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The Emmys Will Require Attendees To Show Vaccination Proof AND A Negative COVID Test

The Television Academy isn’t taking any chances with this year’s Emmy Awards ceremony. In addition to limiting this year’s guest list and mandating that all guests be vaccinated against COVID, the Academy is now requiring that attendees show proof they’ve tested negative for the virus within 48 hours of their arrival. The Wrap reports that the Academy announced this extra level of precaution on Thursday as a result of COVID cases being on the rise, both nationwide and in the Los Angeles area specifically, due to the Delta variant.

According to Emmys.com: “In addition to proof of full vaccination with either an FDA- or WHO-authorized vaccine, attendees at all four shows will be required to provide proof of a negative RT-PCR COVID test prior to admission to all Emmy ceremonies.” Tests must be taken within two days of the attendance date, of which there are currently three—with Sunday, September 19th being the biggie (the date of the CBS telecast).

In addition to vaccine and testing mandates, the venue itself—Event Deck at L.A. Live in downtown Los Angeles—will feature an indoor/outdoor setting and seating arrangements will be made with social distancing in mind. This should make it much easier for this year’s losing nominees to roll their eyes or pout without the winner seeing them.

The Emmy Awards are set to air live on Sunday, September 19 at 8 p.m. ET on CBS. Paramount+ viewers will also be able to stream the ceremonies live (or watch them later on-demand).

(Via The Wrap)

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Robert Williams Has Signed A Four-Year, $54 Million Extension With The Celtics

Earlier this offseason, the Celtics signed Marcus Smart to an extension to build with him alongside Jayson Tatum and Jaylen Brown. Now, they’ve made another move to keep a key player around.

As reported by ESPN’s Adrian Wojnarowski, the Celtics and center Robert Williams III have agreed to a four-year, $54 million contract extension. Williams, a first-round pick in 2018 out of Texas A&M, has one more year left on his rookie contract, so this deal will not kick in until after the end of the upcoming season.

This is an interesting bet for the Celtics on Williams. He’s only made 23 starts in his career, including 13 last season when he averaged career-highs in points, rebounds and blocks in 18.9 minutes per game. In getting this deal, even after Boston brought back Al Horford via trade and signed Enes Kanter to a one-year deal in free agency, it seems likely that Williams will both start more games and play more minutes.

Something like a Dennis Schroeder (who the Celtics signed to a one-year deal this offseason), Brown, Tatum, Horford and Williams starting lineup makes sense. Or, if Boston wanted to play smaller, it’s possible Williams comes off the bench behind Horford with Smart starting instead.

Regardless, it’s clear that Boston (now led in the front office by Brad Stevens, who coached the team last year) believes in Williams and that he’s going to get better as he takes on a bigger role. He will have to stay healthy, something he’s struggled to do so far in his NBA career. Notably, it also eats into the Celtics’ future cap space and limits their ability to chase bigger name players via free agency in the near future.

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Vesemir Is ‘Daddy’ To A Brood Of Young Monster Hunters In A New ‘The Witcher: Nightmare Of The Wolf’ Clip

With only a few days to go before its premiere, Netflix has shared a sneak peak at its upcoming animated movie, The Witcher: Nightmare of the Wolf. Set in the world of the hit Netflix series, Nightmare of the Wolf will center on Vesemir (voiced by Theo James) as he takes over the duties of preparing young witchers for a life of monster-hunting.

As fans of the books and video games know, Vesemir is the wizened old witcher who trains the main protagonist Geralt of Rivia, played by Henry Cavill in the Netflix series. While Vesemir has yet to make his live-action debut, that will change in Season 2 when Killing Eve‘s Kim Bodnia takes on the role of Geralt’s mentor, who was a fan-favorite in the games.

But before Cavill’s Geralt reunites with the man who turned him into a witcher when Season 2 arrives in December, Nightmare of the Wolf will explore Vesemir’s early years and the events that brought him to Kaer Mohren where monster hunters are made.

Here’s the official synopsis:

The world of The Witcher expands in this anime origin story: Before Geralt, there was his mentor Vesemir — a swashbuckling young witcher who escaped a life of poverty to slay monsters for coin. But when a strange new monster begins terrorizing a politically-fraught kingdom, Vesemir finds himself on a frightening adventure that forces him to confront the demons of his past.

The Witcher: Nightmare of the Wolf starts streaming August 23 on Netflix.

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Kendrick Lamar Says He’s Working On His ‘Final TDE Album’

For the majority of his career, Kendrick Lamar has released his music with Top Dawg Entertainment and is now the label’s defining artist. It looks like that era is coming to an end, though, as Lamar has indicated that his next album will be his last one with TDE.

This afternoon, the rapper shared a link to a website, oklama.com, which features a post dated August 20. In it, he summarizes how he’s been lately and reflects on his time with TDE, saying that he’s in the process of producing his “final TDE album.” He also hinted at when new music might come, as he ended his message, “See you soon enough.” The post reads:

“I spend most of my days with fleeting thoughts. Writing. Listening. And collecting old Beach cruisers. The morning rides keep me on a hill of silence.

I go months without a phone.

Love, loss, and grief have disturbed my comfort zone, but the glimmers of God speak through my music and family.

While the world around me evolves, I reflect on what matters the most. The life in which my words will land next.

As I produce my final TDE album, I feel joy to have been a part of such a cultural imprint after 17 years. The Struggles. The Success. And most importantly, the Brotherhood. May the Most High continue to use Top Dawg as a vessel for candid creators. As I continue to pursue my life’s calling.

There’s beauty in completion. And always faith in the unknown.

Thank you for keeping me in your thoughts. I’ve prayed for you all.

See you soon enough.

-oklama.”

The post also features a grainy, blurry photo of Lamar seemingly in a studio. The image file’s EXIF data indicates it was last modified on July 15, suggesting the photo was taken, or at least last edited, on that date.

Check out oklama.com here.

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Travis Scott Is Reportedly Expecting His Second Child With Kylie Jenner

Talk about a productive year; in 2021, Travis Scott not only launched his successful seltzer brand Cacti, entered the world of cannabis, and revived his exceedingly popular Astroworld Festival, selling out tickets in just an hour, but now, he’s also got another big announcement. No, it’s not a Utopia release date, although we’re sure that’s coming soon as well. It’s another baby with Kylie Jenner, with whom he also recently reunited in an “open” relationship.

TMZ reports that the couple is expecting their second child, according to a source with “direct knowledge.” While the due date is as-yet-unknown, TMZ notes that hints have popped up throughout the summer, such as Kylie avoiding certain foods while wearing baggier-than-usual clothing and Caitlyn Jenner revealing that one of her kids was expecting. The news makes the couple’s first child, three-year-old Stormi, a big sister in waiting, and Travis one of multiple hip-hop artists currently awaiting a second child, including Cardi B, who announced her pregnancy during the 2021 BET Awards.

Travis’s successful 2021 built on the momentum of an equally successful 2020 in which he partnered with McDonald’s and Epic Games for several wildly popular projects. In addition to the above endeavors, Travis is also reportedly producing a film companion to his upcoming album.

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‘The Protege’ Has Michael Keaton And Maggie Q Making Great Stunts Together

These days, shoot em ups and chop socky revenge movies are a dime a dozen (call it the John Wick effect), but good ones are still few and far between. Squibs and stage punches are probably fun for the performers, but unless all that murder and mayhem is choreographed compellingly and shot with a sense of visual wit it sort of fades into the background. In The Protege, far more care seems to have gone into the stunts themselves than the movie around them. That’s a good thing, within reason, but the film eventually expects us to be invested in motives, when the only thing compelling was ever the visual spectacle of graphic murder.

Directed by Casino Royale‘s Martin Campbell (the marketing materials conveniently ignore him having also directed Green Lantern) The Protege stars Maggie Q as Anna, the titular protege, trained from childhood to be a sought-after assassin by her mentor, Moody (Samuel L. Jackson). He discovered Anna hiding in a closet with a gun in a room full of dead guys when she was just a little girl, back in Da Nang in 1991. Moody was supposed to be doing hitman stuff, but presumably, he sensed the child’s natural aptitude for homicide and raised her as his own, schooling her in the ways of the shooting, the stabbing, the kung fu and so forth, until she eventually got so cool under pressure that she no longer looks at explosions.

Grown Anna can shoot, ‘splode, and strangle with the best of them, but her true innovation seems to be hiding knives in things. We first meet Anna when she kidnaps a Romanian mafia princeling to hold for ransom. Or so we think, at first. After a spirited pummeling by some Bucharest toughs, she’s brought before the ransomed prince’s father, who shows her to the carefully packed ransom money and promises that she won’t live long enough to spend it. At which point she turns her cell phone into a switchblade and stabs him in the neck. Hey, cool trick! Later she pulls the same thing with a cigar. Where does she get such wonderful toys?

Anna and Moody eventually return to London to count their lucre (every action movie these days has to shoot in at least five countries, must be something to do with tax breaks), and Moody, who coughs like he’s dying (which in movies means he is dying), asks Anna to check up on some kid who Moody orphaned back when Papa Roach still ruled the charts. Seems that Moody, who just celebrated his 70th birthday, is feeling repentant in his old age. Only trouble is, every person who Anna even asks about this mystery man seems to turn up dead. Simply hearing his name is tantamount to watching that videotape from The Ring.

Anna’s mission to avenge her friends and find this man eventually brings her face to face with a rival assassin named Rembrandt, played by Michael Keaton, who happens to work for the guy Anna wants to kill. Nonetheless, the two bond over knowing the same obscure Poe poems by heart (get this guy on FBoy Island!) and generally seem to have a sexually charged, enemies-with-benefits dynamic. In some ways, Q and Keaton are an inspired pairing, with an interest sort of chemistry. Keaton still has that old twinkle that always made him so compelling, and there’s a great scene where the smitten but still sociopathic Rembrandt admits “I could put two in the back of your head and then make myself lunch.”

Yet the obvious elephant in the room is that Keaton’s role seems to have been written for a man at least 20 years younger. It’s not that a woman Maggie Q’s age (42) has never fallen for a man Michael Keaton’s age (69) in real life. It’s not that Keaton’s character is basically the same age as Anna’s adopted father. It’s just that the movie never bother acknowledges any of these obvious things. We’re just meant to accept their sexual tension from the jump. Rembrandt also fights like he’s 25, piledriving henchdudes through tables and throwing people over furniture in the form of a stunt double who is almost comically Not Michael Keaton. I love seeing Michael Keaton, and there are ways to write both fight and sex scenes that make sense for a 60-year-old man (didn’t Adam Sandler have a sketch about this?), but this ain’t it.

But again — The Protege‘s stunts are actually pretty good. They’re cleverly staged (Maggie Q swinging on a fire hose) graphic with the intended impact (impaled with a meat thermometer!), and generally speaking, thump when they’re supposed to thump. Neither does Campbell his stunt coordinators (Georgi Dmitrov and Georgi Manchev) in non-diegetic music and constant hyper stylization — here I’m thinking specifically of the thoroughly forgettable Bob Odenkirk shoot-em-up from a few months back, Nobody.

It’s just that The Protege‘s overarching revenge plot is half-baked at best. A quarter baked, really, and that’s being generous. There’s a rich guy, a disabled son, and a failed assassination attempt that we never even understand, let alone care about. Such that when the film starts trying to tie up the necessary loose ends at the end, we’re metaphorically tapping our watches.

‘The Protege’ is available only in theaters on August 20. Vince Mancini is on Twitter. You can access his archive of reviews here.

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Common And Black Thought Debut ‘When We Move’ With A Vibrant ‘The Tonight Show’ Performance

In 2020, Common released his first-ever EP, A Beautiful Revolution, Pt. 1, a jazzy return to his hip-hop roots featuring appearances from Black Thought, Chuck D, Lenny Kravitz, PJ, and Stevie Wonder. Led by the Black Thought-featuring single “Say Peace,” the project found Common once again dwelling on weighty themes and socially conscious messages over Afrocentric production styles. Today, Common returned to the well with Black Thought to release “When We Move,” the first single from the second installment of his A Beautiful Revolution series, which is set to drop on September 10 via Loma Vista.

Also last night, Common dropped by The Tonight Show to debut the track live just as he’d done with “Say Peace,” giving an energetic performance alongside The Roots and longtime friend and collaborator Black Thought and Nigerian Afrobeat artist Seun Kuti, the youngest son of Fela Kuti. As usual, the two MCs brought complex, thoughtful rhymes to the bouncy production while the band channeled the energy of the Afrobeat legend.

A Beautiful Revolution Pt. 2 will continue in the same vein of collaboration for the veteran rapper with features from Alabama Shakes’ Brittany Howard, PJ, who will once again be all over the tracklist, and Marcus King, among others. He said in a statement:

A Beautiful Revolution Pt. 2 was created with hope and inspiration in mind. The spirit of the album was meant to emulate what a greater day would sound and feel like. We were in the midst of some tough political and socially challenging times. There was still hurt, anger and pain lingering, so I was thinking, ‘What is the next step in this revolution?’

I wanted to write about that and create music that embodied that. How could this music be an example of the beautiful aspects of revolution that include joy, self-love, compassion, dreams, peace and good times? As a piece of art, I believe we took it to different places musically only to come back to the original intention. To bring joy to people’s hearts, fun to their lives and smiles to their souls.”

Watch Common and Black Thought’s vibrant performance above.

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‘Bridgerton’ Showrunner Chris Van Dusen Details The Devious Intent Behind The Show’s Steamy Spoon-Lick

It’s no coincidence more than 83 million viewers tuned in to watch Bridgerton when it hit Netflix last winter. It’s got everything you could ever want in a binge-worthy, feel-good romance: stunning sets, gorgeous costumes, and compelling performances from a whole lot of good-looking people intent on wooing one another out those aforementioned costumes. The show quickly became famous for its tender moments and steamy scenes, with one of its more iconic ones involving actor Regé-Jean Page’s tongue and some cutlery.

While it might seem fairly obvious the show was intended to send folks away swooning, in an interview with Entertainment Weekly, Bridgerton showrunner Chris Van Dusen revealed just how intentional all the show’s hottest moments were. According to Van Dusen, the Bridgerton writers’ room was intent on coming up with ‘thirsty moments’ to insert throughout the show, and the infamous spoon-licking was just one of many.

The spoon lick was scripted and those were some of the best days in the writers’ room that I can remember. We challenged ourselves to come up with these, we called them ‘thirsty’ moments, and the spoon was one of them. We had such fun in the room pitching on those ideas and there were so many. There’s so many more to come in the series as well.

While unfortunately none of these future ‘thirsty moments’ will include Page, as the actor has confirmed he is not coming back for Bridgerton season 2, it’s safe to say we can’t wait for all the seductive scenes the team has planned out for the rest of the cast. The rose-tinted world of Bridgerton has yet to get a date for it’s season 2 premiere but was said to begin filming earlier this year, putting it on track for sometime in early 2022. The show, which currently has 12 Emmy nominations including one for Page’s performance as Simon, the Duke of Hastings, is still Netflix’s most-watched show ever and is definitely one to add to your binge-worthy list if you haven’t already.

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‘Jeopardy!’ Mega-Champ James Holzhauer Is Pouring Gasoline On The Show’s Host Dumpster Fire

LeVar Burton’s “happy Friday, y’all” wasn’t in response to Mike Richards losing the Jeopardy! host gig, but James Holzhauer’s tweet sure was.

“I was really looking forward to the season premiere where after an exhaustive 61-clue search for the next Jeopardy champion, the show looks past the three obvious candidates and declares Mike Richards the winner,” the Jeopardy! legend, who had a 32-episode winning streak on the syndicated game show (making him the third highest-grossing contestant of all-time), wrote on Twitter. Ken Jennings, the other household name among former-Jeopardy! contestants, has yet to weigh in. But it’s surely coming.

This isn’t the first time that Holzhauer has commented on the search to replace Alex Trebek. Following the announcement that Richards and The Big Bang Theory‘s Mayim Bialik would split the hosting duties, he tweeted, “Also new for next season: contestants can submit two Final Jeopardy responses in case the first one causes public backlash.” It’s unclear who his “three obvious candidates” are, but it’s probably fan favorite Burton, Aaron Rodgers, and “Weird Al” Yankovic from the “I Lost on Jeopardy” music video.

Richards stepped down (a.k.a. quit) as Jeopardy! host after offensive comments he made on a podcast several years ago resurfaced in an article on The Ringer. “We support Mike’s decision to step down as host,” Sony Pictures Entertainment said in a statement. “We were surprised this week to learn of Mike’s 2013/2014 podcast and the offensive language he used in the past. We have spoken with him about our concerns and our expectations moving forward.” Richards will remain an executive producer.

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Mike Richards Ever Getting Picked As ‘Jeopardy!’ Host Shows The System Is Broken

LeVar Burton wasn’t a very good host during his week behind the Jeopardy! podium. It’s something his biggest supporters don’t want to admit, but even Burton himself has said he didn’t exactly crush it once his much-hyped opportunity to host came around late this summer.

“I had, like all of the hosts, one day of rehearsal and the following day I shot five episodes of Jeopardy! I came backstage after taping the first episode and I said to Stephanie, ‘Well, how did I do?’ She said, ‘ehhh,’” Burton told the Associated Press in July, recalling a conversation with his wife. “Now, this is a woman who loves me enough to tell me the truth.”

It’s tough to pin down what didn’t work for Burton because there are a lot of factors at play. He got the same rehearsal time as the other hosts, sure, but the breakneck pace at which the show tapes means he had just a single day behind the podium for his five episodes while every other guest host got at least twice as many shows. And while Burton sits dead last in the guest host ratings, his lone hosting week came amid the Tokyo Olympics, which preempted syndication in several markets in the dog days of summer after a seemingly endless string of guest hosts.

The top view of all this is that after months of his biggest fans clamoring for Burton to get a shot, he failed. But the further we get away from his “ehhh” day on set, the more we know just how much of the deck was stacked against Burton, not to mention every other guest host except executive producer-turned full-time host Mike Richards. The former Price Is Right executive producer was named the official replacement of the late Alex Trebek last week and sparked a rolling wave of controversies as his past legal troubles and comments on podcasts have emerged in recent days, not to mention the concerning influence he had on the selection process that ultimately ended with himself for the job.

It’s difficult to remove Richards’ repulsive comments about women and jokes about Jewish people from the equation here, so don’t. The detailed reports and audio clips of Richards’ laundry list of inappropriate comments were the sorts of things that the show’s producers needed to catch in any sort of vetting process, and while the scrutiny Richards is facing is beyond deserved, the process (or, potentially, lack thereof) deserves just as much.

Beyond that, the reports that management miscalculated when they assumed he had already endured his legal troubles so that wouldn’t spark controversy on its own is equally baffling. It did, and things have only gotten worse for Sony and Richards when it comes to optics in the days that followed. It’s a fallout that cost Richards his job on Friday, but at this point, it’s clear that putting his past under the microscope should have immediately ended his viability as a Trebek successor.

In terms of a person with a résumé, Richards is a reasonable pick to host Jeopardy! He has experience in game shows and he looks like a game show host, more or less. He certainly sounds like someone who works in game shows. But for some of the biggest Jeopardy! fans, that’s exactly the problem: He looks like he could host any game show, so why does he get to host the most beloved game show on TV?

As Claire McNear’s excellent reporting on the subject this week detailed, the answer to that question was fuzzy to say the least. And after a process that saw Burton and even Green Bay Packers quarterback Aaron Rodgers eloquently explain how much hosting Jeopardy! would mean to them, Richards’ history of seeking other game show gigs while blandly expressing affection for Jeopardy! took on new context, as did his takeover of Jeopardy! behind the scenes as those outside the show reportedly assumed he’d fill a power vacuum that didn’t necessarily even exist.

As executive producer, Richards controlled nearly everything about Jeopardy!’s most recent season. Sources say this led to myriad conflicts of interest. “He was the one rehearsing and giving direction to all the guest hosts, who may not have realized they were competing with him for the job,” says a Sony employee familiar with the host search. “He could influence the promotion of those shows and the respective guest hosts. He had personal relationships with the executives involved, who had entrusted the show to him a year before.”

Burton has become an avatar for many frustrated with how Jeopardy! picked its host because it’s reflective of society on a number of levels. And Richards’ apparent grasp on the levers of power behind the scenes at Jeopardy! had many victims, including Ken Jennings and other hosts. But the conversation around Burton, in my opinion, is a bit off. His performance didn’t justify him winning the Jeopardy! job, despite the enthusiasm of his supporters. The problem is not that he didn’t get the job anyway, but that he had a single opportunity to find that success and earn the gig in the first place.

Threading that needle, especially amid some pretty obvious meddling and unfortunate circumstances, is a familiar story arc for so many non-white, non-male people across all fields. It’s not that Burton didn’t get a chance, because he did. But the playing field, it’s clear, was never quite level. It’s why, even if Burton didn’t shine behind the podium, his failure to get the job stings for so many.

Earlier in the summer, I asked Alfonso Ribeiro about the Jeopardy! job and if he had someone he hoped would get the job. For him, all he wanted to see was a fair fight.

“Whoever gets the job, let them be the best. And whatever that looks like. I’m not one that says, well, I think it has to be a Black person or I think it has be a woman. I don’t think it should be anybody,” Ribeiro said. “I think it’s whoever’s the best, as long as everybody gets an opportunity and a fair shake at it, then whoever’s the best and whoever the audience loves the most, it should be their job.”

The Catch 21 and AFV host couldn’t possibly have known just what was going on behind the scenes at Jeopardy!, but looking back at the mechanisms in place, the end result seems even more predictable. Jennings got the best ratings and may have even had Trebek’s approval. Burton got the most fan buzz. Rodgers had the most viral moments and was prepared to rearrange his extremely busy life as an All-Pro quarterback on a team with Super Bowl aspirations to potentially fit in filming Jeopardy! Seemingly every other guest host with obvious aspirations of being Trebek’s successor made clear that hosting the show would be the honor of their — in many cases decorated — professional lives. And despite all of that, it was Richards that was spit out of the machine as the big winner, flaws and all.

“If you allow everybody to get in there and have an even shake at it,” Ribeiro told me, “They’re gonna be different people in different jobs because different people have different talents.”

Regardless of his performance, it’s clear that Burton didn’t get that fair shake. And now that we know more about the process Richards spearheaded until he became a candidate, we know no one — from Jennings and Rodgers to guest hosts who ostensibly no one wanted like Dr. Oz — really got a chance to be at their best. It’s that knowledge Jeopardy! fans now have that will carry into next season, no matter who is hosting the show. It’s unfortunate, because unlike the contestants, it’s never felt like one bad day should impact whoever gets to host the most beloved game show on TV.

The host, as Trebek so effortlessly projected, is always supposed to have the answers. It was the way Richards got them, however, that was never going to sit right with fans.