought we were Mr. and Mrs. Satan. But they went through it, and that Friday, most of it went out the front door and right in the dumpster.

I filled the entire dining room with boxes of all my old stuff. Grade school stories and pictures, report cards, birthday cards, trophies, you name it. Boxes of old plaques and diplomas and just stuff and stuff and stuff like that. How could I throw any of this out? I may as well have been throwing me in the dumpster!

But this little jerk on my shoulder kept asking — what are your kids going to do with all this a week after you’re six feet under? They’re gonna chuck it all out!

Here’s the crazy thing. The more I threw stuff in there, the easier it got. And I started to kind of like throwing it up and over in that thing. I started to feel lighter. Better.

And we moved in a half-the-size condo – and the oddest thing happened.

It became our home.

A picture here and there on the wall, Catherine’s favorite pieces of furniture, all her knickknacks in the bathroom. We blinked, and it looked and felt just like us.

And then I found that thing I never knew I had.

Enough.

I had enough.

The wild thing was that having less – actually opened the door to so much more. More in my personal life. More in my career. More in everything.

All I have to do is look in the eyes of my two girls — and they take me back, every time, to the most beautiful, colorful, emotional scrapbook I could ever dream of having.

All I have to do is hold my wife’s hand, and it hypnotizes me back to kissing her for the first time, falling in love with everything she did, seeing her in that hospital room holding our first baby for the first time.

It sure seems there is so much more to see, and feel, and be – if I have the courage, if I have the will to shape a life that’s just…

Enough.”

People have shared Dunne’s post more than 24,000 times and it’s easy to see why. He’s speaking a truth we probably all know deep down on some level. Things don’t make a life. Things don’t make relationships. They don’t even make memories, though we tend to hold onto them as if they do. We may associate places and things with memories, but we don’t need the places and things for our memories to live on.

Kudos to Dunne and his wife for looking ahead to what their children would have to go through after they pass if they didn’t go through it now themselves. And kudos to them for truly embracing the freedom that comes with having raised your children to adulthood. The empty nest years can be whatever you choose to make of them, and this couple has figured out a key to making the most of theirs.

The empty nest years that follow are whatever you make of them.

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The one must-see video from Disney Plus’ Beatles documentary

Even the biggest Beatles fan might not be ready for Peter Jackson’s epic, three part, 7.8-hour behemoth of a documentary “Get Back,” which recently aired on Disney Plus (November 25). But if you have two minutes, there is a singular must-watch moment that not only encapsulates the distinctive brilliance of the band, but of the creative process itself.

It’s when we see Paul McCartney compose “Get Back” in all of two minutes.

A video of their hit song being born (or perhaps conceived?) has already racked up more than 300,000 views on YouTube. And you don’t have to be a Beatles connoisseur to appreciate being a fly on the wall.

Paul McCartney composing ‘Get Back’ (January 7, 1969)

“Lennon’s late again,” McCartney remarks as he grabs the bass. The band members (minus John, of course), sit in a circle and listen to McCartney nonchalantly strum and sing some “ohs” and “ahs.” In the blink of an eye, those strums become a rhythm, and the sounds become lyrics.

The video flash cuts to a fur coat clad John Lennon, waltzing into the jam session and—without missing a beat—he starts playing a bright yellow guitar, adding his own flair to the mix. It goes to show that despite the tension (don’t let the British politeness fool you, the drama was ripe), it was no match for their artistic attunement.

As the video says, that song would go on to become their next single. And it was practically pulled out of thin air.

We know that there are several hit songs that were written in minutes. But it’s another thing to see one come to life in real time. Perhaps this is what makes these tunes so inexplicably special; there’s an inherent visceral quality to them. It can’t help but be felt.

The documentary has a plethora of other behind-the-scenes gems that give an unparalleled richness to Beatles history. But this moment reminds us all of what made them so great in the first place. Anyone struggling with a lack of creative confidence might find inspiration from it.

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The Pig From The Nicolas Cage Movie ‘Pig’ Has Passed Away

Nicolas Cage is the top-billed actor in Pig (the most critically-acclaimed movie in his Oscar-winning career), but everyone knows the film’s real star is the titular truffle-hunting pig, played by Brandy. Sadly, as director Michael Sarnoski revealed in a recent interview with the Film Stage, Brandy passed away last year.

“She got a jaw infection, actually, at the beginning of COVID, and the sad thing is because of COVID all of the vets weren’t taking, like, new clients, so they couldn’t treat her. So she passed away, which was really sad,” he said. That’s a bummer, but there is some happy news. “She actually was pregnant while we were shooting Pig, so she does have some piglets still running around today,” Sarnoski added.

Cage (who’s truly excellent in the film) was asked about Pig getting Oscar buzz at Monday’s Gotham Awards. “Any kind of enthusiasm is always welcome,” he told ET Online. “But the reality is, it’s all about telling stories that communicate with the people. And I think this movie did, and that’s what we brought, and that’s good enough for me.” Even if Cage isn’t nominated, Brandy better show up during the In Memoriam.

Pig is available on VOD. You can read our interview with the film’s food consultant here.

(Via the Film Stage)

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Ridley Scott, A Sh*t-Talking Icon, Has No Time For The Gucci Family’s Complaints About His Movie

After once again facing criticism for how he portrayed the Gucci family in his new film, House of Gucci, prolific director Ridley Scott has fired back at the family members in a scathing rebuke. Leading the criticisms has been Patrizia Gucci, the granddaughter of Aldo Gucci, who was portrayed by Al Pacino in Scott’s film. (Aldo is also the son of Guccio Gucci, which we swear to God is a real name.)

At issue has been the “inaccurate portrayal” of Aldo and other members of the family as “thugs, ignorant and insensitive to the world around them.” Pacino’s physical appearance in House of Gucci has also rankled the family.

“My grandfather was a very handsome man, like all the Guccis, and very tall, blue eyes and very elegant,” Patrizia wrote back in April. “He is being played by Al Pacino, who is not very tall already, and this photo shows him as fat, short, with sideburns, really ugly. Shameful, because he doesn’t resemble him at all.”

Following a brand new round of criticism, Scott has finally had enough. Here’s what the iconic talker of sh*t told Total Film when asked about the Gucci family complaints:

“The people that were writing from the family to us at the onset were alarmingly insulting, saying that Al Pacino did not represent physically Aldo Gucci in any shape or form,” Scott says. “And yet, frankly, how could they be better represented than by Al Pacino? Excuse me! You probably have the best actors in the world, you should be so f*cking lucky.”

That would be Ridley Scott pulling out the rare “I cast Al Pacino as your freaking grandfather. What more do you want?” card. Will it work on the Gucci family? Probably not. Lady Gaga played their aunt, or something, and they still have notes.

(Via Total Film)

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Yet Another Video Has Emerged Of Lauren Boebert Saying Sh*tty Things About Her Congressional Colleagues Behind Closed Doors

Last week, a video of Congresswoman Lauren Boebert referring to fellow House Representative Ilhan Omar as part of the “Jihad Squad,” went viral. The comments were made to a crowd of supporters during what seemed to be a fundraising event — or just a really lame open mic night at a far-right comedy club.

In the minute-long clip, Boebert told a story about getting on an elevator with Omar as a Capitol Police officer frantically tried to chase her down, presumably to stop her. Boebert joked that while she was alarmed at the police officer’s behavior, Omar “didn’t have a backpack on” so she figured she’d be fine — implying that because Omar is Muslim, she’s automatically suspected of being a terrorist. Boebert has since apologized for her remarks — though obviously not sincerely enough because a phone call between the two women ended with Omar claiming the Colorado conservative refused to acknowledge her story was made up and doubled down on her harmful rhetoric.

And now, CNN has shared a shocking new video, dated back in September of this year, where Boebert once again told the story of the Omar elevator incident, making tasteless Islamophobic jokes and changing some key details. The video shows Boebert telling a crowd of Republican donors that she and a staffer got into the elevator with Omar, but there’s no mention of a Capitol Police officer in this version. She makes the same backpack quip and labels Omar “Jihad Squad” before going on to call both her and fellow Muslim Representative Rashida Tlaib “black-hearted, evil women.” Besides this video seriously calling into question whether this incident ever happened (and Omar says that it did not happen) or it was just made up by Boebert to gain some weird, anti-Muslim clout, it also shows a pattern of bigotry by Boebert towards her co-workers, simply because they practice a different faith from her own.

(Via CNN / Rawstory)

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Jazmine Sullivan Unveils Her 2022 ‘Heaux Tales’ Tour Dates

It’s been nearly a year since Jazmine Sullivan released her comeback album Heaux Tales, which detailed her love life and self-growth with radical honesty. Not only did the LP become a fan-favorite, but it also earned Sullivan an impressive three Grammy nominations for Best R&B Album, Best R&B Performance, and Best R&B Song. Now, she’s gearing up for a two-month North American tour.

Sullivan’s 25-date tour kicks off on Valentine’s Day in Vancouver and comes to a close in late March in Chicago. Check out her 2022 The Heaux Tales Tour dates below.

02/14/2022 — Vancouver, BC @ Commodore Ballroom
02/15/2022 — Portland, OR @ Roseland Theater
02/17/2022 — Seattle, WA @ Paramount Theatre
02/20/2022 — San Francisco, CA @ The Fillmore
02/22/2022 — Oakland, CA @ Paramount Theatre-Oakland
02/23/2022 — Sacramento, CA @ Ace of Spades
02/25/2022 — Los Angeles, CA @ Hollywood Palladium
02/26/2022 — Phoenix, AZ @ The Van Buren
02/28/2022 — Denver, CO @ Summit
03/02/2022 — Irving, TX @ The Pavilion at Toyota Music Factory
03/04/2022 — Houston, TX @ Bayou Music Center
03/06/2022 — New Orleans, LA @ Fillmore New Orleans
03/08/2022 — Nashville, TN @ Marathon Music Works
03/09/2022 — Atlanta, GA @ Coca-Cola Roxy
03/12/2022 — Raleigh, NC @ The Ritz
03/13/2022 — Charlotte, NC @ The Fillmore Charlotte
03/16/2022 — Boston, MA @ House of Blues Boston
03/17/2022 — Brooklyn, NY @ Kings Theatre
03/20/2022 — Washington, DC @ The Anthem
03/22/2022 — Cincinnati, OH @ Bogart’s
03/23/2022 — Cleveland, OH @ House of Blues Cleveland
03/25/2022 — Detroit, MI @ The Fillmore Detroit
03/27/2022 — Toronto, ON @ The Danforth Music Hall
03/29/2022 — Minneapolis, MN @ Fillmore Minneapolis
03/30/2022 — Chicago, IL @ House of Blues Chicago

Tickets to Sullivan’s The Heaux Tales Tour go on sale 12/3 at 10 a.m. local time. Get them here.

Heaux Tales is out now via RCA. Get it here.

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Billie Eilish Convinced Oscar De La Renta To Stop Using Fur In His Clothing Lines

If there’s one thing fans know about Billie Eilish, it’s that she cares deeply for animals. Eilish previously asked her fans to consider not eating turkey for their Thanksgiving meal, sharing a sweet post of herself cuddling one of the birds and explaining how they’re some of the most gentle creatures.

As part of her annual interview for Vanity Fair, Billie opened up to fans about how she lobbied one of her favorite fashion designers to stop using fur in his work. Now in its fifth rendition, this interview with VF tends to focus a lot on what’s changed with Billie and her level of fame since the first one, but there’s always new tidbits about what’s been going on in her life lately included, too. Around the 12:17 mark, though, she discusses the Oscar De La Renta dress she wore to the Met Gala. She explains that she told Oscar she wouldn’t wear one of his gowns unless he stopped using fur in his designs.

“I wore a big, beautiful dress made by Oscar De La Renta,” she begins. “Who, I said at the beginning of the conversation of ‘let’s make a Met Gala dress,’ you have to stop using fur. Because if you don’t, I’m not working with you. That was also thanks to my mom for being with me on that one, and fighting for it with me. So I got Oscar De La Renta to stop using fur, completely. And that was a really, really big thing for me. I hope that more brands follow along with being environmentally conscious and try to help the world instead of make it worse.”

Check out her interview above.

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The QAnon Shaman Is Appealing The Outcome Of His Own Guilty Plea After Shifting Away From His Trash-Talking Lawyer

The QAnon Shaman (real name Jacob Chansley) must be stunned that he didn’t catch a break this month as a result of his guilty plea (for obstruction) following his participation in the MAGA insurrection/failed coup on the U.S. Capitol. Chansley received a relatively hefty 41-month prison sentence (with no credit for time served). And although he mostly wandered the halls wearing a “Chewbacca Bikini” outfit while shouting for freedom and claimed to have peacefully saved the Senate’s muffins, the DOJ and Judge Royce Lamberth did not go easy on him. His sentence is just shy of the largest insurrectionist sentence thus far (42 months to Scott Kevin Fairlamb), and as it turns out, the Shaman wants a do-over, at least in the sentence department.

The Shaman’s decision follows an unorthodox approach from Albert Watkins, who may no longer be Chansley’s attorney. Watkins famously framed his client as a total idiot, which isn’t great by any stretch. He even described the rioters as “f*cking short-bus people” and “f*cking ret*rded,” and that was before he suggested that his client was in “love” with Trump. Via Bloomberg, the Shaman has replaced Watkins, and his new lawyer is formally appealing the sentence that followed his guilty plea:

Jacob Chansley, who was sentenced this month to more than three years in prison for his role in the Jan. 6 Capitol riot, filed a notice of appeal on Tuesday “from the judgment and sentence” of the court.

John Pierce, Chansley’s new lawyer in the case, filed the notice in federal court in Washington, where his client was convicted, and is appealing to the U.S. Court of Appeals for the District of Columbia Circuit. The two-page notice will be followed by a memo laying out his arguments. Pierce replaced attorney Albert Watkins on the case on Monday at Chansley’s request.

Appealing a guilty plea is tricky business because a defendant would need to prove that the plea didn’t qualify as “knowing, voluntary, and intelligent.” One can speculate that Chansley’s new attorney would like to prove that this is the case, and certainly, Watkins had no problem trashing his previous client’s intelligence. However, it seems that John Pierce (a former Kyle Rittenhouse lawyer) is focusing upon the consequences of the appeal and wants the sentence reconsidered, rather than the plea itself.

(For what it’s worth, Watkins is claiming that he’s still on the Shaman’s legal team, so that should be an interesting thread to follow as well.)

In any event, it’s refreshing to see that no one here is attempting to use the term “Foxitis” as an approach to leniency (as one insurrectionist’s attorney has actually tried to do). And we’ll see how things go for the Shaman, who’s presumably not thrilled about 41 months of prison-vegan meals, but only time will tell if his sentence will shrink.

(Via Bloomberg & Business Insider)