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What’s On Tonight: ‘Zero’ Illuminates A New Kind Of Superhero On Netflix

Zero (Netflix series) — This new Italian original series illuminates the power of invisibility with a new kind of superhero (a modern hero), who discovers his powers while hoping to save his suburb outside of Milan. In the process, the shy teen must at least wear a hero’s clothing while discovering the power of friendship and love.

Kung Fu (CW, 8:00pm) — A mid-twenties Chinese-American woman, takes a life-changing journey to an isolated Chinese monastery after dropping out of college. Upon her return, she must banish crime and corruption in her hometown with her newfound martial arts skills and Shaolin values, all in the name of justice. This week, Nick and Henry follow a lead to search for Zhilan, and Althea’s not having fun with her past while Jin and Mei-Li are squabbling.

Nancy Drew (CW, 9:00pm) — Nancy’s on Moonstone Island and digging in on a hunch with Ace and Amanda stepping in to help when Gil can’t do his thing. Elsewhere, Nick is questioning Nancy’s behavior.

Snowfall (FX, 10:00pm) — The John Singleton-co-created series sees Franklin coping with his fracturing family while Gustavo’s looking at a new path, and Teddy’s got a tough decision to make.

In case you missed these picks from last Wednesday:

Why Did You Kill Me? (Netflix film) — This chilling true-crime documentary film follows a mother’s search for both justice and revenge after her daughter (24-year-old Crystal Theobald) is killed. The mother uses MySpace to investigate the crime, and there’s immense fallout for multiple families as a result.

Dad Stop Embarrassing Me! (Netflix series) — Jamie Foxx is now playing a dad, y’all. He’s doing full-time duties for a teenage daughter while juggling business ownership and some semblance of a personal life. Good luck, Jamie Foxx, because life is total chaos, so you might as well embrace that face. The series also stars Kyla-Drew (as the lucky daughter who gets to laugh at dad), David Alan Grier, and Porscha Coleman.

The Circle: Season 2 (Netflix series) — The social-media-focused reality show continues with plenty of shade, twists, shade, turn, and more twists. This season, eight fresh contestants will attempt to figure out who is catfishing and who is real. My goodness, this looks dizzying and maybe a little bit depressing, but people can’t stop watching, so maybe you’ll get sucked in, too? Good luck.

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‘Master Of None’ Season 3 Is Officially Coming To Netflix In May, But There’s Gonna Be Some Changes

After a four-year hiatus, and a slew of recent rumors, Master of None is making a surprise return to Netflix. The Aziz Ansari series will officially drop its third season in May, but there will be some notable changes. While Ansari will remain the creative force behind the show, serving as both writer and director of the five-episode season titled Master of None: Moments in Love, early reports seem to suggest that his presence will only be felt behind the camera as the show pivots its focus to another character besides Ansari’s Dev. Via IndieWire:

The new episodes are believed to focus exclusively on the first two seasons’ supporting character Denise, played by Waithe. The character and Waithe were the focus of the second season episode “Thanksgiving,” which won Ansari and Waithe the Emmy award for Outstanding Writing in a Comedy. Ansari also won an Emmy in this category for the first season of the show and shared it with co-creator Alan Yang.

Master of None: Moments in Love‘s spring release will allow it to compete for 2021 Primetime Emmy Awards. But while the show seems to be angling for another Emmy win, the new season will still have to contend with the #MeToo moment that sidelined Ansari back in 2018 even if he’s tucked behind the camera. Granted, the stand-up comic addressed the allegations head-on during his 2019 Netflix special Aziz Ansari Right Now and he’s spoken candidly about how his actions were inappropriate, the topic has already resurfaced following the news of Master of None‘s surprise return. Given Ansari’s openness in exploring love and relationships, it will be curious to see if/how the new season tackles the period between the seasons, both fictional and in the real world.

(Via IndieWire)

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Key Glock Revels In Riches In His Instructional ‘I Can Show You’ Video

Young Dolph & Key Glock’s Dum And Dummer 2 has been out for nearly a month, yet the two Memphis MCs show no signs of pulling back on their prolific rollout for the joint project. After releasing videos for nine of the songs from the twenty-song project, including “Move Around,” “Rain Rain,” “Dummest & The Dummest,” and “Penguins,” they followed up today with Key Glock’s solo song “I Can Show You.”

The video has a relatively simple concept: Key Glock gives a step-by-step manual for making money, posing with his MCM Worldwide luggage and a rather large gun as CGI $100 bills fly around. The solo outing gives Glock the opportunity to highlight his own star power — which may soon be needed, now that Dolph has announced his official retirement, although he previously reneged on a promise to get out of the game. Fortunately, Key Glock has more than enough back catalog to support a long, successful catalog of his own.

His rise to stardom first kicked into overdrive in 2020 with a pair of albums that showed his hitmaking prowess: Yellow Tape and Son Of A Gun. In 2021, he’ll certainly be one to watch and knowing the Paper Route Empire crew, they’ve already got something in the works to make sure there’s something to see.

Watch Key Glock’s “I Can Show You” video above.

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The Derek Chauvin verdict was remarkable because the law is designed to favor police over people

The verdict in the trial of Derek Chauvin, a former Minnesota police officer convicted of murdering George Floyd, has many breathing a sigh of relief. Even though the disturbing video evidence of Floyd dying under Chauvin’s knee is impossible to refute, it’s incredibly hard to convict an officer of murder.

The United States judicial system is so preferential to law enforcement that even though the world saw murder in broad daylight, many were skeptical of whether he’d be convicted.

“Most people, I think, believe that it’s a slam dunk,” David Harris, a law professor at the University of Pittsburgh and an expert in policing, told the Washington Post before the trial. “But he said, “the reality of the law and the legal system is, it’s just not.”


Chauvin was convicted of all three charges of second-degree murder, third-degree murder, and manslaughter. The presumptive sentence according to Minnesota law is 12 ½ years, but aggravating circumstances could raise that number by decades.

“Let’s also be clear that such a verdict is also much too rare,” President Biden said after the verdict was announced. “For so many, it feels like it took all of that for the judicial system to deliver a just — just basic accountability.”

Since 2005, Philip M. Stinson, a criminologist at Bowling Green State University, has been tracking police misconduct and found the number convicted of murder is incredibly small.

Over that time’s he’s counted 140 causes of police being arrested on murder or manslaughter charges as the result of an on-duty shooting. Of the 97 cases that have been concluded, only seven resulted in murder convictions. Some were reduced to lesser offenses and more than half were dismissed or resulted in acquittals.

When it comes to justice for unarmed Black men and women, the numbers are even more sobering.

According to NPR, around 135 Black people have been fatally shot by police since 2015 and authorities failed to press charges in 80 of these cases. Only 13 of the officers who received manslaughter or murder charges with only four were found guilty.

There are myriad reasons why it’s so difficult to convict police of murder. “The law favors the police, the law as it exists,” Harris added.

One major reason is because of the Supreme Court’s 1989 Graham v. Connor decision that states an officer’s actions must be judged against what a reasonable officer would do. “A police officer can use force, but it has to be justifiable,” Neil J. Bruntrager, a St. Louis-based attorney, told Washington Post. “And what the Supreme Court has told us is we have to see it through the eyes of the police.”

via Fibonacci Blue / Flickr

Officers can avoid convictions by claiming they killed someone out of fear for their own safety.

“If a civilian is displaying a weapon, it’s very hard to charge [the police officer] with murder for taking action against that civilian,” Kate Levine, a professor of law at the Benjamin N. Cardozo School of Law, told FiveThirtyEight. “And even if a civilian doesn’t have a weapon, it’s hard to charge a police officer if [the officer] can credibly say they feared for their life.”

Police also enjoy the protection of unions that provide high-priced legal services immediately after an incident. There is also a built-in conflict of interest in the legal system. Prosecutors often depend on police so they’re inclined to protect those relationships.

Police defendants are more likely to refuse plea deals because their high-quality representation makes them more likely to win a trial. “The quality of the lawyering is very different from regular criminal cases,” Brandon Garrett, professor law and Duke University, told CNN. “For the typical criminal defendant, it’s incredibly risky to go to trial.”

Finally, police are protected from being held accountable by qualified immunity, a judicial doctrine that makes it nearly impossible for individuals to sue public officials. “Qualified immunity fosters an environment where government agents, including police, may feel empowered to violate people’s rights with the knowledge they will face few consequences,” the ACLU said. “Under qualified immunity, lives can be taken with impunity.”

Officers are able to hide behind qualified immunity because of a clause that says their misbehavior must be “clearly established” somewhere in case law.

Lawmakers across the country are working to hold police accountable by striking down qualified immunity. In 2020, former Republican and current Libertarian Representative Justin Amash of Michigan unveiled the first bill to end qualified immunity on a federal level for all public officials. Unfortunately, it went nowhere.

However, it looks like qualified immunity’s time could be coming to an end at the local level. Bills addressing qualified immunity have been introduced in 19 states and Connecticut, Colorado, and New Mexico have all passed laws curtailing its power. New York City recently became the first municipality to restrict its use.

It’s too early to say whether the Chauvin decision marks the beginning of a new era where police are held accountable for their on-duty behavior. But the result of the trial is a great example of what can happen when Americans come together in support of truth and justice.

“For so many people, it seems like it took a unique and extraordinary convergence of factors, “President Biden said, “a brave young woman with a smartphone camera; a crowd that was traumatized — traumatized witnesses; a murder that lasts almost 10 minutes in broad daylight for, ultimately, the whole world to see; officers standing up and testifying against a fellow officer instead of just closing ranks, which should be commended; a jury who heard the evidence, carried out their civic duty in the midst of an extraordinary moment, under extraordinary pressure.”

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Benny The Butcher’s ‘When Tony Met Sosa’ Compares Working With Harry Fraud To A Classic Movie Moment

Benny The Butcher and Harry Fraud continue the rollout of their collaborative project The Plugs I Met 2 with the video for “When Tony Met Sosa.” The video mostly sees Benny performing his dextrous verses on a rooftop overlooking the city and seated beside a bathtub as a woman soaks in the frothy bubbles. At the very end, there’s a glimpse of the movie Scarface, from which Benny derives the song’s title.

The video for “When Tony Met Sosa” arrives just over two weeks after the clip for the Rick Hyde-featuring “Survivor’s Remorse” and a little over a month since the release of the
The Plugs I Met 2 project, which launched alongside the video for the 2 Chainz-featuring “Plug Talk.” The Plugs videos give a strong push for the Griselda Records rapper — who also appeared on Belly’s comeback single “Money On The Table” — as he capitalizes on the newfound notoriety he’s received since his 2020 breakout, Burden Of Proof and the past year’s string of show-stealing guest appearances. While it may have taken the Griselda gang over ten years to climb to their current position, it looks like they’re taking full advantage, both as a unit and individually.

Watch Benny The Butcher and Harry Fraud’s “When Tony Met Sosa” video.

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Ellis’ Cascading Single ‘Hospital’ Heralds Her Upcoming ‘Nothing Is Sacred Anymore’ EP

It’s been just about a year since Ellis released her dreamy debut album Born Again as a reflection on her relationship with religion. But since the singer couldn’t play live shows following her 2020 release, Ellis once again began writing new material. Her songwriting has resulted in a covers project, as well as the forthcoming EP Nothing Is Sacred Anymore, which Ellis now previews with the cascading and tenderhearted track “Hospital.”

About the single, Ellis said it’s inspired by her accident-prone nature: “I guess you could say I’m accident prone. But it’s those moments when bad or scary things happen that can be so revealing. You really see who shows up for you, who sticks around through it all.”

Around the time of her debut album’s release, Ellis sat down with Uproxx for a conversation where she spoke about the intersection of music and spirituality:

“Something that was really powerful about a lot of the spiritual experiences I’ve had was music-related. I was actually just talking to a friend because I went to see Bon Iver very recently, and I felt this similar feeling inside that I felt in the past, maybe during a very moving or worship service or something. Maybe music is just inherently spiritual? Maybe that feeling can be attributed to that. I’ve written songs before that some of my friends were like, ‘this almost could be a worship song.’ Because, it gets in there. And I love the dynamics in Christian music, where it builds and swells and gets drawn out. I think things feel more emotional, too, so the music I prefer to make is very dynamic and full of feelings.”

Listen to “Hospital” above and check out Ellis’ Nothing Is Sacred Anymore cover art and tracklist below.

Ellis

1. “Dopamine”
2. “Hospital”
3. “What If Love Isn’t Enough”
4. “Hell”

Nothing Is Sacred Anymore is out 6/25. Pre-order it here.

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Cardi B Responded To Praise From Olivia Rodrigo With Advice For The Young Singer

Ever since Olivia Rodrigo ascended to the top of the pop world earlier this year thanks to “Drivers License,” she and Cardi B have done a bit of bonding. After Cardi made a joke about not having a driver’s license herself, Rodrigo offered to drive Cardi wherever she wants, which Cardi was all for. Now the two are forging their friendship further, as Cardi has responded to some high praise that Rodrigo recently heaped on her.

During a recent conversation with Apple Music’s Zane Lowe, Rodrigo spoke highly of Cardi, saying:

“I’m so in love with her, I want to marry her. […] I feel lucky to be a teenager at the time when Cardi is making music. As a songwriter, some of the stuff that she says is just so honest, almost like shockingly honest. When I listened to her song, I’m like, ‘Oh wow, she really just said that on a recorded album.’ […]

That’s definitely something that I grapple with in my songwriting. I’m making a lot of music right now to put it out, and I listen to it back and I’m terrified sometimes. I’m like, ‘Oh my God. I’m literally writing about stuff that I don’t tell some of my closest friends and I’m going to put out for the whole world to scrutinize and talk about.’ It’s a really horrible, terrifying thing. [Cardi] gives me courage to sort of say whatever I want to say and be honest in telling my story.”

Cardi caught wind of that quote today and seemed touched by Rodrigo’s praise. She responded with some advice for the up-and-comer, writing on Twitter, “This is so sweet .You doing sooo good for your age. Don’t let no toxic sh*t get to you and don’t let nobody restrict you from your voice.”

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Isaac Okoro Has The Makings Of An Elite Defender

Isaac Okoro, in his rookie season, has guarded 16 different All-Stars — and nine All-NBA members — for at least 20 possessions. The life of any rookie presents various litmus tests, challenging, or accelerating, their assimilation to the league. For Okoro, these exams are seemingly a nightly occurrence, quickly questioning the degree of validity behind his pre-draft label as a premier wing stopper. They manifest in various ways, ranging from the 6’2, 18 -pound Trae Young to the 6’9, 250 pound LeBron James.

Nestled across that spectrum includes other MVPs, such as Stephen Curry and James Harden. An array of play styles are featured: the slippery, dexterous, sweet-shooting attack of Kyrie Irving; the powerfully explosive nature of Zach LaVine; the methodical, distinctly skilled craft of DeMar DeRozan.

Being thrust into many diverging assignments affords Okoro a platform to showcase his on-ball versatility, even if the end result does not always favor him. This is not so much because they are besting him with ease, but because defense is really, really hard. Playing good, disciplined defense is sometimes, perhaps commonly, not synonymous with effective defense. Okoro is learning that. His tape is proof of this concept, conveying rather often that defensive outcomes are independent of one’s control.

Despite some faults against high-profile opponents, the 6’5 rookie has the means for menacing possessions. He’s burly and zippy laterally, so overpowering or blazing past him aren’t necessarily viable options. But more impressive than the physical tools is the comfort with which he wiggles under, over, or through screens. He flips his hips to glide around picks and knows how to angle himself in preparation for them that belies his first-year moniker; he blends size and agility, maintaining balance and positioning if he crashes into a pick. The physical characteristics and technique are augmented by instincts. Okoro diagnoses offensive decisions immediately as they unfold and acts.

To excel in pick-and-roll coverage or actions entailing multiple bodies and screens is rare for a rookie. Staunch isolation defense is notable, but this is much more. He’s thriving on the ball in a team context amid his inaugural NBA season, where, compared to any previous setting, offenses are more complex, the margin for error is thinner, and the development of plays is expedited.

Two primary factors prevent Okoro from flustering All-Star foes on a consistent basis. His lack of elite length (6’9 wingspan) for a perimeter irritant allows guys to fire clean looks over the top when he stays in front of them. He tends to be reactive in his movements, so offenses continue to dictate the action and remain in rhythm, the intangible quotient for many star creators. Growing adept at proactive decisions without fouling — the hallmark of many elite stoppers — is the next piece, since his arms are unlikely to sprout a few more inches anytime soon. Right now, he mirrors and contains the actions of assignments. Forcing offensive players to respond to him rather than vice versa is the tricky, yet paramount, step for his emergence.

His exploits as an on-ball defender headline his prowess, but he’s also an advanced interior help defender and competent at the nail in stunt-and-recover duties. On the weak-side in ball-screens, he tags rollers and rotates for rim contests, doing so snappily and with physicality. He recognizes when to peel to rollers and seal off pocket passes. There’s a level of defensive know-how uncustomary among rookies.

That last play, when he promptly switches to the rolling Bam Adebayo, immediately spreads his arms out wide, and deflects the pocket pass, subtly stands out. The impact is negligible. He does not force a missed shot nor snare a takeaway. Miami retains possession. But it is exactly the type of micro decision and execution emblematic of defensive awareness that pervades through an entire arsenal. Rookies do not do that. Okoro, however, is, because he wields an anomalous wherewithal, both on and off the ball.

Yet for every enticing feature of his defense, his offensive shortcomings potentially serve to jeopardize his value. He is currently a glaring negative, struggling to both effectively convert spot-up triples (29.8 percent this season) and around the rim (59 percent, 35th percentile, according to Cleaning The Glass). There are, however, threads that sew credence in Okoro’s eventual ascendance to offensive tenability.

He is already a perceptive, high-level cutter, particularly from the corners when Cleveland plops him there. He’ll drift in as a drive transpires. He’ll explode at a moment’s notice. He’ll float in from the wings when defenders divert away their attention away. This is not self-creation, but it is beneficial creation in tandem with an offensive conductor, embodying the complementary role he has always projected to serve.

Periodically, Cleveland entrusts him with self-creation opportunities and he delivers enough to inspire hope that it can blossom as more than merely flashes down the line. Despite limited shooting gravity, he touts ambidexterity, patience, ball-screen savvy, and a Euro-step finishing weapon to hammer home drives. Any sort of space provided by defenders, who gear up to prioritize stone-walling a drive as opposed to contesting a jumper, evolve into a runway for him, where he absorbs contact and applies his strength and repped-out talents.

Neither of these skills are frequented happenings yet. Okoro hints at elite wing finishing, but a 59 percent success rate and 35th percentile ranking are not the marks of someone who can credibly rely on paint scoring for offensive equity at this juncture. The primary inhibition is a lack of flexibility. If he were not as rigid and tightly contained an athlete as he is, the middling length would carry less importance. But he fails to maximize his size or sprawl his limbs around defenders, requiring a patterned or predetermined method for profits on drives.

Addressing his flexibility restrictions moving forward with the intentions of discovering greater improvisation at the basket could be the bridge between his driving and finishing. Reducing that physical deficiency seems like the approach to tying together a pair of potential pluses in his game that reside upon contrasting endpoints. It is not solely in his finishing where inflexibility confines him. His shooting mechanics are stiff and short on optimal fluidity. All of it looks taut.

At least one of his outside shot or finishing developing to adequate is principle. Until then, in high-leverage contexts, if he’s out there as a one-way specialist, defenses will presumably pin lesser, smaller players to him, unbothered by any threat he may offer. Discovering avenues to capitalize upon that gambit, either firing and hitting catch-and-shoot threes over the top or dislodging opponents as a slasher, is how he accentuates the impact of his defense, justifying considerable minutes on competitive teams.

Plenty of defense-first guys have fizzled out of the league with offensive equity as their downfall. Most, perhaps all, are not of Okoro’s ilk at this stage of their NBA career, but also have not carried the mantle of expectations associated with a top-five pick. He should warrant All-Defensive team consideration quite soon because he is that good. It’s not a matter of carving out a consistent roster spot in the NBA, it’s about being good enough to be more than a niche stopper.

He brandishes the caliber of defense that can alter opposing game plans by coaxing them to restructure an offensive hierarchy or blueprint. The hope, and emphasis in his developmental philosophy, must be that his offense is not of a similar vein for his own franchise. Prevent coaches from weighing any offensive vs. defensive trade-off when allocating minutes. Be the exquisite perimeter defender who is not lauded with a repeated “yeah, but” caveat.

Isaac Okoro is en route to defensive preeminence. Yet his offense shall determine what defines his NBA career, answering which side of the ball will overshadow the other. His end goal is to make this type of discussion a footnote, a concern that was never worth actually fretting about. If he does, his defensive preeminence will be displayed for all to see under glowing spotlights in tantalizing scenarios — not just in a mid-week League Pass tilt against fellow lottery-bound squads.

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Indie Mixtape 20: The Dumes Are In Search Of More Information About FICO Scores

On their debut EP, Everything Is Horrible, The Dumes already sound like a veteran alt rock band. With soaring choruses and Elodie Tomlinson’s infectious vocal, the quartet create fuzzy indie rock that has been filtered through the production prowess of Joe Chiccarelli (The Strokes, The Killers), which makes for a musical experience that is simultaneously a look back in time, as well as a peek into the future.

To celebrate the new EP, Tomlinson sat down to talk Courtney Barnett, tacos, and Step Brothers in the latest Indie Mixtape 20 Q&A.

What are four words you would use to describe your music?

Fun, bratty, tude, loud

It’s 2050 and the world hasn’t ended and people are still listening to your music. How would you like it to be remembered?

The iPhone 2050 will come with our album pre-downloaded.

What’s your favorite city in the world to perform?

I loved playing in NYC, Pete’s a Melbourne guy, Liam’s into Austin, Chris is Raleighs #1 fan, Kyle likes performing from the comfort of his own home in LA.

Who’s the person who has most inspired your work, and why?

Feech La Manna, self explanatory.

Where did you eat the best meal of your life?

The Alibi room in Mar Vista!, Kogi truck tacos are life!

What album do you know every word to?

Courtney Barnett- Tell Me How You Really Feel. It’s perfect for any mood, time and place.

What was the best concert you’ve ever attended?

I saw the Spice Girls when I was 7. It was magical. Chris’s favorite was Rage Against the Machine in the early 2000’s and Pete‘s fav was Prince. Kyle’s top three are Sigur Ros, Explosions in the Sky, and Ratatat. I’m not sure if Liam has seen 311, but if he has, I’m guessing that’s his favorite to date.

What is the best outfit for performing and why?

When we perform, I become someone else, which is probably why I wear some kind of dress. The only other time you’ll catch me in a dress is if I’m going to someone’s wedding.

Who’s your favorite person to follow on Twitter and/or Instagram?

@jamesnwatts Instagram is THE BEST.

What’s your most frequently played song in the van on tour?

Why We Drink” – Justin Moore

What’s the last thing you Googled?

“Is a FICO score accurate”

What album makes for the perfect gift?

Astral Weeks – Van Morrison

Where’s the weirdest place you’ve ever crashed while on tour?

My cousin’s floor / the eponymous punk houses of the modern world.

What’s the story behind your first or favorite tattoo?

My sister and I went out for a taco Tuesday once, which turned into too many tequilas and not enough tacos. We then drew a little heart for one another and headed to the nearest tattoo shop.

What artists keep you from flipping the channel on the radio?

DJ Dadmouth or anything off the first two Coldplay records.

What’s one piece of advice you’d go back in time to give to your 18-year-old self?

Give less of a f*ck.

What’s the last show you went to?

Courtney Barnett, March 2020

What movie can you not resist watching when it’s on TV?

Step Brothers.

What would you cook if Obama were coming to your house for dinner?

I would make him breakfast for dinner because, what’s better than breakfast for dinner?

Everything Is Horrible is out 4/25. Pre-save it on your streaming service of choice right here.

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LeVar Burton Will Get The Chance To Guest Host ‘Jeopardy!’

Jeopardy! is still searching for a full-time host, using this season to shuffle through guests hosts before making a decision on who will have the unenviable but exciting task of following the late Alex Trebek. On Wednesday, the show announced the final slate of guest hosts for this season, with one of the folks who will get hosting duties being particularly notable.

The official Jeopardy! Twitter account tweeted out the list, and while some of the names were already known, it turns out LeVar Burton’s campaign to become the show’s full-time host has at least led to him getting the part-time gig for a few weeks.

The list is quite formidable, and features plenty of folks who have tons of experience doing things on television, so it’s hard to imagine anyone doing an especially bad job. Still, Burton has not been shy about the fact that he wants to be the person who follows Trebek — after fans petitioned the show to give him the chance to host Jeopardy!, Burton responded by saying that he believes he’d make a ton of sense if he got the gig.

According to the official Jeopardy! website, Burton will only get a week at the helm of the show, hosting from July 26-30. The final host of the season will be Joe Buck, whose stint will run from Aug. 9-13.