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Tinashe Shares A Seductive New Single, ‘I Can See The Future’

Shortly after unveiling the title and release date of her forthcoming album, 333, Tinashe has shared a seductive new single called “I Can See The Future.” Over a skittering beat, the R&B singer rolls out verses about a potentially rewarding partnership with a love interest: “I can see the future / And it looks like you and I / I can see the future / And it feels like paradise.”

Prior to “I Can See The Future,” Tinashe shared two singles that will appear on 333. The first is “Pasadena” and the second is “Bouncin.” She’ll also hit the road later this year for her “333 Tour,” which launches on September 16 in Houston, Texas, and lasts for a little over a month before concluding on October 24. It will also a worldwide experience curated by Moment House, a company that specializes in virtual performances.

Listen to “I Can See The Future” above. Tinashe also revealed the 333 album artwork and tracklist last night, which you can find below.

Tinashe

1. “Let Go”
2. “I Can See The Future”
3. “X” Feat. Jeremih
4. “Shy Guy”
5. “Boucin’”
6. “Unconditional” Feat. Kaytranada
7. “Angels” Feat. Kaash Paige
8. “333” Feat. AB
9. “Undo” Feat. Wax Motif
10. “Let Me Down Slowly”
11. “Last Call”
12. “The Chase”
13. “Pasadena” Feat. Buddy
14. “Small Reminders”
15. “Bouncin’ Pt. 2”
16. “It’s A Wrap” Feat. Quiet Child and Kudzai

333 is out 8/6. Pre-order it here.

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Lucy Dacus, Julien Baker, Beabadoobee, And Others Re-Recorded Songs For The New ‘Sims 4’ Expansion

Japanese Breakfast’s new Simlish recording of “Be Sweet” is the song that was used to promote the new Cottage Living expansion pack for The Sims 4, but it wasn’t the only one that was re-recorded for the game. In fact, a bunch of esteemed indie artists contributed new versions of their songs to the game, which was released yesterday, July 22.

Aside from “Be Sweet,” Simlish songs that were added to the in-game radio station (and have found their way onto the internet) include (as The Sims Wiki notes) Vagabon’s “In A Bind (Batry Powr Remix),” Beabadoobee’s “Last Day On Earth,” Julien Baker’s “Faith Healer,” Lucy Dacus’ “Hot & Heavy,” and unfortunately not one song from the only remaining Boygenius member, Phoebe Bridgers.

In a recent interview, Japanese Breakfast noted of the recording process of her Simlish song, “It was very, very funny to hear the words altered in that way. It was difficult to get through takes without laughing, especially because ‘Be Sweet’ has a lot of harmonies in it. So you’d have to layer them in all these different ways. It was just really a very funny, enjoyable process.”

Check out all of the aforementioned The Sims 4: Cottage Living songs below.

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Val Kilmer Says He ‘Didn’t Really Have A Choice’ About Starring In ‘Top Gun,’ The ‘Silly’ Movie That Made Him A Superstar

Val Kilmer has rarely had an opinion he didn’t want to express. After rising to fame in the mid-1980s in movies like Top Secret! (1984) and Real Genius (1985), word began to spread that Kilmer could be, well, “difficult” to work with. Kind of like Iceman, the too-cool-for-Navy-Strike-Fighter-school pilot he played in Top Gun. Ironically, it turns out that Kilmer had no desire to take on the role of Tom Cruise’s rival-turned-wingman.

As the New York Post reports, the new documentary Val reveals a lot about the reportedly temperamental thespian, including that he was not happy about being cast in what would become the highest grossing movie of 1986. “Believe it or not, I didn’t want to do Top Gun at first,” Kilmer says in the film. “I thought the script was silly, and I disliked warmongering in films. But I was under contract with the studio, so I didn’t really have a choice.”

Kilmer did, however, have a choice in how he could behave on set, and he admits that he leaned into the antagonistic side of his character. “I would purposely play up the rivalry between Tom’s character and mine off screen as well,” the actor says. “And what ended up happening is the actors, in true Method fashion, split into two distinct camps. You had Maverick and Goose on one side, Slider, Hollywood, Wolfman and me, Iceman, on the other.”

While Kilmer has apparently always thought of himself as a character actor, his role in Top Gun pushed his name to the very top of every Hollywood casting director’s list, which led to a series of high-profile parts, most notably when he played the Caped Crusader in Joel Schumacher’s 1995 stinker Batman Forever. (While Schumacher ultimately declared that Kilmer made a great Batman, he described the actor as “childish and impossible” and claimed that Val regularly fought with cast and crew members. In an interview with Vulture, Schumacher even called Kilmer “psychotic.”

Ultimately, though, it’s roles like Batman that have allowed Kilmer — whose son Jack narrates the documentary as speaking has become a challenge for the actor following a throat cancer diagnosis several years ago — to continue working by traveling the world to meet his fans. “I don’t look great and I’m basically selling my old self, my old career,” Kilmer admits. “For many people it’s like the lowest thing you can do, talk about your old pictures and sell photographs of when you were Batman or the Terminator. But it enables me to meet my fans and what ends up happening is I feel really grateful rather than humiliated because there’s so many people.”

Val is in theaters now and will drop on Amazon Prime on August 6, 2021.

(Via New York Post)

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Report: DeMar DeRozan And Kyle Lowry Both Have Interest In Joining The Lakers This Offseason

In an occurrence that happens every offseason, some big name free agents have been linked with the Los Angeles Lakers. This time, there’s a fun twist: These players would reunited after previously spending six years together on the same team and earning the reputation of being one of the NBA’s most entertaining friendships.

According to a new report by Broderick Turner of the Los Angeles Times, former Toronto Raptors teammates DeMar DeRozan and Kyle Lowry both have some level of interest in suiting up in L.A. That interest is apparently reciprocated by the Lakers’ front office.

Los Angeles is on the verge of a potentially tumultuous offseason, as they’ll need to figure out how to construct a roster around Anthony Davis and LeBron James that is capable of competing for a championship following their first round loss to the Phoenix Suns in the 2021 postseason. A number of members of the team’s rotation — Alex Caruso, Andre Drummond, Talen Horton-Tucker, Wesley Matthews, Ben McLemore, Markieff Morris, Dennis Schröder — are free agents, with Montrezl Harrell also slated to hit the market should he decline his $9.7 million player option.

Should they figure out a way to bring at least one of them on board, both DeRozan and Lowry would help the Lakers with the kind of perimeter shot creation — both for themselves and others — that they really need, particularly if Davis or James miss any sort of time. DeRozan is a Los Angeles native, while the team pursued Lowry at the trade deadline.

This does not necessarily mean they’d be acquired via free agency — a sign-and-trade would, theoretically, be another avenue through which either player could be acquired — but every Lakers offseason features them getting linked to some of the biggest names on the market. Whether or not a deal gets done, though, is another story.

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No, Kanye West Wasn’t Charging $50 For Chicken Tenders At His ‘Donda’ Listening Event

Kanye West’s gotten away with some pretty egregious feats of merchandising in the past, so it makes sense that one of the main talking points surrounding his Atlanta listening event for Donda was a rapidly-circulating photo of a snack menu that purported Kanye was charging $50 for chicken tenders, among other outrageously priced snacks. After all, this was the man who overpriced Coachella Sunday Service merch by quite a lot and convinced fans to pay through the nose for whatever the heck these are so much that Walmart knockoffs became a thing.

However, on closer inspection, that doesn’t appear to be the case here, as the text on the bottom of the menu reading “Please see your suite attendant to order” suggests that these are the prices for attendees who sat in suites at the Mercedes-Benz Arena, which means the prices are for sharing size orders (usually, enough for four people). This is usually pretty common practice at most arenas, which overcharge for food anyway (a McDonald’s Big Mac, which would normally be around 2 bucks in LA, is about twice as expensive in Staples Center). Still, the reactions are pretty funny, all things considered, and illuminate just how little patience people have for Kanye — who still hasn’t actually released Donda despite holding a listening event in an arena to premiere it — these days.

Check out more reactions to the $50 chicken tendies below.

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Alessia Cara Plays Every Character In Her Old Hollywood-Inspired ‘Shapeshifter’ Video

Earlier in the summer, Grammy-winning singer-songwriter Alessia Cara revealed that she would be releasing two singles, “Sweet Dream” and “Shapeshifter,” from her forthcoming third studio album (its release date has yet to be announced). Now, “Shapeshifter,” which was released on July 15, has an official music video featuring Cara playing multiple roles.

Aesthetically, “Shapeshifter” appears influenced by Old Hollywood detective movies, with lots of antique-y 1930s fashion and decor. Meanwhile, Cara plays a scorned wife, a private investigator, a cheating husband, a gardener, and a maid.

Cara recently spoke to CBS This Morning (who premiered the “Shapeshifter” video) about her two new singles, describing how both songs represent her struggles with insomnia and anxiety, but also the confidence she’s gained over the past year

“Suddenly it just completely boiled over and I was having panic attacks for hours on end every single day,” she said. “I think if you ignore your body and your mind long enough, they force you to listen to them. I would look at my hands and look in the mirror and freak out because I felt like I was looking at someone else’s hands and face. It was the most terrifying thing that I think has ever happened to me and I didn’t know what was going on.”

Cara also spoke about channelling her struggles through art, saying, “[Music] was at the forefront for me. It was my way of purging a lot of those feelings.”

Watch the “Shapeshifter” video above.

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A Complete List Of The Accessible Vacation Rentals From Netflix’s Hottest New Travel Show

With the rise of platforms like Airbnb, trendy new vacation properties are popping up in every corner of the world. Hotels are great, but now more than ever travelers are searching for more unique accommodations (even if just for the badass Instagram photos). Bespoke rentals offer a more intimate lodging experience that’s personalized to your style and preferences. You can find everything from cozy cabins to party boats and themed houses. Hell, you can even stay in a treehouse. Hence, the inspiration behind Netflix’s latest travel hit The World’s Most Amazing Vacation Rentals.

The Netflix Original Series — hosted by millennial wanderlusters Megan Batoon and Jo Franco plus Bravo star and realtor Luis D. Ortiz — takes viewers around the world to tour must-visit vacation rentals in both sought after and unexpected locations. It’s basically a cross between real estate heaven and a high-def travel vlog. The hosts stay in a budget, unique, and luxury vacation rental in every episode following a specific theme. Although the luxury properties featured on the show are fun to daydream about, many of them are exclusive to celebrities and the one percent. So we’re sticking to the mostly affordable (but still totally cool!) options for now.

From a “birdnest” tower in Bali to an igloo in Finland, you can book any of the vacation rentals from the show for your next adventure. Read on for a complete list and maybe check some of these spots out yourself once you get back on that open road — just click on the prices to book.

Firefly Eco Lodge Birdsnest in Ubud, Bali

Airbnb

Price: Starts at $18 per night

Hostel life meets the animal kingdom with this bamboo tower in the heart of the Ubud rice fields. This secluded, nature-inspired rental is ideal for adventurers and social travelers who love one-of-a-kind experiences. Your room, or should I say nest, only includes a bed. But the property also comes with WiFi, a pool, a shared bathroom and lounging area, a full kitchen for ordering food, and beautiful views. Not to mention the bragging rights you get for sleeping in a birdnest.

G Bar M Ranch in Clyde Park, Montana

G Bar M Ranch

Price: $350 per night

Have you ever wondered what it’s like to live and work as a cowboy? Stay at the G Bar M Ranch and you’ll find out. As a part of the “American Adventure” episode, the hosts spend two days working at this longtime family-owned cattle ranch in good ol’ Montana. Guests can join along on everyday ranch activities, including horseback riding through 30,000 acres of land, fishing at a nearby creek, and hiking the mountain trails.

The Yellow Ferry in Sausalito, California

The Yellow Ferry

Price: $543 per night

This nautical three-bedroom Airbnb is the oldest surviving ferryboat on the West Coast, which was originally launched in 1888. With floor-to-ceiling windows looking out to the bay, a spacious living area, kitchen, and free kayaks to take out on the water, this rare vacation rental offers serene views for up to six guests at an affordable price.

Lucky Ranch Snow Igloos in Pyhä, Finland

Lucky Ranch

Price: Starts at $153.29 per night

Yes, you can stay in an actual igloo. How cool is that (no pun intended)? If you’ve ever dreamed of seeing the Northern Lights, then head to Lucky Ranch in the winter for a chance to experience one of the seven natural wonders of the world. But be sure to pack your heaviest coat because you’re going to be sleeping in below-freezing temperatures in an igloo. The chilly night’s sleep is totally worth it, though. Your stay at the ranch includes access to snowshoeing, dog sledding, and a warm base camp building where you can have a hot shower and breakfast. You can also defrost in the property’s traditional wood-heated sauna.

Old House Cay in Hilton Head, South Carolina

Old House Cay

Price: Starts at $624 per night

No, you don’t need to be a billionaire to stay on a private island. Old House Cay in South Carolina is a series of private islands that offer a secluded, relaxing getaway. In addition to the three-bedroom house that hosts up to six guests, (and three islands all to yourself), you’ll get access to boating, fishing, kayaking, and an observation tower where you can chill out and enjoy the view. The islands are only a 10-minute boat ride from Hilton Head, but the total privacy and extensive property will make you feel totally off the grid.

La Villa Bonita in Tepoztlàn, Mexico

La Villa Bonita

Price: $1329 for 7 days

Whether you’re a self-proclaimed foodie or you just want to step up your cooking game, La Villa Bonita is the culinary vacation you’ve been craving. The owner, Chef Ana Garcia, hosts guests for week-long stays in her picturesque mountain home. On your first night in town, Chef Ana and her team serve dinner in the open-air kitchen. The rest of the week, you’ll join her in the kitchen to learn traditional family recipes, go on a food tour, enjoy the small-town vibes in Tepoztlàn, take an optional yoga class, and relax by the pool.

Danville Treehouse in Orlando, Florida

Danville Treehouse

Price: $230 per night

Make your childhood dreams come true by staying in this wacky treetop yurt. The owner built the entire structure out of repurposed items. There’s a hot tub made out of a jet engine cowling, a fire tower stairway from 1926, and even a fully functioning elevator made to look like the inside of a tree trunk. Eight-year-old me is losing her sh*t just thinking about this. Guests are also invited to the owner’s studio, which is basically a colorful wonderland of his artistic imagination.

Inn at Kulaniapia Falls in Hilo, Hawaii

Inn at Kulaniapia Falls

Price: Starts at $149 per night

Reconnect with nature in the beautiful Big Island of Hawaii at Inn at Kulaniapia Falls. For the most affordable and adventurous accommodations, guests can lodge in an ocean view cabin on the property’s farm. You can join in on guided tours, learn about the farm’s food sustainability practices, take a farm-to-table cooking class, and visit the privately accessible waterfall. For an additional cost, you can even rappel 120 feet down the Kulaniapia Falls.

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Heaven Hill’s Whiskey Ambassador Breaks Down Bottled-In-Bond Bourbon’s Importance

Bottled-in-bond whiskey is often lovingly referred to as “the good stuff.” The whiskey style was created by law in the late 1800s to, essentially, assure the quality of the whiskey going in the bottle and give consumers a little peace of mind when buying and drinking the American spirit.

As with anything whiskey-related, there’s a lot more to it than that. So, we reached out to bottled-in-bond whiskey expert Bernie Lubbers to tell us what’s so special about bottled-in-bond whiskeys — rye, bourbon, corn whiskey, or otherwise — and lay down some real knowledge.

Lubbers is the Whiskey Ambassador for Heaven Hill and probably the biggest proponent (and educator) of bottled-in-bond whiskey in the world. Lubbers was kind enough to jump on a call and answer all of our questions about the whiskey style while also diving into how a huge distillery like Heaven Hill decides what goes into what bottle. It’s an illuminating conversation so let’s jump in!

So the reason we’re speaking today is to talk very specifically about bottled-in-bond bourbons, which is a very big section for Heaven Hill. Can you give us a quick rundown on what Heaven Hill does to make your bottled-in-bond bourbons so special and beloved?

Oh, that’s easy. Conor O’Driscoll is our Master Distiller and he puts it best when he says, “we do not make brands at our distillery. At the distillery we just make distillates.” So we make five different recipes of distillates at Heaven Hill. Those are a traditional bourbon rye mash bill, a traditional bourbon wheat mash bill, a wheat whiskey mash bill, a rye whiskey mash bill, and a corn whiskey mash bill. Then the barrels go into our rickhouses and spread all around from top to bottom, left to right. Then over time, the barrels tell us what brands it’s going to be and how old it is and things like that, according to the standards that were written down by Parker Beam and everyone who’s followed because you learn things over time.

So when we started making Rittenhouse Rye (which is a bottled-in-bond), it used to be put all over the rickhouse. Well, they found that it aged better on the fourth floor and higher. So those standards change over time because you learn. You don’t know everything on day one when you first start making a new recipe. So we don’t specifically say our bottled-in-bonds are going to be in a certain place or a certain way. We put distillates in places and then the whiskey talks to us and tells us what it’s going to be.

I dig that. Who’s in there putting the whiskey thieves in these barrels and what are they looking for specifically? Are they like, ‘okay, I know Evan Williams needs to taste like this…’ so they have to seek them out one-by-one? Or do you guys have a sense of where those barrels are going to be?

We have a sense of where they need to be. Like I said, with Rittenhouse on the fourth floor and higher, and things like that. So they don’t just willy nilly put things away. But it is our sensory team that specifically, over time, tastes representation of barrels. We call it a lot. So it’s not a lot of barrels or many barrels. It’s a specific lot or section. They taste those and see where the taste profile is headed. Tawnie Gootee, I would call her a master taster, but that’s not her title, and the team there (Mike Sonne and Chris Briney), know specifically what brands are supposed to taste like.

So she knows if a barrel’s headed more towards being a, let’s say, Evan Williams Single Barrel, or if it’s going to be an Evan Williams, or if it’s going to be an Evan Williams bottled-in-bond if that makes sense to you. They all have different flavor profiles and she knows where each one is headed.

So let’s talk a little bit more about bottled-in-bond. I think, in a sense, people don’t think about what it means too deeply. A “straight” whiskey has to be aged two years while a “bottled-in-bond” needs to be aged four years. That’s doubling the time you’d have to house while, well, doubling the money you’d have to spend a warehouse a barrel of whiskey. Is that looked at as a detriment or is that looked at as an advantage down the road? Because at the end of the day, I mean, space is space, and space costs money.

Sure. Here’s the thing, at Heaven Hill we don’t have a two-year-old product. The first offering of our flagship brand is a five-year-old product. So actually bottled-in-bond is getting out quicker for us. That’s one of the youngest products that we have available in the marketplace. We do make a three-year-old product [Evan Williams Green Lable] that people use for house bourbons or well bourbons or things like that. But our initial offering is a five-year offering of our flagship brand. So four years to us is no time at all.

RIght. It’s what you’re doing anyway.

Exactly.

So what’s going to be the defining factor between, say, you ten-year bottled-in-bond Henry McKenna or the five-year-old Evan Williams white label?

Back in the day, people didn’t really want older whiskeys. The fashion in the ’60s, ’70s, and ’80s, and ’90s was four or five or six-year-old bourbon. My dad, who drank a quart of bourbon a day — and he lived being 94 — drank six-year-old Heaven Hill which we still make in Kentucky. I told him, “Dad, when these small batches and single barrels are coming out, why don’t you step up and drink something that’s a little more age on it?” There’s Elijah Craig at 12, there’s Knob Creek at nine. He looked at me like I was crazy and said, “Son, I don’t trust a bourbon over six years old.” And I was like, “What do you mean ‘trust?’” He says, “If it’s over six years old, that’s the shit they can’t sell.”

So the mindset of the consumer was that if it’s getting older, that means that it’s not sold and it’s too old for me. So back in the day, they used to take their older whiskeys because if the bourbon’s not selling and it wasn’t for many reasons. Then in the ’60s and ’70s, you had tequila and vodka blow up on the market in the United States right after a wild overproduction of bourbon in the 1950s and ’60s. Then they had all this whiskey that kept getting older. Then you had consumers who didn’t want old whiskey. That’s not a good combination.

That’s the opposite of a win-win…

Right. Prices of bourbon fell. Then whiskey makers had to ask, “what do we do with this old whiskey that we got?” So most distilleries put that older whiskey into collectible decanters because they thought people might buy those collectible decanters with the old whiskey in them, but specifically not buying the old whiskey. That’s why you still see those old Beam bottles and different decanters and there’s still whiskey in there because people didn’t drink that whiskey in those collectible decanters for the most part.

So it wasn’t until Heaven Hill came out with a 12-year-old Elijah Craig that you then started to see the stuff got older, right? But old whiskey is kind of a new phenomenon that Heaven Hill and I have to say, Julian Van Winkle did with 15, 20, and 23-old-year old Pappy Van Winkles. So a lot of those brands just became brands because they got older. There wasn’t a whole lot of thought put into them.

For us, it was like, “We got to do something with this old whiskey… Oh, we own this brand called Henry McKenna, and it was 10 years old? Let’s put it in there!”

Right. Then is there a flip side of that in that Elijah Craig 12 is now just Elijah Craig again because — as I understood it — that rebranding made sense since you’re selling too much of the stuff to keep up with that age statement?

There was a couple of things going on there. You had a 12-year-old bourbon that was starting to explode in popularity because it was $25 and 12 years old. This is after Knob Creek, Woodford Reserve, Russell’s Reserve, and all these other small-batch or single-barrel bourbons blew up. Then, people started finding this $25 bottle of 12-year-old bourbon. Well, when I started with the company in 2012, that was a 30,000 case brand. It’s now over 300,000 cases. So there’s no way we could possibly have kept up with that explosion of 12-year-old barrels because we didn’t have 300,000 cases worth of 12-year-old bourbon. So we had to make a decision. Do we want to keep the 12-year-old age statement on it? But then you’re going to be capped at how many you can sell. You’re never going to get to 300,000 cases. You’re going to only be able to sell what you can service, which is basically 30,000 cases or less. So, then, you got to make up for that lost profit. You’ve got to double or triple the price.

Or you can grow the brand and put younger whiskeys into it. That’s what we decided to do because we thought the brand’s been around since 1986, it deserves to be the next Knob Creek or Woodford Reserve. So let’s use younger whiskeys, but, still, have a minimum age. So it’s older whiskey with eight to 12-year-old barrels that’s a small batch. Then we were able to keep the 12-year for the barrel-proof expression, which has been amazingly successful and widely coveted by the customer. So I think we did a good job at doing that.

You have to do what’s right for the brand and for your consumer. It’s not going to make 100 percent of the people happy, but it’s a good compromise, I think.

These days, you have whiskey influencers on Instagram and TikTok; you have a million different people writing about whiskey compared to even five years ago; you have people coming into the industry all the time and opening up craft distilleries and doing new things with a hundred percent heritage red corn or some random grain. How much does Heaven Hill look at the trends to inform its future? Or are you solid in what you are and where you going without all of that?

It’s both. We’re large enough to where we have to look at both. We have to look at the core brands because you just don’t know what’s going to happen ten years from now. Our main line, Elijah Craig, is eight to 12 years old whiskeys. But we also have 18-year-old Elijah Craig. So today is 2021. So that’d be 2039. So we got to look at between now and 2039 while we’re making our whiskey today. So you have to look at both because you know that the world’s going to be different 18 years from now. You know that you’re either making way too much today or not enough.

But when we look at trends, it’s so fascinating with the bourbon world. Let’s say you’re making vodka or rum and you’re looking at trends. Well, you could pivot on the day because you’re making your spirit today and selling it tonight. With whiskey, we’re making it today and selling it, at the minimum, three or four years from now. So we can’t just pivot on a dime when it comes to whiskey trends. Whiskey trends, I think, are way different than tequila trends or rum or vodka, which are unaged products for the most part.

I remember growing up, there was always this kind of slang for bottled-in-bond, that that was “the good stuff.”

Sure, that’s what my dad’s line was.

So I gotta ask, what makes it “the good stuff”?

Oh, that’s easy. That’s the restriction. This is the most restrictive spirit in the world. So there’s no spirit in the world this restricted. The restrictions were enacted on March 3rd, 1897. They have been expanded upon since Prohibition was over and they put down more laws. Then in 1964, they were all rewritten again after bourbon was made the distinctive spirit of the United States.

So first of all, there are laws to be “bourbon.” You have to be a certain percentage of corn. You have to be distilled at no more than 160 proof. You have to have a certain barrel type, things like that. Which is different than vodka and different than other spirits. So if it’s a corn whiskey, it has to be in a used barrel. If it’s a rye whiskey or a bourbon whiskey, it has to be in a brand new charred barrel. So you’ve got to pass all those laws.

Then there’s bottled-in-bond whiskey. Bottled-in-bond has a further set of restrictions. You mentioned it has to be four years old and that’s true, but it has to be at least four years old. It also has to be from one distiller, at only one distillery, and from one distilling season, which is a six-month period. We only have two distilling seasons in the United States. That’s spring, which is January through June; and it’s fall, which is July through December. It has to be aged for a minimum age of four years on the appropriate types of barrels for that spirit. So that changes if it’s corn whiskey becasue that needs a used barrel legally. If it’s bourbon whiskey, it has to be aged in a new barrel for a minimum of four years and then bottled at exactly 100 proof. So it has to be a certain strength, it has to be a certain age with a guaranteed age and guaranteed proof.

Then I can only bring it down to proof with pure water only. So I’m guaranteed a purity along with that guarantee a good age and a good strength. Then you need to put the real name of the distillery on the package. You must put the distinctive spirit’s plant number, which is a DSP, on the bottle. So with bottled-in-bond, it’s full disclosure. I don’t have to wonder who made it. I can look at the bottle for the DSP. Then, I can Google that these days.

I know it’s a minimum of four years old. I know it’s a good strength of a hundred proof or 50 percent alcohol. I know that it’s pure because of the water used. So that is why I like to equate it to sort of earning medals in the military. You can earn medals as bourbon or rye for sure. But if you’re a bottled-in-bond bourbon, you’re a Green Beret. You’re a Navy Seal. You got all the medals. That’s why I think it’s so special and why I love it so much.

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Vince Staples Coasts Through A Laid-Back Tiny Desk Concert With Kenny Beats And Foushée

Vince Staples may have received a polarized response from fans and critics, but Vince Staples himself remains undeterred in promoting his latest project, maintaining his usual cavalier air in a mellow NPR Tiny Desk Concert performance backed by Kenny Beats and featuring Foushée. The Long Beach rapper performs songs from his self-titled third studio album in the Hollywood Hills, where he jokes he’d “never live,” reminiscing with his manager Corey Smyth (who, as always, remains offscreen) about times he was arrested in the affluent area.

While some fans found the relaxed production on Vince Staples to be off-putting, it turns out to be perfect for a Tiny Desk performance. Vince, as laid-back as ever, coasts through album standouts “Law Of Averages,” “Sundown Town,” “The Shining,” and “Take Me Home,” with Foushée joining him on the last song and Kenny Beats playing bass throughout. Fellow South LA rapper 03 Greedo gets a shout-out, while Vince reflects on the release of his first album Summertime 06 and dedicates his performance to “all the bad b*tches worldwide… whether you have two legs or no legs.”

Watch Vince Staples’ Tiny Desk Concert above.

Vince Staples is out now on Blacksmyth Recordings/Motown Records. You can get it here

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The Sixers Apparently View ‘Multiple Role Players And Picks’ As Not Enough For A Ben Simmons Trade

Ben Simmons is still a member of the Philadelphia 76ers despite popping up in trade rumors for weeks. Ever since the Philadelphia 76ers were bounced in the second round of the playoffs by the Atlanta Hawks, Simmons’ future with the franchise has been in doubt, in large part because of his visible struggles during that series.

But despite this, he’s still with the Sixers, with a new report by Kyle Neubeck of Philly Voice adding some context as to why. Apparently, the various offers that have popped up in reports don’t really interest the front office, which is not interested in turning Simmons into flotsam.

Internally, team sources view a lot of the reported offers floated around the league as transparent attempts to lower Simmons’ trade value below where it actually is. The Sixers are uninterested in packages returning multiple role players and picks in exchange for Simmons, according to a source familiar with the situation.

While it did seem like there was pessimism about what Simmons could fetch in the general basketball discourse at the end of the postseason, he’s still a 25-year-old All-Star selection who is about to enter year two of a five-year contract extension. For whatever flaws he has, players like this do not pop up on the trade market all that frequently, and Philly seems content to hold firm instead of take the best of a handful of less-than-stellar trades.