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Forget Crypto, Ed Sheeran Is Getting Into Crypts

Ed Sheeran’s Suffolk estate is already the stuff of legends. The man behind the first song to ever garner 3 billion Spotify streams, (“Shape Of You,” duh) has an estate with over seven buildings including a pub, a gym, a nearly completed chapel, and a wildlife pond. Also a noted environmentalist, he’s even gone on record to say that he’s looking to buy up as much land as possible so he can plant more trees and “rewild the UK.” Now his latest project might just top it all: a crypt.

According to The Guardian, Sheeran filed an application last December to built a crypt below what he dubs the Wynneys Chapel Hall. The application with the East Suffolk Council is still waiting approval, but it would see the construction of a 1.8 meter by 2.7 meter chamber beneath the chapel floor, dubbed a “burial zone.”

The ongoing construction of the chapel above is said to include a spiral-stair tower and stained-glass windows, adding an ornate structure to the $5 million estate that many have commonly referred to as “Sheeranville.” The countryside property seems to be a modern day Graceland and Sheeran indeed lives on site with his wife Cherry and their daughter, Lyra.

There’s already one complaint on the application request from “Miss Anna woods 1 cambridge,” who as of Friday, January 14th, simply “objects” to the construction request. Sheeran has come under fire from neighbors before, who claimed that the wildlife pond was actually a swimming pool. Sheeran refuted this claim on The Hits Breakfast Radio Show back in June saying that “I just think people just need to mind their own business.”

Ed Sheeran is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Your Netflix Subscription Is About To Get (A Little Bit) More Expensive

Netflix had its biggest show (Squid Game) and biggest movie (Red Notice) ever in 2021. And 2022 is off to a good start with Don’t Look Up breaking weekly viewership records (at least according to Netflix).

With great popularity comes a minor-but-insignificant price hikes for subscribers.

Netflix’s basic plan, which allows for streaming on one screen and no HD, has increased from $8.99 to $9.99 per month. The standard plan (two HD streams) went up by $1.50, to $15.49 per month, while the premium plan (four streams, Ultra HD available) will now set you back $19.99 per month, two bucks more than the previous cost.

A notice on Netflix’s customer-support site says the new prices apply to new members and will gradually take effect for all current members. “Current members will receive an email notification 30 days before their price changes, unless they change their plan,” the message says.

This is Netflix’s first price increase since October 2020, and third in three years. “We’re updating our prices so that we can continue to offer a wide variety of quality entertainment options,” a spokesperson for the streaming service said. “As always, we offer a range of plans so members can pick a price that works for their budget.”

If you ask me, Netflix, I think you should leave… your prices where they were.

(Via Variety)

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Devin Vassell Is Turning Into A Crucial Player For The Spurs

After coming off the bench in 28 of his first 29 games this season, Devin Vassell started three games for the San Antonio Spurs before entering health and safety protocols last week. During that stretch, he averaged 17 points, four rebounds, 2.3 assists, and one steal on 58.7 percent true shooting (.465/.385/1.000 split). On the year, he’s averaging 11.2 points, 3.9 rebounds, 1.4 assists, and 0.9 steals on 55 percent true shooting (.448/.344/.750).

Vassell’s opportunity as a starter was the unfortunate result of Doug McDermott entering health and safety protocols. Despite McDermott’s value to the team, when he regains his footing after his own stint in health and safety protocols, Vassell should remain in that role. Those numbers weren’t some little hot streak. They’re very similar to his per-minute, season-long production, just magnified with expanded usage. It indicates an important step forward for a player who is integral to the Spurs’ long-term vision.

As a rookie, Vassell carved out a rotation spot largely on the basis of defensive acumen that belied his first-year status. There were some scoring flashes, but they escaped him too often, which made anything more than a reserve gig tough to justify as long as a veteran like DeMar DeRozan was piloting a playoff push. Now, DeRozan is a Chicago Bull, meaning San Antonio’s focal point isn’t an established veteran. Vassell is laying the foundation to become the sort of two-way wing everyone seems to salivate over as an improved offensive player who touts those tantalizing defensive chops.

Vassell hasn’t made some sizable leap in his pull-up frequency (approximately 32 percent both years, per NBA.com), but he’s certainly diversified how he generates shots off the bounce this season. Last year, many of his attempts came working off the catch. He’d toss a little fake at a late arriving defender and step into an open jumper. This year, he’s conducting more pick-and-rolls and getting to his spots as a creator. The volume is more complex and less reliant on the services of others, and he’s still taking positive steps forward. An example: After his true shooting percentage was 4.8 points below league average last season (52.4 percent), it’s just 0.7 points below this season (55 percent), despite being tasked with greater ball-handling responsibilities.

The Spurs bestow him side pick-and-roll reps, where he craftily utilizes screens to maneuver into quality looks. His high release point prevents most defenders from flustering him, while Vassell’s economical, varied footwork empowers him to shoot from an array of angles. Among 115 players with at least 90 pull-up attempts this season, Vassell ranks 40th in effective field goal percentage at 47 percent, up from 42.9 percent in 2020-21. That’s certainly not some elite placement, but it’s encouraging for a 21-year-old in his second season adapting to a different means of accumulating pull-up volume.

Unless you’re an elite pull-up shooter, it’s not easy to warrant consistent on-ball touches in a high-level offensive context when you’re asked to do the things the Spurs as of Vasselel. Fortunately, he looks like he’s going to pair the scoring juice with tenable playmaking for others.

While he’ll miss some passing windows or is slow to process openings at times — both of which are things that can come with more reps — he’s exhibited a knack for finding rollers and corner shooters. This isn’t to predict he’s going to evolve into a premier facilitator, but between the scoring and passing outlines, encouraging indicators exist to suggest he’ll lather up the offense and make prudent decisions as a creator in his prime. Scoring will get his foot in the ball-handling door and passing will enhance his utility in that role.

San Antonio isn’t putting Vasell through any sort of trial by fire as an on-ball initiator. The team is being very smart about how it’s balancing on and off-ball reps for the No. 11 pick in the 2020 NBA Draft. And much of what renders him a beneficial presence offensively is Vassell’s malleable off-ball scoring and ability to seamlessly splice in a few self-creation reps amid all that.

With long strides and economical routes around screens that manufacture separation, he’s excellent at flowing into handoffs around pindowns and bounding inside. To avoid precarious situations against rim protectors and still score in the paint, he’s added a floater to his bag this year. When the ball swings his way, he’s prompt in launching from deep or attacking off the dribble — occurrences that composed much of his rookie season scoring. He’s a savvy cutter and will relocate around the perimeter for better looks beyond the arc.

From Murray, to Johnson, to Lonnie Walker, to Tre Jones, the Spurs have a plethora of guys they aim to let control possessions. Vassell’s knack for blending into the background off the ball helps facilitate those efforts and ensures he can play in a variety of lineups without inhibiting anyone, himself included.

The importance of versatility on both ends can assuredly be overstated in analysis. Still, Vassell simplifies lineup construction and appears to be the sort of offensive player who, long-term, functions quite effectively with and without the ball in his hands. He’s already good at the latter and a blueprint of the former has begun.

Offensive development from Vassell this season amplifies the longstanding defensive prowess of his game. It was evident at Florida State and has popped from virtually the outset of his NBA career. The bedrock of his defense resides off the ball, where instincts, physical tools, and awareness coalesce for a borderline elite team defender.

According to Cleaning The Glass, Vassell’s block (1.5 percent, 83rd percentile) and steal rates (1.6 percent, 64th percentile) place him in rosy territories among forwards — think of players like Mikal Bridges, Nicolas Batum, and Kyle Anderson. Despite constant defensive activity, Vassell rarely fouls. Thanks to discipline and stellar body control, he averages just 3.8 fouls per 100 possessions.

He touts rare recovery speed and the capacity to concisely cover ground; pockets of space are an illusion around him. He’s a menace playing the nail and wields quick vertical pop off the ground to provide impactful help-side rim protection. When he’s the primary defender, opposing players shoot 5.5 percent worse than their average within 6 feet of the hoop, per NBA.com, an impressive feat for a perimeter-oriented player.

He’s not confined to one premier skill as an off-ball defender. Most duties are within his wheelhouse. Conversations about his name appearing on All-Defensive Teams are not far away.

Although he struggles to contain jittery creators on the ball and is susceptible to getting hung up on screens, he’s a good on-ball defender as well. He applies his 6’5 frame, 6’10 wingspan, and graceful body control to pester ball-handlers in pick-and-rolls.

A significant size and strength advantage are typically required to best him. Even then, those traits don’t guarantee anything. He’s not going to lock up everyone in isolation, but throw him in a ball-screen and his merits will materialize. The dude’s great in so many different defensive scenarios.

The Spurs exist in an odd position. The roster is fine, existing in a place where neither a playoff berth in the Western Conference nor a top-three pick in the 2022 NBA Draft are likely. They have intriguing young guys whose skill-sets are worth exploring. Yet most of those guys’ skill sets are not so intriguing that an entire plan should be rerouted to accentuate them. Balancing such a dynamic can be tricky.

Whatever direction they gravitate toward, though, Vassell must occupy a prominent spot. His year two performance has been encouraging, both from a short- and long-term perspective. Six-foot-five, 21-year-old wings who can conveniently toggle on and off the ball and offer versatile, high-level defensive impact don’t come around often. Vassell is going to be a fantastic player and San Antonio should do everything possible to maximize what exactly “fantastic” means in the coming seasons.

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Gunna Says Freddie Gibbs Reached Out For A Collab After Freddie Called Him A Snitch

Of the many noteworthy, viral moments on Gunna‘s new album DS4EVER, one that amused fans was Gunna’s Freddie Gibbs diss, which didn’t quite live up to expectations after he hyped it up the week of the album’s release. Earlier that week, Gunna tweeted, “When my album drop Freddie Gibbs will have the biggest moment of his career.” However, upon hearing “Poochie Gown,” the song containing the diss, fans (and Freddie) were underwhelmed to hear the line in question. “I can’t f*ck with Freddie Gibbs / N****s tellin’ fibs.” Oooh. Burn.

Today, Gunna stopped by The Breakfast Club, where he was grilled about the origins of the line and revealed just how deep his resentment of the Gary, Indiana rapper runs. While fans speculated — and Gunna confirmed — that the line was a response to Gibbs’ 2020 comments suggesting Gunna was a “snitch” after footage of his appearance on a local news clip was mistaken for a scene from Crime Stoppers online, Gibbs revealed that Freddie had reached out to collaborate, even after the misunderstanding.

“Some people just speak on it, like, ‘OH he was on Crime Stoppers’” Gunna complained. “When? I don’t know, I ain’t never sent nobody to jail. I ain’t never talk to a cop on-camera… He tried to do a song with me, through my manager… He thought I forgot.” Unfortunately, his lyrical reply turned out to be a dud, only giving Gibbs new, more legitimate reasons to ridicule him. While that collaboration idea does sound intriguing, it looks like the two rappers now have more in conflict than in common (they’re both technically Warner artists), so don’t hold your breath.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Britney Spears Angrily Refutes A Jamie Lynn Story About Her: ‘Only A Scum Person Would Make Up Such Things’

Jamie Lynn Spears is in the midst of promoting her book Things I Should Have Said and so far, most of that process has rubbed Britney Spears the wrong way. Britney explained recently why she was “disgusted” by Jamie Lynn’s Good Morning America interview, and now she has fired back at her sister again, this time in regards to a story from the book.

During a recent ABC News interview with Jamie Lynn, host Juju Chang said that in the memoir (as The Independent notes), Jamie Lynn describes Spears’ behavior over the course of her life as “erratic, paranoid, and spiraling” and details an alleged incident in which Britney was “scared,” so she grabbed a knife and locked herself and Jamie Lynn in a room.

When asked why she decided to share that story, Jamie Lynn said, “First off, I think experiencing my own panic attacks and how sometimes we can feel in those moments is important. It’s important to remember that I was a kid in that moment. I was scared. That was an experience I had, but I also was fearful to like really say anything because I didn’t want to upset anybody but also was so upset that she didn’t feel safe.”

This afternoon, Britney took to Twitter to offer a written response, that seems angry in tone, in which she refutes her sister’s story. Britney described the tale as “crazy lies for the Hollywood books” and said that she’s confused by it, writing, “Jamie Lynn … congrats babe [applause emoji]! You’ve stooped to a whole new level of LOW … I’ve never been around you ever with a knife or would I ever even think to do such !!! The only knife I ever saw you with at home was cutting the biggest pieces of squash I ever saw in my life and it was way too big for me to cut … So please please stop with these crazy lies for the Hollywood books !!! NOW and only NOW I do know only a scum person would make up such things about someone I’m actually very confused about you making that up because it’s honestly not like you at all!!!! Around the kids ???? Jamie Lynn, seriously ??? Come on !!! Congrats on introducing your older sister the concept of getting LOW … LOWER … LOWEST … because you win on that one, babe [trophy emoji] !!!!”

2022 has been active in terms of news about Britney and Jamie Lynn’s relationship, starting at the very top of the year when Britney unfollowed her sister on Instagram.

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When Will There Be A Season 2 Of ‘Yellowjackets?’

Yellowjackets, an intense survival epic and psychological horror story, is the show to watch and theorize about. There are two timelines (and they are less confusing than The Witcher timelines because they’re spaced 25 years apart) with two stellar sets of castmates, and even though the subject matter is often gruesome, you won’t want to look away from the screen.

People are captivated by the mystery what happened to the high-school soccer team and how the teens transformed into savages. There’s a sprinkling of supernatural happenings throughout and plenty of mystery left open in the season finale. And Showtime already announced in mid-December that, yes, there shall be a Season 2.

In fact, actress Jasmin Savoy (who portrays the younger Taissa) let slip to ComicBook that the creators have five seasons mapped out in their minds. Likewise, star Melanie Lynsky (who portrays the older version of Shauna) recently spoke with NPR and let everyone know that this is a long game:

“I think the story of exactly what happened in the woods is a longer story because, you know, it’s, like, a group of teenage girls. They don’t just instantly turn into savages… It takes some time. And I think the way the show is having those things happen is really real and beautiful. Like, you’re getting very invested in every character and in the relationships. And I think when it starts to turn into that, it’s going to be very meaningful.”

When will the Second Season actually come together for airtime, though?

The first season premiered in November 2021, and we can cross our fingers for a yearly cycle. Granted, we must think about the Omicron variant and how that could slow down production. However, consider this: Ella Purnell (who portrays the younger version of Jackie) told CBS Chicago that the first season took six months to shoot in mid-2021, at the height of Delta. By mid-October, shooting finished and the series premiere aired a month later (on November 14). So, there’s hope that strict Covid protocols could keep this joint on schedule for late 2022, maybe early 2023.

Fingers crossed! Also, don’t be like this team and hop on an airplane (which you arguably shouldn’t be doing right now anyway) anytime soon.

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Drake May Have Subtly Responded To Being Accused Of Putting Hot Sauce In A Condom

In recent days, an attention-grabbing rumor about Drake has been floating around. An Instagram model told the Too Much Hot Tea blog (as Rap-Up notes) that a few weeks ago, she and Drake had consensual sex at a hotel. After engaging in some intimate moments, the model says Drake went to the bathroom to dispose of his condom. At that point, the woman removed the condom from the trash and inserted the opening of it inside of herself, in an attempt to get pregnant. She quickly felt a burning sensation, after which Drake admitted that he poured a packet of hot sauce in the condom with the intent of killing sperm and thus preventing the outcome the model was hoping to achieve.

Now, Drake may have discretely addressed the rumors on Instagram via some low-key captions.

In a post from January 10, Drake shared various photos and wrote, “There’s a point in the ‘fake it til you make it’ theory where you actually gotta make it…” In his most recent post, from January 11, he wrote “You can have your 15 minutes of fame…I’ll take the other 23 hours and 45 mins.”

It’s worth noting that Drake rapped about pretty much this exact situation (minus the hot sauce) on his Brent Faiyaz collaboration “Wasting Time,” on which he says, “Flushed the Magnums just so they not collectin’ my specimens.”

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Inside the heads of people who are always late, as explained by stick figures.

This article originally appeared on 04.07.16


This post was originally published on Wait But Why.

I woke up this morning to a text. It was a link:

optimistic-people-have-one-thing-common-always-late.”


Intriguing. Nothing’s better than the headline: “The reason people are [bad quality that describes you] is actually because they’re [good quality].”

I got to reading. And as it turns out, according to the article, late people are actually the best people ever. They’re optimistic and hopeful:

“People who are continuously late are actually just more optimistic. They believe they can fit more tasks into a limited amount of time more than other people and thrive when they’re multitasking. Simply put, they’re fundamentally hopeful.”

They’re big-thinking:

“People who are habitually late don’t sweat over the small stuff, they concentrate on the big picture and see the future as full of infinite possibilities.”

Late people just get it:

“People with a tendency for tardiness like to stop and smell the roses…life was never meant to be planned down to the last detail. Remaining excessively attached to timetables signifies an inability to enjoy the moment.”

By the end of the article, I had never felt prouder to be a chronically late person.

But also, what the hell is going on? Late people are the worst. It’s the quality I like least in myself. And I’m not late because I like to smell the roses or because I can see the big picture or because the future is full of infinite possibilities. I’m late because I’m insane.

So I thought about this for a minute, and I think I figured out what’s going on. The issue is that there are two kinds of lateness:

1. OK lateness. This is when the late person being late does not negatively impact anyone else — like being late to a group hangout or a party. Things can start on time and proceed as normal with or without the late person being there yet.

2. Not-OK lateness. This is when the late person being late does negatively impact others — like being late to a two-person dinner or meeting or anything else that simply can’t start until the late party arrives.

John Haltiwanger’s Elite Daily article is (I hope) talking mostly about OK lateness. In which case, sure, maybe those people are the best, who knows.

But if you read the comment section under Haltiwanger’s article, people are furious with him for portraying lateness in a positive light. And that’s because they’re thinking about the far less excusable not-OK lateness.

All of this has kind of left me with no choice but to take a quick nine-hour break from working on a gargantuan SpaceX post to discuss not-OK late people.

When it comes to people who are chronically not-OK late, I think there are two subgroups:

Group 1: Those who don’t feel bad or wrong about it. These people are assholes.

Group 2: Those who feel terrible and self-loathing about it. These people have problems.

Group 1 is simple. They think they’re a little more special than everyone else, like the zero-remorse narcissist at the top of Haltiwanger’s article. They’re unappealing. Not much else to discuss here.

Punctual people think all not-OK late people are in Group 1 (as the comments on this post will show) — because they’re assuming all late people are sane people.

When a sane person thinks a certain kind of behavior is fine, they do it. When they think it’s wrong, they don’t do it. So to a punctual person — one who shows up on time because they believe showing up late is the wrong thing to do — someone who’s chronically late must be an asshole who thinks being late is OK.

But that’s misunderstanding the entire second group, who, despite being consistently late, usually detest the concept of making other people wait. Let call them CLIPs (Chronically Late Insane Persons).

While both groups of not-OK late people end up regularly frustrating others, a reliable way to identify a Group 2 CLIP is a bizarre compulsion to defeat themselves — some deep inner drive to inexplicably miss the beginning of movies, endure psychotic stress running to catch the train, crush their own reputation at work, etc., etc. As much as they may hurt others, they usually hurt themselves even more.

I come from a long line of CLIPs.

I spent around 15% of my youth standing on some sidewalk alone, angrily kicking rocks, because yet again, all the other kids had gotten picked up and I was still waiting for my mom. When she finally arrived, instead of being able to have a pleasant conversation with her, I’d get into the car seething. She always felt terrible. She has problems.

My sister once missed an early morning flight, so they rescheduled her for the following morning. She managed to miss that one too, so they put her on a flight five hours later. Killing time during the long layover, she got distracted on a long phone call and missed that flight too. She has problems.

I’ve been a CLIP my whole life. I’ve made a bunch of friends mad at me, I’ve embarrassed myself again and again in professional situations, and I’ve run a cumulative marathon through airport terminals.

When I’m late, it’s often the same story, something like this:

I’ll be meeting someone, maybe a professional contact, at, say, a coffee place at 3:00. When I lay out my schedule for the day, I’ll have the perfect plan. I’ll leave early, arrive early, and get there around 2:45. That takes all the stress out of the situation, and that’s ideal because non-stressful commutes are one of my favorite things. It’ll be great — I’ll stroll out, put on a podcast, and head to the subway. Once I’m off the subway, with time to spare, I’ll take a few minutes to peruse storefronts, grab a lemonade from a street vendor, and enjoy New York. It’ll be such a joy to look up at the architecture, listen to the sounds, and feel the swell of people rushing by — oh magnificent city!

All I have to do is be off the subway by 2:45. To do that, I need to be on the subway by 2:25, so I decide to be safe and get to the subway by 2:15. So I have to leave my apartment by 2:07 or earlier, and I’m set. What a plan.

Here’s how it’ll play out (if you’re new to WBW, you’re advised to check this out before proceeding):

CLIPs are strange people. I’m sure each CLIP is insane in their own special way, and to understand how they work, you’ll usually have to get to some dark inner psychology.

For me, it’s some mix of these three odd traits:

1. I’m late because I’m in denial about how time works.

The propensity of CLIPs to underestimate how long things take comes out of some habitual delusional optimism. Usually what happens is, of all the times the CLIP has done a certain activity or commute, what they remember is that one time things went the quickest. And that amount of time is what sticks in their head as how long that thing takes. I don’t think there’s anything that will get me to internalize that packing for a weeklong trip takes 20 minutes. In my head, it’s eternally a five-minute task. You just take out the bag, throw some clothes in it, throw your toiletries in, zip it up, and done. Five minutes. The empirical data that shows that there are actually a lot of little things to think about when you pack and that it takes 20 minutes every time is irrelevant. Packing is clearly a five-minute task. As I type this, that’s what I believe.

2. I’m late because I have a weird aversion to changing circumstances.

Not sure what the deal is with this, but something in me is strangely appalled by the idea of transitioning from what I’m currently doing to doing something else. When I’m at home working, I hate when there’s something on my schedule that I have to stop everything for to go outside and do. It’s not that I hate the activity — once I’m there I’m often pleased to be there — it’s an irrational resistance to the transition. The positive side of this is it usually means I’m highly present when I finally do haul my ass somewhere, and I’m often among the last to leave.

3. Finally, I’m late because I’m mad at myself.

There’s a pretty strong correlation here — the worse I feel about my productivity so far that day, the more likely I am to be late. When I’m pleased with how I’ve lived the day so far, the Rational Decision-Maker has a much easier time taking control of the wheel. I feel like an adult, so it’s easy to act like an adult. But times when the monkey had his way with me all day, when the time rolls around that I need to stop working and head out somewhere, I can’t believe that this is all I’ve gotten done. So my brain throws a little tantrum, refusing to accept the regrettable circumstances, and stages a self-flagellating protest, saying, “NO. This cannot be the situation. Nope. You didn’t do what you were supposed to do, and now you’ll sit here and get more done, even if it makes you late.”

So yeah, that’s why I’m late. Because I have problems.

Don’t excuse the CLIPs in your life — it’s not OK, and they need to fix it. But remember: It’s not about you. They have problems.

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Polo G And Yungliv Take It From The Barbershop To The Streets In The ‘Heating Up’ Video

In December, Polo G dropped Hall Of Fame 2.o, the deluxe edition of his Billboard chart-topping album Hall Of Fame. Adding 14 new tracks to the Chicago rapper’s 2021 output, Hall Of Fame 2.0 features new cuts with Lil Baby, Moneybagg Yo, Yungliv, NLE Choppa, and Lil Tjay. While the release was definitely strategic in some regards, this was by no means cutting room floor material and these collaborations especially meant something more to the rapper.

On “Heating Up,” Polo G links up for the first time with Yungliv, the emerging rapper from West Philadelphia that is signed to Polo’s Capalot Records label, marking their first collaboration with each other. In a new video for the track, the pair are joined by a whole crew of friends, flexing their muscle in a barbershop, a bodega and then in the streets as guns, racks, and drinks abound. “Sundown ’til the sunup, pick a gun up, who you ridin’ with? / You would think the block a barbershop the way we linin’ sh*t,” Polo raps. It’s a fierce call out from one crew to anyone within an earshot.

Watch the video for “Heating Up” featuring Yungliv above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The Portland Pickles’ Mascot Issued Up A Statement Over The ‘Disturbing Image’ It Posted To Twitter

The collegiate summer baseball world was turned on its head earlier this week when Dillon T. Pickle, the mascot for the Portland Pickles of the West Coast League, posted a “disturbing image” to Twitter at the start of a mascot takeover. While the team quickly ended the takeover and claimed that “Dillon would like to go on record and say that he was trying to give his fans a thumbs up,” the matter has not been resolved, thanks in part to a video posted to Twitter on Friday afternoon.

The video served as Dillon responding to the “scandill,” which, I hope someone in the team’s marketing department gets a raise for this. After posting a picture of the original tweet, running through a collection of tweets that showed people reacting to the image, and showing off some headlines about the incident over somber piano music and audio clips of stuff like Joe Buck reacting to Randy Moss fake mooning some Packers fans. Then, the mascot announced that it had been been framed.

What does this mean? Who knows! But give the Portland Pickles credit: This is a very good and very silly way to kill some time before their season starts a little later this year.