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Jrue Holiday Just Wants The Playoffs To Start

Milwaukee Bucks guard Jrue Holiday is champing at the bit for the NBA playoffs. Holiday, who spoke to Dime before the end of the regular season, compared the 2020-21 season to the lockout-shortened campaign, calling the last year “exhausting.” His hope is that the playoffs, while more intense on-court, will offer some kind of reprieve.

“I think navigating the schedule is the biggest, not traveling as much,” Holiday says. “Which, again, it seemed like we were never home this year, which, I’m pretty sure everyone has felt that way. But just the games and the back-to-backs and just how the schedule went, it was like, ‘Man, I don’t who hated us, but our schedule was terrible.’ Mentally, I think for the playoffs you get kind of locked in and everything. But there’s just this extra energy that the playoffs bring, so I’m just kind of looking forward to that.”

Holiday spoke to Dime on behalf of Ripple Foods to talk his partnership with the company, their plant-based protein shakes, his approach to nutrition, possible NBA rule changes, and more.

How has nutrition evolved over time for you as you’ve been in the league longer and learned more about health and fitness?

It’s been huge. I came in at 18 or 19, and when you’re a young kid like that, for one, you bounce back quick, and you don’t really watch what you eat. You feel the same every single day. Whether you play or not, you can go out and eat McDonald’s. I’ve eaten a whole pack of Honey Buns in one sitting and been fine at 19, 20 years old. But as the years went on, and I’m in year 12 now, I would say in year six or year seven I started having injuries and I had surgeries and I had to really start thinking about my nutrition and my body and what I was putting into my body. That’s where it started, it started just with being injured and knowing more about my body when it came to fitness and nutrition.

Now, I’m not plant based, but I do my best to be able to put the best things in my body. We’re like cars, right? We are Ferrari’s and you always put the best thing in these types of cars, and that’s how I treat my body and how I do it with my family, too, just to make it easier for all us to be on the same page.

How does it work in a pandemic? Is it even more challenging, because this season is such a grind?

No, it’s easier. I think once you find great products — like this Ripple product, who has a plant-based alternative focus — it makes it easy. Sometimes, when I’d have dairy, I’d get really mucus-y. Now that I use a product like this, I feel like I have more energy, I sleep better, I feel like the way I recover is way better. And again, it makes it easier because my whole family does it. It’s not just me. I have accountability. I think the best part is probably being able to fill the [benefits] of it and feel better. I feel like for an athlete, that’s huge. Again, I’ve been injured plenty of times, but to be able to recover as fast as I do in my 12th year is huge, especially in a season like this.

Walk me through a game day. What does your pre-game, your post-game, and everything else look like in terms of what you’re eating and working out, aside from playing the game itself.

When I wake up, what I have for breakfast is oatmeal. I’m pretty true to that. For shootaround, before shootaround, I get in there, get treatment. I end up doing a lift and then after the lift, I have one of these Ripple protein shakes. Vanilla is my favorite one. After that, we go through walkthrough, we go through the other team’s stuff, get our shots up and then I go back and take a nap. And then before the game, I usually eat a penne pasta with some pesto sauce and get my protein in there, too. I play the game. And then after the game, I have another Ripple shake to put proteins and minerals and vitamins back in my body so I can recover as quickly as possible.

When you’re on the road, is there someone on the Bucks staff that is responsible for having your Ripple shakes on the plane so that when you to Cleveland or New York or wherever you’re going, you can stick to this routine?

Ya. You make me sound bougie or high maintenance. [laughs]

I would be doing the same thing, 100 percent. You have enough to worry about. You have defensive assignments to worry about and schemes. Just have someone else get the shakes.

Ya. So it’s usually right after the game and they have it right there and it’s chilled and ready to go. Right after the game as I’m icing down and just cooling down after the game. Our training staff does a great job of that. Different people have different things, but mine is carrying the Ripple shakes with them. I get it after the game and for an away game, hoping on the plane, I feel like I feel the [benefits] right away. Like you said, a lot of times I’m defending somebody hard and it’s a tough game and then just to be able to have those aches and pains decreased because of something like this and what you put in your body is huge.

What is in your morning oatmeal?

Oats, blackberries, and a nut medley.

Like actual nuts and not a nut butter? I ask because I’m a big nut butter guy, maybe with some berries or zucchini.

Ya, actual nuts, ya.

As far as dairy-free goes, and I know you’re not dairy-free fully — why does it resonate with you and why is it something you’ve embraced?

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For me, it started off with my daughter having ear infections and we went somewhere and they thought it was the dairy and milk. We needed an alternative. Ripple has Ripple Kids where it’s dairy free and done the right way. And when it’s done the right way, you don’t taste the difference, you don’t lose anything. You get the 20 grams of plant-based protein in every bottle and it’s not chalky or gritty at all, which is super important for someone who is trying to find an alternative. You want something that you like.

For me, this is the right product. It’s allergen and GMO-free. I have a niece who has a nut allergy and for her to be able to drink this kind of milk, it’s super huge. That’s kind of where it started and, from there, even just diving deeper into my nutrition and everything like that, this has because a constant in my diet.

You’ve mentioned your family a few times and your wife, Lauren, was obviously a high level athlete. How helpful is it for you to be doing this with your family as a unit vs. you on your own?

It’s a lot easier. Again, my wife is THE athlete of my family. Even before I knew her, she was really into nutrition and what she put in her body, so that made it easier for me. Now that she cooks and does all that kind of stuff, she makes quite a bit of the decisions on what we eat. So for us to keep each other accountable and for me and my wife to do the things we want to do athletically, it’s needed.

My wife is going to run a marathon. For us to hold each other accountable, I feel like it’s a huge. Not only that, but we’ve passed it down to my daughter and will to my son once he’s old enough to drink or have different kinds of products. Right now, he’s still on breast milk. We pass it through to the family and it’s just a lot easier to do it all at once. And also, it takes the temptation out of it. When you go to the store and we say, “Nah, we’re not going to get that one, we’re going to get this one,” that’s our lifestyle.

As a quick follow-up: do you think you’ll ever run a marathon?

No. [Laughs] That’s an easy no. Being a soccer player and her running and doing all that, she enjoys running. She enjoys it and is good at it. I also run a lot, but I run with a basketball. I don’t really see a point of me running if I don’t have a ball. [Laughs]

Ya, like you’re sprinting more vs. a soccer game where you’re maybe jogging a little bit more. It feels almost like the way your body reacts to soccer is more akin to running. That’s not scientific or anything, it just makes sense in my brain.

For sure. Definitely different sports. When my wife tries to get me to run in the offseason, like a jog around the neighborhood or something, I definitely give her a hard time. I end up doing it, but I give her a hard time. Then after I’m like, “I don’t know why you enjoy doing this.” Sometimes it’s nice and it’s nice outside and nice weather and everything. But for the most part, I’m like, “I’m just trying to get this over with.” [Laughs]

Are there any other Bucks, any of your teammates, that are into dairy-free or some kind of clean diet?

Quite a few. One of the biggest ones is Khris Middleton, who completely changed his diet. I don’t think he’s plant based completely, either. But he’s dang near close to it. I feel like we average about the same amount of minutes and we’re playing most of the game. Hopefully this year, we’re going deep into the playoffs and we have to keep our bodies up and right for that. Khris Middleton is definitely one who watches his diet probably the most out of anyone I can think of.

Is nutrition and general well-being that is more broadly discussed now in the Bucks locker room or with other guys in the league now more than even like five years ago?

For sure. Especially when you have products that are good substitutes for beef, chicken, things like that. We all definitely do talk about it because for one, we do want to be able to perform. That’s why I’m with Ripple and we partnered. But when it comes to longevity, these are the conversations that we have. To be able to look back and know that, at this time, I changed my diet and started drinking Ripple or started using this product and even feeling better the next day after a game and being able to recover, it’s huge because you want to be able to play basketball as long as you can.

And you want to be healthy and strong as long as you can. Even five years ago, being able to lift was a big deal. At first, I thought people were thinking that it doesn’t work because you’re not going to be strong enough, not get enough protein in. And at that point, it’s not true anymore. This Ripple product gives you the same amount of protein as regular milk does. So I think to have this substitute is awesome. But at the same time, it’s about longevity and maximizing how much money you can make, and really, it’s about your legacy. Being able to go as long as you can and just showing the world you can do.

I know you recently talked to Chris Haynes about Defensive Player of the Year. Do you feel like with guys like you who play on the perimeter, and are extremely versatile, and switch so much, maybe people with votes or the “media” are missing something in identifying Turner or Gobert or Embiid or Capela as candidates vs. perimeter guys?

I mean personally, I think so. It’s nothing against the big guys or the shot blockers. I think to be able to have to pick somebody up 94 feet is a lot. A lot of the best players in the world are perimeters. And even the best bigs step out to the perimeter now.

But a lot of the best players in the world are perimeters where you have to guard them 94 feet, you have to fight over screens. You have to be able to guard them one-on-one from 35, 40 feet out. And then a lot of them post up to and you have to guard them in the post.

So, ya, I just feel like a lot of bigs who are great at blocking shots and protecting the rim and the basket don’t necessary have to go through the same thing that a guard or perimeter player has to go through because they don’t have to fight over screens. Maybe Joel Embiid or someone like would shoot for 40 feet, but he doesn’t really do that. Steph is doing that at a very high rate. Dame is doing that at a very high rate. I think it’s different and maybe it’s a little more difficult to be a guard than a big.

As I told you, I primarily cover the Cavs and I watch Isaac Okoro defend guys like you, Harden, KD, Kyrie night after night. He’s doing what he’s supposed to do — fight over screens, get his hands up — and it doesn’t matter because the skill level is so high. Is perimeter defense as it seems to me on the outside covering the game?

Yes, it is. It’s a lot of studying. It’s a lot of being able to know tendencies. And it’s a lot of effort. Most of the time, someone like myself is not just playing defense. I’m also on offense and I have to score as well. I have to run the team, I have to get in some sets. I have to make sure people are getting their shots. I feel like that also helps the argument of defenses is just really, really hard.

And again, a lot of the guys you just named are perimeter players. Let’s talk about the Nets going from Kevin Durant to James to Kyrie all in one game. It’s very, very difficult to deal with and then you still have to go down to the other end and score. It’s about effort. It’s about pride and wanting to do your best to slow somebody done because in the game today, you’re not stopping anybody from scoring.

Woj reported that the NBA is planning to address the “unnatural shooting motions” of guys like Harden and Trae Young, Kevin Love does this as well. A) How much easier would your life be if that’s phased out and, B) how frustrating is that for your when that call happens in the game?

A, my life would be a lot easier. [Laughs] B, I think that’s it a really tough call because sometimes, as a defender, you might be leaning into the guy. I feel like it’s a really hard call to make. So it should just be consistent and just be one way, because there are times when the guy is straight up and the offensive player makes the contact and then I get penalized for that. That’s not fair, in my opinion. But other times, it’s a smart play because you’ve outwitted the defender. To take it way, I’m not really sure they’ll ever take it away. I do feel like the things the NBA does now is to speed up the game and that’s something that slows the game down. So maybe they will change it.

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The ‘Parks And Recreation’ Band Mouse Rat Is Actually Releasing A Real Album

Parks And Recreation aired its final episode in 2015, but the beloved TV hit is remembered fondly and remains a favorite today. The show offered fun for music fans as well, most notably via the fictional band Mouse Rat, led by Chris Pratt’s eternally lovable Andy Dwyer. Now, Mouse Rat isn’t quite so fictional anymore: The band is actually releasing a real album, The Awesome Album, on August 27 via Dualtone and Entertainment 720 (the latter of course being the fictional company in the show that’s run by Aziz Ansari’s Tom Haverford).

The news is also accompanied by a new video for the band’s biggest hit, “5,000 Candles In The Wind (Bye Bye Li’l Sebastian).” There’s significance to the song being shared today, as today is the tenth anniversary of the track’s debut performance at Li’l Sebastian’s funeral.

They also got Pawnee news anchor Perd Hapley to announce the release:

Aside from Mouse Rat, the album also features contributions from Duke Silver (the jazz-playing alter-ego of Nick Offerman’s character Ron Swanson), Scott Tanner (a popular Pawnee musician portrayed by Wilco’s Jeff Tweedy), and Tanner’s band Land Ho! (which famously reunited at the Pawnee-Eagleton Unity Concert).

The press release announcing the album is full of gems for fans of the show to appreciate. For example, it lists all of Dwyer’s former bands: “A.D And The D Bags, The Andy Andy Andies, Andy Dwyer Experience, Angelsnack, Crackfinger, Death Of A Scam Artist, Department Of Homeland Obscurity, Everything Rhymes With Orange, Fiveskin, Flames For Flames, Fleetwood Mac Sexpants, Fourskin, God Hates Figs, Handrail Suicide, Jet Black Pope, Just The Tip, Malice In Chains, Muscle Confusion, Ninjadick, Nothing Rhymes With Blorange, Nothing Rhymes With Orange, Penis Pendulum, Possum Pendulum, Punch Face Champions, Puppy Pendulum, Radwagon, Razordick, Scrotation Marks, Tackleshaft, Teddy Bear Suicide, Threeskin, Two Doors Down, and Scarecrow Boat.”

It also includes a quote from Dualtone president Paul Roper about working with Entertainment 720 and Haverford to release the album:

“Any creative business coming out of Pawnee is tied to Haverford. From Rent-a-Swag to Tommy Fresh cologne and Tom’s Bistro, not to mention his business ideas not yet formed like the scented phone, talking tissues, contact lenses that display text messages and the glitter-infused laundry detergent Sparkle Suds, partnering with Entertainment 720’s hype machine was essential. The man is an idea factory.

This is about the team as much as it is the music. Andy’s wife and manager April Ludgate Dwyer is a marketing genius. Selling CDs at the Parks and Recreation shoeshine stand for $18 each, $40 for the set?? I don’t know anyone else who could pull that off.”

Watch the “5,000 Candles In The Wind (Bye Bye Li’l Sebastian)” video above. Below, find the The Awesome Album art and tracklist.

Dualtone/Entertainment 720

1. “5,000 Candles in the Wind (Bye, Bye Li’l Sebastian)”
2. “The Pit”
3. “Sex Hair”
4. “Catch Your Dream” Feat. Duke Silver
5. “Two Birds Holding Hands”
6. “Ann Song”
7. “The Way You Look Tonight”
8. “Menace Ball”
9. “Remember”
10. “I Get A Kick Out Of You”
11. “Lovely Tonight”
12. “I’ve Got You Under My Skin ”
13. “I Only Have Eyes For You”
14. “Pickled Ginger” (performed by Land Ho!)
15. “Cold Water” (Scott Tanner Feat. Duke Silver)

The Awesome Album is out 8/27 via Dualtone/Entertainment 720. Pre-order it here.

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Phoebe Bridgers Devours Jackson Browne’s Organs In His ‘My Cleveland Heart’ Video

Jackson Browne has released a video to his breezy tune “My Cleveland Heart” and it features a recognizable face: The singer tapped none other than Phoebe Bridgers to play a cannibal nurse in his eerie visual.

The “My Cleveland Heart” video was directed by Alissa Torvinen, who handled Bridgers’ “I Know The End” visual. It opens with Browne being wheeled into surgery at a hospital. The doctors, who are played by Browne’s bandmates, remove the singer’s heart to replace it with a high-tech artificial organ. Browne’s real heart is then handed to Bridgers who, dressed up as a nurse, begins to devour it in the corner of the room.

In a statement about the visual given to Rolling Stone, Browne said Bridgers (with whom he has previously collaborated on multiple occasions) was the obvious casting choice. “It was the most fun I’ve ever had making a video,” he said. “I’m a big fan of Phoebe, so I picked Alissa. And then it was really sort of in the last days of planning that someone said, ‘Phoebe could be one of these nurses.’ From there, it was pretty much improvised. I thought it was really appropriate to take out my worn-out, useless heart and hand it to Phoebe. Who better to hand [it] to than somebody young, strong, and possibly as cynical as me?”

Watch Bridgers’ cameo in Browne’s “My Cleveland Heart” video above.

Jackson Browne is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Here’s Everything New On Netflix In June 2021, Including ‘Lupin,’ ‘Sweet Tooth, And ‘Black Summer’

Netflix is cruising into summer with more than the traditional action fare that we typically see in theaters. Of course, this year is anything but typical, and the streaming service is determined to give us more content than we could possibly dream of consuming. It’s a wonderful dilemma to have, and there’s a ton of variety coming this month, including a few Sailor Moon movies and four other projects that we’ve highlighted below, along with including the entire list of massive offerings from Netflix.

The most bingeworthy selections here include a return of the French gentleman thief that captivated audiences earlier this year. We’ll also see the launch of a Robert Downey Jr.-produced fantasy-adventure, comic-book adaptation series, and Kevin Hart gets down in a project that’s very unlike what you’ve seen him do before now. A sleeper zombie-apocalypse show also returns for more scrambling-scavenger madness, and in short, you will probably not regret investing time on any of these four top picks.

Here’s everything coming to (and leaving) Netflix in June.

Lupin: Part 2 (Netflix series streaming 6/11)

This (the fancy French heist show starring Omar Sy) turned out to be a smash hit for Netflix in January. The overwhelming reaction even led the streamer to hustle fast to release Part 2, so that everyone could see how the beloved gentleman burglar would take revenge (against Hubert Pelligrini) for the abduction of his son, and by the way, we could probably use a lot more heisting as well? Give it to us. Of course, after that train-station switcheroo in last season’s finale, we can expect police to redouble their efforts. So, Assane reenters as the most wanted man in France, and of course, he’ll tempt fate while executing a new plan that puts himself at risk. Along the way, black tie events, high-speed car chases, speeding motorboats, thrown punches, and a trip to the catacombs are in the cards. Everyone will eventually learn that they should never underestimate our protagonist because, my god, he never runs out of energy or ingenuity. “Nothing but magic,” as we hear Omar Sy say at the end of the trailer.

Sweet Tooth (Netflix series streaming 6/4)

Team Downey (Robert Jr. and Susan) brings us this awe-inspiring story based upon a comic-book (that ran under DC’s Vertigo imprint) by creator Jeff Lemire, who whipped up a post-apocalyptic fairytale about what happens when a great sickness (which is poorly dealt with by humans) ends with a miracle. In this case, this would be the appearance of “hybrids,” babies who are born half-human and half-animal, and we’ll meet a young deer-boy, Gus, (Christian Convery), who teams up with a reluctant protector, Tommy Jepperd (Nonso Anozie), for a cross-country quest. The comic has been described as “Mad Max Meets Bambi,” and Will Forte also plays a small role. You’re in for a real (sweet) treat if you surrender to this adventure.

Black Summer: Season 2 (Netflix series streaming 6/17)

Netflix hasn’t yet released the trailer for this zombie series’ sophomore season, so please enjoy revisiting the trailer for the show’s debut, which ended up being the show that Fear The Walking Dead fans would have preferred before the AMC spinoff series improved dramatically this year. With that said, this is a quick-and-dirty crowd pleaser of a series, which includes the obligatory “guy who tries to hide his zombie bite” moment while attempting to flee to safety within a crowd of survivors. How that’s handled is necessarily brutal, as is the rest of the series, and expect a new batch of episodes full of cold-blooded fresh challenges while violent militias get down with their bad selves.

Fatherhood (Netflix film streaming 6/18)

Kevin Hart puts away the funnyman vibes (well, at least partially) for this rather serious take on fatherhood. The laughs that do occur will be both bittersweet and heartwarming, given that Hart plays a widower who must learn to raise his daughter all by himself. The trailer reveals that he’s taking a swing at honest-to-god acting, and this film is part of Netflix’s promise to release at least one original film per week for the whole of 2021. That’s quite a feat, and this movie will be a nice break from the non-stop action movies that traditionally fill the summer schedule.

Here’s the full list of titles coming to Netflix in June:

Avail. TBA
Ali & Ratu Ratu Queens
Jiva!
Ray
Record of Ragnarok
So Not Worth It

Avail. 6/1
Super Monsters: Once Upon a Rhyme
Abduction
American Outlaws
Bad Teacher
Black Holes | The Edge of All We Know
CoComelon: A Sunny Day for Play
Cradle 2 the Grave
Flipped
Fools Rush In
Happy Endings
: Season 1
Happy Endings: Season 2
Happy Endings: Season 3
I Am Sam
Love Jones
Million Dollar Baby
Ninja Assassin
Seven Souls in the Skull Castle: Season Moon Jogen
Seven Souls in the Skull Castle: Season Moon Kagen
Stand by Me
Starsky & Hutch
Streets of Fire
Swordfish
The Adventures of Sonic the Hedgehog
: Season 1
The Best Man
The Big Lebowski
The Wedding Guest
The Wind
What Women Want

Avail. 6/2
2 Hearts
Alone
: Season 7
Carnaval
Kim’s Convenience
: Season 5

Avail. 6/3
Alan Saldaña: Locked Up.
Creator’s File: GOLD
Dancing Queens
Pretty Guardian Sailor Moon Eternal The Movie: Part 1 / Part 2
Summertime
: Season 2

Avail. 6/4
Breaking Boundaries: The Science of Our Planet
Feel Good
: Season 2
Sweet Tooth
Trippin’ with the Kandasamys
Xtreme

Avail. 6/5
Kitty Love: An Homage to Cats

Avail. 6/7
Vampire Academy

Avail. 6/9
Awake
Fresh, Fried & Crispy
L.A.’s Finest: LA’s Finest
: Season 2
Tragic Jungle

Avail. 6/10
A Haunted House 2
Camellia Sisters
Locombianos

Avail. 6/11
Love (ft. Marriage and Divorce): Season 2
Lupin: Part 2
Skater Girl
Trese
Wish Dragon

Avail. 6/13
The Devil Below
Picture a Scientist

Avail. 6/14
Elite Short Stories

Avail. 6/15
FTA
Let’s Eat
Life of Crime
Power Rangers Dino Fury
: Season 1
Rhyme Time Town: Season 2
Sir! No Sir!
Unwind Your Mind
Workin’ Moms
: Season 5

Avail. 6/16
Lowriders
Penguin Town
Silver Skates

Avail. 6/17
Black Summer: Season 2
The Gift: Season 3
Hospital Playlist: Season 2
Katla
Silver Linings Playbook

Avail. 6/18
A Family
Elite
: Season 4
Fatherhood
Jagame Thandhiram
The Rational Life
The World’s Most Amazing Vacation Rentals

Avail. 6/19
Nevertheless

Avail. 6/22
This Is Pop

Avail. 6/23
Good on Paper
The House of Flowers: The Movie
Murder by the Coast
Too Hot to Handle
: Season 2

Avail. 6/24
Godzilla Singular Point
The Naked Director
: Season 2
The Seventh Day
Sisters on Track

Avail. 6/25
The A List: Season 2
The Ice Road
Sex/Life

Avail. 6/26
Wonder Boy

Avail. 6/28
Killing Them Softly
The Seven Deadly Sins: Dragon’s Judgement

Avail. 6/29
StarBeam: Season 4

Avail. 6/30
America: The Motion Picture
Lying and Stealing
Sophie: A Murder in West Cork

Here’s the full list of titles leaving Netflix in June:

Leaving 6/1
Alone: Season 6
Mother Goose Club: Seasons 1-2

Leaving 6/4
Hannibal: Seasons 1-3

Leaving 6/6
Searching for Bobby Fischer

Leaving 6/9
Portlandia: Seasons 1-8

Leaving 6/17
Bob Lazar: Area 51 & Flying Saucers

Leaving 6/21
Dark Skies

Leaving 6/26
The Secret Life of Pets 2

Leaving 6/27
20th Century Women
Tales of the City (1993): Season 1

Leaving 6/28
Bratz: The Movie

Leaving 6/30
30 Minutes or Less
A Bridge Too Far
Acts of Violence
Back to the Future
Back to the Future Part II
Back to the Future Part III
Bonnie and Clyde
Cloudy with a Chance of Meatballs
Crazy, Stupid, Love
Enter the Dragon
Fiddler on the Roof
From Paris with Love
Gothika
Immortals
Invictus
Jason X
Leprechaun
Scarface
Tayo the Little Bus
: Seasons 2-3
The Accountant of Auschwitz
The Girl with the Dragon Tattoo
The Land Before Time
The Land Before Time II: The Great Valley Adventure
The Roommate
The Twilight Zone (Original Series)
: Seasons 1-5
Training Day
Twin Peaks
: Seasons 1-2
Two Weeks Notice

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Mereba Celebrates A Limitless Love In The Sun-Drenched ‘Rider’ Video

After contributing to the group success of Spillage Village’s spiritual 2020 album Spilligion, mystic crooner Mereba is preparing for the release of her EP AZEB. Today, she released the video for the lead single, “Rider,” in which she describes the search for a limitless but meaningful love — someone who will be there through thick and thin, ie., a “rider.” The video is a sun-washed representation of such a love, with couples dancing in the desert as Mereba sings before a picturesque sunset.

Although Mereba is likely still best known for her contributions to Spillage Village songs like “Hapi” and her recent appearance on Reason’s “Westside,” she’s a more than accomplished artist in her own right. Her 2019 debut album The Jungle Is The Only Way Out was hailed by those in the know, and with R&B’s increased prominence in the pop culture landscape, it’s only a matter of time until she receives commensurate notice for her solo talents.

In a recent interview with Vince Staples, with whom she collaborated on the Queen & Slim soundtrack song “Yo Love,” she described the process of recording the upcoming EP:

It’s called Azeb, which is my middle name, and the name that my father called me. It’s an Ethiopian name… People passing through a town or village and asking, “How do I get to this region of Ethiopia?”—they’ll use the word “azeb” and point to a place in the sky. I felt as I was writing songs last year that they were helping me figure out and sort through the things I was feeling about what was happening in the world. They started being my guide. I was also inspired by Nina Simone, who said, “It’s an artist’s duty to reflect the times.” I always end up putting current events, or things that are happening in the world, into my music. But this project also encompasses the more universal parts of human existence, like being in love and being hopeful in the midst of whatever else is going on, because that’s a survival tactic, to have hope and faith that things are going to get better.

Watch Mereba’s “Rider” video above.

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Miss Minutes Finally Speaks In The New Teaser For Disney+’s ‘Loki’ Series

Disney+ has been slowly pulling back the curtain on its upcoming Marvel series, Loki, and now, fans are finally starting to get some answers about the weird animated clock that’s been showing up in promotional materials. In a new teaser specifically titled “Miss Minutes,” Tom Hiddleston’s Loki receives instructions from the (chipper) cartoon clock as it speaks amid the ominous ambience at the Time Variance Authority. Even the centuries-old Trickster God is freaked out by his predicament as he gets stripped naked and watches as his fellow “inmates” are instantly vaporized for the smallest infraction.

The minute-long teaser also packs a surprising amount of action (and comedy) into the short clip as it provides an even deeper look into the TVA headquarters. That’s where Owen Wilson’s Agent Mobius is hoping to use Loki to fix the timeline, which he ruptured when he stole the Tesseract in Avengers: Endgame and remained on the loose.

Basically, Loki jacked up time, but there are very understandable concerns at the TVA about trusting him to make things right. However, the new teaser further reinforces that Wilson’s Agent Mobius seems to trust the God of Mischief completely and even hands him his trademark knives without reservations, although Loki is relieved of those knives by another TVA agent who knows better than to trust the silver-tongued Asgardian.

Loki premieres Wednesday, June 9 on Disney+.

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The Split Response To ‘The Off-Season’ Shows Why J. Cole Is The Zack Snyder Of Hip-Hop

Last Friday, J. Cole released his long-awaited album The Off-Season after coming off the warmly received Dreamville compilation Revenge Of The Dreamers and a string of projects that have endeared him to fans as they’ve alienated him from critics. This Friday, Zack Snyder will see the release of his long-awaited return to the zombie genre, Army Of The Dead on Netflix after coming off the warmly received Justice League redemption experiment “The Snyder Cut” and a string of projects that have endeared him to fans as they’ve alienated him from critics. I like cosmic coincidences like this because they make it so much easier to illustrate the lines of thinking that lead to someone (me) declaring J. Cole “the Zack Snyder of hip-hop.”

By now, there are enough reviews of The Off-Season out to make some general observations. While Cole’s fans were obviously very excited about the project, running up its streams enough to make it an early frontrunner for best-selling album of the year, many critics were… shall we say “lukewarm” on the whole affair. The thing is fine and serviceable and even pretty good a bunch of times but the response is disproportionate to the craft. I suspect something very similar will happen with Army Of The Dead this week, as Snyder’s very own army of fans keep it somewhere in Netflix’s top 5 over the course of the weekend while any critics who didn’t get advance screeners will probably question its dialogue, plotting, and the general ludicrousness of its premise, which is that zombies are not just undead, but also have their own society and are kinda hot. Trust me, it gets weird.

That’s certainly the response I saw to the Justice League Snyder Cut, which was four hours long when it didn’t need to be and the nicest thing anyone could find to say about it was that it made more sense than the theatrical version. Ask a random comic book movie fan on Twitter, though — or worse, deign to point out the many, many flaws still readily apparent in the still incredibly drab, self-serious, and borderline pretentious (*ancient lamentation intensifies*) production — and those fans will talk about it like it’s the pinnacle of filmmaking and woe be unto anyone who even thinks of disagreeing. There’s a similar effect with Cole fans, who are nearly guaranteed to accuse you of being Lil Pump’s biggest fan if you express your legitimate quibbles with his work (apparently, they didn’t get the memo that that particular “beef” is over).

Meanwhile, rewinding all the way back to each auteur’s breakthrough work, the parallels multiply. When J. Cole dropped The Warm Up way back in 2009, it was hailed as a smart update on the lyrically-focused, socially conscious backpack rap that had obviously inspired it. Likewise, the 2004 remake of Dawn Of The Dead wowed audiences with its terror-inducing fast revenants, modernizing — and dare I say, resurrecting — a desiccated genre for a more cynical generation. However, both works had their detractors, too. For as beloved as Cole’s mixtape was, there were some who thought it lacked substance in favor of recreating the late ’90s aesthetic the rapper so obviously worshipped, without the incisive insights and unpredictable wit of the projects it aped. Dawn Of The Dead, likewise, was considered inferior to the 1978 George Romero original, which had the benefit of Romero’s biting satire of the then-emerging consumer culture and building on its predecessor’s (Night Of The Living Dead) racial commentary.

This is where the critics and fans tend to diverge, I think. For a critic, who may have a more extensive background than the average fan, the frame of reference is different. With a broader foundation of works to compare and contrast, it’s easier to pull examples of things each artist tries to do or moments where another creator said the same thing, but in a more salient way. For example, on The Off-Season, Cole directly lifts the chorus from Styles P and Pharaohe Monch’s “The Life” for “My Life,” instantly begging comparison between the two. But where Cole merely pairs it with dad joke punchlines like “Ja Morant, I’m on my Grizzly,” Styles’ version speaks about the tribulations of his existence and resisting the call of the streets and their inevitable consequences. “I have talks with the Lord and he’ll be callin’ me soon,” he growls. But the likelihood a teenage or young adult Cole fan has heard that, or even relates to it in a modern-day context, is slimmer.

The same goes for Snyder’s work. In Army Of The Dead, the attempts at social commentary are cringe-worthy. Between a ripped-from-the-headlines jumble of a refugee camp just outside zombie-occupied Las Vegas where guards abuse their authority and volunteers point infrared thermometers at residents’ foreheads to a godawful debate on whether a character of Japanese descent can say an age-old, politically incorrect children’s rhyme, Snyder’s swings at saying something relevant to the times whiff hard. Compare that to Night Of The Living Dead, where the primary breakdown between the human survivors is a barely disguised thread of racial tension between the two potential leaders. Also, spoiler alert on a 53 year old movie: The Black character is the only one to live to the end, in contrast to other horror films of the time, only to get shot by the supposed saviors, a bunch of good ol’ boys out on a tear. It’s left ambiguous whether they really think he’s undead or not. Now, that is social commentary.

But here’s where I give the kids some credit: They don’t have to see it the same way, because ultimately, art is about emotional connection. Fans may have encountered Cole or Snyder first, developing a connection with their work that they might never have with the more expansive canon of hip-hop or film. That doesn’t mean they might not also expand their palate through those references, either. It certainly feels like a short leap from Cole’s new album to Pharoahe Monch’s work, then to artists who worked with him, like Black Thought, Common, Jean Grae, or even M.O.P. A love for zombie films might lead a Snyder-ite down the rabbit hole to discover Romero, Edgar Wright, The Last Man On Earth, and the cinema of Korea and Spain, which have produced some of the most innovative work in the genre ever — Train To Busan is the only zombie flick to make me cry and Rec kept me up for two nights straight.

The only fault in critics or fans is when they fail to engage the other side in good faith. Critics don’t need to lord our knowledge over fans, condescend or goad them, because our goal should always be to provide perspective, guidance, and context. LIkewise, fans don’t have to take every critique as a personal insult; it’s okay to be protective of your favorite art because you feel like it’s part of your identity and those critiques can feel personal, but jumping down people’s throats on Twitter is unproductive and annoying, while only serving to bias casual consumers against you and your favorite. It’s okay to like what you like, but try to keep in mind that everyone is coming from a different place, and they might not connect with the work the way you do. With that said, that may be the way J. Cole and Zack Snyder are the most like each other: However their work is viewed, they are both great at inspiring that connection.

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Bruno Mars And Anderson .Paak’s Silk Sonic Hit ‘Leave The Door Open’ Returns To No. 1 For A Second Week

Usually, Billboard reveals the top ten spots of its weekly Hot 100 singles chart on Mondays. However, that news was delayed this week. Finally, though, on Wednesday morning, the chart dated May 22 was unveiled. On it, Bruno Mars and Anderson .Paak’s Silk Sonic single “Leave The Door Open” returns to the No. 1 spot for a second week.

“Leave The Door Open” first topped the charts on the Hot 100 dated April 17. The four-week gap between No. 1 Hot 100 placements is the longest for a song since Post Malone’s “Circles” had a four-week gap between its second and third No. 1 weeks, on the charts dated December 7, 2019 and January 11, 2020.

.Paak was pretty stoked when the song hit No. 1 for the first time, as he wrote at the time, “Ima stretch this goose neck to The moooon!! All I can say is thank you!!!! To have a song like this debut in the hot 100 ( my first song to ever make it up there ) is truly amazing. It can’t happen without hard work and yalls support. Thanks for pushing everyone to greatness @brunomars and showing us new heights! I’ll never come down!! let’s keep rising! We love you for this!!! Y’all gonna have me faded all damn week!!”

Other notable takeaways from this week’s chart are Dua Lipa and DaBaby’s “Levitating” reaching a new peak at No. 2 and J. Cole’s “Interlude” debuting at No. 8.

Billboard explained the reasoning behind the announcement delay, writing, “The announcement of this week’s Hot 100 was delayed by approximately 48 hours while Billboard and MRC Data conducted standard audits on reported data, working with data partners to recognize and resolve anomalies.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Lollapalooza 2021’s Lineup Is Led By Foo Fighters, Post Malone, And Tyler The Creator

As confirmed earlier this week by Chicago’s mayor, Lollapalooza 2021 is set to make a full capacity return this year. The buzzworthy music festival has just unveiled their 2021 lineup, which is led by Foo Fighters, Post Malone, and Tyler The Creator.

Taking place the weekend of July 29 to August 1 in Chicago’s Grant Park, Lollapalooza returns with a massive lineup of big-name stars. Along with Foo Fighters, Post Malone, and Tyler The Creator, Lollapalooza has booked artists like Miley Cyrus, DaBaby, Marshmello, Journey, Megan Thee Stallion, Roddy Ricch, Kaytranada, Brockhampton, Playboi Carti, Young Thug, Limp Bizkit, Modest Mouse, Jack Harlow, Polo G, Trippie Redd, Steve Aoki, Brittany Howard, Jimmy Eat World, Saint Jhn, Iann Dior, Mt. Joy, Young The Giant, Dominic Fike, All Time Low, Whitney, Freddie Gibbs, The Front Bottoms, Kim Petras, Ashe, Oliver Tree, Omar Apollo, Tate McRae, Rico Nasty, Earthgang, Jpegmafia, Princess Nokia, Orville Peck, Cautious Clay, Dayglow, Slowthai, Mick Jenkins, Flo Milli, TNGHT, Toosii, Mxmtoon, RMR, Hinds, Gus Dapperton, Blossom, and more.

Lollapalooza

Though Lollapalooza is bringing the festival back at full capacity, about 100,000 attendees per day, the city has made it clear that they will still have a few COVID-19 precautions in place. Before gaining entry, ticketholders are required to either show proof of vaccination or provide documentation of a negative COVID test in the last 24 hours.

See Lollapalooza’s full 2021 lineup above. Tickets go on sale 5/19 at noon CDT. Get them here.

Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Morray Blazes His Way Through ‘Quicksand’ In His Television Debut On ‘Jimmy Kimmel Live!’

Three weeks removed from the release of his debut mixtape Street Sermons, North Carolina crooner/rapper Morray made his television debut last night on Jimmy Kimmel Live!, blazing through a medley performance of lead single “Quicksand” and mixtape cut “Can’t Use Me.” Amid dystopian staging featuring a burning car and various debris in the background and embellishing the soulful production with a live band, Morray quickly proved to be a polished performer, even though it was pre-recorded.

Morray’s tape arrived on April 28 in the middle a tough week for releases, as that New Music Friday brought a swarm of standout projects from the likes of AG Club, The Alchemist, and DJ Khaled. However, that turned out to be a blessing in disguise for the newcomer, as his No.41 debut on the Billboard 200 looks all the more impressive in hindsight. “Quicksand,” which peaked at No.65 on Hot 100, also drew attention to Morray’s work, garnering cosigns from fellow Carolinians DaBaby and J. Cole.

The “Trenches” rapper’s star continued to rise this past weekend as he was revealed as one of the features on Cole’s new album The Off-Season, singing an interpolation of Pharoahe Monch’s chorus from Styles P’s 2002 single “The Life.”

Watch Morray sing “Quicksand” and “Can’t Use Me” from his debut album on Jimmy Kimmel Live! above.