Category: News

Yesterday, Philadelphia’s The War On Drugs teased a new single and they certainly didn’t waste any time following that up: Today, there’s news of a brand-new LP, I Don’t Live Here Anymore (arriving in October), which is the follow-up to 2017’s A Deeper Understanding. There’s also a lovely lead single, “Living Proof,” and video directed by filmmaker Emmett Malloy and shot in Stinson Beach, Florida.

Recorded in seven different studios, including New York’s Electric Lady and Los Angeles’ Sound City, I Don’t Live Here Anymore is, according to the band’s website, an “uncommon rock album about one of our most common but daunting processes — resilience in the face of despair.” Capping off the news is a huge run of 2022 tour dates across North America, the UK, and Europe.

Watch the “Living Proof” video above and check out the I Don’t Live Here Anymore art and tracklist below, as well as The War On Drugs’ tour dates (tickets go on sale on July 23).

1. “Living Proof”
2. “Harmonia’s Dream”
3. “Change”
4. “I Don’t Wanna Wait”
5. “Victim”
6. “I Don’t Live Here Anymore”
7. “Old Skin”
8. “Wasted”
9. “Rings Around My Father’s Eyes”
10. “Occasional Rain”

11/12/2021 — Lake Perris, CA @ Desert Daze
01/19/2022 — Austin, TX – ACL Live
01/20/2022 — Austin, TX @ ACL Live
01/21/2022 — Dallas, TX @ Toyota Music Factory
01/22/2022 — Houston, TX @ White Oak Music Hall
01/24/2022 — Nashville, TN @ Ryman Auditorium
01/25/2022 — Atlanta, GA @ Tabernacle
01/27/2022 — Philadelphia, PA @ The Met Philadelphia
01/28/2022 — Philadelphia, PA @ The Met Philadelphia
01/29/2022 — New York, NY @ Madison Square Garden
01/31/2022 — Boston, MA @ House of Blues
02/01/2022 — Boston, MA @ House of Blues
02/02/2022 — Washington, D.C. @ The Anthem
02/04/2022 — Columbus, OH @ Express Live!
02/05/2022 — Toronto, Ontario @ Queen Elizabeth Theatre
02/06/2022 — Toronto, Ontario @ Queen Elizabeth Theatre
02/08/2022 — Detroit, MI @ The Fillmore Detroit
02/10/2022 — Chicago, IL @ Chicago Theatre
02/11/2022 — Chicago, IL @ Chicago Theatre
02/12/2022 — Milwaukee, WI @ Riverside Theater
02/13/2022 — Milwaukee, WI @ Riverside Theater
02/15/2022 — Saint Paul, MN @ Palace Theatre
02/16/2022 — Saint Paul, MN @ Palace Theatre
02/18/2022 — Denver, CO @ Mission Ballroom
02/19/2022 — Salt Lake City, UT @ The Union
02/21/2022 — Seattle, WA @ Paramount Theatre
02/22/2022 — Seattle, WA @ Paramount Theatre
02/23/2022 — Portland, OR @ Theater of the Clouds
02/25/2022 — San Francisco, CA @ Bill Graham Civic Auditorium
02/26/2022 — Los Angeles, CA @ Shrine Auditorium
03/22/2022 — Helsinki, Finland @ Helsinki Ice Hall
03/24/2022 — Stockholm, Sweden @ Annexet
03/27/2022 — Oslo, Norway @ Sentrum Scene
03/28/2022 — Oslo, Norway @ Sentrum Scene
03/30/2022 — Copenhagen, Denmark @ KB Hallen
03/31/2022 — Copenhagen, Denmark @ KB Hallen
04/02/2022 — Berlin, Germany @ Verti Music Hall
04/04/2022 — Zurich, Switzerland @ Halle 622
04/05/2022 — Milano, Italy @ Alcatraz
04/07/2022 — München, Germany @ Zenith
04/09/2022 — Paris, France @ L’Olympia
04/11/2022 — Birmingham, England @ O2 Academy Birmingham
04/12/2022 — London, England @ The O2 Arena
04/14/2022 — Dublin, Ireland @ 3 Arena
04/16/2022 — Leeds, England @ First Direct Arena
04/18/2022 — Edinburgh, England @ Edinburgh Corn Exchange
04/20/2022 — Köln, Germany @ Palladium
04/21/2022 — Wiesbaden, Germany @ Schlachthof
04/22/2022 — Amsterdam, Netherlands @ Ziggo Dome
04/23/2022 — Antwerp, Belgium @ Sportpaleis

I Don’t Live Here Anymore is out 10/29 via Atlantic Records. Pre-order it here.

The War On Drugs is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Nike filed a lawsuit against Lil Nas X and MSCHF over their “Satan Shoes,” but it was reported that the parties had settled the lawsuit. However, they’re still heading to court today, and ahead of that, Lil Nas X, as he tends to do, has had jokes.

He’s been cracking jokes for the past few days, joking about potential outfits he’s going to wear to court, getting more muscular so he can look good in jail, “dropping the soap,” and other related things. Consequently, #FreeLilNasX became a trending topic on Twitter today, and shortly before the trial, the rapper tweeted, “all jokes aside i can’t believe i might be going to jail. who’s going to make mildly funny tweets about being gay while i’m away.”

He also took to TikTok yesterday to share a joke about the trial, sharing a hilarious video he captioned, “the judge tomorrow when i try to flirt with him to avoid going to jail.”

Nas wasn’t the only one getting in on the fun, as his fans shared hilarious tweets about them showing up to defend the rapper in court, what’s happening in the courtroom, and more. Check out some of the #FreeLilNasX tweets below.

Idris Elba has offered a possible solution for the racist abuse that England soccer players Marcus Rashford, Bukayo Saka, and Jadon Sancho have faced since the Euro 2020 final. “People in the public eye get verified on social media,” the actor wrote on Instagram. “The process of verification requires them to prove their IDENTITY, so everyone knows WHO is speaking. SOCIAL MEDIA COMPANIES SHOULD MAKE THIS MANDATORY FOR ALL USERS.”

Elba compared the current policies for social media platforms like Twitter, Facebook, and Instagram to “boarding a plane and not having to show ID. THAT would never happen. If cowards are being supported by a veil of privacy and secrecy, then social media is not a safe space. It is an aeroplane that allows travellers to wear balaclavas. If cowards want to spout racial rhetoric then say it with your name, not your username.” He captioned the post, “Repost if you agree. Say less if you don’t.” It has over 221,000 likes and counting.

Four people have been arrested for comments made online about the soccer players:

A specialist team is looking into the offensive comments, police said, after three Black players — Marcus Rashford, Jadon Sancho and Bukayo Saka — were targeted with racist abuse on social media sites… The abuse has been widely condemned, and the U.K. government has promised action against social media companies if they do not remove offensive material more quickly.

You can read Elba’s post below.

(Via ESPN)

The Killers have been open about their plans to quickly follow their 2020 album Imploding The Mirage with another new album, and now it’s set: Pressure Machine is set for release on August 13 and the band shared a trailer for it today.

Press materials describe the project as “a quieter, character-study-driven album” and note that its “songs are based on the memories and stories of people that impacted him growing up, interspersed with commentary from current Nephi [Brandon Flowers’ Utah hometown] locals about their town.”

Drummer Ronnie Vannucci Jr. said, “We were discussing [Flowers] moving to Nephi as a kid and being stuck in the middle of nowhere, and during COVID-19, it started to feel like we were all in the middle of nowhere.” Flowers added, “I discovered this grief that I hadn’t dealt with, many memories of my time in Nephi are tender. But the ones tied to fear or great sadness were emotionally charged. I’ve got more understanding now than when we started the band, and hopefully I was able to do justice to these stories and these lives in this little town that I grew up in.”

This seems to be the album Vannucci was talking about in a recent interview, when he said, “Well, weirdly enough, we had this stockpile of songs that were sort of orphans off of the last record, but we’re saving that for the next record. We instead made another record, which is… a bit of a concept record and very different from the normal Killers stuff.”

Watch the Pressure Machine trailer above.

Pressure Machine is out 8/13 via Island Records. Pre-order it here.

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow and signals the most important music being released throughout the year. The RX is the music you need, right now.

Mariah The Scientist‘s second album Ry Ry World looked to broaden the scope of her content, positioning her in a world that operates under her discretion. While her first effort, 2019’s Master, zoomed in on her love life, the failures of her partners, and her forever-changing outlook on the wide realm of relationships, Ry Ry World zooms out to deliver a panoramic view of Mariah’s mind to illuminate her worldview.

Through ten songs and a pair of guest features from fellow ATLiens Young Thug and Lil Baby, Mariah drops the curtain that stood in front of Ry Ry World. She reveals three major things that keep it on its axis: ferocity, feistiness, and a fearless approach to it all. Mariah is uninterested in the things that occur in her orbit that don’t concern her. Her peaceful and easy-going voice creates a path that traverses the world uninterrupted as it evades obstacles or barrels through them unfazed.

On “Walked In,” one of the more upbeat records on the project featuring Young Thug, Mariah walks with her head held high and the belief that not only what’s meant for her will come to her. “Yes sir, tonight we falling in love / Want none of that cappin’ ’bout booin’ up,” she sings before adding later, “Looked in his eyes and asked him ‘What you tryna do?’” A straightforward approach is the first step towards saving time and energy, especially when the result relies on the actions of another party. Whether through heartwrenching questions to a man about a woman he left Mariah for on “All For Me” or the ravaging thoughts behind heartbreak and her sinister responses to it on “Revenge,” the Atlanta singer has no problem shooting an arrow of havoc into her problems to kill them off for good.

However, the singer is not against a good fight whenever it’s needed. She raises her guard and creates distance between herself and an unfaithful lover on “Aura” through dreamy production and contemplation of the what-ifs and perfect world scenarios. “2 You” and “Maybe” also grapple with the uncertainty that results from failed bouts with love. “​​Maybe we should escape / Maybe I should’ve stayed,” she sings on “Maybe.” “Maybe we should’ve ran away / Maybe I should’ve prayed.” What Mariah must come to terms with is maybe things aren’t meant to be no matter what she could’ve done.

Mariah’s fearless approach to everything in her life is what makes Ry Ry World so unique and captivating. Factor in her ferocity and feistiness and it becomes evident that the singer strives to have her way. She lays her cards on the table with her heart beside it on “Always N Forever” with Lil Baby declaring, “I’ll be your woman always.” Even when it’s time to let go, like it is on “RIP,” Mariah drops the hand of her partner knowing that she fought as hard as she could. “And if I told you, ‘The world is yours’ / You’d just wanna go to Mars,” she admits. “But I cannot sell my soul to prove, it should’ve been ours.”

One can imagine that if Ry Ry World is not a place that Mariah The Scientist traverses by herself, it’s one filled with people who might, or should at least, strive to live more like the singer. The singer proudly wears her heart on her sleeve because it’s big enough to take on whatever damage the world might inflict on it. So even with an arrow in her back and through her heart as the album cover depicts, Mariah The Scientist won’t ever change her ways because Ry Ry World continues to spin as long as she stays true to herself.

Ry Ry World is out now via RCA Records. Get it here.

Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.

This week saw Pop Smoke’s posthumous legacy continue to grow and Normani drop a head-turner with Cardi B. Yeah, it was a great week for new music. Check out the highlights below.

For more music recommendations, check out our Listen To This section, as well as our Indie Mixtape and Pop Life newsletters.

Pop Smoke — “Tell The Vision” Feat. Kanye West and Pusha T

A bit over a year after his first posthumous album — Shoot For The Stars, Aim For The Moon — Pop Smoke is back with another, and Faith, like its predecessor, has a star-packed tracklist. Among the guests are Kanye West and Pusha T, who bring their own flavor to “Tell The Vision,” which Uproxx’s Wongo Okon notes “fits right in the drill rap pocket that Pop thrived in before his tragic death.”

Normani and Cardi B — “Wild Side”

Normani’s latest is “Wild Side,” and to help her out, she got the rapper with perhaps the wildest side of them all: Cardi B. The “WAP” rapper turns in another colorfully explicit verse here, which apparently came to be after her first go at it wasn’t quite “nasty” enough.

Willow — “Grow” Feat. Travis Barker and Avril Lavigne

There’s plenty of evidence that Willow’s pop-punk pivot has been an overwhelming success. “Transparent Soul” is a catchy hit that has fared well on the rock charts, while she linked up with two of the genre’s all-time favorites, Travis Barker and Avril Lavigne, on “Grow.”

John Mayer — “Shot In The Dark”

The release of John Mayer’s new album, Sob Rock, saw him continue to pump out the nostalgia via his “Shot In The Dark” video. Of the album, Uproxx’s Steven Hyden notes, “As Sob Rock demonstrates, Mayer remains an eternally tasteful musician with a natural feel for melody and songcraft, and those qualities make his catalogue much more consistent than he’s given credit for. […] Overall, Sob Rock doesn’t feel like a costume. It sounds like John Mayer coming back into himself. ”

Clairo — “Reaper”

Clairo proved herself to be a success with her debut album, but she has entered a new level on her latest, Sling. You can tell a lot about a person by the company they keep, and Clairo has good people around her now, as Lorde contributed to multiple songs on the album, including the gentle “Reaper.”

Trippie Redd — “Holy Smokes” Feat. Lil Uzi Vert

Trippie Redd has been one of rap’s most productive figures of the past few years, as he’s dropped at least one new full-length project every year since 2017. He has another, Trip At Knight, arriving in 2021, which he previewed last week with the Lil Uzi Vert-featuring “Holy Smokes.”

Caroline Polachek — “Bunny Is A Rider”

Caroline Polachek had a strong first proper solo outing with 2019’s Pang, and she returned last week with her first original material since then. It was a strong comeback, too, as “Bunny Is A Rider” features yet another catchy Polachek hook, accompanied by groove-driven verses.

Toosii — “Head Over Hills”

Just two months removed from dropping a new project, Thank You For Believing, Toosi is back with more via “Head Over Hills.” Uproxx’s Wongo Okon notes of the single, “The track captures him reflecting on the past and current status of his life as he touches on stereotypes he broke down, the love he found, and many other things that are defined as success in his eyes.”

Conan Gray — “People Watching”

For his latest — “People Watching” — Conan Gray teamed up with a couple of in-demand songwriters: Julia Michaels and Olivia Rodrigo collaborator Dan Nigro. Uproxx’s Caitlin White notes that on the narrative tune, “Gray explores what it feels like to see other people fall in and out of love while remaining outside of the relationship format, safe from the turmoil, but also removed from the intimacy.”

Haim — “Cherry Flavored Stomach Ache”

Haim are putting their mark on the upcoming Netflix film The Last Letter From Your Lover with “Cherry Flavored Stomach Ache,” which Uproxx’s Rachel Brodsky described as “a jangly, Paul Simon-sounding track.” The film’s director, Augustine Frizzell, hand-picked the sisters to pen the track for the movie, and they note of it, “It has a feel that’s both modern and retro and felt like [lead character] Ellie’s world.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Since 2019’s Jesus Is King, there have been rumors upon rumors of new Kanye West albums that are set to drop at some point. Well, it’s time for another West album rumor: Over the weekend, West reportedly hosted a listening party for a new project that’s set to drop soon (as NME notes).

Over the weekend, internet personality Justin Laboy tweeted, “Kanye played his new album for me & [Kevin Durant] last night in Vegas. Man listen! The production is light years ahead of it’s time, and the bars sound like he’s broke & hungry trying to get signed again. Any artist who plan on dropping soon should just push it back.” He then shared a photo from the supposed listening session and added, “ALBUM OF THE YEAR. DONT @ ME.”

He later added that the album is coming out this week, writing, “Kanye West album is really done. When it drops this week, we probably not going to listen to anything else for a while.. Let me go enjoy all the current artist I’m listening to until then. God bless.” As Laboy’s tweets made the rounds, photos from outside of a supposed listening party surfaced.

This news comes days after a video of West and Tyler The Creator working on something together surfaced.

Last week, billionaire Richard Branson was in the hot seat following his controversial space flight, and now, it’s Amazon founder Jeff Bezos‘ turn to defend his upcoming space mission. While appearing with his crew for an interview with CNN New Day‘s Rachel Crane, Bezos echoed Branson’s words by touting the scientific importance of these flights, which technically bump the edge of space, but still produce valuable data, and more importantly, “get really good at operational space travel.”

“If we can do that, then we’ll be building a road to space for the next generations to do amazing things there. And those amazing things will solve problems here on Earth,” Bezos said.

However, Bezos was aware of the criticisms of his highly expensive flight, and he actually agreed with his detractors. When Crane asked the former Amazon CEO to respond to accusations that these missions are “joyrides for the wealthy,” and billionaires like Bezos and Branson should “should be spending your time and your money and energy trying to solve problems here on Earth,” Bezos didn’t put up a fight. Via Mediaite:

“Well, I say they’re largely right. We have to do both,” Bezos answered. “We have lots of problems here and now on Earth and we need to work on those, and we always need to look to the future. We’ve always done that as a species, as a civilization. We have to do both.”

As of this writing, Bezos’ Blue Origin space flight will liftoff at 9 AM EST on July 20.

(Via Mediaite)

When Matt Gaetz isn’t singing in the world’s worst Huey Lewis and the News cover band, he’s getting pranked by guys in American flag shorts.

Over the weekend, Gaetz (R-FL), who is currently under investigation for alleged sex trafficking, and Marjorie Taylor Greene (R-GA) were in California for their “America First” rally when they stopped by a beachgoer for what appears to be a photo op or meet-and-greet with their far-right supporters. One admirer was particularly happy to see them.

“Oh my god, I’m so excited! I’m so excited!” the man, dressed in red, white, and blue bucket hat, shirt, and shorts, told the politicians. He then looked at Taylor Greene and said, “Everyone thinks you’re crazy, I don’t think you’re crazy,” before turning towards Gaetz and adding, “People think you’re a pedophile, I don’t think you’re a pedophile at all. I don’t think he’s a pedophile at all. The charges against him are totally false.”

It turns out, the supporter was actually comedian Walter Masteron pranking Gaetz and Taylor Greene. “I called @mattgaetz a pedophile to his face today. Actually I screamed ‘I don’t think you’re a pedophile at all’ to which Gaetz responded ‘Yes TF I am!’ and had security toss me,” he tweeted before uploading the video, which you can watch below.

You can see the exact moment that Gaetz realizes he’s getting pranked. Play it in slow motion. Anyway, it’s a good bit, but people on Twitter are mainly focused on one thing:

(Via Mediaite)

We’ve caught Brett Goldstein at the perfect time.

He’s finishing up a full day of virtual interviews, getting ready to reward himself with a pint or two for a hard day’s work of hyping fans up for the second season of Apple TV+’s award-winning sports comedy series, Ted Lasso. And he did it all without slipping up and mentioning a plot point on the fairly lengthy spoiler list the show sent out with its screener package.

Of course, spoiling anything about a show as genuinely funny and endearingly nice as Ted Lasso feels a bit blasphemous anyway, so we’re not laying any verbal traps. Instead, we cover the bizarre experience of virtual writer’s rooms – Goldstein pens episodes of the show while also starring as the temperamental, aging footballer Roy Kent – his character’s growing fandom, and the struggle he’s faced trying to teach Jason Sudeikis, Brendan Hunt, and the rest of the Yanks in the cast how to brew a proper cup of tea.

So, if you came here hoping to figure out whether Roy Kent is still on the pitch — as he would say, “Fuck off.” But, if you’d like to know why Goldstein calls season two the show’s Empire Strikes Back installment and who he credits for those classic Ted Lasso metaphors, well then …

A Peabody Award or an official Roy Kent Richmond AFC jersey. Which is more exciting for you?

[laughs] That’s such a terrible question to ask me because obviously, it’s the Roy Kent jersey. But the Peabody thing, that’s really meaningful, et cetera.

It’s every Englishman’s dream to be a footballer, though.

Yeah, it’s not only my dream. It’s my dad’s dream. I think the fact that there’s a Roy Kent jersey means more to my dad than the Peabody Award. I think my dad is much more proud of that.

Season one came at the perfect time when we really needed something good. The downside to that was season two, you guys are writing and filming during a pandemic. Was it hard to channel that Ted Lasso optimism?

I cannot tell you how lucky I feel to be in the show, to be part of this show, and then to be able to be writing it during the pandemic. I’d have gone mad without it. I was in my attic writing it on Zoom with the people in LA at night. I was working from 5 p.m. till midnight here, but it was the best part of my day. I love those writers so much. We hadn’t seen each other for a few months and even though it was mad and you’re just looking at 12 boxes, it was … I genuinely have nothing but respect for everyone surviving that lockdown because if I hadn’t had that work to do and been connected with these people, I’d definitely have gone fucking mad.

Were you worried about trying to recreate the magic of season one this time around?

We started writing [season two] before season one came out, so we were quite far into it by the time season one came out. I think Jason said this and I agree with him, I think we’re very proud that we didn’t change anything based on audience reaction. We stuck to the plan because I think it’s very tempting to go, ‘But everyone really loves this thing and we’re about to do this thing.’ Part of sticking to your guns is [realizing] one of the things people like about Ted Lasso is it surprised them. So we have to keep surprising them. We can’t just do the same thing again. Jason has half-jokingly said this season is the Empire Strikes Back. But there’s truth in that. I think it’s deeper and darker and more real and more human and there’s some tricky stuff in there and there’s some sexy stuff in there. But I also think it’s funnier. I think it’s funnier than season one. I think there are more laughs in it per episode.

What is it about Roy Kent that people seem to love?

I think the difference between me and Roy is … we’re actually very, very similar, but I am cursed with a gene that means I’m slightly worried about wanting people to like me. But if I could remove that gene, I would just be Roy Kent all day. And I think perhaps that’s relatable to people. I think he gets to say what a lot of people are thinking and just doesn’t give a shit and that’s very appealing because we all get caught up in caring what other people think.

He does struggle with expressing his emotions, especially in season two. Is that a male thing, a British thing, or a bit of both?

I mean, look, I wouldn’t want to generalize completely because obviously women and Americans also can have these problems. But culturally, I do think Ted Lasso is exploring toxic masculinity in some way. When I was doing research for it, speaking to old football captains, it’s like part of your job is to intimidate people and to not show any fucking vulnerability, to be scary. And if you’re doing that all the time, God forbid you let out any feelings. And then also being British it’s, yeah, it’s very hard to express anything being British.

Ted Lasso loves folksy metaphors. It’s something the character has become kind of known for. You’re in the writer’s room. Who comes up with those?

I reckon it’s probably 90% Jason. Ted’s best stuff, I can’t think any of us can really take credit for. Often, we’ll write a version and then he’ll make it better when he does it on the day. He’ll do a different version based on yours, but it’s much better.