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We Finally Know The New ‘Super Mario Bros.’ Movie’s First Cast Member

Nearly four years after a Super Mario Bros. animated movie was announced to be in the works by the same studio behind Minions, we finally have the first details — er, detail — about it. During an interview on comedian Bert Kreischer’s podcast The Bertcast, fellow comedian Sebastian Maniscalco revealed he is currently working on the upcoming Super Mario Bros. movie as the voice of Spike, Mario and Luigi’s boss. Maniscalo revealed the news when asked Kreischer asked him what he had on his to-do list for the rest of the day, to which Maniscalo replied he was off to do some work on the movie. That being said, it seems we can pretty safely assume the rest of the film has been cast and production is officially underway.

Now, if the name Spike isn’t ringing any bells for you, rest assured it’s a pretty deep cut from Nintendo. Spike, aka Foreman Spike, is actually a character from the Famicom/NES game Wrecking Crew. In Wrecking Crew, Spike is in change of overseeing Mario and Luigi as they demolish a building site, meaning we might see the film pivot away from the duo’s reputation as plumbers in the new film. While it’s not much to go on, at least we’re working with a bit more than the nothing we had.

Announced back in 2017, the new Super Mario Bros. movie is reportedly a joint project between Universal’s Illumination Entertainment (Minions, The Secret Life of Pets, Despicable Me, Sing) and Nintendo. Considering the only previous Mario movie of note is the 1993 Bob Hoskins title the actor went on to call “the worst job he’s ever done,” the competition isn’t all that stiff and there’s really nowhere to go but “1-UP” for the shell-stomping duo. If the previously announced timeline is still accurate, the film should be hitting theaters next year, making us due for a trailer any day now.

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Kississippi’s Ebullient, Vulnerable ‘Mood Ring’ Is A Springboard From Basement Emo To Arena Pop

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

There’s a special feeling you get when you see an artist perform and you know, deep down in your gut, that they’ll never play a venue this small ever again. It’s a tangible representation of the ephemeral, like catching a glimpse of a shooting star, or being able to take full advantage of MoviePass.

Mood Ring, the sophomore album from Kississippi first came across my desk (note: not a desk, but a folding table with a fake plastic plant that I set up as a desk during the height of the pandemic lockdown) as an untitled rough mix, edits bounced in the midst of production. Even in their incomplete stage, I was floored with the scope of the songwriting — after years grinding and growing in the DIY basement punk scene, Zoe Reynolds had pivoted to arena-sized pop songs. And she wasn’t turning back.

“I think this is exactly what my vision was, but I didn’t know that I was capable of doing it yet,” Reynolds recently told me over Zoom. “Having the right resources and stuff like that, it makes such a difference. I mean, as much as it was my vision, I was like, “Oh, I’m trying to make a big-scale pop record. I don’t know if I’m actually able to do that.’”

Across its ten tracks, Mood Ring boasts some of the most exciting and emotionally vulnerable songwriting to come out of the emo world in recent memory, proving once and for all that it is possible to widen your scope up the steps and out of the basement, and aim it towards arenas. Tracks like “Twin Flame” feel reminiscent of emo torchbearers (specifically, see Jimmy Eat World’s “Hear You Me” for a familiar chord progression), while the absolutely massive “Around Your Room” and “We’re So In Tune” could be played on pop radio alongside Lorde and Taylor Swift. But underneath the pop flashes and technicolor visuals are lyrics that are raw and direct, unafraid to dig into the difficult situations and pull out a serene wisdom.

“I really just want this to be a record that people can cry and dance to,” she says. “When I wrote it, I really wanted to write this super happy pop record, but I have depression and anxiety. So those songs are going to come forward that way. I just really want it to be a cathartic record for people, something that people can see as a conversation with a friend. I want people to be able to dance out their feelings with it, because that’s kind of what I’ve been doing.”

Reynolds first realized the songs she was writing were becoming an album during the winter of 2019 and spent the better part of two years perfecting the craft of her songwriting and working toward capturing on tape the sounds in her head. One pivotal force in this endeavor was producer Andy Park, whose past credits include work with Noah Gunderson, Death Cab for Cutie, Princess Nokia, Now, Now, and more, who helped to push the songs to whole new levels with overdubs, vocal harmonies, and alternate arrangements. “I was really, really lucky to come across Andy, who was willing to do so much to make this happen for me as a small artist,” she says. Another driving force for the evolution of Mood Ring was a bevy of external collaborators that helped to push Reynolds into new directions.

“With my previous records, I really would go isolation mode when I was writing,” she says. “I didn’t want anyone to see into it, straight up. But my songs are emotionally vulnerable, so I feel like, [with] this record, being able to collaborate with people kind of made it feel more like a conversation with a friend than like a journal entry. It was a really important thing for me to do. I think I will always want to do those kinds of co-writing sessions and collaborations in the future.”

While Mood Ring takes Kississippi into uncharted territory for a band born and raised in the DIY punk/emo scene, the final version of the record still stays true to Reynolds’ scene roots, featuring contributions from a wide array of sonically diverse artists within the genre, including Sarah Tudzin (Illuminati Hotties), Bartees Strange, Al Menne (Great Grandpa), Conor Murphy (Foxing), Phoebe Bridgers’ frequent sideman Marshall Vore, and many more. “As much as I really wanted to kind of break out with this new record, I know that at heart, my music is emo music and that it will still connect with some of the people that it connected with before,” Reynolds explains.

The strength of songs is there, and with a little luck, Mood Ring can follow a trajectory similar to Taylor Swift’s Red or 1989, both of which remain revered by the musical purist DIY-heads, despite the artist’s massive stature. “I love my emo community, but, hey, there’s nothing wrong with a little growth,” Reynolds says with a laugh.

Mood Ring is out now via Triple Crown Records. Listen here and catch Kississippi on tour this summer.

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A Beginner’s Guide To Cannabis Dabs And Dabbing

Concentrates and extracts — popularly known as “dabs” — were once solely the domain of heavy cannabis users. These days, they are heating up the marketplace (no pun intended), but have yet to fully cross into mainstream use.

Simply defined, dabs, or hash, or any other nickname is an umbrella term for any cannabis product produced through an extraction process, which often involves butane, other solvents, or simply water, heat, or pressure. Technically, the term “concentrate” is reserved for solventless substances, while “extracts” refers to the use of solvents in their creation. Either way, it all refers to the yellow-hued goopy and waxy substance that is formed from the sticky stuff on weed flowers, regardless of the process involved in separating it from the plant.

The result is a smaller amount of product that looks nothing like a plant and packs a much higher punch with the resulting level of THC, CBD, or any other cannabinoid concentrated. Finally, high heat — whether via a blow torch or an electronic method — is used to vaporize it. It’s exactly that ingestion method that has kept dabs somewhat of a niche segment in weed.

Up until the last few years, when e-rigs like the Puffco Peak came into existence and became popular, using a blow torch was the move for many dabs. Basically, it’s freebasing weed. Understandably, using a blow torch is intimidating for a lot of people, not to mention it is also high-maintenance. Combined with a much higher THC concentration than people are used to, many people are either turned off by dabbing from the outset or have a bad first experience where they get too high, then swear it off altogether. Add to that a dictionary’s worth of nicknames and technical terms, including an alphabet soup of different product terms named for different extraction methods, and dabbing can seem very daunting to newcomers.

“I feel like people can be so deterred from dabbing because people always give others globs on a hot ass nail that just fucks them up completely,” says Dean Rochford, the head lab technician for San Diego-based live rosin brand Clsics. Rochford is right. When using any kind of drug, however legal or safe to do so, a comfortable first exposure is crucial to building a fun and healthy relationship with the substance going forward.

Though I like dabbing, I save it for special occasions because I am concerned that routinely ingesting high-percentage THC products will up my tolerance too quickly. I am also a flower romanticist, and the thought of smoking a nearly unadulterated plant bud is just too much for me to shrug off. Still, many think that cannabis extracts and concentrates are the purest distillation of the plant experience, owing to its strong intoxicating effects, tastes, and smells, and they are not incorrect on that point.

But many look the other way from dabbing mostly because they don’t know much about it. It’s precisely that lack of knowledge and know-how that creates a gatekeeping culture in dabbing among the hardcore, consistent stoners and those who imbibe from time to time. It doesn’t have to be that way. So, in the spirit of democratization when it comes to cannabis intake methods, I asked industry experts to help create a helpful list of suggestions for the dab-curious, whether it’s their first time indulging in concentrates and extracts or not.

Try A Small Amount First

Almost everyone said the same thing regarding the first tip: “Start small. You can always add more, but you can’t take away,” says Rob Gale of Humboldt Terp Council.

“Start with small dabs. There’s no point taking a massive dab and not being able to hold it in,” says Rochford of Clsics, who also mentioned he knows people who feel pressured into taking large dabs to start because it’s become somewhat romanticized.

Start Low And Go Slow

“Use lower temperatures to start,” says Gale. Rochford agrees, saying to do so because it’s “way more tasty and enjoyable when it’s a low temperature.” This is due to the fact that terpenes — which are the compounds that give cannabis specific tastes and flavors — burn off as the temperature climbs.

Gale suggests using a Dab Rite or other gauge to hit the right temperature. He says 440-480F is good for solventless concentrates, like live rosin, whereas 440-500F is good for those extracts using BHO, or butane.

A Blow Torch Is Not Necessary

Puffco is your friend,” Gale says. He adds, “It’s the iPod click wheel of vape devices.” By that, he means the Puffco suite of electronic dabbing products is a well-designed and simple alternative to firing up a blow torch, both when considering aesthetics and use. E-rigs are definitely what got me hooked into regularly dabbing. Over traditional rigs, they are easier to clean, much easier to turn on, and more intuitive to use. Flipping a switch over firing up a torch is probably the single technological advancement responsible for bringing more dabbing to the masses.

In addition to e-rigs like the Puffco Peak and the G Pen Roam (which is basically a portable e-rig), there are also smaller portable dab pens, like the Puffco Plus and G Pen Gio, as well as concentrates “add-ons” to portable vaporizers like those made by Pax.

You Get What You Pay For

“Good hash isn’t cheap. Cheap hash isn’t good,” Gale says. That pretty much says it all.

Research Is Your Friend

Certain makers in the industry, like the folks at Clsics, believe that only solventless dabs are worth customers’ time and claim they are “purer” products because they don’t include so-called harsh chemical processes like those that involve butane extractions.

“Always look for live rosin over any other dabs such as live ‘resin,’ crumble, or diamonds, which are all products extracted through gas solvent processes,” Rochford says.

Of course, a company making solventless products will say this, but there is some truth in the fact that a concentrate made without added chemicals or gasses is a beautiful thing to behold, romantically speaking, as well as from a quality standpoint.

But high quality and safe products using solvents do exist — just as low-quality solventless products do. Per point number four, price is usually a good indicator of whether or not what you’re getting is legit, which is especially true if you are blindly choosing what to vaporize from, say, an unfamiliar selection at a dispensary. It’s not a hard and fast rule, though, and different extraction methods require different upfront costs, which end up on the final price tag.

“Good solventless extraction is extremely expensive. Great BHO is very affordable,” says Gale, referring to the initialism for a solvent-based extraction referred to as butane honey oil. “The average working person can’t really afford top-shelf solventless. They can afford our live resin, though. The state sets strict limits on residual solvents. Our products are well below those limits,” he adds, referring to the safety and purity of the resulting products found in quality producers like Humboldt Terp Council.

At the end of the day, it really comes down to preference. To decide figure that our, personal sampling and researching is necessary.

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Alleged Big Government Hater Ted Cruz Says He Wants A Federal Law To Ban All COVID Mask And Vaccine Mandates Nationwide

When the going gets tough, Ted Cruz gets going. Sometimes to Cancun. But if United isn’t running a super-saver deal, he’ll often just stay in Texas and flap his trap about any damn thought that enters his mind. And right now, in the midst of a surge that Austin-Travis County health authority Dr. Desmar Walkes called “critical,” Cruz appeared on Fox News to share his dangerous opinion that “there should be no mandates—zero—concerning COVID.” Unfortunately, he didn’t end there:

“That means no mask mandates, regardless of your vaccination status. That means no vaccine mandates. That means no vaccine passports. And I’ve introduced legislation — a bill to ban vaccine passports. This week I’m introducing a bill to ban vaccine mandates. And this week I’m introducing a bill to end mask mandates.”

Cruz did, however, want to make it clear that he’s got nothing against vaccines. He thinks they’re great. So great, in fact, that he and his family have gotten them. “But I believe in individual choice, individual responsibility. You can make the choice for your family.”

It’s worth noting that, according to Texas Tribune, “around 87.1 percent of all hospital beds in Texas are in use — the highest level since the start of the pandemic — with 14.1 percent of those beds occupied by COVID-19 patients.” Yet on Monday, Insider reports that Cruz and fellow senator Kevin Cramer (R—ND) introduced that previously mentioned No Mask Mandates Act, and Cruz issued a statement that serves as pretty clear proof that he’s not living in reality:

“Thanks to vaccinations and the natural immunity of Americans who have recovered from COVID-19, America is reopening. America is recovering, our kids are going back to school, and small businesses are returning as our nation’s economic heartbeat. At the same time, President Biden is imposing unscientific and burdensome mandates to control Americans’ lives.”

The messages that we’re all recovering and life is just dandy must not have made its way to Texas governor Greg Abbott who, according to the AP, “has directed the Texas Department of State Health Services to use staffing agencies to find additional medical staff from beyond the state’s borders as the delta wave began to overwhelm its present staffing resources. He also has sent a letter to the Texas Hospital Association to request that hospitals postpone all elective medical procedures voluntarily.” Yet he still hasn’t rescinded his ban on mask mandates.

Welcome to Texas, y’all!

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The Weeknd’s ‘Take My Breath’ Extended Mix Turns The Single Into A Club-Ready Banger

The Weeknd’s 2020 disco-twinged album After Hours was an all-around success. Though it was notably snubbed by the Grammys, the LP earned several other awards and achieved chart success, hovering at No. 1 for several weeks. But The Weeknd is already looking towards his new era of music, which he officially announced last week with the dance-ready track “Take My Breath.”

Now taking his music to new heights, The Weeknd has returned with an extended version of “Take My Breath.” The original single clocked in at just over three-and-a-half minutes, but the latest version of the track tacks on an extra two minutes of trance-like synths. The extended version of “Take My Breath” is fit for the dancefloor, drawing out the song’s pulsating intro and euphoric bridge.

Though The Weeknd has yet to announce his upcoming fifth studio album’s title, the singer did describe the upcoming LP’s sound in an interview with Rolling Stone from last September. “I’m guilty of wanting to outdo my last album, but it’s never like, ‘I’ve got to do the same type of song.’ I’m so happy I’m not like that,” he said. “My palette is so wide. […] I’m trying to find a perfect balance with the film and the music, and so far it’s going really well. I think I might have cracked the code.”

Listen to The Weeknd’s “Take My Breath (Extended Version)” above.

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Olivia Rodrigo Makes History With Her First Song To Reach A Billion Spotify Streams

Olivia Rodrigo has been not only music’s biggest surprise of 2021, but just flat-one one of the year’s most successful artists overall. Sour topped the charts, and so too did the singles “Drivers License” and “Good For You,” while “Deja Vu” topped out at No. 3. Now Rodrigo has added another impressive feat to her resume: “Drivers License” has become her first some to reach a billion streams on Spotify. As Pop Crave notes, this is the least amount of time it has ever taken for a song to eclipse a billion Spotify plays: The single was released a bit over 7 months ago, on January 8.

Rodrigo has become a major celebrity this year, and she had a noteworthy brush with fame and the fans that come with it. She told GQ recently, “Someone came up to me the other day and was like, ‘Sorry if this is weird, but I had sex to the entirety of your album.’ And I was like, ‘What the f*ck? That’s crazy.’ That was the weirdest experience I’ve ever had. I was flattered, of course. […] I appreciate that she was bold enough to come up to me and tell me that, too. I was like, ‘You want to have sex to the breakup songs?’”

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‘Annette’ Is The White Elephant From Hell

Annette, a movie that received an ovation so long at the Cannes Film Festival that Adam Driver started smoking a cigarette during it, is one of the most insanely padded works of art I’ve ever seen.

A musical written by Ron and Russell Mael of Sparks, Annette opens with a song about how the movie is about to start — “So May We Start?” — which goes on for about five minutes, rhyming “So may we start?” with “it’s time to start” (arguably the only catchy song of the film). Annette, the title character, doesn’t show up until minute 41. To illustrate Adam Driver and Marion Cotillard’s characters falling in love, the two sing a song in which they repeat the refrain “We love each other… so much…roughly 37 times.

In The Sparks Brothers, Edgar Wright introduced us (well, me) to Ron and Russell Mael, the clever and prolific songwriters behind Sparks, who famously once opened a song with the line, “I’ve got a snapshot of your Aunt Maureen.”

It’s that kind of cheeky humor and theatrical pop-rock that you’d imagine would make Sparks the ideal choice to write a musical for Holy Motors director Leos Carax. Yet nothing in Annette is as funny, clever, or catchy as the opening of “Tips For Teens.” The cleverness is all drowned out by the art; everything so puffed up, stretched out, and annoyingly repeated that even things that seem funny on paper in practice end up dull or tedious.

For instance, you may have heard that Adam Driver sings while performing cunnilingus in Annette. Which is true, sort of — he performs his half of a duet live on set, with his head between Marion Cotillard’s bare legs in a posture of pantomimed oral sex. Yet even the act of singing into a vagina comes off like just another camp musical number in a movie full of them. Carax is so busy doing art, with elaborate stage sets, green screens, and choreographed dances, that he never gets around to telling us what this movie is about. Where is this oral sex even taking place? What does it mean to the characters? What time of day? Where in the world? Annette exists only in Artland, a place where details and emotions don’t matter, only the act of being self-consciously artistic.

Driver plays Henry McHenry, a famous comedian who shadowboxes in a robe while eating bananas before performing his one-man show, “The Ape Of God.” Again, this sounds like it would be funny on paper, yet we don’t get any sense of what his act is supposed to be or why audiences enjoy him. He doesn’t seem to do anything humorous. He enters the stage in a fog of smoke, which he complains about while the crowd laughs. He either gets annoyed with, or feigns annoyance with their laughing (unclear) and asks rhetorical questions about why he does comedy. This is all delivered in Annette‘s signature style, of brief, vague declarations repeated dozens of times in song.

UGC

Cotillard, meanwhile, is Ann Defrasnoux, a world-famous opera singer who mostly sings haunting, wordless melodies onstage between death scenes. That’s about as much characterization as anyone gets in Annette, whose characters all seem like a grade schooler’s idea of “serious artist.” There’s a famous opera singer, a famous comedic thespian, and the opera singer’s accompanist, played by Simon Helberg from Big Bang Theory, helpfully introduced in a song called “I’m An Accompanist.”

When Ann and Henry fall in love through song, the only clues we get as to how they relate to each other or to the root of their attraction comes in the form of these lyrics, sung between the 37 refrains of “we love each other so much”:

counterintuitive, baby, and yet we remain.
so hard to explain it, so hard to explain…

Hard to explain, eh? Well, do you think perhaps you could perhaps try, given that this relationship is the central story element of the film?

Ann and Henry soon give birth to a daughter, Annette, who is depicted as a sinister living marionette, a papier-mache creature that looks a little like the wing gremlin in the original Nightmare at 20,000 Feet. At some point, Henry realizes that the doll baby can sing, and he takes her out on an exploitative concert tour that makes her a worldwide sensation. Meanwhile, all we, the movie’s audience, get to see of the singing doll-baby is Annette humming a haunting wordless melody while floating above the stage. This is a movie so incapable of communicating anything beyond “we’re doing art!” that it resorts to narrating itself through repetitive song.

Annette feels like a series of the broadest broad strokes, none of which got fleshed out, only embellished. It feels like the Mael Brothers had a plot outline, but rather than create any connective tissue for it, the characters simply sing the chapter headings out loud, repeating the same basic phrases over and over until they lose all meaning through semantic satiation. Leos Carax, in turn, rather than give the Mael Brothers’ outline scenes or context, just added distractions — cunnilingus! a fake baby! flying! green screens! It’s just embellishment upon embellishment until we don’t know what we’re watching anymore, other than ART.

It’s all meaningless bloat. It’s a testament to the attention spans of the Cannes-goers that they still had the energy to stand and applaud after almost two and a half hours of this. Then again, what else was there to do? Annette doesn’t give us the space to ponder its characters, to dissect its dialogue, to discuss its themes. It merely works hard at creating the appearance of working hard. What else is there to do but applaud all that work? Bravo! You did an art!

‘Annette’ is currently available in select theaters. It hits Prime Video August 20th, 2021. Vince Mancini is on Twitter. You can access his archive of reviews here.

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Marvel’s ‘What If…?’ Writer Reveals The Spider-Man Storyline She Had To Ditch Because It Was ‘A Little Too Dark’

As Marvel’s What If…? gets ready to premiere its first episode on Disney+, writer A.C. Bradley has been sharing all kinds of behind-the-scenes details about the MCU’s first major foray into animation.

Bradley had previously disclosed that she was forced to scrap a What If…? episode that she wrote that inadvertently predicted the plot of Guardians of the Galaxy Vol. 3. In a new interview with The Post Credit Podcast, Bradley reveals another episode that had to be scrapped, but this time, it was because the series got a little too carried away in the “body horror” department for a Spider-Man story. Via Collider:

Talking about episodes that never got beyond pre-production, Bradley said that “there were a couple of episodes that were just a little too dark.” As Bradley explains it, in one of these scrapped episodes, “Spider-Man turns into a real spider, and that was just too dark and too body horror for their PG-13 [rating].”

Marvel is betting big on the ambitious animation series that imagines alternative reality scenarios, like Peggy Carter taking the super-soldier serum or Tony Stark being saved by Killmonger instead of being forced to build his Iron Man suit in a cave. Last month, Marvel announced that What If…? will be the first of many animated projects coming from its new “in-house” studio as the MCU continues to rapidly expand beyond its blockbuster presence in theaters.

(Via The Post Credit Podcast)

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Saweetie Says Her ‘Pretty B*tch Music’ Album Is Done And Deserves To Be Taken Seriously

Saweetie’s long-awaited debut album Pretty B*tch Music has been in the works for several years. It was originally set for a June release, but was pushed back after speaking to Cher gave Saweetie an epiphany about her sound — not to mention that she has her hands full with McDonald’s and Tesla partnerships. But, according to the rapper, the album is now complete and deserves to be taken seriously.

Saweetie recently sat down with HollywoodLife to discuss her new McDonald’s partnership, which includes some of her infamous food concoctions. The rapper also spilled some details about Pretty B*tch Music, which she said she traveled all the way to Paris to finish:

“I went to Paris to finish my album [and] now I’m just living with it to ensure it’s perfect. A new album is something serious. I need to know that when I release this kid of mine because as artists we feel our products are our babies, that no matter what anybody says, I’ll know that it’s my best work. I’m really challenging myself and I just want to ensure that I put out a body of work that [will] symbolize art.”

Read Saweetie’s full HollywoodLife interview here.

Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Vintage Fashion Influencer Emma Rogue Gives Us A Guide To Her Favorite NYC Thrift Stores

Stop! Before you click on that checkout button and pay way too much for shipping from your favorite store, ask yourself — is this really the best summer fit your money can buy? Because if it’s mass-produced and sold at the mall, we’re going to go ahead and guess no. If you really want to stand out, turn heads, and find a way to express yourself in a way that is uniquely you, and not just whatever the fashion powerhouses of the day want you to be, you should consider cobbling your next fit together from the thrift store.

There are a number of reasons you should look to your local thrift store for great fashion. For one, you’ll find truly one-of-a-kind pieces that nobody on the street will be wearing. You’ll also save some money, which means you’ll end up picking up a bigger and better haul. And perhaps most importantly, it’s way more sustainable. The fashion industry produces a ridiculous amount of waste every year. With the state of our climate, we need to totally overhaul the way we do everything and that includes the way we shop.

But where to start? We hit up vintage fashion influencer Emma Rogue for a guide to her ten favorite thrift shops. Rogue has taken her keen eye for vintage threads and built something bigger out of it, amassing a huge following on TikTok and even opening up her own vintage clothing store of the same name. So she’s about as big an expert as we could hope to find on all things vintage.

So whether you’re looking for a new summer fit or seeking out some furniture to transform your home, Rogue’s got you covered. Let’s dive in.

Beacon’s Closet

If you’re looking for a good mix of hidden designer gems and novelty vintage pieces, Beacon’s is the spot. They have something for everyone, catering to all prices ranges and age brackets. I once found these insane Phat Farm jeans for $13 that fit me like a glove. Also scored these crazy Camper x Gosha Rubchinsky snow boots for $50.

L Train Vintage

L Train is the spot to hit if you’re in need of vintage basics. They’ve got a great selection of vintage denim, tees, and flannels — not to mention their size range is super inclusive. In the winter, I always pick up a few new jackets for a great price. They’ve got about five locations throughout Manhattan and Brooklyn. So no matter where you are, they’re never too far away.

Procell

If you’re into archival designer pieces and ready to drop a stack, Procell is the spot for you. They cater to collectors and carry the rarest pieces you’ll come across. From vintage Gaultier to crazy rap tees, you’ll definitely fall in love with that one special piece. My favorite piece from them is a 1995 Tank Girl tee that had the perfect fade — it was too good to pass up.

Leisure Centre

My good friend Frank just opened Leisure Centre in the Lower East Side and it is the best hidden gem around. Frank is a master curator and has the coolest vintage sportswear pieces in the City. He also stocks a sick selection of knick-knacks and home decor that’ll level up your living space. He’s got a rotating selection of vendors that sell in his shop, so the stock is always fresh.

Funny Pretty Nice

FPN is by far the cutest spot in Soho. Go there and create your preppy, Hamptons dream fit. They’ve got a great selection of sizes as well as price ranges. They have the sweetest selection of Y2K purses on their handbag wall as well as jewelry. FPN just opened their second location in Connecticut, so no matter where you are on the East Coast they are super accessible and worth the visit.

Bowery Showroom

Bowery Showroom was opened up by my good friend Matt (we both used to sell at Hester Street Fair back in the day). His shop features a great selection of streetwear and designer finds as well as goods from their CBD company, Potion. The showroom also houses new and upcoming NYC-based brands. No matter what your vibe is, you’ll undoubtedly find something you like.

Tired Thrift

Elona and Ledi are the great girls behind Tired Thrift. They opened their shop mid-pandemic and have been killing it ever since. They cater to a younger audience, housing super cute collections of Y2K era pieces, minibags, and shoes. They’ve even got a killer sale bin at the front of their shop with loads of gems. Definitely stop by if you’re ever in Greenpoint, they won’t disappoint.

Awoke Vintage

Awoke Vintage is an NYC staple. They have three Brooklyn locations that are jam-packed with the best vintage Levi’s, tops, and accessories. No matter how hard it is for you to find that perfect pair, the Awoke girls will be able to fit you. You’ll also find the perfect vintage tee to go with them!

Housing Works

Housing Works has a few locations throughout the city. They have home decor as well. You can score designer gems on their website. They have a bidding system set up similar to how eBay works. Your money will be going to a great cause as they donate their proceeds to AIDS and homelessness. Next time you’re in, don’t be afraid to spend!

Rogue

And last but not least, my very own vintage shop in the Lower East Side, Rogue, should be at the top of your NYC destination lists. As soon as you walk in, you’ll be hit with a hefty dose of ’90s and 2000s nostalgia. We’ve got a wild selection of vintage tees, archival grails, and true vintage from the 1960-2000s. On Saturdays, we host pop-ups and launch events with local NYC designers and brands, not to mention free snow cones. Come say hi and jam out to 2000s hits with us while you try on your Y2K dream fit<3