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Rob McElhenney On Discovering What ‘Mythic Quest’ Is And How It Differs From ‘Always Sunny’

While the question wasn’t explicitly asked when we spoke with Rob McElhenney ahead of season 2 of Mythic Quest (which you can start streaming on AppleTV+), the subject of why he chooses to run and star in two very different and very very successful TV comedies at once is ever-present in a conversation that also touches on the right approach to navigating COVID with his characters, nuance, and the freedom and fun of breaking out of a box.

For McElhenney it seems to be about getting nourishment from two very distinct wells. As he explains it, the characters on Mythic Quest (which feels more like an ensemble than ever before in season 2) are “real human beings. They might be difficult. They might be arrogant. They might be narcissistic, but they’re still navigating a pretty close approximation of what this real world is.” When it comes to Always Sunny In Philadelphia, which has been a part of his life for 16 years and 14 seasons, it’s a bit less evolved. But that’s sort of the point. “They’re cartoon characters and so there are no real consequences to the behavior other than their continual descent. […] they’ll never change or grow or learn… or win.” Imagine the fun of using those two distinct tools to take a crack at an ever-complex world that often needs more empathy, connection, and to have the piss taken out of it, and you’ll get a sense of where McElhenney is.

Mythic Quest gets looped into this wave of feel-good television alongside Schitt’s Creek and Ted Lasso. That’s obviously a little different from the reception to Always Sunny. What does that feel like and was it the intention to find a kind of lovability with some of these characters?

Well, certainly we liked the idea of presenting an optimistic look at the world because we’re optimistic people. I mean, the people who are writing the show are optimistic people, and yet we still liked the idea of exploring difficult characters. There’s no doubt that Ian is a troubled person and Poppy is very clearly a troubled person. And yet we feel like it’s really interesting to explore the difficult dynamics of working with difficult people. And yet [we’re] really looking towards an eye of a bright future for them, honestly.

There’s the freshly released bonus season one episode, Everlight, which is great. And then you seem to move away from COVID. It seems to be in a past tense state. What was behind the decision to not really dig in more on COVID?

When we had to rewrite the entire second season, because we had written the entire second season… We were about ready to shoot when we had to shut down and then we essentially threw out the whole season and started over. And we were writing much like this, just on Zoom calls, Megan (Ganz), David (Hornsby) and I, and a couple of other writers. And then we realized this wasn’t going to air until… We knew sometime in the spring of 2021, maybe summer 2021, we weren’t a hundred percent sure. But we thought, well, are people really going to want to watch an entire season reliving what they just lived through for an entire year? And my thought was, no, I think we’re going to want to have COVID in our rearview mirror even if it’s not in our rearview mirror at the time, [so] we can project to a near future. Maybe it’s six months from now, maybe it’s a year from now where COVID is behind us. And that we really don’t mention it or talk about it at all.

That being said, we felt like it would be irresponsible and inauthentic for us to just move past that as if it didn’t happen. We did the quarantine episode, where we addressed what it was like to work at home, but we felt like we needed to address what it would be like to return to “normalcy.” And we recognized that there’s going to be a lot of practical challenges to that. There are going to be a lot of emotional challenges to that. There’s going to be a lot of things that people didn’t necessarily account for, which is once again, coming back into your office that you left a year ago and now being able to interact with human beings for the first time, people who you haven’t seen in a very long time. There’s going to be some level of emotional catharsis that’s going to have to happen, so we wanted to do an episode that at the very least honored that.

You’ve said publicly that you are going to tackle COVID a little with Always Sunny. There’s obviously a side to this beyond the longing for communication and connection. There’s a lot of anger about the way the situation has gone. And some of the people that have kept the situation going. Does it make it easier to know that you can potentially scratch that itch with another show?

Oh yes! Yes, yes, yes. I mean, that’s what’s so fun about Sunny is that we can take popular culture and put it through the meat grinder of that very specific point of view, that is the show, more specifically the point of view of the characters within the show. And then we can essentially tackle any topic because we’re really not taking a political or even oftentimes social stand in a lot of these episodes. The characters might, but we as the filmmakers, generally, we’ll just try to take as many different arguments from the extreme sides of whatever the spectrum might be, and then just mash them all together and see what comes out. And oftentimes it winds up being biting criticism, not necessarily of one particular group or the other, but the culture itself. And that’s what we’ve always tried to do with Sunny and I think that’s why we’ve been able to do it for as long as we have.

Apple TV+

There’s a scene at mid-season with you and Rachel in a Porsche [while talking about her aspirations] which is very interesting. Your character is definitely going out on…you’re putting yourself a little bit on a limb when you say in the scene, “It’s exhausting helping women.” You’re putting yourself into a conversation, which is interesting and I’m curious about your take on what that scene meant for both those characters.

Yes. I’m glad you asked about that. Ashly (Burch) is one of our writers who plays Rachel, and these are very similar to conversations that we have in the writer’s room. Of course, this is an extreme version of the conversations that we have. But what I try to do is to surround myself, certainly in our writer’s room and then with the cast, of course, later on, but in the writer’s room, with very different points of view. I try to find really young people, real older people, obviously, there were actually more women than there are men, different ethnicities, different cultural backgrounds, and just try to get a rich understanding of what the current state of American culture is, and then what everybody’s point of view is. So we find ourselves in these kinds of conversations all the time. Some of it gets stored away for Sunny, in which I can explore that in a way that’s more cartoonish and ultimately biting.

And then some of them, we can explore these kinds of conversations in maybe a more nuanced, more interesting way. Where both characters… and it was very important to me… As it is oftentimes when you’re writing those scenes, the most interesting scenes are not the ones where one person’s right, and the other person’s wrong, and that’s the end of the story. There’s something, to me, [that’s] much more interesting where somebody has a good point, somebody has a good counterpoint. Somebody responds to that counterpoint with a good point, somebody then responds to that point with a good counterpoint. And then you take it to the extreme of having a button that is ostensibly offensive, and yet it’s a comedy so people get it, they understand where we’re coming from.

Obviously, Ian is changing to a certain extent. Do you have to be mindful of the velocity of that change and not bring him to a point where maybe he has attained… I don’t want to say this word, but for lack of a better term, a level of wokeness? Is that a concern?

100%, because that just doesn’t feel authentic to the experience of being a human being, right? The characters of Sunny will never wake, ever. That’s the point of Sunny. A show like this, to watch people… To your point, I don’t necessarily want to use that word, but to watch people learn something and grow, that is authentic to the experience of being a human being. To watch them go from zero to a hundred is bullshit. And no one’s going to believe it. No one’s going to buy it. That’s why, for example, you might see a little change in Ian in a certain direction, and yet he can also very easily have that same conversation that he has with Rachel, where he’s getting Rachel to maybe take a second look at why she’s standing on her soapbox and what that soapbox actually represents. And maybe she shouldn’t be screaming into a megaphone because she’s got nothing to say. Those are really interesting conversations that I love to find these characters in, and that will allow us to understand why they’re making the changes in their life that they eventually do.

One of my favorite episodes of television in the last 10-15 years is the dance in the Sunny episode when he comes out to his father — it’s such a beautiful scene. As a creator, using that kind of thing, or even these standalone episodes, like the one coming up in Mythic Quest with C.W. where we go into his backstory or the one last year with Jake Johnson and Cristin Milioti, which was such a beautiful episode…. Beyond it being a very exciting and freeing thing, what’s the value in being able to break rhythm on what a show usually is and kind of zig instead of zag?

Well, obviously, like you just said, there’s a certain freedom in that, but I also think what it winds up doing is, it makes the rest of the process equally as interesting. Let’s speak to the second season [of Mythic Quest]. You have “Everlight.” Then you have an episode in the middle of the season, which is another throwback episode flashback. And then we have another episode that’s very different from what we normally do. And then another one. And yet, when you start saying, “Well, this is different from what you normally do, but you’re doing it four and five times a season.” What you’re realizing is that that is essentially what the show is. And that when you go back to what the original form of the show was, which is an office comedy, then all of a sudden you realize, “Oh, I didn’t know the show I was making until right now.”

And I still don’t know what the show is. If I’m being honest, I don’t even know what Sunny is, because we just show up and do it. And it changes all the time. I would absolutely be lying, and every single fan of Sunny knows for sure that I’m lying, if I were to say, I knew Mac was gay season one, episode one. I never assumed that at all. It wasn’t until 10 years later where I was like, “you know it’d be an interesting thing… it would be interesting to maybe look back and see if this makes a little bit of sense.” And then we started planting those seeds, but we wouldn’t have been able to do that if we weren’t willing to just take wild risks and hope that the audience is going to go along for the ride. I guess that’s the long answer in saying, I like the idea of jumping off into the abyss because it’s exciting and you don’t know if people are going to like it and if they don’t, then fuck them.

Look, Jason. Ultimately it’s just more fun. If people don’t know what they… I often think when I hear people say, “Oh, I hated that episode of Sunny. It wasn’t like the other ones. I hate it.” I actually think that is important. I think that’s important to the television show because you realize like, “Oh, I don’t know what I’m going to get. I might sit down and I have a completely different experience week to week to week.” And I think there’s something about living in the moment of like, “I don’t know what to expect.” And then having something delivered to you, whether you like it or not, I think is an important part of the experience.

The first two episodes of ‘Mythic Quest’ season 2 are available via Apple TV+ with new episodes to follow every Friday.

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‘I Killed Tom Holland’: The ‘Lip Sync Battle’ Team Was Worried About The ‘Spider-Man’ Star’s Safety During His ‘Umbrella’ Performance

“Tom Holland vs. Zendaya” is to Lip Sync Battle as “The Suitcase” is to Mad Men. It’s the show’s best episode. Emmy winner Zendaya (still fun to say) killed it with her lip syncs of “Tyrone” by Erykah Badu and “24K Magic” by Bruno Mars, but the reason the episode is recalled so fondly is because of Tom Holland. His medley of “Singin’ in the Rain” by Gene Kelly and “Umbrella” by Rihanna was a viral sensation, with the Spider-Man actor flawlessly transitioning from old school Hollywood to pop music androgyny. It’s great.

It also almost killed him.

“Every agent says that their celebrity guest is a great dancer. Then, when they show up on set, it just really is never the case,” choreographer Danielle Flora told Insider in an oral history of the episode. Holland, who has a background in dance (he was in Billy Elliot the Musical), was the exception. “This was the most beautiful blessing. It’s like this wonderful human has fallen out of the sky and on top of that, he really can dance his butt off,” she said. Still, there was time for only one full run-through of the performance before the taping. “We only did one dress rehearsal with the body suit because then it had to dry,” costume designer Jeanie Cheek explained. The water proved especially tricky:

Flora: Dancing in water, it’s scary because it is slippery. There was a moment in rehearsal where we did it with the water for the first time, and he slipped a little bit when he did that flip at the end, and I was like, “Oh, god. I’m going to lose my job. I killed Tom Holland.” But he was adamant about it. He was not taking it out.

I believe Zendaya put it best:

Via DECIDER

You can (and should) read the full oral history here.

(Via Insider)

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Coldplay’s Chris Martin Doesn’t Listen To His Own Music: ‘It’s Too Difficult’

A lot of people listen to Coldplay. Spotify notes they have over 37 million monthly listeners, and their two most-streamed songs on the platform, “Something Just Like This” and “The Scientist,” have over a billion streams each. Chris Martin probably isn’t one of those 37 million monthly listeners, though, as he has revealed that he doesn’t actually listen to his own songs.

Speaking with Apple Music’s Zane Lowe, Martin said:

“I don’t listen to things, really, after they’re done because it’s too difficult. It’s also… if I listened to it and thought it was amazing, I don’t know how healthy that would be for my ego, and if I listened to it, the most normal thing is I’d think it’s awful. It’s the same as when you hear your voice on an answering machine. […] I always love playing and singing the songs that we’ve released. First off, we have a song called ‘The Scientist.’ When we first did that, I thought it was amazing, the recording. But now if I hear it, I just feel like, ‘Oh, this is awful.’ But then if we’re playing the song… we were just rehearsing last week… Oh, I love… it’s so nice to get into the song. I think maybe it’s partly because while you’re working on something, you’re already inside those clothes and then as soon as you give it to the world, a mannequin fills those clothes. You’re not inside the song anymore, unless you’re playing it live.”

Check out the full interview above.

Coldplay is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Seth Meyers Dismantles Florida Gov. Ron DeSantis For Signing A Voter Suppression Law Exclusively On Fox News: ‘It’s All A Giant Fraud’

While signing a controversial voting law on Thursday morning, Florida Governor Ron DeSantis drew widespread criticism after his office froze out reporters and gave Fox News exclusive coverage of the event in West Palm Beach. According to a statement from Fox News, the news network did not “request or mandate” that it have exclusive rights to the bill signing, which suggests that it was purely the doings of DeSantis’ office. The proceedings were so sketchy that later that evening, Late Night host Seth Meyers devoted a segment of the show to the concerning display of political theater.

“It’s like your spouse saying they have something to tell you, and they want to do it live on Maury,” Meyers quipped about DeSantis’ attempts to call the voting bill “bipartisan” while refusing to let its signing air anywhere but Fox News. Meyers then drew a straight line from Donald Trump’s election loss to the bill, which like the Voting Integrity Act in Georgia, has been criticized for its blatant voter suppression. Via Mediaite:

“The GOP has attempted to rebrand itself as a populist pro-workers party, but it’s all a giant fraud,” the Late Night host said Thursday night. “All they really care about is dismantling democracy and purging anyone who disagrees with the unhinged lie that Donald Trump actually won the 2020 election. They don’t care what it means for you, so long as Trump can say, ‘I feel great.’”

Meyers then saved his most scathing remarks for Republicans’ recent obsession with voting bills for the end. “Rather than appeal to a majority of voters, they’d rather just rig the game so they always win.”

(Via Late Night with Seth Meyers)

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DJ Khaled, HER, And Migos Get Marooned In Their Dragon-Infested ‘We Going Crazy’ Video

If you were ever fell asleep on the couch watching TBS and had a dream combining Castaway, Pirates Of The Caribbean, and The Hobbit, it might look something like the video for DJ Khaled’s latest Khaled Khaled single “We Going Crazy.” The Jamaica-filmed video opens with a shipwreck that finds Khaled and his costars HER and Migos marooned on a tropical island littered with luxury goods, including watches, sneakers, and bottles of Ciroc.

After building themselves a shelter and feasting on shellfish, the newly island rich protagonists hold a banquet in a cave with pirate skeletons (and the extant treasures with which they were buried) and follow the pirates’ map to an underground mountain of gold — which is protected by a massive, Smaug-like dragon, naturally. There’s a lot more product placement and eventually, Khaled buys a helicopter(!?) to get them off the island, signing off with his signature catchphrase: “Another one.” Indeed.

Fire and tropical islands appear to be a running theme with this album’s rollout, as the videos for the Lil Wayne and Jeremih-featuring “Thankful,” Lil Baby and Lil Durk collaboration “Every Chance I Get,” and the all-star reggae jam “Where You Come From” all prominently feature at least one or the other. In fact, only “Sorry Not Sorry” with Jay-Z and Nas excludes flames and beach scenery — although if they want to film a remix video, I’m sure neither artist would be opposed.

Watch DJ Khaled’s “We Going Crazy” video featuring HER and Migos above.

Khaled Khaled is out now via We The Best / Epic Records. Get it here.

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Group of endangered California condors wreak total havoc on a woman’s porch

Most people would count themselves lucky to have a sighting of more than a dozen endangered animals out their front window when there aren’t very many of the creatures living in the wild. Such a one-in-a-million kind of opportunities don’t come around every day.

But for a California woman whose deck a group of 15 or so endangered California condors chose as a roosting spot, “lucky” isn’t exactly the right sentiment.

Twitter user Seana Lyn shared photos of the giant birds and the havoc they are wreaking on her mom’s house.


Over the weekend ~15 California condors descended on my mom’s house and absolutely trashed her deck,” she wrote. “They still haven’t left. It sucks but also this is unheard of, there’s only 160 of these birds flying free in the state and a flock of them decided to start a war with my mom.”

The photos show the gigantic birds boasting colored tags with numbers on them, which is how the U.S. Fish and Wildlife Service track which breeding program they belong to.


Seana Lyn on Twitter

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You can also see how they’ve knocked over planters and pooped everywhere.


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And also how they’ve torn off and torn apart covers for items on the deck—and pooped and pooped some more.

California condors have a wingspan that ranges from 8 feet to nearly 10 feet, and they weigh an average of 18 to 20 pounds. These are not small birds, and when you get 15 or so of them together, the damage they can do is formidable.

Seana’s mom, to her credit, thinks the whole thing is “pretty amazing but also the worst.” That about sums it up.

The condors did move to the trees nearby so they at least weren’t using the house as their personal bathroom, and then circled overhead. “Fingers crossed they’re enjoying the neighborhood but being good neighbors now,” wrote Seana Lyn.

“Still wild to me that in my lifetime there went from being about 25 condors left alive to no almost that many descending on my mom’s house at once,” she added. “Makes me wonder if we will start seeing more giant flocks as their numbers rise.”

The U.S. Fish and Wildlife Service weighed in on the matter on Twitter, writing, “Hi @SeanaLyn, her home is located in historical condor habitat where natural food sources occur…unfortunately they sometimes perceive houses and decks as suitable perch locations.

“If this happens again, hazing to preclude them from causing damage and habituation is encouraged. This includes methods that will not harm them such as water hoses, yelling, clapping, shouting or using other preventative measures such as scarecrow sprinklers.”

They also said they don’t encourage people to touch the birds. (Who on earth would approach a ginormous California condor and try to touch it??? Oh, right. Lots of people, probably.)

While an endangered animal encounter is indeed pretty amazing, this wasn’t the kind of encounter anyone wants to have, so Seana’s mom was undoubtedly glad to hear she could do a little condor “hazing” if need be. She did end up hosing two condors off of her roof, moving them into a nearby tree with their buddies.

The saving of the California condor is one of the great endangered species success stories. Their numbers dwindled to a couple of dozen in the 1980s, when wildlife conservationists gathered up those that were left to start an intense breeding program to bring them back from the brink of extinction. Now there are more than 300 California condors living in the wild and more than 500 total including those in captivity and breeding programs.

Trashing a human’s house is a heck of a way to say “thanks for saving our species,” birdies. (Then again, since their near-extinction was kind of our fault, I guess we have to look past it.) Maybe just leave the nice lady’s porch alone and go find some nasty politician’s home to poop on. That would be a win-win all around.

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A ‘Jeopardy!’ Contestant Had A Hilariously Wrong Guess About A Very Hot Clue

Jeopardy! is often considered the brainier of the two syndicated game shows beloved by the evening television crowd. While Wheel of Fortune makes headlines for its blunders and letter follies, the quiz whizzes on Jeopardy! usually get clowned for not knowing sports questions and other stereotypical nerd stuff.

This is why a wrong answer on Thursday was particularly delightful because it had nothing to do with football or popular music. Instead, it was in the category of Hot Stuff and a contestant wildly misreading the temperature necessary to cook meats and cheeses.

Steve, who had control of the board, completely whiffed on the answer for the $1,000 question from yet another new guest host this week, Bill Whitaker. You really need to see it for yourself.

Twitter

In hindsight this is a pretty easy answer. But Jeopardy! is a hurried game of racing to ring in on the signaling device before the other two contestants, often before you even really have a grasp on the answer yourself. And it seems like that’s exactly what happened here to poor Steve, who froze and then did his best Ben Wyatt impression on the stage by answering “calzone.”

This annotated version of the video is also delightful.

The reaction to this one was pretty swift online. The show’s Reddit board had a lot of fun with it and another answer, where a contestant guessed “filabuster” for a piece of furnature that’s also a congressional term. The answer was “table.” But “calzone” won the day for sure. A lot of people shared jokes on Twitter about the guess.

Interestingly, no one got that question right. So perhaps the lava calzone threw the room a bit and no one could quite grasp the concept that the device to cook the calzone was the answer, not the calzone itself. Still, a very memorable wrong answer is a great way to get yourself etched in Jeopardy! lore.

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Isaiah Rashad’s Return Shows How Patience Pays Off In The Long Run

Five years ago, Isaiah Rashad was flying high, on top of the rap world. The Sun’s Tirade, his 2016 debut album, had released to critical and commercial success — and more importantly, was a fan favorite, delivering on the potential promised by his 2014 mixtape, Cilvia Demo. But then, instead of following up, the Top Dawg Entertainment rapper more or less vanished from public view, beginning a long wait for a follow-up that left fans frustrated, decrying the label for “mismanaging” Rashad’s career.

This week, Isaiah released “Lay With Ya” featuring Memphis rapper Duke Deuce. the first single from his upcoming album, The House Is Burning. It appears to showcase an artist who hasn’t lost a step from his glory days at the height of the so-called SoundCloud Rap era — one who managed to not only adapt to ways the Southern rap sound has evolved since then but to adapt those sounds to his own unique style. However, a cover story in The Fader revealed just how much personal tumult the Chattanooga native had endured in the years since he seemingly faded from view.

The profile provides a perfect example of how patience pays off for both fans of artists and their business partners. It also highlights a fact that often gets lost in the clamor for new music to feed the nonstop churn of the streaming era: Artists are human beings who deserve empathy. Oftentimes, we take the artifice of music at face value; the cars, the clothes, the sexual fantasies, and the piles of money depicted in videos are their day-to-day realities in fans’ minds because that’s all we see of the lives these people “live.” However, Isaiah Rashad’s story especially belies that fantasy, revealing just how much artists can struggle with once the video wraps, the spotlights go off, and they step off the stage.

In 2016 and 2017, amid the rollout and subsequent tour for The Sun’s Tirade, Isaiah was open about the addictions that plagued him. He said that he was abusing alcohol the antidepressant Xanax in the years between his mixtape and his debut, jeopardizing his standing at TDE. He even put a voicemail from former TDE co-president Dave Free on the album’s intro in which Free admonished him for blowing through deadlines without turning in the project. He said that the alcohol abuse had destroyed his stomach lining. Yet, amid all that, the label patiently stood by him, and reaped the benefits of that steadfast support when The Sun’s Tirade debuted at No. 17 on the Billboard 200 — before the publication changed the counting rules that would have allowed streams and almost certainly pushed it to the top ten.

And that persistence appears to still be paying off as fans celebrate Isaiah’s long-awaited return to the spotlight after a stint in rehab. Isaiah, who revealed how dire his situation had gotten before then to Fader’s Jeff Weiss — he’d spent nearly all his money, wrecked his Jeep and his label boss Anthony “Top Dawg” Tiffith’s car, and moved back home to Chattanooga feeling like a failure — seems to be in better spirits than ever and replaced his negative habits — alcohol and pills — with positive ones, like collecting comic books.

Fans of artists like Isaiah who are open with their struggles with anxiety and addiction would do well to learn from Top Dawg’s example. The label head was empathetic to Isaiah’s struggles, helping him to get clean and never pressured him to live up to the outsized expectations and pressure that he heaped on himself. When fans push artists to “drop the album,” it’s understandable but unnecessary. Of course, we would like more music that makes us happy, that soundtracks our best moments, and gives us something to look forward to when festival season rolls around. But artists already want — and need — to put out music. It’s their job, but having to hear about how their job is more important than their lives not only puts undue extra pressure on them, it minimizes their struggles.

We’ve all been there, wanting to call in sick because things have just gotten on top of us. But our bosses need us to clock in, our customers don’t care that we’ve got bills and problems at home, and that clock is the most indifferent, counting down the hours until we can escape. Now imagine you never got that escape, that work followed you everywhere you went until yelling at you to get more done. No one deserves that, least of all the artists who help us to endure the pressure we deal with ourselves. Besides, the wait can make receiving the final product that much sweeter, as we may soon find out when The House Is Burning arrives. Even after nearly five years, it’ll be right on time.

Isaiah Rashad is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Allen Iverson Has A Message For People Who Still Bring Up The ‘Practice’ Rant: ‘You Can’t Be A Little Bit More Original?’

Allen Iverson is an NBA legend, not just because of his spectacular skills on the court, but because of his cultural impact off of it, too. Iverson was himself at all times, and his willingness to be comfortable in his own skin is what has allowed a lot of current NBA stars to feel the same way about themselves.

Iverson’s legacy includes one off-court moment that gets brought up all the time: the practice rant. His infamous media remarks about practice became a sports moment that is still replayed to this day on every morning talk or debate show. While Iverson has embraced this famous moment in his life, it’s understandable that he can sometimes be a little annoyed about it, usually in interactions with fans.

On a recent episode of the All The Smoke podcast, Iverson recounted how fans will come up to him and start talking about his practice rant rather than bringing up the many incredible moments from his playing career, which he believes is a little odd considering he was a Hall of Fame player.

It’s definitely an iconic moment, but he has a point Iverson was the guy who, despite his size, managed to fight his way into the paint and tough out points. He was for years the owner of the deadliest crossover in the league, won MVP in 2001 as the leading scorer for the Philadelphia 76ers, and was credited for dragging an overmatched team to the NBA Finals. At the very least, let’s use this as an excuse to watch a bunch of Iverson highlights.

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Julia Louis-Dreyfus Says She Would Love To Make More ‘Veep’ (DANIWAH!)

Though it’s been less than two years since Veep’s series finale aired on HBO, it feels like much longer—though not quite in the same way that spending 20 minutes with Catherine Meyer feels like a lifetime. Julia Louis-Dreyfus feels your pain. Though the award-winning star has kept herself plenty busy since the biting political satire bid farewell—what with having to be smuggled onto the set of Falcon and The Winter and Soldier and all—Louis-Dreyfus says she misses playing Selina Meyer.

In a wide-ranging interview with Variety, the 60-year-old actress was asked about any past roles she’d be interested in revisiting. While some would have expected her to answer Elaine Benes, given how long it’s been since we’ve checked in on the members of the Seinfeld gang, she was quick to admit that “I miss playing Selina Meyer.” While the opportunity to drop some of the most brilliantly sweary dialogue and insults ever written since The Thick of It (another Armando Iannucci joint) is enough of a reason to miss the role, Louis-Dreyfus says it goes beyond that.

In addition to missing the show’s equally brilliant cast and crew, Louis-Dreyfus—who broke an Emmy record when she won six consecutive Best Actress awards for her part in Veep—says that is was just really “exciting” to be Selina: “Playing that character, who was so out of her f*cking mind, and so undeveloped; it was just freeing! Everything was about her ego, with not a care in the world for another human being.”

Though the show’s finale did that Six Feet Under thing to see into the future, there’s certainly plenty of time to bring Veep back. And Louis-Dreyfus would love to see it happen. “It would give me enormous joy to do more Veep,’” she said. “And who knows, maybe we will one day.”

If any politician lacked the self-awareness to run for president yet again and think they had a chance of winning, it’s Selina Meyer (fictional politicians, that is; there are real ones who are much more deluded).

(Via Variety)