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Michael Strahan Finds It ‘Amazing’ How Athletes Are Able To Tell Their Own Stories

Michael Strahan is always busy.

His day when Uproxx caught up with him on a Tuesday in late September already included appearing on Good Morning America. He’s headed home for a quick break before heading back out to do an interview with ex-teammate Eli Manning. Aside from GMA, he is a part of Fox’s NFL coverage and the host of The $100,000 Pyramid, in addition to various business projects.

Strahan’s latest project is the new season of More Than Athlete on ESPN+, which began in early September and wraps on Sept. 30. We spoke to him about the project, how he manages to keep everything in order while he’s seemingly busy all hours of the day, and more.

Considering how much you doing right now and the different projects you’re managing, how do you manage that and keep your head on straight?

It’s a team effort, to be honest. I have a great team that helps me figure out if I can handle more and when I can’t. And really, sometimes it’s taking me out of things — maybe they’ll remind me that I don’t have time now or say, “Hey, you could take this now and really regret it later.” So listening to them and having them around really helps.

With the new ESPN+ series, your season of More Than An Athlete, how did it come about? Did you pitch them or did they come to you?

The guys at SpringHill approached us about it. Obviously, love SpringHill and love the work they do. We have a great relationship with LeBron and Maverick [Carter], so the second we reached out, we definitely wanted to be a part of it. And being that LeBron was the focus of season and we all know the career and everything that he’s done, I was honored that they reached out and asked me to be the focus of season two.

For you, what are some of the highlights of making your season? Where there things you got to revisit or perhaps look at in a different way?

I think the highlights were just being able to revisit some of the things that I had not exactly forgotten about, but haven’t really thought about in a long time. To see some of the people that have been so instrumental in my life — like my college coaches and family members and people like that — to see them again and hear their words was really cool.

And to see my friends from sports. Like Jay Glazer and Dr. Ian Smith, who I’ve known from the beginning. To sit with them and recount and talk through some of the things we’ve all gone through together and my journey and how big of a part of it they were. All of them revisiting was special, because I do forget sometimes that I was an athlete. I’ll be honest with you: It feels like it was so long ago and seems like I’m such on different path and career that I look and I go, “Oh, I actually did do that.” It was great to go, “Wow, not only did I actually do that, I was actually pretty good at it.” [laughs] So it was cool to catch-up and realize that.

Do you find that, when you’re out and about — and maybe this happens less now with COVID and everything — do people recognize you more as the guy from GMA or the host of a game show vs. being a Super Bowl champion?

Ab-so-freaking-lutely. It’s no comparison. People recognize me more now from everything except for football. And football season rolls out and because I’m on Fox, I get some of that. But for the most part, the majority of it is completely from GMA, from $100,000 Pyramid or something like that. And it’s funny, because I guess people really pay attention to eyes. Because I wear my mask and I think I’m going to get by with just my mask and people are like, “Hey, Michael!” And I’m like, “How the hell do you know it’s me? I’ve got a mask and a hood on.” But people are very perceptive. And I take it as a compliment because it shows that my career has completely evolved and made the transition to where sports is not even in the forefront of someone’s mind when they see me. It’s everything I’ve done after that, and that’s the biggest compliment I could ask for.

Looking back a little bit, what were some of the things that made this transition possible and made it a successful one? Because it’s one that a lot of guys have tried to make, but it doesn’t work for everyone.

I think for me, it’s just growing up the way I grew up where I didn’t play football growing up, really. So it wasn’t like I grew up myself and said, “I’m a football player.” I fell into football. I made the most of it while I was there. I played as hard as I could for as long as I could and I took it as such as privilege to play the game and I was constantly learning. I never felt like I knew everything because it was such a new experience throughout my 15 year career.

At some point, I had to learn … I don’t want to say fearless, but I had to learn to how not be afraid to look foolish by trying something that would make people go, “Why is that football player trying to host anything outside of a football show?” or “Why is that football player talking about anything that has to do with pop culture?” or “Why is that football player that has to talk about anything that to do with the news?” And I had to get out of my own head and think of myself as not just a football player, but as a person who, like all of us, has more than one thing I can do. Most of us just don’t try to take advantage of the next opportunity because we are so scared of failing at it. And I’ve had to learn to get over that fear of failure and that’s really helped me.

With all of the interviews you’ve done — Barack Obama, people involved with various political issues — what is your preparation process like? Is it writing down questions before or is it just trying to vibe and connect with the person you’re talking to?

I think it’s a combination of both. You have to be prepared. There’s a lot of reading involved. You can know all the questions themselves and that’s great. But it’s all about the delivery. It’s about paying attention and listening and being present. So you may have a million questions on your paper, but maybe they go in a different direction. But for me, it’s about knowing what the interview is, going in with an intention, and trying to get something new out of them that they haven’t told everyone and their brother. And it’s about your personality and what you bring to it. And I’m just going to all of these things just trying to be myself, which a lot of times if the hardest thing to do for people, especially in front of a camera. But for me, it seems to work out.

How does that compare to hosting Pyramid?

It’s fun. The amazing thing about Pyramid is that we’ll shoot the whole season in a week. But we don’t shoot them in the order they air because it depends on how they want to put the show together and which one they feel is going to do well and which will matchup together. So when people watch the show, they don’t know if I’ve been filming show 20 or the first show we’ve filmed. So the challenge for me there with Pyramid — which I love — is that challenge of seeing if I can maintain that energy. So when the public watches the show, they don’t go, “Oh, that must have been later in the week.” I want to give the same energy to the fans at home, I want to give the same energy to the contestants that are there to win money too because it’s exciting for them. I love that challenge. It’s not grueling, it goes by so fast that you ask for more. And I love that the fans have really clamped on, it’s been our most successful season yet.

The energy and approach is different, too, because from watching Dick Clark do it and learning, the show is the star. For me, I’m just the moderator in the middle of a fun game. And I love that the show is the star and I don’t have to do anything and I just have to let the contestants do their thing and the fun will come naturally.

Is there another athlete you think would make a good game show host?

I didn’t know what to expect because I hadn’t seem him do anything like this, but Dwyane Wade with The Cube was better than I expected. Especially his first time because it’s really scary when you have to carry something and a lot of the focus is on you. But I think Dwyane did a great job.

I think there’s so many athletes with so much talent to do what I do or more what than I what I do. But I love it when guys are more focused on their present career. That’s primarily what you do — don’t mess up with your primary for anything secondary. And these guys seem to understand that nowadays.

To circle back to the ESPN+ series, we seem to be in an age with sports media where retired athletes and guys like LeBron that are still active are more aggressively telling their own stories and presenting it to the public. What do you make of the different ways athletes can tell their own stories now vs. even when you were playing?

Oh man. The only way to get your story out when I was playing was to get on TV or go yell from the rooftop where no one could hear you. It was a totally different world.

I will say that I think it’s amazing to have these platforms where you can tell your story and you can control the narrative on opinions on what’s going on with your life and what’s going on with your sport or your team. But I also think it’s dangerous, too, because we’ve seen a lot of situations where that’s happened and it hasn’t necessarily been received in the most positive way. It’s a big responsibility to have, especially when you control your own social and all of that. That comes with responsibility and it comes with pressure. So I do hope guys continue to do it the right way. But I do love the way guys are using new avenues to tell their stories and advocate for the social causes they believe in.

Do you think that, if you were playing in the Twitter era, you’d be one of those guys that’s aware of every tweet from a beat reporter or consuming a take from Stephen A. and just internalizing all of that?

For me now, it’s just there. When I was younger, I cared about what was written and what was said. But when I was older, like later in my career after year 10, the less I cared until it get to the point at the end that I didn’t care at all because I said, “I am not going to let the opinion of someone affect me emotionally and take me out of my game,” especially because it’s coming from someone who, the last time they did something I did was when they were trick or treating, because they’ve never done it at this level. That was my way of saying, “Your opinion doesn’t matter because you don’t understand this thing even though you write or talk about it.” It’s a completely different thing when you’re immersed on the inside of it. It was liberating to not care.

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Blackstarkids’ ‘ACAB’ Video Is Both An Expression Of Anger And A Call For Reform

Blackstarkids are one of the most exciting new bands doing it at the moment; even Beabadoobee thinks so. Off the strength of their 2020 release, Whatever Man, the rising indie star tapped them to open for her on tour, and even though that project is barely a year old, they’re already gearing up for a follow up. Puppies Forever is their official debut album with Dirty Hit, and is slated for release this fall.

They’ve already shared a few new singles from the album, “Juno” and “Fight Club,” and last week they shared the new single “ACAB” which echoes the protest cry “All Cops Are Bastards.” It’s pretty explanatory, frankly. Now, they’ve dropped the video for the track, which traces a throughline from the training of cops on the basics of how to arrest, to an arrest of one of the band members, while another group starts filming.

For most of the video the band sing from behind bars already, but occasionally they’re shown breaking into the police academy room and wreaking havoc. But with a twist ending that’s pretty optimistic, the video is both an expression of anger and a strong call for reform.

Check out the video above.

Puppies Forever is out 10/15 via Dirty Hit. Pre-order it here.

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J. Cole Is Forced To Postpone Some Of His ‘Off-Season’ Tour Dates Due To Production Delays

J. Cole is finally kicking off his long-awaited The Off-Season tour and he’s already experiencing a few hiccups. The rapper just performed his third show of the year in Greensboro, North Carolina. But after running into several road blocks, Cole made the decision to postpone some of his upcoming concerts.

The rapper shared a video to Instagram to apologize to his fans and explain the reason for the delay. Cole announced he would be postponing the tour’s Philadelphia and Detroit dates because the live show production is so intricate that his crew simply can’t get to the venues in enough time:

“I’m backstage at the Greensboro show. I’ve been here for hours trying to get my voice right. This is the Off-Season tour. I have an announcement for specifically Philly and Detroit. […] When we came out on the Off-Season tour, we wanted to do this sh*t big. I spent days programming the lights, hours and hours the programming the lights. While the show is amazing, we didn’t account for the fact that it takes way longer to load this sh*t into the house, so we’re experiencing delays in opening the doors and getting people in.”

Cole explained that it’s a nine-hour drive from North Carolina to Philadelphia, and that’s not enough time to “get the show up in time.” He added: “I apologize for the inconvenience. I know people done hired babysitters, some people drive in from out of town, I hate this sh*t. Even the fact that people waiting outside right now in Greensboro. That sh*t is A.) embarrassing and B.) I think about people’s time. This is the first time this ever happened to us. So I apologize for this sh*t.”

The Off-Season is out now via Dreamville. Get it here.

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D Smoke Brings The Violence Back To Rap On The Triumphant ‘War And Wonders’

When Inglewood rapper D Smoke says that hip-hop isn’t violent enough, I know exactly what he means. See, D Smoke is an old soul — and old enough to remember the times in rap when voices like NWA, Ice Cube, and Tupac Shakur ruled the airwaves. So, he isn’t talking about mainstream rap’s obsession with “opps” and the near-constant threats and menacing in lyrics promising bloody retribution against hazily defined, likely hypothetical enemies.

Instead, his philosophy can best be summed up by his aggressive single “Shame On You,” from his newly released sophomore effort, War & Wonders. “Two times for n****s that ain’t gon’ lose,” he barks on the song’s militant chorus. “Three times for n****s that break wrong rules / One time for n****s that paid those dues / Listen, if you ain’t getting it, then shame on you.” See, D Smoke comes from a different vein of rapper, one more focused on using his influence to do good in the community than on being a billionaire. Think early Cube, “Changes” Tupac, or more recently, Nipsey Hussle.

It was evident from his opening bars on the Netflix series Rhythm + Flow (which helped launch him to the level he’s since reached) that he had a peculiar outlook and wasn’t going to take a typical rap journey. It became even more evident on his soul-washed, family-focused, Grammy-nominated debut album Black Habits. It’s rare to see a new artist nominated so quickly for a prestigious award — yes, the Grammys are still prestigious until further notice — but Smoke, an industry veteran as a producer and songwriter with a musical family that includes TDE crooner SiR, took the changes in stride.

Now, on War & Wonders, he aims to bring that violence back to hip-hop; not the gangbanging, opp-pack-smoking, shootouts-over-drug-money type violence, but the roll-up-your-sleeves, hitch-up-your-pants, defend your turf from encroaching outsiders and internal degradation variety. Over lunch at The Farm of Beverly Hills, D Smoke laid out his world view, including how it’s changed on the album, the work he hopes to see in his hometown as massive developments threaten seismic social upheaval, and whether or not he’s switching teams with the Los Angeles Clippers moving in down the street.

I would love for you to expound on what the title means to you, how you came up with it, and how that relates to the music that’s going to be on the project.

War & Wonders is my body of work that captures the struggles and the battles that we go through, both literally, like the war in the streets in Inglewood, and also just the internal battles that we fight. And then the wonder is for those of us who are strong, that stick it through, what we experience on the other side of that. The bliss, the joy, the love that we experience. So it’s going to capture the duality of what it means to be D Smoke — the D Smoke that grew up fighting in school, but also the D Smoke that had a 4.0. The D Smoke that went to UCLA but was rapping and handing out mixtapes his freshman year. So it allows me to just be all of who I am, and the music is just, it’s dope. What can I say? I’m in love with this project.

Yes, sir. I love that you spoke about the duality of growing up in the hood and getting out and going back to the hood and taking in the differences. We have so many examples of that. Why do you think that resonates so much with rappers who come from LA?

Man, it’s a lot that people don’t understand about how the hood operates, right? People, they see the gang bang and they see the red and blue. They see Crenshaw and Manchester versus Crenshaw and Slauson. But what they don’t know is that the same ones that’s in the streets will also push the talented few or the talented many, but they’ll push the gifted ones into whatever they’re gifted at.

If you’re a baller in the hood and you pull up with a basketball, asking for a pistol, they’re going to be like, “No, this ain’t yours. The ball is yours.” Right? If you’re a scholar in the hood, they’re not going to let you put a gun in your backpack, they’re going to be like, “No, fill that up with books.”

So part of War & Wonders is painting that all-around picture of what it means to come up in the hood, giving the OGs and the gangsters more love than this one-dimensional depiction of them, that music sometimes gives. Because the gangsters are the mentors too. A lot of times gangsters are more attentive than some of the professionals. The professionals ain’t got time for you. The gangsters are present and they’re not just the mentors to young gangsters. They’re the mentors to the young scholars, too.

And all of us have those who look out for us. So when we’re talking about Inglewood and we’re talking about duality, it’s not just the duality of being D Smoke. It’s the duality of being anybody from the world because nobody is one-dimensional. I know gangsters that’ll make you laugh like they’re Kevin Hart. And then if shit go down, they’ll turn around and be more ready than any soldier. So that’s why I love War & Wonders. It just puts things in perspective in a way that I think music should.

Yes, sir. In terms of growth or… I don’t want to say growth because it’s never growth, right? It’s change. Change is the key. How would you say things have changed for you since Black Habits to now? And how would you say that change has expressed itself on Black Habits versus War & Wonders?

First and foremost, the world has changed. This music is coming from a place and a time where everybody in the world is experiencing an unprecedented degree of new challenges, right? How everything operates is different from how we move through the world. Whether it be the mask-on/mask-off argument or how we approach prioritizing our health. We’re in a completely different world altogether.

So, whereas Black Habits was a family story, War & Wonders is a community story. And I always view myself starting very close to home and slowly expanding. So, War & Wonders has moments where we talk about Inglewood. One song, I’m talking about a youngster that I lost while I’m in the classroom, and then I find out he passed. And I tell that story of me growing up with him and then having to find out that he got lost to the streets. But then, of course, having recently gotten married, there are moments of just love on my project. And even J. Cole, at one point, said, “This is the part that the thugs skip. Young n**** never had love.”

And you know what’s funny? They don’t.

They don’t skip it! They don’t skip it.

That’s the thing they want more than anything.

So War & Wonders is that project where they get bits and pieces of both sides. But we’re in a very different place. We’re in a different world than we were in when Black Habits came out. And so I also think, with the world changing so fast, if we don’t take on an attitude of resistance, or an attitude of strength, or a willingness to fight if things don’t work for us, we will be on the losing end of that.

King Los told me, “Embrace your darkness.” Because showing people that is what will make them accept and embrace your light. They know you have the light to offer. Be all the way honest with them.

Royce da 5’9″ — and I understood exactly what he was saying — was like, “Rap music is not violent enough anymore.” And you think about violence in the broader sense of the word. It’s not just walk up and slap somebody. At its root, it’s the willingness to go against something that’s opposing you. And so War & Wonders has that kind of energy on it.

The people who are more critics than listeners might be like, “What’s D Smoke doing?” But the people who listen for the intent and follow through here in the project, they going to respect the fact that we took that stance and made that approach to this project because the world needs it. People don’t need to shrink. This ain’t a time to shrink. It’s time to grow and get big in the midst of everything we’re experiencing in the world. Because when these things happen, everybody needs an advocate, and you’re your first advocate.

I got a sense of that on one of the recent singles, “Shame On You.”

“Shame on You” got that energy.

What are some of the things that maybe you wouldn’t have expected or that other people wouldn’t have expected to have changed since Rhythm+Flow?

I don’t think that people expected my success on the show to automatically amount to a successful career in music. And that’s because there hasn’t been evidence of that with the exception of American Idol.

Show’s been on the air for 20 years.

Exactly. Exactly. And we could probably name five that we still know. Clay, Fantasia, Kelly, Ruben, and that’s where my list stops.

My mom loves Fantasia!

But from The Voice or Making the Band, we know funny moments.

We know cheesecake.

Right. Exactly. So Dylan, Dylan, Dylan.

Dylan, Dylan.

So one thing that people didn’t expect is that amounting to what we had. I always knew that it was the work, the plan, and the vision that would result in that. And nobody had to tell me that, it’s just me being older and having had really big looks and moments of success, and then having gone back to being like, “Okay, I’m back in the classroom teaching again, because I got to call somebody and ask them to put a song I produced on an album,” versus me stepping outside and being like, “I’m going to plan another tour.”

So all of those experiences led to me choosing to be my own artist. And that’s how we got here. Some of the unexpected things that I experienced personally, I’m grateful for the amount of attention that comes. That’s cool. That’s what young artists aspire to experience. It’s just little stuff: like sometimes people don’t know how to have respectful boundaries of a human being. So getting physically grabbed. I don’t respond well to that. And it’s not big dudes that will do it, it’s older women who be like, “Boy, ain’t you…” Like they your auntie. But grab you physically.

They’ll be excited.

And you’re like, “Ma’am, God bless you, but please don’t grab me, because…”

Where I’m from, I react different.

It’s like you got to relearn how to live. You live differently, you move differently. And that’s the part that you don’t see, people making those adjustments, even within their family. I’ve had to teach family members how I prefer us as a family unit to behave on social networking. We no longer post vibes. We no longer say, “We’re over here right now.” Because people follow my family members.

There’s lots of talk about Inglewood in the news lately because of certain developments coming from organizations like the Clippers. How do you feel about some of the stuff they’re doing, as someone from Inglewood?

The thing is, I wish they connected with me a little more on those things. I have some ideas, and I hope… I can’t wait to get with Ballmer about this community. If there’s a stadium being built, then there needs to be a center being built. Every stadium should have a center for the youth. Within three miles, two miles of it.

Close enough to walk.

Close enough. Because there’s so much money and it’s just a small fraction of what it takes to operate that, to build something like a YMCA, or like a Boys and Girls Club, that’s also run by somebody from that community. And so that’s a conversation that I’ll continue with me and David Gross, having the boxing gym close. It’s not far, it’s outside of Inglewood, but it’s within the vicinity, to kind of initiate. So it’s just socially and culturally responsible to put something there for the youth. And that’s a conversation I’m going to push for. But I’m open to being informed on what they are doing in the community.

Which LA team do you root for the most? Because you’ve performed for one, but I need to know.

I’m a Laker fan, a Laker fan. But put it this way: I grew up a Laker fan, and I’m still a Laker fan. But I’m an all-teams LA fan, all-LA teams fan for basketball. I happened to be in the stadium the night that the Clippers beat the Heat. They came back from like 25 points at half-time. I performed that night and I witnessed one of the greatest comebacks I’ve ever seen live in person. When I performed, I didn’t know that that was going to happen. I’m performing at half-time at a time where the score is so bad some people are leaving at half-time.

Those are the long-time Clipper fans.

Exactly.

We’re still traumatized.

It’s like, “I don’t want to witness it today. I’m trying to spare myself.” But I said, “How many of y’all know this game ain’t over yet?” And then, the song was “No Commas.” I said, “Ain’t a dollar sign tag on some peace of mind, jack / We could take a loss, we gon’ get it right back.” And they went on to win the game. But just to experience that upfront personally, you just got to have respect for that degree of heart that goes into it, and feeling like I contributed something to that game.

Oh, they definitely took something out of that.

So, I have to root for them.

Where do you see D Smoke being next year, a year from now? Are you looking at another Grammy nomination? Are you looking at a world tour? What’s the ultimate goal? Where do you find yourself?

Gosh, the Grammy nomination is outside of my hands. We are submitting ourselves for consideration. So we’re confident that the project is beautiful. If they respond to it, cool. If for some reason they see a different group of people that are qualified, or they connect with different bodies of work, that’s cool too. Because I know fans are going to feel about this project. I know it’s something that they’re going to want to experience in person and we will get back outdoors, both in the States and abroad. We’re excited about that. And that’s within our control. So if it happens, that’s dope, super dope. It was dope when it happened this time. But I feel like this project competes with anything that I’ve heard and anything that I’m going to hear, for the year to come.

War & Wonders is out now via Woodworks and EMPIRE. Get it here/

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The NBA 2K League Expands To 24 Teams With A New Team In Mexico

The NBA 2K League is continuing to grow internationally with a new expansion beyond the borders. On Wednesday, the league announced that it would be expanding into Mexico with DUX Gaming taking ownership of the launch. DUX Gaming is a sports organization with teams that compete in a variety of video game titles and Spanish football leagues. They will have the honor of being the first team in the 2K League to represent Latin America.

This new 2K League team will be the third organization to represent a team outside the United States. Raptors Uprising GC representing Toronto, Canada, and Gen. G Tigers representing Shanghai, China were the previous two. DUX Gaming’s team will be the 24th NBA 2K League organization. Rafael “RafaelTGR” Tobias Garcera Rodrigo, who is a former NBA 2K League Draft prospect and participant in the NBA 2K League European Invitational in 2019, will serve as DUX Gaming’s general manager.

“This is a historic day as we welcome another premier international organization to the NBA 2K League family,” said NBA 2K League President Brendan Donohue. “DUX Gaming has a demonstrated track record of growing its fan base in new and creative ways which makes it an ideal partner to help the NBA 2K League successfully expand to Latin America, where basketball and 2K are already incredibly popular. We’re thrilled that DUX Gaming will represent Mexico in the NBA 2K League for years to come.”

With the sport of basketball constantly growing internationally it only makes sense that the 2K League would look to do the same. The NBA has previously hosted regular season and exhibition games in Mexico and has shown an interest in growing its presence there. While the 2K League and NBA are two separate organizations, it does make us consider the possibility of the NBA expanding into Mexico in their future as well. It’s a country with a growing and passionate interest in basketball and it only makes sense for the NBA and 2K League to explore that interest.

Over the NBA 2K League’s first four seasons, the league has conducted in-person and remote international qualifying events in Hong Kong, London, Seoul and Shanghai for top players from the European and Asia-Pacific regions. Twenty international players have competed in the NBA 2K League.

DUX Gaming will participate in the third NBA 2K League Expansion Draft on Wednesday, Nov. 17. Additional details about DUX Gaming, including the team name, city and logo, will be announced at a later date.

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Ian Sweet Shares A Defiant New Single, ‘F*ckThat,’ And Announces North American Tour Dates

Last we heard from Ian Sweet — aka LA indie-pop performer Jilian Medford — she’d released a shot-for-shot remake of Coldplay’s “Yellow” video. Likewise, Medford’s latest album, Show Me How You Disappear, dropped earlier in the year, back in March. Now, Medford’s got a brand-new song and video for “F*ckThat,” featuring the pink-haired singer interacting with an array of old technology (landlines! Y2K-era desktops!). As for the song, it’s an ultra-catchy pop banger, complete with shimmery synths, echoing drum machines, and Medford’s breathy vocals.

Additionally, in support of Show Me How You Disappear, Medford has unveiled a run of 2022 US tour dates with Bnny in the opening slot. Check those out below. Tickets go on sale on October 1.

02/01/2022 — Phoenix, AZ @ Valley Bar #
02/03/2022 — Denver, CO @ Larimer Lounge #
02/04/2022 — Omaha, NE @ Reverb Lounge #
02/05/2022 — Kansas City, MO @ Record Bar #
02/06/2022 — Nashville, TN @ High Watt #
02/07/2022 — Washington, DC @ Songbyrd #
02/09/2022 – Philadelphia, PA @ Johnny Brenda’s #
02/10/2022 — Brooklyn, NY @ Baby’s All Right #
02/12/2022 — Boston, MA @ Brighton Music Hall #
02/12/2022 – Montreal, QC @ Bar Le Ritz #
02/14/2022 — Toronto, ON @ Drake #
02/16/2022 — Milwaukee, WI @ Colectivo #
02/17/2022 — Chicago, IL @ Sleeping Village #
02/18/2022 – Minneapolis, MN @ 7th St Entry #
02/21/2022 — Seattle, WA @ Barboza #
02/22/2022 — Portland, OR @ Doug Fir Lounge #
02/24/2022 – San Francisco, CA @ Rickshaw Stop
03/02/2022 – Los Angeles, CA @ Echo #

# w/ Bnny

Watch Ian Sweet’s “F*ckThat” video above. Show Me How You Disappear is out now via Polyvinyl. Get it here.

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Orlando Magic 2021-22 Season Preview: Building For The Future

The 2020-21 season signaled a period of transition for the Orlando Magic. After back-to-back trips to the playoffs that ended with hasty first-round exits, the Magic floundered on the floor, finishing with a 21-51 record. In the midst of that underwhelming run, Orlando made the clear decision to focus on the future, sending Aaron Gordon to the Denver Nuggets, Evan Fournier to the Boston Celtics and Nikola Vucevic to the Chicago Bulls for trade returns centering on draft capital.

In an overall sense, that was a logical decision, as the team’s core had shown that it wasn’t likely to make a deep playoff run, and Orlando was largely void of top-end talent. Still, the choice to part with the best veterans could lead to a prolonged period of rebuilding, and the 2021-22 season arrives with a roster that is a mixture of unproven youngsters, lottery-pick rookies and a few remaining veterans to bridge the gap. In short, the future is at the forefront in Orlando.

Roster:

Cole Anthony
Mo Bamba
Ignas Brazdeikis
Wendell Carter Jr.
Michael Carter-Williams
Markelle Fultz
R.J. Hampton
Gary Harris
Jonathan Isaac
Robin Lopez
E’Twaun Moore
Chuma Okeke
Terrence Ross
Jalen Suggs
Franz Wagner
Moritz Wagner

Projected Vegas Win Total: 22.5 wins

Biggest Addition: Jalen Suggs

With Orlando firmly in rebuilding mode, everything is future-facing, and Suggs is immediately their best prospect. Franz Wagner, as a fellow lottery pick, would be high on the list as well, but expectations will be sky-high for Suggs. Most rookie guards struggle, but Suggs is athletic, talented and highly competitive, displaying some of his intrigue during a productive Summer League run in Vegas. Everything this season should revolve around him to some degree.

Biggest Loss: None

With all due respect to Dwayne Bacon, Otto Porter, and Chasson Randle, the Magic are essentially bringing back their core pieces. Orlando certainly could’ve retained any of their departing players, but there isn’t any glaring absence that will harm them for 2021-22 and beyond.

Biggest Question: Which players make up Orlando’s core?

Suggs is an obvious building block for Orlando, and they are obviously hoping Wagner joins him. Beyond that, Isaac has been quite good, at least defensively, when he’s on the floor, and the Magic are fairly invested in Fultz. From there, however, the Magic have a bunch of young players that could either cement their standing in the organization or be on the way out in the near future. That list includes Cole Anthony, R.J. Hampton, Mo Bamba, and Wendell Carter Jr., all of whom come with prospect pedigree but uneven play in the NBA.

What Makes This Season A Success

Another high lottery pick is perhaps the most important thing for the Magic, and they should be in position to make that happen. Beyond that, the development of Suggs and Wagner will be crucial, as well as both health and production from Isaac and Fultz.

What Makes This Season A Failure

Winning too many games is probably the nightmare considering the very modest ceiling of this current group. Injury issues and/or stalling on the floor from Isaac and Fultz also wouldn’t be ideal, to go along with rookie flops from Suggs and/or Wagner.

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G-Eazy And Demi Lovato Confront Their Reflections For A Haunting Peformance Of ‘Breakdown’

G-Eazy’s got a new album, These Things Happen Too, out and to mark the release, the Bay Area star hit the Tonight Show stage with pop singer Demi Lovato to perform the haunting “Breakdown” from the new project. The performance, which takes place on a two-sided stage adorned with mirrors, finds the duo confronting their controversies as images of the various headlines written about them flash on the screens behind them.

Between them, the two have accumulated enough headlines to wallpaper a museum wing. Most recently, G-Eazy was in the news for a fight outside a hotel bar and filing a restraining order against an alleged stalker. Meanwhile, Demi Lovato recently came out as non-binary, drawing criticism from conservative corners of the internet.

However, both stars also have their fair share of good news, as well. G-Eazy recently started a wellness brand, FlowerShop, giving an interview to Uproxx’s Dane Rivera about the new brand, and has strung together an impressive list of features in 2021, including on EST Gee’s “At Will.” Meanwhile, Lovato recently helped to honor queer icon Elton John at the 2021 iHeartRadio Music Awards, so both seem to be doing alright, even despite their respective mishaps.

Watch G-Eazy’s Tonight Show performance of “Breakdown” with Demi Lovato above.

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If You Guessed Piers Morgan Gets Trolled More Than Any Other ‘Celebrity’ On Twitter, You Would Be Right

Piers Morgan is a boorish British broadcaster who stormed off the set of his TV show because someone dared to challenge him on his offensive remarks, but did you know he’s also a fashion expert? It’s true. Upon seeing Daniel Craig’s outfit at the No Time to Die premiere on Tuesday, Morgan tweeted, “O dear O (7) dear. James Bond would never wear a garish pink suede dinner jacket. You’re supposed to be a steely-eyed assassin with exemplary sartorial taste, Mr Craig… not an Austin Powers tribute act.”

This is the top reply to his tweet. Another popular response. And one more.

Piers should be used to this: he is the most trolled famous person on Twitter after all. According to TechShielder, of all the tweets sent to the former-Good Morning Britain host, 52 percent are negative, 33 percent are positive, and 15 percent are neutral. That means more than half of every tweet with @piersmorgan in it is dunking on him. Morgan finished ahead of Tim Cook (50 percent), Joe Biden (48 percent), and Kamala Harris (47 percent). The next highest non-politician is Jimmy Fallon with 45 percent.

Here’s how they did it:

TechShielder created a list of the 100 most popular celebrities on social media based metrics such as followers, YouGov popularity rating, and position on the Billboard top 100 or Reality TV rich list. 500 of the most recent tweets to these celebrities were then downloaded, removing duplicates, retweets, and any of their own tweets. These tweets were then analyzed via a sentiment analysis tool which determined them as positive, neutral, or negative.

It’s an imperfect science, but Morgan being number one feels right, y’know? As for the most-loved celebrities, the top 10 is: BTS (73 percent of tweets are positive), Nigella Lawson (73 percent), Paris Hilton (69 percent), Reese Witherspoon (69 percent), Satya Nadella (69 percent), Selena Gomez (64 percent), Chris Hemsworth (63 percent), Richard Branson (63 percent), Chris Evans (62 percent), and Karen Gillan (62 percent).

I, too, think of Chris Evans as the anti-Piers Morgan.

(Via TechShielder)

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‘Dave Chappelle: The Closer’ Teaser Precedes The Final Chapter In His Comedy Special Series For Netflix

Dave Chappelle and Netflix have revealed the final chapter in his stand-up comedy series for the streaming service. Titled The Closer, the new teaser reveals that this sixth special completes a body of work which includes: The Age Of Spin, Deep In The Heart Of Texas, Equanimity, The Bird Revelation, and Sticks & Stones. While the teaser does not reveal any new material for the special, it does include a release date, which Chappelle fans will be happy to know is very soon. Next week, in fact, as The Closer starts streaming on Tuesday, October 5.

The new special marks an amicable relationship with Chappelle and Netflix that was strengthened earlier in the year when the streaming company worked with the comedian to get him the license back for his classic sketch comedy series Chappelle’s Show. When the series popped up on Netflix and HBO Max back in November 2020, Chappelle implored his fans not to stream it until he got paid. After the show mysteriously disappeared, it reappeared on Netflix in February followed by an Instagram video from Chappelle where he personally thanked Netflix CEO Ted Sarandos for doing right by him. “I got my name back and I got my license back and I got my show back and they paid me millions of dollars. Thank you very much,” Chappelle said in a message to fans.

However, the major question mark is whether Chappelle will continue to make specials for Netflix. The promotion for The Closer leans heavily into the fact that it’s the “final chapter” for the comedian, but the final chapter to what? Just this latest series of specials for Netflix, or Chappelle doing stand-up altogether?

The Closer premieres October 5 on Netflix.