Category: News

The Los Angeles Clippers picked up a big win on Thursday night, taking down the Suns who are the current 2-seed in the West one night after Phoenix beat the Jazz in overtime. It was a game that featured some chippiness and a late ejection for Patrick Beverley, but a sensational performance from Paul George and Kawhi Leonard, combining for 60 points, led L.A. to the 113-103 win.

Prior to the game on TNT, Charles Barkley had declared that he didn’t believe the Clippers were title contenders this year, and even after a strong performance he wasn’t swayed. He’s far from alone, as after last season’s collapse against the Nuggets many are waiting to see them prove they can get over the hump in the playoffs before buying in no matter how well they perform in the regular season. For Barkley, though, it goes deeper than that, as he had a rather hilarious response to some angry Clippers fan tweets after the game, noting that for his entire life the Clippers have sucked through his many phases.

In all fairness to Chuck, he’s not wrong here. The Clippers as a franchise have been a disaster for a long time, although at least over the last decade they’ve been far more competent, even if they haven’t been able to get over the hump to reach the conference finals. There are plenty of folks who share the same trepidation about believing in the Clippers as a real contender for the very reasons that they’ve been burned before, and until they prove it to Chuck, he’s not going to buy in on this L.A. squad.

Polo G has grown to be a favorite out of the new class of rappers for many hip-hop fans. The Chicago native has released countless songs that have proven his stay in the rap game will be far from temporary. The rapper continues his run with his latest single, “Rapstar,” a boastful effort that discusses his rising stardom and position in the rap game. He talks about his impressive performances on songs, the money and the women he’s involved himself with since his 2019 breakout, and the expected hardships and struggles that come with adjusting to fame.

To push the message even further, he shared a video with the track that shows him buying cars for friends, flying aboard private jet with a number of women on board, dealing with an annoying group of paparazzi, accepting a position in the hip-hop hall of fame, and more. The new track continues what’s been a decent streak of 2021 releases from Polo G. This list includes his “Headshot” collaboration with Lil Tjay and Fivio Foreign, “Richer” with Rod Wave, and “GNF (OKOKOK)” which was paired with a Cole Bennett-directed video. All of it arrives after the Chicago native dropped what was one of the more impressive rap album of last with The Goat.

You can watch the new video for “Rapstar” above.

The streaming services are getting thematic, and the resulting battles are fierce. Hostile neighbors on Amazon Prime go up against nefarious forces on HBO, and there are (once again) warring superheroes on Disney+ (The Falcon and the Winter Soldier), Netflix (Thunder Force), and Amazon Prime (The Invincibles). We’re so incredibly lucky to have such an abundance of escapism inside our living rooms each weekend, but we must focus on the task at hand: naming the streaming service that gives you the most for your dollar. As always, it’s a tough call to make, but the results are unusual because Netflix surprisingly doesn’t make a huge mark in the fight to the top of the pile.

Instead, HBO Max comes out ahead this weekend with three highly entertaining series to stream and some bonus John Oliver. Amazon Prime manages to come in strong with a new series that will remind you of a certain Jordan Peele movie. Disney+ continues to prove itself a formidable contender with two series that are offering fresh episodes each week. And don’t count out Hulu (with all those next day FX offerings), Peacock (with a new true crime miniseries and a growing library), and AMC+. Here are all the makings of a fine streaming weekend.

HBO Max

The Nevers (HBO series streaming on HBO Max) — This Joss Whedon-created show offers an intriguing setup about a group of “orphans” (almost exclusively women) who find themselves “gifted” with supernaturally-powered abilities. Although there’s far too many plot lines (and some plot holes), there’s also a fair amount of butt-kicking, and the atmosphere is killer. The embattled Buffy and Firefly creator officially exited the series last year, but you won’t be able to forget his presence. Whether that hurts or helps the show remains to be seen.

Exterminate All The Brutes (HBO series streaming on HBO Max) — This four-part documentary series tells a story of survival with a powerful message. Prepare to witness a search for truth and an scrutinization of how history is written, and expect to watch this show while reexamining much of what you thought you knew about European colonialism, American slavery, and Native American genocide. This week, Parts 1 and 2 revisit the U.S.’ legacy as a colonial power, including stories of Christopher Columbus and Trail of Tears, as told from an indigenous perspective.

Q: Into the Storm (HBO series streaming on HBO Max) — You’ve heard all of those wild QAnon conspiracy theories, and it’s a great time to catch up after the series concluded last week. Filmmaker Cullen Hoback drives into the rabbit hole to reveal how the mysterious “Q” wields conspiracies as information warfare to manipulate thinking and influence American culture. In the end, this series will touch upon the Internet’s darkest corners and explore how “unfettered free speech” (according to the synopsis) can go to dangerous places.

Last Week Tonight (HBO Series, Sunday On HBO Max) — Everyone’s favorite sarcastic and satiric weekly-late-night host, John Oliver, will skewer the world again.

Amazon Prime

Them (Amazon Prime limited series) — This story’s sure to remind horror fans of Jordan Peele’s Us in more ways than a few, and for good reason. This show promises to explore American-bred terror with an anthologized approach, so the first season is all about the 1950s. Allison Pill’s reliably frightening, and here, she’s terrorizing a Black family, who moves into an all-white LA neighborhood and the welcome committee isn’t there for them, that’s for sure. Soon enough, the horror show begins; and both from a reality-based and a supernatural standpoint, this is pure nightmare fuel.

Invincible (Amazon Prime series) — This animated romp drops a new episode and pleases both fans of The Boys and The Walking Dead, and the latter reference has everything to do with the source material by Robert Kirkman. Invincible is an ultraviolent deconstruction of the superhero, and yes, we’ve seen plenty of dismantling already, but this story has heart. Stephen Yeun makes a fantastic leading man here, and the cast (J.K. Simmons, Sandra Oh, Seth Rogen, Walton Goggins, Jason Mantzoukas, Zazie Beetz, Zachary Quinto, Mark Hamill, and several TWD names) is ridiculously good.

Disney+

The Falcon and the Winter Soldier (Disney+ series) — Sam Wilson and Bucky Barnes are still doing their buddy action-comedy thing, and last week, Sharon Carter finally arrived to kick ass and sprinkle her newly jaded attitude among the cast of characters. This week, Zemo might be in for a rude awakening after Ayo (of Wakanda) tracked down Bucky. The Flag Smashers are still proving to be confusing villains, and Faux Captain America is hanging out somewhere. We’re past the halfway point now, so things should start to come to (even more of) a head soon.

The Mighty Ducks: Game Changers (Disney+ series) — Emilio Estevez is back in this new-generation revival of the classic films. Co-starring Lauren Graham and Brady Noon, the Mighty Ducks junior hockey team is now a powerhouse in its division, and it’s brutal in selecting who can make the cut. Estevez is still the Ducks’ original coach, and he’s helping a new team of underdogs after the New Ducks boot a 12-year-old boy.

Hulu

Mayans M.C. (FX on Hulu) — This biker drama’s in a darker third gear with the club all wrestling with various personal and professional demons. This week, Bishop’s working on the club’s supply issues, and EZ gets closer to his new lady friend.

Snowfall (FX on Hulu) — The John Singleton-co-created series sees Franklin confronted with chaos while Teddy is attempting to row upstream.

GLAAD Media Awards (Special on Hulu) — Many former Glee cast members (including Matthew Morrison, Jacob Artist, Chris Colfer, Darren Criss, Vanessa Lengies, Jane Lynch, Kevin McHale, Heather Morris, Alex Newell, Amber Riley, and more) will reunite to pay tribute to Santana Lopez, the character of the late Naya Rivera who came out as lesbian one decade ago. Glee guest star Demi Lovato will also be on hand.

Breeders (FX on Hulu) — Martin Freeman’s starring turn in this comedy enters the sophomore season with new parenting challenges. This week, sudden death strikes the Worsley family while Ava struggles with telling Paul something, and Ally’s attempting to confront her feelings for Luke.

AMC+

Gangs of London (Sky Atlantic/AMC+ series) — AMC+ viewers who already enjoyed the first season of this series and may even be tempted to revisit the turbulent power struggle all over again as it hits the traditional TV schedule. Fans of the beloved Peaky Blinders, as well, should pay attention because this new series makes Peaky seem like a pleasant walk in London’s Hyde Park. Warring gangs and a power vacuum and a city on its knees are only part of the attraction here. The rest is down to character-based writing and a wonderful cast that embodies a decidedly unglamorous take on warring criminal elements, all of which will prove to be addictive for anyone who loves The Sopranos or any of Marty Scorsese’s mob pictures.

Fear the Walking Dead: Season 6B premiere (AMC series on AMC+) — Against all expectations (and the audience’s experience), this zombie-series spinoff transformed itself and surprised the hell out of even die-hard fans of The Walking Dead universe. The storytelling has shifted to a character-based approach (and an isolated one at that, often focusing on finishing journeys before credits roll), and almost as importantly, there’s now a formidable villain in the mix, courtesy of Colby Minifie as Virginia. Can the show continue to sustain its current momentum? The franchise’s fans sure hope so, as other spinoffs warm up in the background.

Peacock

John Wayne Gacy: Devil In Disguise (Peacock miniseries) — The NBCU streaming service is stepping into the true crime game with a six-part series about one of the most terrifying and notorious serial killers. The docuseries will contain a full-on interview with the subject from prison while presenting accounts from an ex-wife, a confidant, and other exclusive interviews. Prepare to be horrified and riveted and afraid to turn out the damn lights at night.

Netflix

Thunder Force (Netflix film) — Don’t expect this movie to win any awards because that’s not the point. Instead, prepare for the silliest of moments from Melissa McCarthy and Octavia Spencer as two inept superheroes who fight crime, long after their childhood best-friend days, and together, they learn what it’s like when two ordinary people are suddenly tasked with stopping supervillains. In other words, sit back and embrace the chaos because there’s plenty of it coming your way. The supporting cast includes Bobby Cannavale, Pom Klementieff, and Melissa Leo. Plus, Jason Bateman is onboard, which instantly makes any movie or TV show better

This Is A Robbery: The World’s Biggest Art Heist (Netflix documentary series) — This docuseries goes big while digging into a $500 million stash of missing art and a $10 million reward for the lucky person who finds it. The mystery sources back 30 freaking years after two thieves pulled off the greatest art heist in history in 1990 Boston, and investigators are now tracking the cold case in an attempt to uncover legendary works by Rembrandt, Vermeer, and more. Get ready for dead ends and lucky breaks aplenty.

Dolly Parton: A MusiCares Tribute (Netflix film) — Even before Dolly helped fund research that led to one of the COVID-19 vaccines, she was beloved, as she very well should be. This special showcases the never-before-seen 2019 Person of the Year event and concert that celebrated this national treasure.

The Wedding Coach (Netflix film) — All of those cancelled weddings from last year are going to have a spiritual reawakening with this show, which dives into the hell of planning. Comedian Jamie Lee piggybacks from her own wedding to help couples “survive” the ridiculousness of “Big Bridal.” It’s real talk with Lee attempting to help people see the bigger picture.

Shudder/AMC+

Creepshow: Season 2 (Shudder and AMC+ series) — The spooky anthology show returns with many, many featured players on board, including Ali Larter, C. Thomas Howell, Ted Raimi, Kevin Dillon, Anna Camp, Josh McDermitt, Adam Pally, and Ashley Laurence. Just FYI, the Marilyn Manson episode got axed following Evan Rachel Wood’s allegations against the so-called shock rocker.

For the past couple of years, the singers that are housed under Drake’s OVO Sound collective have been delivering impressive projects. Roy Woods returned last year with Dem Times, DVSN blew listeners away with A Muse In Her Feelings, and PartyNextDoor broke out from his cage with PartyMobile. While all of these projects were welcomed with open arms, there was a noticeable absence in the mix of it all; Majid Jordan. The alternative-leaning duo has left fans hanging without a new full-length effort since their 2017 project, The Space Between. Thankfully, it seems like that drought will come to an end as the duo returned with their new single, “Waves Of Blue.”

The song was initially premiered on a recent episode of OVO Sound Radio through their new Sound 42 station on SiriusXM. The new track errs on the pop side of things as its upbeat free-floated production finds Majid Jordan pouring their heart out to an unnamed individual. Despite declaring that they’re no good for them on the new track, the duo seeks nothing more than to spend time with their love interest and enjoy the moments that come with it.

As for Majid Jordan’s last release, you can revisit their 2019 track, “Caught Up” with Khalid here.

Press play on the new track above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Patrick Beverley is among the NBA’s top instigators, often blurring the line between hard, aggressive play and crossing it into being dangerous. On Thursday night, Beverley faced Chris Paul and the Phoenix Suns and crossed that line with an intentional foul as Paul brought the ball up through the backcourt.

Beverley upended Paul and tossed in a little chicken wing to cause Paul to flip to the ground, leading to a bit of a kerfuffle at midcourt as Beverley happily took ownership of the foul and Jae Crowder and others from the Suns took offense to his antics.

Paul, as he does, certainly sold it, but upon review, the referees determined it was a Flagrant 2 foul on Beverley and he was ejected from the game. That decision wasn’t a massive surprise as it was very much on the borderline of a Flagrant 1 and 2, and given Beverley’s history he is not one to earn the benefit of the doubt. It also was the latest chippy moment in a game that had a few dust-ups, so the referees were also trying to keep the game from spiraling, and, in a situation like that, having Beverley off the court is going to help keep things from escalating further. The Suns were able to cut the Clippers lead to as few as four afterwards, but Paul George stayed red-hot and pushed L.A. back to a double-digit lead shortly after, en route to a 113-103 L.A. win.

While Brent Faiyaz has been impressing listeners over the past couple of years, the collective that he’s also a part of, Sonder, has been rather quiet since their 2017 project, Into. All of that hopefully changes tonight as the group returns with a brand new single. Backed by Faiyaz’s vocals and production from Atu and Dpat, the trio that is Sonder drops “Nobody But You,” which includes a gust appearance from Jorja Smith. On the track, Faiyaz plays a poor-performing companion in the eyes of Jorja, but in recognizing his faults, he promises to improve his ways. Jorja, on the other hand, is extremely skeptical of this declaration as she notes he only cares about himself and no one else.

Prior to the release of Sonder’s new single, Faiyaz dropped his “Show U Off” single in honor of Women’s History Month. The track featured production from Atu and Dpat and arrived with a video that spotlighted the many women that seemingly played a significant role in the singer’s life. It arrived after Faiyaz joined Tyler The Creator for “Gravity,” which was shared as a part of Adidas’ Songs From Scratch series.

Jorja Smith on the other hand is a few weeks removed from her “Addicted” single, which arrived not too long after her “Come Over” collaboration with Popcaan.

You can give the track a listen above.

Doja Cat’s popularity and stardom has increased over the past year and some change thanks to the massive success that was rooted in her sophomore album, Hot Pink. The project delivered successful records that included “Say So” and “Streets” and helped the full-length effort endure as run that lasted almost two years. Unfortunately, all good things must come to an end and it seems like Doja ready to move on to the next chapter in her career, with her upcoming third album, Planet Her, which she previously confirmed was complete. The campaign for the upcoming project now begins with “Kiss Me More” collaboration with SZA.

The new song is definitely one that will fit onto the soundtrack for the impending summer. Packed by bubbly production and high-spirited verses from Doja and SZA, the song finds the ladies flaunting their physical attributes to the men that surround them. It also arrived with a music video that features an astronaut who lands on foreign all to discover Doja Cat and SZA as the majestic beauties that seem to call that area home.

The song should spark what would be an impressive run towards the release of Planet Her, which was confirmed for a summer 2021 arrival in a press release. During a sit down with Fat Joe last September, Doja shared an update on album. “It’s all ready. I hate that I’m holding onto it right now,” she said. “I see everybody’s like, ‘Put it out’ … You have to plan things accordingly and there’s a lot going on.” She also shared a list of potential guest features from included The Weeknd, Ariana Grande, French Montana, Megan Thee Stallion, ASAP Ferg, Saweetie, and Young Thug.

Hit play on the fun new single in the video above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

This Saturday will mark a week since DMX was admitted into a White Plains hospital after a reported drug overdose that resulted in a heart attack. Unfortunately since his hospitalization, the rapper’s family and friends have not been given the peace of mind to spend uninterrupted time with DMX as they’ve been forced to deny and clarify multiple reports on his condition. On Thursday night, they were forced to do this once again as social media reports announced that the rapper passed away at the age of 50. Many of the posts were deleted minutes after they were shared, but it was far too late as the initial news traveled far and fast in a short time.

As a result, the rapper’s manager, Steve Rifikind, who is also the co-founder of Loud Records, took to Instagram to deny the reports about DMX’s death and beg that people stop spreading rumors about the rapper’s condition. “Everybody please stop with posting these rumors, DMX is still alive,” he said in a video posted to his Instagram page. “Yes, he is on life support, but please, it’s not helping anybody by having them see these false rumors. Let the family relax for a night, you will be hearing a statement from the family some time tomorrow. I’ve been with DMX for the past three years, so the only thing I ask is just stop with the rumors. He is still alive and he is on life support. Thank you.”

The false reports came from a number of accounts. One example was from actress Luenell who shared a pair of posts to her Instagram posts, both of which are now-deleted. The first said, “It is over my friend is gone (sad face emoji)… Soar w/ the (dove emoji)… Join the best that ever did it… RIP… DMX.” The second, which seem to clarify the previous post, said, “When your spirit leaves and your organs fail you. The body becomes just a shell. One becomes wrapped in the Lords arms. That what “I” call gone. Im sorry to all. #DMX.” Fashion account @saint also shared a tweet, writing, “BREAKING: DMX has passed away at the age of 50.” That post was also deleted.

You can watch the video from DMX’s manager above.

On Thursday, Tucker Carlson’s Fox News show spent time talking about a sex scandal of an elected US congressman. Actually, no, he didn’t mention Matt Gaetz’s growing sex scandal that on Thursday saw new reports of Venmo transactions to an alleged sex trafficker. That didn’t make the cut.

What Carlson did cover was cosigning the white replacement theory that often motivates deadly attacks against minorities. He also had on a guest to discuss a Hunter Biden story in the Daily Mail that detailed some shady things that apparently didn’t make the cut of his memoir. Included in that report is talk about him making videos of having sex with prostitutes, complete with some photos that Carlson showed during prime time on a cable news channel.

You can watch the segment here, if you want, or perhaps if you’re struggling to imagine that actually airing before the mods went to sleep for the night. But it did, and there were, uh, a LOT of reactions to that Hunter Biden image showing up on Fox News. For a variety of reasons, such as the dog being spotlighted in the image, or the giant Pokemon Squirtle watching the pixelated action in the background.

But there were also a lot of Pokemon fans who were wondering why Squirtle was trending on Twitter. They were, to say the least, a bit surprised when they found out the reason everyone’s favorite water Pokemon starter was getting some newfound attention.

It was a night of surprises for basically anyone paying attention on social media, to say the least.

HBO‘s The Nevers arrives as a tough show to review for a few reasons: (1) The show lands with many of the (frankly appealing) pluses that one would expect from the showrunner of Firefly, Dollhouse, and the Buffy series; and (2) The series finds itself saddled with the baggage of the guy who created those same beloved series. Sadly, there’s no way to separate those two statements because Joss Whedon’s particular quirks, his sensibilities, and his favorite tropes run throughout the first four episodes screened for critics. Imagine attempting to take the Ryan Murphy factor out of a Ryan Murphy show, you know? The same arguably goes for Vince Gilligan, Shonda Rhimes, Matthew Weiner, and Aaron Sorkin. Each has a style and an aesthetic and a tonal beat that’s rather distinctive, so it’s hard to separate these artists from their work. In the case of Whedon, that spells a very awkward situation for an expansive series (and his first premium cable outing) that likely could have been his jubilant return to TV.

Whedon, however, stepped down (last fall) from The Nevers as showrunner — while citing exhaustion and the difficulty of running a show during a pandemic — after production on the first half-season that will air in the coming weeks. His move arrived amid mounting allegations about his previous on-set behavior (on Buffy, Angel, and Justice League) by multiple actors, who have described him as “toxic” and “hostile,” along with “abusive” and “unprofessional.” New showrunner Philippa Goslett finished post-production on The Nevers and shall carry the show forward. Whether the series will continue to feel Whedon-esque or morph into a different creature (if that’s even possible because he practically injected his DNA into it) remains to be seen.

Right now, it sure feels like a Whedon joint. This places the show at a crossroads even before it’s launched, even if the man himself has left the building. That is to say, Whedon (who created and wrote the pilot, which he directed, along with a few other episodes) played his greatest hits here, given the callbacks to his previous works. Those signature touches lead The Nevers to delight in genre-bending (like Firefly doing the Western thing in space) and transporting us to an unfamiliar world (in this case, supernaturally-affected Victorian England) with plenty of steampunk-loving, sci-fi-obsessed touches for fans to dig. We’ve also got a leading lady, Laura Donnelly, who’s pushing back against period-drama conventions (much like Buffy ripping apart horror tropes) by being a corset-sporting butt-kicker. (Also, Whedon had nothing to do with creating the Black Widow pose, but it’s really hard to look at this still and not think about how he directed — and handled lady-stuff in a not-fantastic way within — The Avengers.)

Donnelly (who is poised to breakout after her Outlander turn) portrays Amalia True, who’s tasked with running an orphanage-type establishment for The Touched, a largely female bunch who acquired superpowers (called “Turns”) as the result of a mysterious, celestial-bound event that went down a few years ago. All of that is well and good, and the premise is a captivating one, lending itself to a massive cast of ensemble characters — their Turns range from the ability to see energy (as with Amalia’s right-hand woman, Penance, portrayed by Ann Skelly) or spontaneously heal or hurl fireballs or speak in nearly limitless languages or simply be, like, a giant — that aim to fill out a comic book-like side of the story. Yet of these superpowers feel superfluous, and rather unnecessary to main plot threads. Then there’s all of the side stories, like a serial killer (Amy Manson, who will remind people of a Buffy character) with a villainous following; and a few grumpy detective and brothel offshoots, all on top of the Victorian period-drama stuff with social repercussions like classism, genderism, and many other -isms, which the show aims to subvert but (so far) takes a Cliff Notes approach. Also and damn, The Nevers feel mighty congested.

In short, The Nevers is a lot (the principal cast includes a few dozen actors), and it’s trying to do a ton of things while only doing a few of them well. Telltale Whedon dialogue? Check. Elaborate sets, costuming, and (mostly) slick special effects? Got that too, and it’s all happening for what is essentially an X-Men-like establishment going up against forces who wish to annihilate The Touched’s existence. The predominant class of wealthy white men fear variants and deviants and immigrants and, most of all, women with a scrap of power. Again, though, the mutant-tangential play on X-Men is derivative of Whedon’s previous body of work (he wrote The Astonishing X-Men comic series), so The Nevers keeps on feeling like Whedon’s self-erected altar to himself.

Tough stuff, really. The show attempts to wrap its arms around too much, and for whatever reason, the initial driving creative force didn’t follow through, even before his departure. Too many threads and offshoots exist, lots of underdeveloped characters linger, and the show’s filled with plot holes. Much of this could be remedied, but is there enough goodwill for Whedon so that people will stick around and wait? And with him out of the picture, will people who still have goodwill for him even want to stick around? These things could be as simple as giving a better reason why Amalia kicks butt. Her “turn” is that she can see a few seconds into the future, but this does not explain her agile moves. Amalia ain’t the MCU’s The Taskmaster, who’s able to mimic the moves of his prior opponents. We’re simply supposed to accept that Amalia can do these things. And even this logical gap could be forgiven due to good intentions — Whedon likes to see women kick butt — but the problem is this: those intentions feel hollow these days.

There’s a seeming emptiness within the former showrunner’s painstakingly cultivated reputation as a feminist, which has fallen to pieces in recent years with much of the Justice League cast voicing concerns with his on-set demeanor. Meanwhile, both Laura Donnelly and Ann Skelly have defended their experiences with Whedon on this project; it is worth noting that the guy has not been disciplined or charged for alleged misbehavior.

Yet it rubs the wrong way that Whedon resurrected his butt-kicking-female thing shortly before Angel and Buffy star Charisma Carpenter gave negative accounts of how he treated her behind the scenes. All of this judginess on my behalf might seem to be too much. After all, lots of downright criminal people do create art that’s embraced by the masses despite their wrongdoings. Yet my gut feeling is this: yes, there are instances where one can separate the artist from his work, yet The Nevers feels so quintessentially “Whedon” that it’s nearly impossible to not think of him during most moments. Add that to him leaving the show that carries his undeniable fingerprints, and things look rough.

That’s especially the case since The Nevers could have been HBO’s next Game of Thrones-style event series. Not that HBO is hurting, since several recent limited series have been big audience and critical hits. This might have been a contender with a showrunner who’s fully in the zone to wrap their arms around this massive clock of a show, with all its moving parts. That sounds very Watchmen, I know, but it’s not. Instead, we’ve got a dodgy clock that’s not running properly but still happens to be correct twice per day. There’s a lot of fun to be had with The Nevers, but it’s still an untidy fiasco with a steampunk elephant lurking in the wings.

HBO’s ‘The Nevers’ premieres the first of six episodes Sunday, April 11 at 9 pm EST. The final six episodes of the season will air later this year.