With the new Morbius trailer released into the wild on Tuesday morning, Marvel fans naturally started sifting through the preview of the Jared Leto vampire flick with a fine-tooth comb for Easter eggs, but what they found has them more confused than ever.
To set the stage, a day before the new trailer hit, Sony unveiled a featurette where Leto not so subtly says that Morbius opens up a “web of opportunity,” which is an obvious reference to Spider-Man. So when the new Morbius trailer dropped, fans were expecting at least a few nods to Tom Holland‘s hero, and those were definitely there in the form of Michael Keaton’s Vulture and references to Mysterio being “murdered” in Spider-Man: Far From Home. Going off of those clues, it would seem that Morbius is set in the current MCU. Not so fast.
In a noticeable move to prop up Sony’s Spider-Man Universe, Venom is referenced twice in the trailer. First, in a subtle line about San Francisco, and then less subtly, by Leto’s Morbius joking about being Venom. Considering Venom isn’t part of the MCU (yet), this is a wild addition to the trailer. And things get even weirder as the trailer includes visual nods to both Tobey Maguire and Andrew Garfield’s versions of Spider-Man.
With so many conflicting Easter eggs bouncing around, Marvel fans are more confused than ever as to what universe Morbius is actually in, but it should be noted that the film arrives after Spider-Man: No Way Home, which will undoubtedly disrupt the status quo as Spidey and Doctor Strange get in way over their heads by messing with the multiverse.
You can see some of the Morbius reactions below:
The new Morbius trailer references Venom, we see Michael Keaton’s Vulture, Tobey’s Spider-Man painted on a wall and the Oscorp logo is from the TASM universe.
The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.
Swathes of tinny guitars and the hollow drums build from a low lull to a thunderous roar in the first few seconds of Geese’s debut album Projector, creating a soundscape that’s both haunting and energizing. The concise production and hypnotic riffs make it nearly impossible to tell that, just a year ago, the Brooklyn five-piece was accepting their high school diplomas.
The fact did become abundantly clear when a quintessential teenage boy’s bedroom was revealed on camera as lead singer Cameron Winter and bassist Dom DiGesu opened Zoom for our interview, an act they were all-too-familiar with after their second half of high school went fully remote. An ever-recognizable Jim Morrison poster was plastered on the opposite wall, situated beside an equally massive Mets flag and a shelf riddled with childhood knick knacks that propped up a number of stacked guitar cases.
A lot has changed for the band members/best friends recently. Just one year ago, they were quarantined in the same rooms I was looking at over the Zoom screen and stuck in virtual classrooms. But now, they’re having run-ins with James Murphy in the studio, talking about vinyl logistics with a record label they secured after a brief bidding war and now share with post-punk icons Idles and Fontaines DC, and daydreaming about getting the chance to leave the country for the first time (they’re sarcastically expecting a hoard of Geese fans to be waiting for them at the Swiss airport).
Their current lives weren’t even a distant fantasy while they were actually writing Projector. Rather than romanticizing the grittiness of tour van life or writing songs about the energy of their now-sold-out shows, the tracks on Geese’s incredibly strong debut effort are an intelligent and candid reflection of the absurdity of the teenage condition. Songs like “Low Era” mark a return to the heyday of early aughts Brooklyn post-punk, bursting at the seams with an urgency that’s mirrored in Winter’s pitch-bending lyrical delivery, drummer Max Bassin’s up-tempo inflections, and guitarist Gus Green’s cascading chords. Other tracks like “Exploding House” reflect the band’s early inquisitive experimentation, layering instruments and switching up rhythms in a way that’s both disorienting and mesmerizing.
While the album isn’t thematic in nature, each of its nine songs are a snapshot of Geese’s pre-pandemic lives. The tracks are filled with understandable anxiety about climate change and the future, frustrations with crushes, and, of course, the tangible comradery of their meaningful friendship. Their ethos is to simply make music for the love of making music, and despite all their recent hype, Winter and DiGesu are earnestly humble about their talents. Even when reminiscing about their first post-label signing performance, which was actually one of their first proper shows, they were less impressed with completely selling out tickets and more focused on how their live sets are “more exciting” than their recorded music. “One silver lining about the pandemic coming right as labels were interested in us is that they couldn’t see us play live,” Winter said. “Because holy crap, we sucked a year and a half ago. Luckily, we’ve had nothing to do but practice for a year and a half. So now, we’re decent.”
Surprisingly, most of Projector was recorded in just one take. Each Friday night, they would meet up in a basement to both learn and record a new song on the spot. “We wouldn’t even practice the song once without recording it,” Winter said. When asked how difficult it was to juggle school while writing the album, DiGesu clarified, “Well, that was the fun part.” Getting together and noodling around on instruments was their idea of the perfect Friday night — homework was a concern for Saturday.
But making music didn’t always happen so smoothly for Geese. Their early projects were halted by the fact they brainstormed, wrote, recorded, and mixed each song as a group. One of their early four-track EPs took a full year-and-a-half to make. “We’ve been really good at making bad music, or music that definitely sounded like it had been recorded and mixed by 15 year olds,” Winter said. But that also meant their “time of sucking,” or the growing pains of being self-taught artists, had come to pass before they took on Projector. So when they decided to push the boundaries of their comfort zones with the crushing ballad “First World Warrior” or the swirling album closer “Opportunity Is Knocking,” they pressed “record” and the rest came naturally. Projector’s expedited recording process was also helped by the fact they actually had a deadline this time, and it was an important one: high school graduation.
The buzz around Geese has altered the plans each band member had when they first made Projector. After graduation, they were all set to go in different directions. Winter and DiGesu were going to move to Boston for college, with DiGesu committing to Berklee College of Music. Now, their breakout success coupled with the realities of the pandemic have led them both to withdraw from courses. College had always been a way to get a job so that they could work up to the point where music was their main gig. So when a big record deal presented itself to them, they figured they could skip a few steps. “We got really fortunate. We worked hard, but we got lucky as well in that we could skip the [college] debt part of it,” Winter said.
Now armed with an incredibly impressive debut album and a number of adoring fans across the world, Geese are firmly ready to take on what comes next. That includes a sophomore album, which, according to Winter, will sound “very different.” Despite the impending success of Projector, Geese aren’t concerned with replicating anything they’ve ever made before. Instead, they hope to keep expanding their creative comfort zones — and continue making music and screwing around with their best friends.
Projector is out now via Partisan Records/Play It Again Sam. Get it here.
Saweetie’s brand continues to grow, adding another new partnership to her ever-expanding compilation of them. Her latest big-money team-up is with Beats By Dre; Saweetie appears in the latest campaign for the noise-canceling Beats Fit Pro headphones arriving this Friday, November 5. In addition, she contributes a new song, “Get It Girl,” which plays over the ad. She struts the streets of LA with the headphones on, tuning out the world with the noise-canceling turned all the way up.
Hopefully, Saweetie’s extracurricular activities won’t cause any further delays to her debut album, though. She says it’s finished and teased that something will “unfold during the holidays,” so perhaps we’ll be hearing more new music from Saweetie very soon — no commercial needed.
Watch Saweetie’s Beats By Dre ad above.
Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Dwayne Johnson has regrets about making his “candy ass” feud with Vin Diesel public, but he admits that he “shouldn’t have shared that. Because at the end of the day, that goes against my DNA. I don’t share things like that. And I take care of that kind of bullsh*t away from the public.” It’s not too far away from the public, though, as two of The Rock’s movies have referenced his Fast and Furious co-star. First, it was the Florence Pugh-starring Fighting with My Family (“Yeah, and I’m Vin Diesel, mate”), and apparently there’s also a Diesel joke in Red Notice, Netflix’s most expensive movie ever.
“The jokes never end. People were asking me about [making Diesel jokes] and they just, they find a way, and you know, what’s interesting is, you know, these Vin Diesel jokes, which play great by the way to the audience, which is always a good thing because it’s all about [the audience],” Johnson told SiriusXM (via IndieWire). He continued:
“But, people think these jokes come from me and they actually don’t. I mean, you’d be surprised at how many people come to me with ‘I got a great one.’ I’m like ‘OK.’ ‘I got another great Vin Diesel joke.’ ‘I’m sure you do.’ [Laughs] Always funny.”
What do you think The Rock hears more, “I have a great Vin Diesel joke for you” or “here’s a supplement that will make you even more muscular”? It’s a dead heat. If I could tell him one thing and one thing only, it would be, “New Scorpion King movie, when?”
You can watch Johnson’s interview above. Red Notice comes out November 12.
One of the contestants, Sasha Allen, gushed to Sheeran about his lyricism, saying, “You are, like, top two songwriting inspirations. Like, the reason I started writing songs.” Grande responded to being excluded from the compliment with a playful jab at her hit 2016 single “Side To Side,” saying, “I’m a bit offended that ‘Boy, you got me walking side to side’ didn’t earn me a spot as top lyricist.
Grande previously shared her thoughts about how enjoyable it was to film the show, writing on Instagram, “hello and screaming !!!! cannot wait for everyone to see our first promo tomorrow for season 21 of @nbcthevoice !!! it’s ….. the most ridiculous and fun. i adore these humans so much and am already an emotional wreck worrying about saying goodbye to everyone the day of the finale and nothings even happened or aired yet. but yes ! tomorrow ! first promo. i love these people and this crew and my TEAM OH MY GOD and everything about this. i can’t say anything else. but… simply cannot wait til we get started.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
There was a time on The View when it seemed like Meghan McCain brought up how much she loves Yellowstone almost every single episode, so it’s not exactly a total surprise to see that the former co-host chose characters from the show for her family’s Halloween costume this year. McCain showed off the family portrait on Instagram where she and her husband, Ben Domenech, were dressed as Yellowstone power couple Beth and Rip Dutton. Along for the ride, was their one-year-old daughter, Liberty, who was dressed as an adorable deer.
“Rip and Beth forever. And a Dutton ranch baby fawn! (We had to!) Happy Halloween!” McCain wrote in the caption.
Just to put a point on how much McCain loves Yellowstone, earlier in the year, The View panel was getting especially hot and steamy while talking about Regé-Jean Page’s Duke on the hit Netflix series Bridgerton. However, McCain was the only co-host who wasn’t into the series or Page’s character and she kept trying to steer the conversation towards, you guessed it, Yellowstone.
However, in a rare moment of compromise, McCain did make a deal with co-host Sara Haines. If Haines agreed to watch Yellowstone, McCain would watch Bridgerton to see what all the fuss is about. And then she she shut the whole thirst fest down. “That was not what I agreed to talk about on air. Meghan does not want any more topics like this,” McCain said, but it wasn’t enough to stop Whoopi from getting in one last joke about how she’s sending all the ladies vibrator. Gotta love Whoop.
Over the years Cardi B has become as well-known for her boisterous personality as her club-friendly music. According to Billboard, she’ll soon apply that personality to the task of hosting the upcoming American Music Awards. The show, which will air live on Sunday, November 21 from the Microsoft Theater in Los Angeles, has been kind to Cardi since her 2017 breakthrough with “Bodak Yellow,” giving her five wins at previous shows along with three nominations this year. She also performed “I Like It” with Bad Bunny and J Balvin at the 2018 AMAs.
In a statement, Cardi said, “When I received the invite to host the AMAs, I was so excited. I’m ready to bring my personality to the AMAs stage! Thank you to Jesse Collins, ABC, and MRC for making this happen.” Cardi’s selection makes her the fourth Black woman to host the AMAs in five consecutive years. In 2017-18, the show was hosted by Tracee Ellis Ross; in 2019, Ciara took over hosting duties; and last year’s show was MC’d by none other than Taraji P. Henson.
The nominees, which were announced last Thursday, include Ariana Grande, BTS, Drake, Olivia Rodrigo, Taylor Swift, and The Weeknd, who are all nominated for Artist Of The Year, while the show’s host Cardi B is nominated for Favorite Female Hip-Hop Artist alongside Coi Leray, Erica Banks, Megan Thee Stallion, and Saweetie.
The 2021 American Music Awards will air live at 8:00 pm ET on ABC and stream the next day on Hulu. You can still vote for various awards here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Ted Cruz may have had a delightfully “evil” response to a group claiming to uncover the Zodiac Killer’s real identity, but people aren’t thrilled with his reaction to that Cancun-and-Snowflake themed Halloween costume. Sure, he’s being a little bit self-deprecating, but there’s also plenty missing from his response. Let’s back up a bit.
A pair of brilliant Halloween costumes surfaced down in Texas from Rose Clouston, the director of voter protection for Texas Democratic Party, and Steven Becerra, who dreamed up “the scariest thing we could think of.” They did a pitch-perfect rendition with Steven dressing up as Ted doing the Airport Walk of Shame after he fled responsibility for his frozen constituents for a sunny Cancun vacation. Ted left his dog, Snowflake, behind with a security guard, and the dog was spotted (looking all lonesome) in the front glass door of his home. And Ted, apparently, loved the recreation
“Ok, I laughed out loud at this one,” Ted merrily tweeted. “Snowflake had a wonderful Halloween, and he was thrilled to be remembered in a costume!”
Ok, I laughed out loud at this one.
Snowflake had a wonderful Halloween, and he was thrilled to be remembered in a costume!
To give Cruz the benefit of the doubt here (I know), he may have thought the best political move here was to show that he can, you know, laugh at himself. What a sport! However, a lot of people wanted to know why he found anything about this situation — a fatal one, in which people literally froze in their homes — to be so funny. If he had acknowledged, even slightly, that he actually made a wrong move, these responses would have turned out much differently.
Nothing much funny about leaving your constituents during an emergency. Do better Texas
That is pretty scary. Not sure why you are laughing. It’s more appalling or sad that this is even a costume. Sad day when the media had to call you to do your job.
On Monday, Jessica Simpson commemorated a personal milestone: four years of sobriety. “This person in the early morning of Nov 1, 2017 is an unrecognizable version of myself. I had so much self discovery to unlock and explore. I knew in this very moment I would allow myself to take back my light, show victory over my internal battle of self respect, and brave this world with piercing clarity,” she wrote on Instagram, along with the “unrecognizable” photo of herself.
“Personally, to do this I needed to stop drinking alcohol because it kept my mind and heart circling in the same direction and quite honestly I was exhausted. I wanted to feel the pain so I could carry it like a badge of honor. I wanted to live as a leader does and break cycles to advance forward- never looking back with regret and remorse over any choice I have made and would make for the rest of my time here within this beautiful world. I can’t believe it has been 4yrs! It feels like maybe 2. I think that is a good thing. Ha.”
The musician and fashion designer said that there’s “so much stigma around the word alcoholism or the label of an alcoholic. The real work that needed to be done in my life was to actually accept failure, pain, brokenness, and self sabotage. The drinking wasn’t the issue. I was. I didn’t love myself. I didn’t respect my own power. Today I do.” Simpson called herself “wildly honest and comfortably open” and ended the post with: “I am free.”
Tucker Carlson is apoplectic! An evergreen statement to be sure, but this time he’s mad at fellow conservative Lindsey Graham, which is what makes this a story.
On Sunday, just one day before Carlson’s reprehensible January 6th docuseries Patriot Purge aired its first of three episodes, The Washington Post published a detailed accounting of the events that led to the insurrection on the Capitol. Among the new revelations was that as members of the Senate and the House were being evacuated from the Capitol, Graham—a longtime Donald Trump ass-kisser—snapped out of MAGA mode for just long enough to become enraged and scream at the Senate sergeant-at-arms: “What are you doing? Take back the Senate! You’ve got guns. Use them. We give you guns for a reason. Use them.” Which, in turn, has enraged Carlson.
On Monday night, as Mediaite reports, the Fox News host actually seemed to care about whether any of his fellow Americans live or die when he called out Graham for suggesting that a person officially entrusted with a gun and protecting the safety of the Capitol building and its inhabitants actually take measures to do that. According to Carlson:
What we just learned from this very long Washington Post “rebuttal” to our documentary series is that on January 6th, Lindsey Graham was running around the Capitol ordering the Capitol police to murder the protestors. Quote: “‘You’ve got guns. Use them. We give you guns for a reason,’ shrieked Lindsey Graham.”
Shoot American citizens for the crime of trespassing. Really? This is the conservative position? Unarmed protestors? They shouldn’t have been there. We’ve never defended that and never would.”
(But we will air a three-part docuseries titled Patriot Purge, in which we suggest that the insurrection was a “false flag” operation, after regularly downplaying the incident.)
“But kill them?,” Carlson continued. “What the hell’s wrong with you, Lindsey Graham? How long before you’re ordering drone attacks on people whose politics you don’t like?”
Probably about as long as it takes for Carlson to claim that a 17-year-old white kid with a gun is just “maintaining order.”
Tucker rages against Lindsey Graham for wanting Capitol officers to shoot insurrectionists.
“Shoot American citizens for the crime of trespassing? Really?! This is the conservative position, unarmed protesters?!”
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