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Our Tasting Notes On the 2021 American Whiskey Masters Winners

We’re officially in the back half of 2021. Summer will be over soon. The holiday season is coming in fast. For booze, that all means whiskey awards are going to start dropping at a pretty quick pace. To that end, The Spirits Business just announced their American Whiskey Masters award winners. The top honors had some serious surprises and gave us a little pause. We knew we had to dig in.

The awards are chosen by small panels of industry insiders, whiskey writers, and bar folk. Each flight of whiskey is tasted blind and ranked. “Master” is the highest honor with gold, silver, and bronze prizes also awarded. We’re focusing only on the masters this time around as those are the best of the best.

Of the ten “masters” from this year’s tastings, six came from Sazerac Company with five from their Buffalo Trace distillery alone. This isn’t really surprising. Sazerac owns some of the best distilleries operating in America today and really pushes their brands on the awards circuit. What was surprising was the relatively cheap bourbon from Buffalo Trace that took home bourbon “masters” designations: Benchmark. In fact, three of the brand’s labels ended up at the top of the “premium” bourbon category.

To better understand this year’s American Whiskey Masters, we decided to provide our own tasting notes to add a little more context to the list of winners. If any of these bottles pique your interest, make sure to click on the prices to try them yourself!

Benchmark Small Batch

Sazerac Company

ABV: 45%

Average Price: $17

The Whiskey:

The McAfree brothers were the trio who followed the Great Buffalo Trail from Virginia into Kentucky in the 1770s and founded what would become part of today’s Buffalo Trace. The bourbon in this very cheap bottle is a standard “small batch” though there’s not a whole lot of information on what that entails exactly. Otherwise, this is a standard bourbon that’s made for mixing.

Tasting Notes:

There’s a truly basic bourbon vibe on the nose and throughout the palate. Vanilla extract, slightly wet oak, and that raw Buffalo Trace leather dominate the nose. The taste pretty much stays in that arena with caramel apples and floral honey popping up next to a slight metallic note and soft mineral water mouthfeel. The end is short and sweet and leaves you with that leather, oak, and vanilla primarily.

Bottom Line:

Sazerac is pushing Benchmark hard as a line of cheap bourbon to compete with the likes of Beam. It’s, well, fine. For under $20, you’re not going to go wrong but there’s really nothing to write home about with this bottle.

Benchmark Bonded

Sazerac Company

ABV: 50%

Average Price: $20

The Whiskey:

The juice in this bottle is from Buffalo Trace’s Mash #1, which has a scant amount of barley and rye next to mostly corn. This is the same mash that’s used for bigger hitting brands like Eagle Rare, Stagg, and E.H. Taylor. In this case, this is a four-year-old bonded that’s sort of like a proto-E.H. Taylor, Jr. Small Batch.

Tasting Notes:

This is surprisingly bright with a nose full of lemon-honey tart sweetness, a touch of vanilla extract, a hint of charred wood, and maybe a little wet leather. The taste keeps it simple and really leans into the oak and vanilla while the honey sweetness mellows to a standard caramel with a hint of spicy tobacco. The end is pretty short but leaves you with that vanilla, honey, and tobacco.

Bottom Line:

It’s amazing how much more refined this is than the Small Batch and even standard Benchmark. While we’d likely never put their Small Batch on a “best of” list, this certainly deserves a little respect for being a damn well-made bonded bourbon at a very approachable price point. Still, in the end, this really is just a solid mixing bourbon for the burgeoning home bartender.

Benchmark Full Proof

Sazerac Company

ABV: 62.5%

Average Price: $20

The Whiskey:

So, this is just taking the standard Benchmark and bottling it at barrel proof. Well, it’s more than that. Only a few barrels of Benchmark make it to a flavor point that’ll allow full proof barreling. Still, this vatted bourbon is all about the pure juice from the barrel with no cutting with water to tame it.

Tasting Notes:

There’s a mild intensity with notes of spicy dry tobacco next to dark chocolate on the nose with a hint of eggnog spices and creamy vanilla. That all delivers on the palate with the addition of brandy and spicy stewed apples, a touch of leathery chew, and a long, spicy tobacco finish.

Bottom Line:

If I were ranking this line, I’d always put the Single Barrel over the Full Proof. But, this isn’t my ranking. Overall, this is another perfectly fine mixing bourbon. You can sip it over rocks and it’ll be tasty though, frankly, pretty forgettable.

A. Smith Bowman Cask Strength

Sazerac Company

ABV: 70.55%(!)

Average Price: $100 (via lottery)

The Whiskey:

The A. Smith Bowman Distillery is a Sazerac distillery that hardcore whiskey nerds know of but the average whiskey drinker has probably never even heard of. Their line is primarily filled with experimental small-batch releases. That changed this year with A. Smith Bowman’s release of their new permanent release of A. Smith Bowman Cask Strength. The juice is a ten-year-old Virginia bourbon that somehow stayed at a bafflingly high ABV of 70.55 percent.

Tasting Notes:

This is hot on the nose but you still find nuanced and classic bourbon notes. Rich vanilla pudding, creamy and buttery toffee, very old wooden cellar beams dripping with cobwebs, and a touch of dark berry invite you in. The palate burns … just flat-out burns. That being said, there’s a distinct matrix of old leather tobacco pouches, the burnt sugar from a silky crème brûlée, and a dash of sweet apple covered in salty caramel. The end lingers for a while. There’s a mild nuttiness with an edge of almost nougat as the heat really falls off, leaving you with a real buzz.

Bottom Line:

I’ve been avoiding opening this bottle for a while now. Well, this was the perfect excuse to finally peel away that plastic wrapper and coax out that cork. This was an A+ bourbon for sure but, goddamn, is it hot. Absinthe is usually only 65 percent and this is well over that and you feel it. I’m going to give this a shot in a few cocktails as I can’t see this ever being an everyday sipper for me — at least not without a tumbler full of ice to cool it down.

E.H. Taylor, Jr. Barrel Proof

Sazerac Company

ABV: Varies

Average Price: $140

The Whiskey:

This much-lauded and beloved bottle from Buffalo Trace is classic whiskey making. The spirit is from Buffalo Trace’s low-rye mash bill. The juice is then aged in warehouses built by the Colonel over 100 years ago. The best barrels are selected yearly for batching and bottling with no fussing whatsoever.

Tasting Notes:

The sip draws you in with a spicy berry jam next to a perfumed note (kind of like wet potpourri) and buttery toffee sweetness. The taste, on the other hand, leans into vanilla oils, dry cedar, and a dusting of white pepper that leads back to the spice without the jam. The end is kind of long and really smoothes out, thanks to the vanilla and toffee as the peppery spice builds towards a tobacco-filled cedar box and a very distant hint of fresh mint.

Bottom Line:

On a recent re-taste of this, it really stood up to my memory of it. It’s just a solid all-around bourbon. I like it as a sipper on the rocks or in cocktails. You can’t go wrong with this one.

TX Texas Straight Bourbon Whiskey Finished in Tawny Port Casks

Firestone & Roberston Distilling

ABV: 50.8%

Average Price: $65

The Whiskey:

This new expression takes TX’s four-year-old straight bourbon and finishes it in a Tawny Port cask from Portugal. That French White oak spent ten years in the Duoro Valley in Portugal holding port wine before it was sent over to Texas to finish this bourbon for about six months of mellowing.

Tasting Notes:

That classic bourbon mix of candied apples, soft leather, rich caramel, and almost buttery vanilla invites you in on the nose. The sweetness of this dram leans into a honey vibe with a slight prune underbelly next to all that vanilla, buttery caramel, apple, and soft tobacco spiciness. A hint of stone fruit note carries you into the finish as the sweetness becomes more maple syrup with a thin note of roasted nuts and dry dark chocolate.

Bottom Line:

Port cask finishing is burning up the craft bourbon game right now. It’s easy to see why. These bourbons tend to be crowd-pleasers that deliver for the experts too. This is just a tasty sip of bourbon that’ll keep you reaching for another pour.

Hirsch The Horizon

Hirsch

ABV: 46%

Average Price: $40

The Whiskey:

Hotaling & Co., started by San Francisco’s Anchor Brewing, is a hell of a blendery. This expression is a mix of two MGP of Indiana whiskeys. The lion’s share (94 percent) is a five-year-old bourbon with a fairly standard mash bill of 75 percent corn, 21 percent rye, and four percent malted barley. That’s married to a six-year-old bourbon with a mash bill of 60 percent corn, 38 percent rye, and four percent malted barley. The whiskey is proofed down to 92 proof and bottled.

Tasting Notes:

There’s a clear sense of pipping hot cornbread dripping with whipped butter cut with cinnamon and vanilla on the nose. That spicy vanilla butter really drives the palate’s flavor as the sweetness leans towards pancake syrup on a pecan waffle with a small hint of leather and tobacco lurking in the background.

Bottom Line:

Having finally tasted this recently, I get the hype now. This is a really solid entry into the sweeter bourbon world, especially for only $40. I can see using this to make a bomb bourbon-infused pancake syrup or simply enjoying it on the rocks.

New Holland Beer Barrel Bourbon

New Holland

ABV: 40%

Average Price: $32

The Whiskey:

Beer barrel-aged bourbon isn’t a new thing. There’s a lot of mediocre representation out there though. This bottle comes from a brewer and tends to lean a little more into the “beer” vibe of the bourbon.

Tasting Notes:

The nose isn’t overly distinctive but does carry slight hints of nuttiness, dark spice, and a touch of dark chocolate malts. The palate gets a little bolder with a creamy vanilla backbone next to more baking spices, more chocolate, and a tiny hint of dark fruit. The finish is shortish with a sweeter edge that leans into the vanilla and spice, reminding you of a nice stout.

Bottom Line:

I’ve never been that impressed by this. It’s fine for what it is but feels very much like a novelty to my palate.

E.H. Taylor, Jr. Straight Rye

Sazerac Company

ABV: 50%

Average Price: $92

The Whiskey:

Buffalo Trace’s rye mash bill is an interesting one. This mash bill contains only rye and malted barley (other rye’s from Buffalo Trace are only 51 percent rye for comparison’s sake). The result is a rye that highlights the greener end of the genre with a deeply devoted fan base.

Tasting Notes:

You’re greeted with a nose full of raisins, holiday spices, a dash of green peppercorn, and a very distant herbal note that leans towards fresh dill. The palate has a toffee foundation with those dried fruits and spices as the main attraction of this sip. There’s a mild dry oak on the finish that leads back towards the green peppercorns and fresh dill with a slightly sweetened end.

Bottom Line:

I just did a blind tasting with this rye against a handful of other ryes I like. It did not win anyone over. If you’re not into that dill note, this is a hard swallow. It’s unique, sure. But there are tons of other ryes for well under half the price of this that are just as good and maybe even better.

Stagg Jr. — Master & Taste Master

Sazerac Company

ABV: Varies

Average Price: $100

The Whiskey:

This entry-point to the much older and much higher-priced, George T. Stagg, is killing the bourbon game right now. The juice is generally eight to nine-year-old bourbons, made at Buffalo Trace, and batched and bottled with no fussing, cutting, or filtering. The results are an award-winning bourbon that’s getting harder and harder to find for its MSRP.

Tasting Notes:

There is distinct and rich molasses next to hints of pecan, dark and bold holiday spices, and vanilla oils on the nose. The palate holds onto those notes and adds a cherry sweetness with a hint of woody apple in the background and a touch of toffee. The end is long and very hot, leaving you with a spicy tobacco buzz on your tongue and senses.

Bottom Line:

This is another hot bourbon. While I get that some people want extremes in their bourbon, this really works best as a cocktail mixer. In fact, it feels like this was built to be exactly that. Hell, its MSRP is only $60, making it an excellent candidate for a high-end cocktail mixer. Still, the hype machine got a hold of this one and now people are getting more and more precious about it. That’s a shame because this makes a mean Manhattan.


As a Drizly affiliate, Uproxx may receive commission pursuant to some entries on this list.

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Austin Reaves Hit A Last-Second Putback To Give The Lakers A Win In Their Summer League Opener

The Los Angeles Lakers, as is oftentimes the case whenever they take the floor for the NBA Summer League in Las Vegas, brought a whole bunch of fans to the Thomas and Mack Center on Sunday evening. The team took on the Phoenix Suns in a rematch of their first-round series from this past postseason, with an undrafted player getting a look in the purple and gold playing the hero.

Los Angeles found itself down by one with less than 10 seconds remaining. Vic Law’s attempt from behind the three-point line came up a bit short, but on the ensuing miss, Austin Reaves found himself in position to reel in the rebound and, while still in midair, bank in what ended up being a game-winning bucket.

Reaves was a player some NBA Draft prognosticators believed could have gone in the second round. A high-scoring guard who began his collegiate career at Wichita State before transferring to Oklahoma, Reaves averaged 18.3 points, 5.5 rebounds, and 4.6 assists per game en route to first-team All-Big 12 honors with the Sooners last year.

The Lakers will, like any team, use Summer League as a chance to evaluate younger dudes and see how they can potentially fit in their program. Reaves had a modest night, scoring 11 points and pulling in four rebounds, but he certainly garnered some positive attention with this bucket.

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A Republican Senator’s Tweet About What The Founding Fathers Would Have Wanted Is Getting A Lot Of Snappy Responses

Conservatives love the Founding Fathers. Or at least they like invoking them to score political points. Every now and then some GOP lawmaker goes on Twitter and makes some bold declaration about how George Washington et al. would hate something Democrats are doing. They then get dragged online. It’s happened to Jim Jordan. And on Sunday it happened to the far more obscure lawmaker Mike Braun.

Who’s Mike Braun? He’s a senator from Indiana. He doesn’t like the Affordable Care Act, abortion or same-sex marriage. He also doesn’t like the fact that Joe Biden was elected president. He was one of the GOP lawmakers who helped spread Trump’s voter fraud lies. Still, he rarely makes news. But on Sunday he became known as yet another Republican mocked for making questionable statements about the people who helped found the United States.

“The Founders never intended the federal government to grow to this size,” Braun tweeted. It’s not clear what exactly he was referring to. It likely has to do with the $1 trillion infrastructure bill the Senate is moving slowly to passing.

But to most, it just seemed like an ahistorical nonsense. And many people were happy to pile on top of it, pointing out other things that Founding Fathers wouldn’t have intended. Like certain people being free or equal to white men.

They also were very clear about impeaching law-breaking presidents, especially ones who inspired a violent and deadly coup — which the Trump-loving Braun was, of course, against.

In fact, there’s lots and lots of things the Founders never intended.

But some, instead of dwelling on what they would and wouldn’t have intended, argued that doing so is a waste of time anyway.

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All The Best Plays From Cade Cunningham, Jalen Green, And Evan Mobley’s Summer League Debuts

Sunday marked the start of the 2021 edition of the NBA’s Las Vegas Summer League, with 14 of the league’s 30 teams in action at either the Thomas & Mack Center or Cox Pavilion. While there were other storylines to monitor, the league’s schedule-makers seemingly targeted top draft picks in prime time, with four of top six picks (including Josh Giddey) in the 2021 NBA Draft squaring off against one another in two nationally televised games. With that in mind, there was plenty to glean from the opening slate of action, and that extends to No. 1 pick Cade Cunningham, No. 2 pick Jalen Green and No. 3 Evan Mobley.

Here’s what we saw from the young stars who took the NBA stage for the first time in Las Vegas on Sunday.

Cade Cunningham

Cunningham wasted absolutely no time in Detroit’s matchup against Oklahoma City. The do-everything wing converted a pair of three-pointers before the first timeout of the game, with the second triple arriving in pull-up fashion.

For large portions of the first half, the Pistons allowed Saddiq Bey and Killian Hayes to initiate the offense, meaning Cunningham’s on-ball reps were reduced. There will be plenty of time for that, of course, but he managed to make a difference defensively, using his length and acumen to create havoc while also making sound rotations.

Cunningham continued that havoc creation with a steal that led to a fast break dunk early in the third quarter, and he added some half-court offense with an efficient, effective rim attack.

All told, it wasn’t as if Cunningham was efficient or utterly dominant in his debut and, because of this, the overreaction machine may kick into overdrive. He did commit five turnovers, flagging a concern that existed during his collegiate career, and Cunningham finished 3-for-10 from inside the arc.

Given how Green performed (see below), Cunningham’s game may be seen as a disappointment, but his abilities flashed along the way. He made high-level passing reads, rebounded well, showcased his underrated defensive ability (particularly off the ball) with playmaking and execution, and certainly displayed his overall feel for the game.

Jalen Green

In a game that was truly entertaining — something that doesn’t exactly happen frequently during Summer League — Green was the most electric offensive force on the floor between the Houston Rockets and the Cleveland Cavaliers. He opened the evening with a bang, using his craft, athleticism, and overall skill level to leave an imprint.

Green closed the first quarter on a beautiful note, taking the ball to the rim and finishing with conviction to beat the buzzer.

All told, Green led all scorers at the break, and he wasn’t done. His scoring profile was the headline trait in advance of the draft, and the bucket getting continued after halftime, pouring in contested jumpers and creating space with his burst.

The scoring will undoubtedly (and rightfully) get the attention, but Green did show other flashes. He’s an effective hit-ahead passer, and also shows creativity as a distributor in half-court settings.

Green’s defense has a long way to go in some respects, but he did show competitiveness. Memorably, he held up reasonably when switched onto Mobley in a no-win situation.

https://twitter.com/Kyle__Boone/status/1424508813944705026

Even with a scoreless fourth quarter, Green was the leading scorer in the game. He scored 23 points, on 9-for-16 shooting and 4-for-9 from three, through three quarters. In short, it was a highly effective debut that reminded observers of his full scoring arsenal. It may not be like this for every Summer League game, but Green was generally fantastic.

Evan Mobley

Coming into the opener, it was a safe projection that Mobley may not pop in the same way as Green. After all, Summer League is often a guard-based enterprise and, in the case of Mobley, he is reliant on Cleveland’s guard play in a way that may not be advantageous for garnering box-score stats in this setting. However, Mobley flashed his arsenal, just as Green did, and it was encouraging all the same.

Early, Mobley showcased a comfortable handle and passing willingness in transition.

Mobley also put his touch as a finisher on display, and he is a dangerous lob threat.

Perhaps the most impressive highlight run arrived when Mobley generated a rebound, threw down a monster dunk in traffic, then blocked the shot of Rockets first round pick Alperen Sengun.

Mobley’s performance was more understated than Green’s happened to be, and that was illustrated with 12 points and five rebounds. However, his defense really came to the surface, not only with three blocked shots, but also with general awareness, versatility and the ability to change the approach of opponents with his length.

Offensively, Mobley wasn’t efficient, scoring 12 points on 17 shots, and he did struggle down the stretch. Still, the lack of help from Cleveland’s perimeter options was stark, and Mobley’s defense jumped off the screen for those paying close attention. He’ll need to add bulk to his skinny frame, but Mobley flashed the well-rounded game that made the Cavs take him with a top-three selection.

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Lil Durk Nearly Pulled A 50 Cent With His First Pitch At White Sox-Cubs

Being invited to throw out the first pitch before an MLB game is a cool honor, but it also can be a nerve-wracking experience if you don’t have a lot of baseball experience. It seems simple enough: throw the ball 55 or so feet from in front of the mound and get it over the plate, but those that haven’t thrown a ball in awhile come to learn the hard way that it’s very different from their few warmup tosses in the tunnel before going out there.

Really bad first pitches aren’t just embarrassing, but can become a lasting part of someone’s legacy. 50 Cent is the best example of that and still has the first pitch to which all bad first pitches are compared to, as he fired a ball a good 20 feet wide of the plate. He’s far from the only star of the sports or entertainment world to have a dreadful first pitch experience, but his is the lasting example of a disaster.

On Sunday, we got another entry into the bad first pitch category from a rapper, as Lil Durk threw out the first pitch at Wrigley Field before Cubs-White Sox and had the poor Cubs mascot diving in vain for a ball that bounced outside the batter’s box.

The good news for Lil Durk is that he’s focusing on the positives of the love he got, not the jokes from Twitter.

It’s not quite 50 Cent, who barely threw it into the dirt area around home plate, but it is a pretty terrible effort. I’m sure Lil Durk hasn’t exactly spent a lot of time throwing baseballs recently, but it should serve as a reminder to managers everywhere that if your client isn’t someone that throws a ball often, there’s no shame in turning down a first pitch opp to keep them from going viral.

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Josh Giddey Left The Thunder’s Summer League Opener With A Sprained Ankle

If Sunday’s battle between the Houston Rockets (featuring Jalen Green) and the Cleveland Cavaliers (featuring Evan Mobley) was the main event, the close runner-up was the matchup between the Detroit Pistons, led by No. 1 pick Cade Cunningham, and a talented Oklahoma City Thunder team featuring No. 6 pick Josh Giddey. Unfortunately, though, Giddey was forced to the sidelines early, leaving the game in the first quarter with an apparent injury that was later announced by the Thunder as a left ankle sprain.

Giddey did produce a strong highlight at the outset, though, as the exploded to the rim on the game’s first possession for a dunk.

That was Giddey’s only bucket, though, as he suffered the ankle tweak shortly after and, after trying to play through the injury, exited after only five minutes of on-court action. It was immediately clear that the 18-year-old perimeter player was no longer on Oklahoma City’s bench after the ankle issue emerged, and the Thunder have every reason to be cautious, particularly in this setting.

Following the opener, the Thunder have two days between games, as they return to action against the New Orleans Pelicans at 7 pm ET on Wednesday in Las Vegas. At this point, it is unclear whether Giddey will be able to play, but Oklahoma City may release additional information in the near future.

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‘The Suicide Squad’ Was The Second Most-Watched Film That’s Debuted On HBO Max (According To HBO Max)

Movie theatergoing has made a comeback over the last few months, thanks to the high number of vaccinations (that still isn’t high enough), but a number of would-be blockbusters have underperformed, or worse. Perhaps the biggest bomb happened this weekend. The Suicide Squad, DC’s $185-million quasi-sequel to the critically and director-derided but hugely profitable 2016 original, stumbled into theaters, raking in only $26.5 million. But it’s not like no one watched it. Surely one reason it made so little dough in brick-and-mortars is because it’s available for free on a hugely popular streamer. And top brass are claiming it had a huge debut, at least online.

The news is buried in a box office piece by The Hollywood Reporter about the film’s dismal numbers. According to HBO Max chief Andy Forssell, the superhero villain pic wound up being the “second most viewed film over an opening weekend on HBO Max since we began day-and-date releases with theaters.”

So what’s number one? It’s believed to be Mortal Kombat, which was released in late April and which made $41.4 million in theaters, $23.3 million of which was on its opening weekend. In other words, both films opened about the same, although Kombat was considerably less expensive to make.

That also means The Suicide Squad allegedly out-performed the likes of Wonder Woman 1984, Godzilla vs. Kong, The Conjuring: The Devil Made Me Do It, and Space Jam, at least in terms of HBO Max streams.

Mind you, this is HBO Max claiming this. They didn’t offer any numbers, and there’s no way of independently verifying their allegations. It’s the same as when Netflix claims such-and-such a movie was a monster hit. But if it’s legit, then a lot of people watched Margot Robbie perform a pretty impressive stunt herself, and watched [SPOILER] unexpectedly eat it in the hilariously grisly first 10 minutes. So they the movie they’re calling a bomb might not be quite dead after all.

Another reason for The Suicide Squad’s thin performance in actual movie theaters: a little thing called the pandemic, which has recently ramped back up thanks to a little thing called the Delta variant. If it’s true that The Suicide Squad outperformed even the second Wonder Woman, then it appears people simply felt safer clicking a couple buttons at home than shlepping out for an expensive night at the movies filled with people who might not be taking a once-in-a-century public health crisis seriously.

(Via THR)

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DaBaby Seemingly Deleted His Apology To The LGBTQ Community From His Instagram Page

A week after he delivered a bizarre rant that included homophobic comments and attacks towards those with HIV/AIDS, DaBaby issued an apology for his words. “I want to apologize to the LGBTQ+ community for the hurtful and triggering comments I made,” he wrote. “Again, I apologize for my misinformed comments about HIV/AIDS and I know education on this is important.” Some questioned the sincerity of the apology, a charge that will seem even more legitimate now that he’s deleted it from his Instagram page.

A screenshot of DaBaby’s profile that was shared around social media confirmed that the post had gone missing. If DaBaby intentionally deleted the apology from his Instagram, it certainly won’t quell the scorn he’s received since his comments were disseminated online. Madonna, Elton John, Questlove, and Dua Lipa, who collaborated with him for a remix of “Levitating,” have all reprimanded the rapper for his rant.

Furthermore, DaBaby has seen his anticipated festival run for 2021 nearly become nonexistent as Lollapalooza, Governors Ball, Day N Vegas, Austin City Limits, and more have removed him from the lineups to their festivals this year.

Dua Lipa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Billie Eilish Lands Her Second No. 1 Album With ‘Happier Than Ever’

Less than two years after her 2019 debut Where Do We Go When We Fall Asleep?, Billie Eilish returned with its follow-up, Happier Than Ever. The album was primed to be another success for the young singer, and sure enough it was.

Happier Than Ever debuted at No. 1 on the Billboard 200 chart dated August 14 thanks to 238,000 copies sold. That number is comprised of 153,000 pure album sales and 84,000 streaming equivalent album units. The pure album sales figure is the third-largest for an album released this year, sitting behind Taylor Swift’s Evermore and Fearless (Taylor’s Version).

Billie Eilish’s sophomore album also sold 73,000 vinyl copies in its first week, making it the second-largest such feat in 2021, once again behind Taylor Swift’s Evermore. The vinyl sales for Happier Than Ever were so high it still would have gone No. 1 if only vinyls sales were counted for its first week.

Other notable albums within the top 10 of this week’s chart include the late Prince’s posthumous album Welcome 2 America at No. 4 and Isaiah Rashad’s The House Is Burning, which checked in at No. 7 for the top rap album of the week and the highest-charting album of his career.

You can revisit our review of Happier Than Ever here.

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People Are Mourning The Passing Of ‘Night Court’ Actress Markie Post

Markie Post, best known as easily flustered public defender Christine Sullivan on the about-to-be-revived Night Court, as well as The Fall Guy and Hearts Afire, passed away on Saturday following a ten-month battle with cancer. She was 70 years old.

Post’s career in the entertainment industry did not begin in front of the lens. It was behind it. She got her start behind the scenes of game shows during the ‘70s. She was an editor on Jeopardy! and an associate producer on Double Dare, which featured Alex Trebek. She eventually wound up in front of the camera, on Card Sharks.

She soon pivoted to acting, mostly on television. Her debut was on a 1979 episode of CHiPs, followed soon thereafter by appearances on The Incredible Hulk, Buck Rogers, Hart to Hart, B.J. and the Bear, Eight is Enough, and, like most TV regulars of the time, two episodes of The Love Boat.

Her first series regular gig was on The Fall Guy, the Lee Majors vehicle in which he played a stunt man who moonlights as a bounty hunter. She was on the show for three seasons, soon decamping for Night Court, which she joined in its third season. She was on the show for the rest of its nine-season run, until it ended in 1992.

When Night Court wrapped, she quickly moved to Hearts Afire, a D.C.-set comedy where she played a liberal reporter who clashes with a Republican senator’s aide, played by John Ritter. The show also featured Billy Bob Thornton, a few years before Sling Blade made him a star, and the legendary Ed Asner. It ran three seasons, ending in 1995.

Post made numerous appearances throughout the rest of her career, sometimes as one-offs, sometimes as recurring roles. She did three episods of Scrubs, a dozen and a half on Chicago P.D. In 1998 she played Cameron Diaz’s mom in There’s Something About Mary. Even as she got sick, she intended to keep pursuing acting gigs as a “side job.”

The news of her passing wasn’t made public until Sunday, and when it did she received widespread attention over social media. She was mourned by colleagues, including John Larroquette, with whom she frequently sparred on Night Court.

Others chimed in as well.

Some made sure to single out some of her great work.

Post will be missed. Night Court is not streaming as part of any subscription package, but you can purchase episodes on Amazon Prime. Hearts Afire, however, streams with ads on IMDb TV.

(Via Deadline)