One of the names that plenty of draftniks expect to hear called early in the 2021 NBA Draft is Josh Giddey, the 18-year-old Australian point guard who spent the last year tearing up the National Basketball League. One of the things for which he’s received plenty of praise during the Draft process is his composure, and on Friday, he got the chance to show that off in a rather unconventional way.

Giddey hopped on a media call with members of the Oklahoma City Thunder beat. While there, this happened:

These sorts of hot mic moments happen pretty frequently, but very rarely are they as silly as “reporter asks their son if they pooped, only the athlete heard it and have a brief moment of wondering if it happened to them.” The credit of the reporter — Brandon Rahbar of Daily Thunder — he owned it on Twitter and was able to make a joke about the whole thing.

Giddey gets high marks here for not getting derailed, instead hearing this very silly question but continuing his train of thought that was briefly interrupted. He could have made a big deal out of this, perhaps even teasing Rahbar, but he decided to keep his eyes on the prize. If we hear rumors of Giddey making a late surge up Draft boards, we can only assume this (along with the fact that, you know, he’s really good at basketball) will be why.

Former President Donald Trump is back with another hot take that no one asked for, and what’s worse? It’s a completely predictable gripe coming from a guy with nothing but time on his hands and limited ways to share his racist leanings with the public.

That’s right, we’re talking about the recent name change of one of the MLB’s most famous (or infamous) teams, the Cleveland Indians. Early Friday, the team shared the announcement that they were dropping the offensive mascot that’s come to define ballclub over the decades and renaming themselves the Cleveland Guardians to honor the city’s values and pay tribute to its iconic bridge. The team surveyed fans before announcing the name change, and a majority of people seem to be on board with the switch — it helps when you get national treasure Tom Hanks to narrate your PR announcement. But guess who wasn’t happy? That’s right, Donald Trump.

“Can anybody believe that the Cleveland Indians, a storied and cherished baseball franchise since taking the name in 1915, are changing their name to the Guardians? Such a disgrace,” Trump said in an emailed statement via Mediaite. “I guarantee that the people who are most angry about it are the many Indians of our Country. Wouldn’t it be an honor to have a team named the Cleveland Indians, and wouldn’t it be disrespectful to rip that name and logo off of those jerseys?”

Actually, no Don. Plenty of Indigenous Rights groups and activists have expressed dismay over the racist caricature of their culture and the fact that the MLB has made money over it all these years. Try again.

“The people of Cleveland cannot be thrilled and I, as a FORMER baseball fan, cannot believe things such as this are happening,” Trump continued. “A small group of people, with absolutely crazy ideas and policies, is forcing these changes to destroy our culture and heritage. At some point, the people will not take it anymore!”

First, we’re shocked that Trump has labeled himself a baseball fan because we’ve only ever seen him play golf and get booed at stadiums, but ok. The problem with this attack that’s even more egregious is the fact that Trump seems to think Indigenous culture is his culture. Your ancestors are German and Scottish, bud. Sit down.

(Via Mediaite)

July 22, when Kanye West was in Atlanta preparing for his massive listening event at Mercedes-Benz Stadium, the rapper was also honored by the city with a Kanye West Day. While he has long claimed Chicago and moved there at three years old, his mother, Donda West, taught at Morris Brown College for almost 20 years and was Chair of the English Department. The city declared Kanye West Day as a partial tribute to Donda, for whom Kanye titled the upcoming album he previewed at the listening.

Additionally, Morris Brown College President Kevin James likewise presented an honor in Donda’s memory: A Resolution of Meritous Service on behalf of the historically Black university. Kanye was given certificates commemorating both honors backstage at his event, which may have explained the two-hour delay that preceded him playing the apparently unfinished album. While some aspects were well-received, like Kanye’s reunion with Jay-Z on a song that closed the event, it appears that Ye wasn’t completely satisfied. The album didn’t release as scheduled, although fans seemed more surprised by the suite meal prices at the event than the album delay (he’s already delayed the album for over a year after initially announcing it in 2020).

You can see Kanye presented with the certificates honoring Kanye West Day below.

Jack Harlow has already been having a breakout year on his own since the release of his late 2020 project That’s What They All Say, but things got even more heated starting today. Now that he’s collaborated with Lil Nas X on their chaotic “Industry Baby” video, all bets are off. There’s one rather, ahem, steamy scene in the video where Nas and his backup dancers are twerking naked in the prison shower, and fans and foes have been wondering why Harlow wasn’t involved in that section of the clip.

Plenty of the memes about the moment have centered on the tendency for straight men to fearfully distance themselves from homosexual behavior, and the stereotype that all heteronormative men are nervous around queer male sexuality. In Harlow’s case though, that’s not what was going on at all. Seeing the conversation unfold, the young rapper took to Twitter to let everyone know exactly where he stands. “Nas wrote the whole treatment for this video and I followed his lead every step of the way,” he said. “If he had asked me to be in that shower scene I woulda been in that shower scene. I just let the mastermind cook. Honored to be apart of it.”

Classy, and hey, room for a recast in the remix right? We all know how Lil Nas X loves remixes… and the thirst for Jack Harlow in the shower is getting stronger by the second. And the follow up here from Nas X indicates that might be coming quicker than anyone thought:

Clearly someone found all the dragon balls because the latest news from the team behind the animated series and films is a wish come true. Earlier today, Toei Animation finally revealed the title of the next entry in the Dragon Ball series: Dragon Ball Super: Super Hero. While not much is known about the upcoming movie apart from its 2022 release date, the footage shown during Toei’s Comic-Con panel offers a fans a glimpse at Goku’s updated “movement and feeling.” You can watch the brief trailer in the official Comic-Con International Dragon Ball Special Panel recording over on YouTube starting at 21:50, or in the video above.

In the clip, there’s a visible difference in how Goku moves that is decidedly more hand-drawn looking that ever before. According to the panel, this choice was made by incorporating “a lot of ingenuity using different technologies” into the film and franchise. Furthermore, the members of the Dragon Ball team present at the panel — Son Goku voice actor Masako Nozawa, executive producer of the Dragon Ball series Akio Iyoku , and producer of TV animation and movies for the Dragon Ball series Norihiro Hayashida — said Dragon Ball Super: Super Hero will be more experimental than previous entries in the series. However, panel MC Sascha reassured fans that Dragon Ball creator Akira Toriyama is still heavily involved in the film’s development, much like he was in the critically-acclaimed Dragon Ball Super: Broly:

“Toriyama has written the original story, script, and also the character designs. He’s deeply involved in the story structure, of course, the character design, and every detail of the dialog.”

After years in production and much anticipation, Dragon Ball Super: Super Hero is scheduled to release sometime next year, though the exact date may vary depending upon region.

(Via SDCC)

Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.

In this week’s edition, Yung Bleu arrives with his latest album Moon Boy which presents a collection of weary R&B records focused on the up and downs with love as well as overcoming life’s struggles. Elsewhere, two of 2020’s best acts in R&B — Kehlani and Kiana Lede — team up for their first collaboration titled “Ur Best Friend” while Leon Bridges makes his return after three long years with his third album, Gold-Diggers Sound.

Yung Bleu — Moon Boy

After years of grinding on the mixtape and EP circuit, Alabama singer Yung Bleu earned his spotlight moment last summer thanks to a remix of “You’re Mines Still” with none other than Drake. The track boosted Bleu’s appeal and gave him the necessary launching pad that brings us to this moment: the release of his new album, Moon Boy. Altogether, the project presents 15 tracks and appearances from Kehlani, HER, Jeezy, Gunna, 2 Chainz, John Legend, and more.

Kiana Lede — “Ur Best Friend”

Last year, Kiana Lede and Kehlani released two of 2020’s best R&B projects with Kiki and It Was Good Until It Wasn’t. Now, the two singers have come together for their first collaboration, a somber effort titled “Ur Best Friend.” Kiana described the track as her “dream collab” with Kehlani as they face the consequences of their infidelity which ironically leaves them yearning for additional time with the respective men they had the affair with.

Leon Bridges — Gold-Diggers Sound

Ever since his stellar 2015 debut, Coming Home, Forth Worth, Texas-bred singer Leon Bridges has used his tender voice to create warm ballads about love, growth, struggle, and everything that falls in between. The latest example is his third album, Gold-Diggers Sound. Packaging 11 songs and features from Robert Glasper, Terrace Martin, and Ink, Bridges delivers yet another strong body of work inspired by his experiences at the Gold Diggers Studio in East Hollywood, a place he said he made “my home, my escape, and the center of my creative world.”

Tinashe — “I Can See The Future”

Two years removed from Songs For You, her first album as an independent act, Tinashe is ready to continue her journey with her upcoming fifth album, 333. After gracing us with two singles for the project, “Pasadena” with Buddy and “Bouncin,” the singer returns with a third effort. “I Can See The Future” is a bass-driven effort that delivers sultry promises for what’s to come in the future for her and her partner, something she claims to see already.

Chiiild — Hope For Sale

While some aimed to find a good moment to release new music during last year’s pandemic, others used the time to dig for a new source of inspiration for a future body of work. The latter is what we get with Montreal singer Chiiild and his new project, Hope For Sale. As he describes himself, the project represents his journey throughout the last year. “Aiming to cover the whole human experience, I dive into my outlook on life, love, and social justice,” he said in a press release. All in all, Hope For Sale presents 11 songs with features from Mahalia and Jensen McRae.

BJ The Chicago Kid — 4 AM

After delivering a string of singles that featured work with Eric Bellinger and Lucky Daye, BJ The Chicago Kid packages them all together for his new EP, 4 AM. The singer includes his last three singles as well as a new effort titled, “Love You Slow.” The steady slow jam is perfect for some bedroom magic to round out the 4 AM EP.

Samm Henshaw — “Grow” Feat. Tiana Major9

Back in 2019, Samm Henshaw stepped forward with a string of spirited tracks that brightened the mood of anyone who listened to it. Efforts like “Church” with Earthgang and “Only One To Blame” were clear examples and just about two years later, Henshaw continues on this path. Calling on London singer Tiana Major9, the two acts come through with “Grow,” which arrives as an introspective examination of happiness, self-fulfillment, and personal improvement.

Kevin Ross — “Looking For Love”

Grammy-nominated songwriter and producer, Kevin Ross delivers his latest track, “Looking For Love.” It’s a passionate effort that sees the singer extending a hand to that special someone in his life who seeks romance just as much as he does. The song is also a great follow-up to his previous single “God Is A Genius.”

Peyton — PSA

Following years of taking small steps as an artist, Peyton is taking a big one with her debut album, PSA. Its 12 songs find the singer doing her very best to make herself heard while staying absolutely true to herself. “Everything I’m singing feels like my thoughts are pouring out boldly to the world,” she said of the album. The project also brings listeners into the reflective world of Peyton’s attempts to grasp the ever-so-confusing elements of love, friendship, and life itself.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Ever since Chris Evan’s Steve Rogers went into the ice in the final moments of 2011’s Captain America: The First Avenger, Marvel fans have had one question and one question only: wait a minute, is Cap a virgin? While theories have abounded over the years, and the events of Avengers: Endgame suggested that Cap did eventually get some, but only after traveling back in time to be with Peggy Carter following his tenure in the MCU, the writing team of Christopher Markus and Stephen McFeely have finally provided their perspective on Cap’s love life.

For the record, Markus and McFeely have written all three of the Captain America movies along with Avengers: Infinity War and Endgame, so they’re intimately familiar with the MCU version of Steve Rogers. According to them, Cap got his swerve on not long after being injected with the super-soldier serum. In fact, they seem kind of astounded that people thought Steve was a virgin this whole time. Via Yahoo!:

McFeely suggests that Steve might have been doing a little more than singing and dancing during his USO Tour across the nation to introduce him as Captain America and promote war bonds.

“If you look like that, and you’re going to city to city, and you’re signing autographs for the likes of the ladies that he’s signing the autographs for, I’ve got to imagine that [he lost his virginity],” McFeely explains.

Well, there you have it. The MCU version of Captain America maybe had sex with his backup dancers while promoting war bonds. He did not go into the ice never knowing the touch of a woman, and now, God knows what he did during his time with The Avengers. Those women were his co-workers!

(Via Yahoo!)

The best new hip-hop this week includes albums, videos, and songs from Kanye West, Lil Nas X, and more.

… Technically. While Lil Nas X’s new song “Industry Baby” with Jack Harlow did drop as scheduled — and more than lived up to his warning that it was not for kids — Kanye added yet another anticipated project to his ever-growing list of pump fakes. Despite renting out a whole ass arena for a listening event for Donda (for which he was two hours late), he neglected to actually put the album out, surprising virtually no one in the process.

However, Friday did see the releases of Gunna and Polo G’s “Waves,” Logic’s “Call Me,” and Isaiah Rashad’s “Wat U Sed” along with the releases listed below.

Here is the best of hip-hop this week ending July 23, 2021.

Albums/EPs/Mixtapes

Childish Major — Thank You, God. For It All

The Atlanta producer turned solo artist invites Schoolboy Q and Yung Baby Tate for this bubbly set of seven songs, addressing his rough-and-tumble upbringing and showcasing his lyrical growth. JetsonMade and Hollywood Cole provide beats, while Childish delves into both TikTok and backpack rap song structures with a deft touch.

Dave — We’re All Alone In This Together

Ever since popping up in the mid-2010s, Dave has distinguished himself as one of the most magnetic MCs Britain has to offer. Now, two years after releasing his debut album Psychodrama, the 23-year-old delivers a confidently grown-up grime meditation featuring fellow scene standout Stormzy on the electrifying “Clash,” Afropop sensation Wizkid, and James Blake. Sheesh.

EST Gee — Bigger Than Life Or Death

Paying off the faith shown by big-name co-signers like fellow Louisvillian Jack Harlow, initial benefactor Lil Baby, and CMG label boss Yo Gotti, EST Gee’s first mainstream effort is a slick blend of solo trap and high-speed collaborations with some of rap’s hottest. It’s a solid body of work that establishes his footing as a potential breakout star.

Yung Bleu — Moon Boy

It’s fitting, but no less disappointing, that Yung Bleu’s debut album is such a feature-filled affair — he pretty much owes his current level of exposure to a timely feature from kingmaker Drake. He’s proven that he can stand on his own, as well as coming into the game with a compelling enough narrative to hold up over the course of a full-length project, but clearly, there’s a lot of investment in the success of his melodic first outing, so he’s brought plenty of backup for maximum algorithmic coverage. Fortunately, he’s developed enough that they sound like guests, never overwhelming him or skewing the gravity of songs away from exactly what he wants to do.

Singles/Videos

Asian Doll — “Nunnadet Sh*t Remix” Feat. Dream Doll, Dreezy, Ivorian Doll, and Rubi Rose

Look, man. Say what you want about how many “Dolls” are on this track (there’s a new one?!), but it’s fun to hear all these women bouncing off each other’s flows, each taking their own approach to a sneering, swaggering posse cut. Plus, anytime we get more Dreezy is appreciated.

Damu The Fudgemunk — “God Speed” Feat. Blu

Dope beats, dope rhymes, what more do y’all want? There aren’t so many bells or whistles here, just good old-fashioned, lyrically focused underground hip-hop from two of the scene’s most clever creators.

Jordan Hollywood — “The Ugly Song”

So, as an unapologetic fan of Bubba Sparxxx, one of the 2000s most criminally underrated rap acts, this unabashed homage/remake strikes me as very endearing… Then, there’s the obvious parallel between the two rappers that shows Hollywood knows his history and doesn’t shy away from it. I love it.

Rexx Life Raj — “Turn Her Up”

At this point, Raj and Russ are both fixtures of this column, with weekly releases that highlight the value of independent hustle. Raj’s latest offering praises a female companion, reeling off all her impressive qualifications and promising to always play hype man.

Russ — “Lake Como”

Meanwhile, Russ’s contribution to the week’s newest hip-hop is similar, a mellow reflection on a paramour he’s finally ready to take seriously. He sings for about half the track, then spits a melodic verse to finish it off.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Nicolas Cage has been in a lot of excellent films. Heck, you could do a Nicolas Cage movie marathon for four years and not have to repeat any titles (the Alamo Drafthouse did just that). It’s hard to name a favorite among Fast Times at Ridgemont High, Raising Arizona, Moonstruck, Wild at Heart, Leaving Las Vegas, Con Air, Face/Off, Bringing Out the Dead, National Treasure, Bad Lieutenant: Port of Call New Orleans, Mandy, and Spider-Man: Into the Spider-Verse, but, surprisingly, none of those adored films is his most critically-acclaimed work. That distinction belongs to Pig.

With a whopping 98 percent of 126 critics surveyed on Rotten Tomatoes giving the film a positive reaction, Pig — about a lonely truffle hunter who sets out to find the person who stole his titular companion — stands as the 57-year-old’s top-performing movie of all time. Though anything with a rating of 6/10 or above counts as a “positive” score, Pig‘s critical average stands at 8.2/10.

That 98 percent for Pig, the best man and swine movie since The Great Muppet Caper, is one percent higher than Spider-Man: Into the Spider-Verse, four percent higher than Moonstruck, and 90 percent higher than Bangkok Dangerous. He made that one for the fans, not the critics. Congratulations to Nicholas Cage. Congratulations to Brandy.

(Via EW)

WARNING: Spoilers from Netflix’s Masters Of The Universe: Revelation will be found below.

Sometimes a franchise gets attacked by the very people who claim to be the biggest fans. That was the case when The Boys viewers review-bombed the Amazon show because they were upset about the weekly installments (rather than a full-on season) due to the show’s streaming schedule. And before people even saw Captain Marvel, sexist trolls bombed it with fake user reviews because they were apparently upset about remarks made by Brie Larson about how press junkets and reviews are filled with “overwhelmingly white male” critics. Now, there’s a similar trend to what’s going on with MOTU at the moment over at Rotten Tomatoes. Lots of strong opinions out there.

On the review aggregator’s landing page for the Netflix series (with Kevin Smith in the showrunner seat), one can witness an overwhelmingly positive critical response (97% fresh) and an overwhelmingly negative audience rating (39%) for the same show.

It must be noted that the series began streaming on Friday, July 23, and every early on Friday, the review-bombing count was already over 100. This presupposes that those angry people woke up early (or stayed up super late) to binge five episodes (five more will arrive in the future). And sure, it is entirely possible to do if one does the math, but still, it’s maybe a little much. Also, those who “hate” the show are tossing out one star, and people who dug it are trying to hop in with scattered five-star ratings. As one might expect, it’s a bit of a clusterf*ck, and none of those audience ratings appear to be verified (which is possible with films/ticket sales, not TV shows), so whaddya gonna do?

Of course, the polarized reaction is also circulating on Twitter, and that’s something that isn’t surprising. The show is risky and ambitious and worthy of being called a sequel to He-Man’s previous adventures. What’s really getting under people’s skins, though, is that (and you were warned about spoilers) both He-Man and Skeletor get sidelined from action after an explosive battle. A contingent of very vocal viewers claims that Kevin Smith lied when he said there was still plenty of He-Man on the show. That’s what he said to us (about a rumor), too. And uh, He-Man (along with Skeletor) does still get chunks of screentime in subsequent episodes. Sure, some of it is flashback stuff, so I do understand why people are upset about, you know, the death thing, but yeah.

People were bound to be upset about this, even if this story is ultimately a lot more nuanced, well-written and full of character development than the original show. I liked the show (and appreciated that there were finally some real stakes for Eternia)! So did a lot of other people, but not everyone will love everything.

Here’s a sampling of the Rotten Tomatoes audience complaints, coming for Smith:

– “No wonder kevin smith got this job nobody else wanted job because they were fans. I was a fan of kevin smith but i think hes just committed career suicide.”

– “Not alot of he-man for show about he-man.”

– “Terrible and terribly disappointing. He-Man completely removed from his own show and we’re forced to follow an angry, bitter, fragile Teela and her girlfriend bumbling about and talking about feelings. It was a complete waste of time.”

– “Why make a He-Man Show without He-Man? Shame!”

– “kevin smith lied, but in trailer is showing he-man out, teela got the power”

Regarding the “teela got the power” claim, I do wonder if people watched Episode 5.

The story of Revelation does check out. It’s not inconsistent with the O.G. characters’ natures. With the sidelining of He-Man/Prince Adam, Teela discovers that she’d been lied to about Prince Adam’s true identity, even though she was supposedly part of his inner circle. For two seasons of the original show, Teela protected Adam. Once the truth comes out in the sequel, she decides to forge out on her own as a mercenary. It’s hard to blame her for feeling betrayed, since Man-At-Arms, Orko, and so on, all knew The Secret, and no one told her. Her journey is a Shakespearean one, and she’s later convinced to help find the missing Sword of Power to save Eternia. And even though her character — due to the events of the entire original show — is the logical character to be set up for such a journey in a sequel, some people are very, very mad. A lot of those complaints do read as sexist in nature, however, and there surely must be a better way to communicate fan frustrations.

‘Masters of the Universe: Revelation’ is currently streaming on Netflix.