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Candace Parker Is Expected To Return From Her Ankle Injury On Wednesday

Candace Parker is expected to return for the Chicago Sky against the Indiana Fever on Wednesday, as coach James Wade finally had a positive update on the star forward’s status during his Tuesday media availability per the Chicago Sun-Times’ Annie Costabile.

That’s great news for a team that’s lost seven straight games and plummeted to 11th place in a 12-team league. Parker injured her ankle before the team’s second game of the season on May 19 and hasn’t played since. She posted pictures of her severely bruised foot ahead of the team’s home-opener, which was a heavily anticipated event for more reasons than usual. The WNBA champion and five-time All-Star chose to play closer to home in Naperville, Illinois in free agency after 13 years with the Los Angeles Sparks.

The team has since posted pictures of her back in practice, and Parker’s shared videos of rehab she’s done over the last few weeks on Instagram. She looks ready to make her home debut a few weeks later than we originally thought.

https://twitter.com/chicagosky/status/1402337737596882945

Injuries have dictated the start of the Sky’s season as the team’s big 4 of Parker, Courtney Vandersloot, Allie Quigley, and Diamond DeShields haven’t played a single game together. But even since Quigley’s return, the team has lost to the Phoenix Mercury, who were without Diana Taurasi, and the Los Angeles Sparks, who were without Nneka and Chiney Ogwumike. Put simply, they’re slumping.

Through nine games in a 32-game regular season, the team is 2-7, including a buzzer-beating halfcourt heartbreaker of loss, with a negative net rating as they are being outscored by 2.5 points per 100 possessions. Parker should be the difference-maker though, if she’s fully recovered. In the team’s season-opener against the Mystics, she commanded the floor, scoring 16 points on 10 field goal attempts with three 3-pointers, eight rebounds, and four assists.

The season’s still young, but the window is getting tighter for the Sky to earn a top-2 seed in the playoffs. The two top spots are strongly coveted in the WNBA playoffs as the only way to avoid playing in a single-elimination game, and they’ll need the future Hall of Famer to kick off a big run if they’re to get into that mix.

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The Late MF DOOM Advocates Self Education On Your Old Droog’s ‘Dropout Boogie’

Brooklyn, New York rapper Your Old Droog is one of the many, many rappers influenced by the late, great MF DOOM, both in form and in his steadfast adherence to a philosophy of being anti-famous. Like DOOM, Droog emerged from the New York underground and rose to notoriety via the internet, maintaining an air of mystery early in his career that had many fans wondering just who he really was. Droog received the ultimate blessing for a DOOM fan, getting the chance to work with his idol on multiple songs before the elder rapper’s death on Halloween last year, and today, he shared the first they ever recorded together: “Dropout Boogie.”

A short, sample-heavy song extolling the virtues of self-education (well, as much as it decries the many shortcomings of the US education system), “Dropout Boogie” really highlights the impact of DOOM’s syllable-stacking style on the generation of rappers who grew up under him. The track will be available as a 7″ vinyl on Nature Sounds, which you can pre-order here. Droog also accompanied the release with a statement on DOOM’s impact on his life and career.

This man’s work renewed my interest in hip-hop and rhyming at a time when I got tired of hearing what was on the radio or what was considered popular rap, I deadass started listening to classical music, and then I heard DOOM.

For him to end up appreciating what I do 10 years later shows the power of never giving up on your passion, staying the course, believing in yourself and having vision.

Aside from him being featured on the track, the song already had a lot of personal meaning for me. School is not for everybody. You know, it has its extracurricular pluses but overall, it wasn’t for me. For some people, it’s good but not for me. I don’t work well fitting into boxes. I dropped out of high school, and community college, twice! This is certainly an anthem of sorts.

The GED was nice though, that gave me confidence. Stay confident and follow your own path. Not the one laid out to you by your parents or teachers. Peace.

Listen to “Dropout Boogie” above.

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Megan Thee Stallion Goes Full EDM In Her Feature On Marshmello’s ‘Bad B*tches’

Following a two-month social media hiatus, Megan Thee Stallion is returning in a big way. Along with teasing her first new solo single of 2021 with a couple of bootylicious photos, Megan lends her vocals on Marshmello‘s club-ready banger “Bad B*tches.”

The EDM track features bouncy production by Marshmello and collaborator Nitti Gritti. Its pumped-up beat is meant to ready fans for a triumphant return to the dance floor and its euphoric sound will be a sure-fire hit at summer festivals. “Bad B*tches” is accompanied by vocals from Megan’s showstopping performance at Rolling Loud LA in 2019, where she expertly hypes up the crowd. “Where my bad b*tches at? Where my motherf*cking hot girls at? Where my motherf*cking hot boys at?” she says in a vocal sample on the song. “If you a motherf*ckin’ hot girl, no matter what season it is, make some motherf*ckin’ noise.”

The song arrives as an announcement for Marshmello’s upcoming LP Shockwave and follows an already prolific year for the producer. Along with his Megan collaboration, Marshmello has teamed up with big-name artists in 2021 like Jonas Brothers for the track “Leave Before You Love Me,” 2KBaby for “Like This,” and Juicy J for the song “Hitta.”

Listen to “Bad B*tches” above.

Shockwave is out 6/11 via Joytime Collective. Pre-order it here.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Brockhampton Announces A Bunch Of 2022 Tour Dates With Support From Jean Dawson

It would seem the end of Brockhampton is nigh, as the group plans on releasing their final album this year. So, the slew of 2022 tour dates the band announced today could end up being the final chance to see them live.

The trek kicks off in January in Norway and is followed by other European dates through to mid-February. Later that month, Brockhampton returns to North America for shows in February, March, and April. All dates will feature support from Jean Dawson, Paris Texas, and HVN.

Check out the full list of Brockhampton’s upcoming tour dates below.

08/01/2021 — Chicago, IL @ Lollapalooza
01/14/2022 — Oslo, NO @ Sentrum Scene
01/15/2022 — Copenhagen, DK @ Grey Hall
01/16/2022 — Copenhagen, DK @ Grey Hall
01/18/2022 — Stockholm, SE @ Annexet
01/20/2022 — Berlin, DE @ Huxleys
01/21/2022 — Munich, DE @ Tonhalle
01/22/2022 — Cologne, DE @ E-Werk
01/24/2022 — Brussels, BE @ Ancienne Belgique
01/25/2022 — Tilburg, NE @ O13
01/27/2022 — Glasgow, UK @ Academy
01/28/2022 — Sheffield, UK @ Academy
01/30/2022 — Dublin, IE @ Olympia Theatre
01/31/2022 — Dublin, IE @ Olympia Theatre
02/01/2022 — Belfast, UK @ Ulster Hall
02/03/2022 — Bristol, UK @ Academy
02/04/2022 — Manchester, UK @ Apollo
02/05/2022 — Birmingham, UK @ Academy
02/07/2022 — London, UK @ Brixton
02/08/2022 — London, UK @ Brixton
02/10/2022 — Paris, FR @ Elysee Montmartre
02/26/2022 — Salt Lake City, UT @ The Union Event Center
03/01/2022 — Denver, CO @ The Mission Ballroom
03/04/2022 — Irving, TX @ The Pavilion at Toyota Music Factory
03/05/2022 — Austin, TX @ Moody Amphitheater
03/08/2022 — Atlanta, GA @ Coca-Cola Roxy
03/11/2022 — Orlando, FL @ Hard Rock Live
03/12/2022 — Miami Beach, FL @ The Fillmore
03/14/2022 — Charlotte, NC @ The Fillmore Charlotte
03/15/2022 — Raleigh, NC @ The Ritz
03/17/2022 — Washington, D.C. @ The Anthem
03/18/2022 — New York, NY @ Hulu Theater At MSG
03/22/2022 — Philadelphia, PA @ The Fillmore
03/25/2022 — Toronto, ON @ Coca-Cola Coliseum
03/26/2022 — Detroit, MI @ Masonic Temple Theatre
03/27/2022 — Pittsburgh, PA @ Stage AE
03/29/2022 — Columbus, OH @ Express Live! Indoor Pavilion
04/01/2022 — Chesterfield, MO @ The Factory at the District
04/02/2022 — Kansas City, MO @ Arvest Bank Theatre at the Midland
04/03/2022 — Oklahoma City, OK @ The Criterion
04/06/2022 — Phoenix, AZ @ Arizona Federal Theatre
04/07/2022 — Los Angeles, CA @ The Greek Theatre
04/08/2022 — Las Vegas, NV @ The Chelsea at Cosmopolitan
04/09/2022 — San Francisco, CA @ Bill Graham Civic Center
04/11/2022 — Seattle, WA @ WaMu Theater at CenturyLink Field
04/12/2022 — Vancouver, BC @ Doug Mitchell Thunderbird Sports Centre
04/13/2022 — Portland, OR @ Veterans Memorial Coliseum
06/03/2022 — Barcelona, ES @ Primavera Sound Barcelona

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Chris Harrison And ‘The Bachelor’ Have Officially Broken Up

Chris Harrison‘s time with The Bachelor has finally come to an end. Following a racism scandal that’s plagued the reality series since earlier in the year, Harrison has reportedly walked away with an eight-figure payoff that was tensely negotiated as The Bachelor made its 17th season premiere on Monday night. While the writing was on the wall for Harrison’s departure after guest hosts, including David Spade, were announced for the latest season, the longtime host reportedly made it very difficult for Warner Bros. and producers to get rid of him thanks to his intimate knowledge of the show’s dirty secrets. Via Deadline:

The confidential settlement with franchise producers and distributor Warner Horizon was finally reached after one more flurry of back and forth between the parties and Bachelor broadcaster ABC on Monday night. A motivational undercurrent, so to speak, throughout was Harrison lawyer Bryan Freedman pledging to unleash the Shiva of lawsuits exposing a swath of The Bachelor’s alleged dirty laundry unless his Gersh-repped client emerged feeling the financial love.

The controversy for Harrison began back in February when he defended contestant Rachael Kirkconnell after it was revealed that she attended an antebellum-themed sorority party in 2018 and had posted images on social media that consisted of cultural appropriation. During an interview on Extra, Harrison tried to downplay Kirkconnell’s actions by arguing with Rachel Lindsay (Extra‘s first Black lead) that the incident happened over five years ago when it was barely three years old.

After the incident on Extra, Harrison issued an apology on Twitter, which did not go over well. A few days later, Harrison issued a second apology and announced he’d be taking time off from The Bachelor. That time off has now resulted in his permanent exit from the show.

(Via Deadline)

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How The Suns Capitalized On One Structural Flaw In The Nuggets’ Defense In Their Game 1 Win

The Phoenix Suns’ opening offensive possession in their 122-105 victory over the Denver Nuggets in Game 1 of the Western Conference Semifinals on Monday set the tone for the types of shots available to them that night and the strain their offense would put on Denver’s defensive principles.

As Chris Paul and Deandre Ayton commenced a pick-and-roll at the top of the key, Jae Crowder, after setting a screen for Paul, migrated from the left elbow to the right corner, ducking behind a Devin Booker pin-in screen for a look from deep. His movement coincided with Ayton’s dive to the rim and left Crowder’s man, Aaron Gordon, in a bind: tag Ayton in the paint or stay with his man to deter the open long ball.

Correctly, Gordon selected the former, and the result was a rhythm three attempt for Crowder, though Austin Rivers battled through Booker’s screen for a serviceable contest.

That sort of play is a subplot of this series. Denver is going to aggressively rotate to tag rollers in the paint and will leave the corners open. Phoenix’s offense consistently compromises the responsibilities of the low man, either removing their presence altogether with calculated floor arrangements or running weak-side actions to ensure options are available beyond the roller if a tag does occur.

An Ayton bucket from round one exemplifies the way the Suns bend defenses by removing the traditional low man and forcing someone else to rotate, a rotation that might deviate from standard defensive instructions.

Typically, there will be someone near the right corner — behind Anthony Davis — required to help on Ayton’s roll. Instead, the tag would have to come from Davis, leaving Crowder open for an easy three off a swing pass, or Kentavious Caldwell-Pope, who is technically on the strong-side — most defensive schemes don’t encourage helping from the strong-side. Caldwell-Pope is late and undersized. The result is two points for Phoenix.

This is exactly how the Suns twist defenses into atypical responsibilities with their offensive alignments and sets. Caldwell-Pope eventually recognizes he must tag Ayton, but Phoenix expected confusion and capitalized.

Denver’s disregard for the corners benefits Phoenix, which has ranked third in corner three-point frequency (10.6 percent) during the regular season and playoffs, and second (43.7 percent) and third (47.5 percent) in proficiency, according to Cleaning The Glass.

During their first-round matchup with the Portland Trail Blazers, the Nuggets adhered to the same philosophy and vacated the corners. The Blazers lack the blend of passing talent and size that the Suns tout with Booker and Paul, so they did not as frequently target those soft spots in the defense. It didn’t particularly inhibit them, as they generated an offensive rating of 122.1 against Denver. But the Nuggets will need to tailor their approach in this series because Phoenix will crush this level of dismissal.

The Suns routinely derived offense from open corners in Game 1, whether it was teeing up threes or launching Denver into rotation by demanding an initial closeout to those regions. Corner threes composed over 15 percent of their shot profile and they converted five of their 13 attempts (38.5 percent), many of which were comfortably open, or at least to the point of undisturbed shot preparation.

To posit that corner three aptitude was the lifeblood of the Suns’ offensive success would be overstating its impact, though. Ayton dominated as a play finisher. Paul torched switches in the final frame for pull-up buckets. Booker and Mikal Bridges poured in a combined 44 points with differing styles.

Another common thread, however, was that aforementioned manipulation or targeting of the low man. Often, the onus rested on Michael Porter Jr., who struggled mightily to balance staying home with shooters and punctually tagging rollers inside. The Suns repeatedly produced good offense by involving him as a weak-side defender because he is prone to aggressively rotating before it is necessary (even by the standards of Denver’s scheme) or merely hugging his defender and failing to help at all.

If he does remain connected to shooters, his unwillingness to truly crowd assignments and impose his 6’10 frame upon them to the point of discomfort proves troublesome. Whenever this postseason run concludes for the Nuggets, there will be an assortment of data points from which Porter can learn, especially on defense. On Monday, the Suns were content to provide many of them as they flummoxed varying low men of the Nuggets.

Some notes: Every single clip in that montage is a quality shot at the rim or from deep. The set-up of the Dario Saric dunk is gorgeous. On the third quarter lob, Booker shifting Porter away from Ayton by staring down the wing is tactically masterful. Despite the missed three, that final play captures how Phoenix burdens defenses with its ball-screen actions. The Suns’ offense was dizzying for the Nuggets last night.

Phoenix is not necessarily a more potent offense than Portland. The latter finished the regular season second in offensive rating (117.1) and rosters scoring extraordinaire Damian Lillard, while the former finished seventh (116.3) and offers a more balanced attack, as evidenced by its four 20-point performers Monday (a feat the Blazers did not once accomplish in this year’s playoffs).

Yet such an approach from Denver, fleeing the corners and aggressively rotating, simplifies decisions for Suns ball-handlers and only exacerbates its hurdles toward containing them, given the challenges their offense poses without the Nuggets inviting shots from Phoenix’s preferred areas.

Tweaks can and will likely be made, perhaps better timing on tags to rollers rather than a full-fledged, early sell-out. Regardless, the Suns present different problems than Portland. Their series-opening victory helped illuminate many of those different problems and why the Nuggets should not focus all of their defensive alterations to opposing ball-handlers, as they largely could against Lillard and the Blazers. Otherwise, they’ll continue leaving themselves susceptible to back-side breakdowns, just as they did far too regularly in their Game 1 defeat.

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Megan Thee Stallion Rings In Hot Girl Summer With A Booty-Baring ‘Thot Sh*t’ Teaser

After a whirlwind 2020 culminated in her winning several Grammy Awards, Megan Thee Stallion took some time away from the public eye to “prepare for what’s next.” Earlier this week, Megan marked her impending return by teasing her first new solo single following her debut album Good News. The rapper revealed the upcoming song is titled “Thot Sh*t” and she’s now found a cheeky way to get fans excited about her new music.

After previously sharing the “Thot Sh*t” single art and cryptically pointing to the comeback of her alter rap ego Tina Snow, Megan returned Tuesday to tease the single with a bootylicious photo set. “3 MORE DAYS UNTIL #THOTSHITDROPS,” she wrote alongside pictures of her in a revealing nurse costume.

Though “Thot Sh*t” marks the rapper’s official return, Megan was still making moves while she was taking some time away from social media. The rapper was recently nominated for seven 2021 BET Awards, tying with DaBaby for the artist with the most nods this year. She’s also been announced as the headliner for several major summer festivals like Bottlerock, Bonnaroo, Governors Ball, and New Orleans’ Buku Festival.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Kim Kardashian Wishes Kanye West A Happy Birthday: ‘Love You For Life’

Various reports from this year have made it seem like Kanye West are Kim Kardashian are getting divorced after months and months of rumors about struggles in their relationship. It’s important to note, though, that neither West nor Kardashian have publicly confirmed the split. Whatever the case may be, it appears there’s still love between the two, as Kardashian took some time out of her day today to share a message for West on his 44th birthday.

On Instagram this afternoon, Kardashian shared a photo of herself, West, and their three children, and captioned it, “Happy Birthday. Love U for Life!” She also shared three more West photos on her Instagram Story: One of West in 1987, one of herself and West, and one of her and West with their kids.

Meanwhile, Khloé Kardashian also did a birthday post about West, sharing a photo of herself with Kim, West, and Tristan Thompson. She wrote, “Happy birthday to my brother for life!!! Have the best birthday Ye! Sending you love and endless blessings!!”

This comes shortly after a new episode of Keeping Up With The Kardashians on which Kardashian tearfully said, “I honestly can’t do this anymore. […] I think he deserves someone that can go support his every move, and go follow him all over the place, and move to Wyoming. I can’t do that. He should have a wife that supports his every move and travels with him and does everything, and I can’t. I feel like a f*cking failure, that it’s like, a third f*cking marriage. Yeah, I feel like a f*cking loser.”

As for West, he celebrated his birthday by releasing a single item from his highly anticipated Yeezy Gap line at 3 in the morning.

Check out all of the birthday posts below.

@kimkardashian/Instagram
@kimkardashian/Instagram
@kimkardashian/Instagram
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We asked three people how cancer changed their lives. Here are their stories – and how cancer is changing because of them.

Each year, an estimated 1.8 million people in the United States are affected by cancer — most commonly cancers of the breast, lung, prostate, and blood cancers such as leukemia. While not everyone overcomes the disease, thanks to science, more people are surviving — and for longer — than ever before in history.

We asked three people whose lives have been impacted by cancer to share their stories – how their lives were changed by the disease, and how they’re using that experience to change the future of cancer treatments with the hope that ultimately, in the fight against cancer, science will win. Here’s what they had to say.

Celine Ryan, 55, engineer database programmer and mother of five from Detroit, MI

Photo courtesy of Celine Ryan

In September 2013, Celine Ryan woke up from a colonoscopy to some traumatic news. Her gastroenterologist showed her a picture of the cancerous mass they found during the procedure.

Ryan and her husband, Patrick, had scheduled a colonoscopy after discovering some unusual bleeding, so the suspicion she could have cancer was already there. Neither of them, however, were quite prepared for the results to be positive — or for the treatment to begin so soon. Just two days after learning the news, Ryan had surgery to remove the tumor, part of her bladder, and 17 cancerous lymph nodes. Chemotherapy and radiation soon followed.

Ryan’s treatment was rigorous – but in December 2014, she got the devastating news that the cancer, once confined to her colon, had spread to her lungs. Her prognosis, they said, was likely terminal.

But rather than give up hope, Ryan sought support from online research, fellow cancer patients and survivors, and her medical team. When she brought up immunotherapy to her oncologist, he quickly agreed it was the best course of action. Ryan’s cancer, like a majority of colon and pancreatic cancers, had been caused by a defect on the gene KRAS, which can result in a very aggressive cancer that is virtually “undruggable.” According to the medical literature, the relatively smooth protein structure of the KRAS gene meant that designing inhibitors to bind to surface grooves and treat the cancer has been historically difficult. Through her support systems, Ryan discovered an experimental immunotherapy trial at the National Institutes of Health (NIH) in Bethesda, MD., and called them immediately to see if she was eligible. After months of trying to determine whether she was a suitable candidate for the experimental treatment, Ryan was finally accepted.

The treatment, known as tumor-infiltrating lymphocyte therapy, or TIL, is a testament to how far modern science has evolved. With this therapy, doctors remove a tumor and harvest special immune cells that are found naturally in the tumor. Doctors then grow the cells in a lab over the next several weeks with a protein that promotes rapid TIL growth – and once the cells number into the billions, they are infused back into the patient’s body to fight the cancer. On April 1, 2015, Ryan had her tumor removed at the NIH. Two months later, she went inpatient for four weeks to have the team “wash out” her immune system with chemotherapy and infuse the cells – all 148 billion of them – back into her body.

Six weeks after the infusion, Ryan and Patrick went back for a follow-up appointment – and the news they got was stunning: Not only had no new tumors developed, but the six existing tumors in her lungs had shrunk significantly. Less than a year after her cell infusion, in April 2016, the doctors told Ryan news that would have been impossible just a decade earlier: Thanks to the cell infusion, Ryan was now considered NED – no evaluable disease. Her body was cancer-free.

Ryan is still NED today and continuing annual follow-up appointments at the NIH, experiencing things she never dreamed she’d be able to live to see, such as her children’s high school and college graduations. She’s also donating her blood and cells to the NIH to help them research other potential cancer treatments. “It was an honor to do so,” Ryan said of her experience. “I’m just thrilled, and I hope my experience can help a lot more people.”

Patrice Lee, PhD, VP of Pharmacology, Toxicology and Exploratory Development at Pfizer

Photo courtesy of Patrice Lee

Patrice Lee got into scientific research in an unconventional way – through the late ocean explorer Jacques Cousteau.

Lee never met Cousteau but her dreams of working with him one day led her to pursue a career in science. Initially, Lee completed an undergraduate degree in marine biology; eventually, her interests changed and she decided to get a dual doctoral degree in physiology and toxicology at Duke University. She now works at Pfizer’s R&D site in Boulder, CO (formerly Array BioPharma), leading a group of scientists who determine the safety and efficacy of new oncology drugs.

“Scientists focused on drug discovery and development in the pharmaceutical industry are deeply committed to inventing new therapies to meet unmet needs,” Lee says, describing her field of work. “We’re driven to achieve new medicines and vaccines as quickly as possible without sacrificing safety.”

Among the drugs Lee has helped develop during her career, including cancer therapies, she says around a dozen are currently in development, while nine have received FDA approval — an incredible accomplishment as many scientists spend their careers without seeing their drug make it to market. Lee’s team is particularly interested in therapies for brain metastases — something that Lee says is a largely unmet need in cancer research, and something her team is working on from a variety of angles. “Now that we’ve had rapid success with mRNA vaccine technology, we hope to explore what the future holds when applying this technology to cancers,” Lee says.

But while evaluating potential cancer therapies is a professional passion of Lee’s, it’s also a mission that’s deeply personal. “I’m also a breast cancer survivor,” she says. “So I’ve been on the other side of things and have participated in a clinical trial.”

However, seeing how melanoma therapies that she helped develop have affected other real-life cancer patients, she says, has been a highlight of her career. “We had one therapy that was approved for patients with BRAF-mutant metastatic melanoma,” Lee recalls. “Our team in Boulder was graced by a visit from a patient that had benefited from these drugs that we developed. It was a very special moment for the entire team.”

None of these therapies would be available, Lee says without rigorous science behind it: “Facts come from good science. Facts will drive the development of new drugs, and that’s what will help patients.”

Chiuying “Cynthia” Kuk (they/them) MS, 34, third-year medical student at Michigan State University College of Human Medicine

Photo courtesy of Cynthia Kuk

Cynthia Kuk was just 10 years old when they had a conversation that would change their life forever.

“My mother, who worked as a translator for the government at the time, had been diagnosed with breast cancer, and after her chemotherapy treatments she would get really sick,” Kuk, who uses they/them pronouns, recalls. “When I asked my dad why mom was puking so much, he said it was because of the medicine she was taking that would help her get better.”

Kuk’s response was immediate: “That’s so stupid! Why would a medicine make you feel worse instead of better? When I’m older, I want to create medicine that won’t make people sick like that.”

Nine years later, Kuk traveled from their native Hong Kong to the United States to do exactly that. Kuk enrolled in a small, liberal arts college for their Bachelor’s degree, and then four years later started a PhD program in cancer research. Although Kuk’s mother was in remission from her cancer at the time, Kuk’s goal was the same as it had been as a 10-year-old watching her suffer through chemotherapy: to design a better cancer treatment, and change the landscape of cancer research forever.

Since then, Kuk’s mission has changed slightly.

“My mom’s cancer relapsed in 2008, and she ended up passing away about five years after that,” Kuk says. “After my mom died, I started having this sense of urgency. Cancer research is such that you work for twenty years, and at the end of it you might have a fancy medication that could help people, but I wanted to help people now.” With their mother still at the forefront of their mind, Kuk decided to quit their PhD program and enter medical school.

Now, Kuk plans to pursue a career in emergency medicine – not only because they are drawn to the excitement of the emergency room, but because the ER is a place where the most marginalized people tend to seek care.

“I have a special interest in the LGBTQ+ population, as I identify as queer and nonbinary,” says Kuk. “A lot of people in this community and other marginalized communities access care through the ER and also tend to avoid medical care since there is a history of mistreatment and judgement from healthcare workers. How you carry yourself as a doctor, your compassion, that can make a huge difference in someone’s care.”

In addition to making a difference in the lives of LGBTQ+ patients, Kuk wants to make a difference in the lives of patients with cancer as well, like her mother had.

“We’ve diagnosed patients in the Emergency Department with cancer before,” Kuk says. “I can’t make cancer good news but how you deliver bad news and the compassion you show could make a world of difference to that patient and their family.”

During her training, Kuk advocates for patients by delivering compassionate and inclusive care, whether they happen to have cancer or not. In addition to emphasizing her patient’s pronouns and chosen names, she asks for inclusive social and sexual histories as well as using gender neutral language. In doing this, they hope to make medicine as a whole more accessible for people who have been historically pushed aside.

“I’m just one person, and I can’t force everyone to respect you, if you’re marginalized,” Kuk says. “But I do want to push for a culture where people appreciate others who are different from them.”

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Welcome To The Internet, Where Bo Burnham Is Releasing His ‘Inside’ Comedy Special As An Album

Welcome to the internet, where all anyone can talk about is Bo Burnham: Inside. Filmed in quarantine, the special “exists at the cross-section of comedy, anger, and stir craziness while wrapping moments of pathos and eviscerating social commentary with colorful kaleidoscopic projections and musical vivacity,” as our own Jason Tabrys wrote in his glowing review. In other words, it’s very good. Also, there’s a song about every white woman’s Instagram with the lyric, “Some random quote from Lord of the Rings / Incorrectly attributed to Martin Luther King / Is this heaven?” Like I said, very good.

Inside is also being released as an album, which is excellent news for everyone who’s had “How the World Works” stuck in their head for the last two weeks (justice for Socko). “inside (the songs) is out as an album on thursday. sorry for the delay,” Burnham tweeted along with a link to the album, which will be available on Spotify, Apple Music, and Tidal.

Netflix hasn’t revealed how many subscribers have watched Bo Burnham: Inside since it came out, but the official “Welcome to the Internet” video has 4.3 million views on Netflix’s YouTube channel and Google searches for the word “derealization,” which Burnham mentions in the special, have spiked this month. Thank you for the content, Bo.