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Netflix’s ‘Jupiter’s Legacy’ Trailer Shows Off A Superhero Family From ‘Kick-Ass’ Creator Mark Millar

After teasing fans with a short video of its shimmering logo and a first look at the character designs, Netflix has finally unleashed an official trailer for Jupiter’s Legacy, it’s upcoming superhero epic series Kick-Ass and Kingsman creator Mark Millar. Judging by the trailer, the streaming service is clearly planning to make a big splash when it returns to the comic book series arena as the production values and epic scale are surprisingly robust. Thanks to purchasing Millar’s publishing company, MillarWorld, back in 2017, Netflix has an entire stable of properties to develop, and it went right for the biggest story it could find.

Jupiter’s Legacy focuses on a trio of aging beloved heroes, The Utopian (Josh Duhamel), Lady Liberty (Leslie Bibb), and Brainwave (Ben Daniels) as they struggle with preparing the next generation of heroes, who also happen to be their children. While the kids buckle under the pressure of living up to their parent’s example, they learn that the heroes before them weren’t so perfect either. Here’s the official synopsis:

After nearly a century of keeping mankind safe, the world’s first generation of superheroes must look to their children to continue the legacy. But tensions rise as the young superheroes, hungry to prove their worth, struggle to live up to their parents’ legendary public reputations — and exacting personal standards.

Jupiter’s Legacy starts streaming May 7 on Netflix.

(Via Netflix)

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Justin Theroux Is Unhinged (And Taking Everyone For A Ride) In Apple TV+’s ‘Mosquito Coast’ Trailer

Justin Theroux (HBO’s The Leftovers) is back in leading man mode on the small screen with The Mosquito Coast coming on Apple TV+. From the looks of the previous teaser, the show promised to bring sweeping visuals and an epic adventure, but with this trailer, we’re finally seeing the full-on tone of the show. That is to say, Justin’s radical character looks increasingly unhinged while taking his family for an unwanted ride of a lifetime.

One backstory here is that Justin is actually the nephew of author Paul Theroux, who penned the 1981 novel that was previously brought to life in the mid-1980s with Harrison Ford, Helen Mirren, and River Phoenix. Fast forward thirty freaking years, and Dad is going bonkers. He’s cackling like he’s in Cruella, and don’t you hate it when Dad wakes up and decides to take the whole family on the run from U.S. authorities into Mexico? Chill out, Dad. From the synopsis:

From award-winning novelist Neil Cross, and based on the best-selling book by Paul Theroux which celebrates its 40th anniversary this year, The Mosquito Coast is a gripping adventure and layered character drama following the dangerous journey of a radical idealist and brilliant inventor, Allie Fox (played by Justin Theroux), who uproots his family for Mexico when they suddenly find themselves on the run from the US government.

There’s no telling whether this shall be a multi-season run or an officially limited series, but Justin previously told IndieWire that this season (which is 7 episodes long) is a sort-of prequel to the films, so we’re definitely not getting a straight-up remake, which is nothing but good news.

Apple TV+’s The Mosquito Coast (co-starring Melissa George, Logan Polish, and Gabriel Bateman) debuts on April 30.

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Angelina Jolie Is An Elite Firefighter Who Becomes Involved In An Assassin Plot In The ‘Those Who Wish Me Dead’ Trailer

Taylor Sheridan burst onto the filmmaking scene with Sicario and Hell or High Water, the latter of which earned him an Oscar nomination for Best Original Screenplay. He’s also the co-creator of Yellowstone, every dad’s favorite show. After a three-year break (it’s been even longer if you pretend Sicario: Day of the Soldado never happened, as I do), Sheridan is back with two new movies: Without Remorse starring Michael B. Jordan and Those Who Wish Me Dead, which he co-wrote and directed.

Those Who Wish Me Dead stars Angelina Jolie as Hannah, a “smoke jumper still reeling from the loss of three lives she failed to save from a fire when she comes across a traumatized 12-year-old boy with nowhere else to turn,” according to the plot summary. The Oscar winner wanted to work with Sheridan because “he has a unique voice when it comes to characters within America, which had not been a prior focus of my work. I wanted to be in this world with him,” she told EW. This is no average firefighter movie, however: there’s an assassin plot and Jon Bernthal with impeccably coiffed hair.

Those Who Wish Me Dead, which also stars Nicholas Hoult, Aidan Gillen, Finn Little, and Tyler Perry, is released in theaters and on HBO Max on May 14.

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Taylor Swift Unexpectedly Releases A New ‘From The Vault’ Song, ‘Mr. Perfectly Fine’

A few days ago, Taylor Swift presented her fans with a cryptic video, challenging them to decode the hidden meaning in it. Swifties didn’t take long to figure out what was going on and quickly got the list of bonus “From The Vault” songs that will appear on Fearless (Taylor’s Version). Now, with no advance warning, she has released one of them today, “Mr. Perfectly Fine.”

Swift shared the track on Twitter, writing, “Me in 2020: life is chill, writing songs based in fiction to avoid drama, feeling pretty grown up. My 2008 music from the vault, in a goblin voice: ‘REELEEEEEEASE MR PERFECTLY FIIIIIIINE.’”

Now, two of the six “From The Vault” songs have been released, as Swift previously shared the Maren Morris-featuring “You All Over Me.” As fans figured out and Swift later confirmed, Keith Urban features on another track, “That’s When.” Swift wrote, “I’m really honored that @KeithUrban is a part of this project, duetting on That’s When and singing harmonies on We Were Happy. I was his opening act during the Fearless album era and his music has inspired me endlessly. I’m counting down the minutes til we can all jump into this brave world together, filled with equal parts nostalgia and brand newness.”

Listen to “Mr. Perfectly Fine (Taylor’s Version) (From The Vault)” above.

Fearless (Taylor’s Version) is out 4/9 via Republic Records. Pre-order it here.

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Emma Stone’s ‘Cruella’ Gets Her Due In A Final Trailer Ahead Of The Film’s Disney+ (And Theatrical) Debut

A few years ago, it didn’t feel like we really needed a Cruella de Vil origin story, but with the release of each fresh Disney trailer for this film, it sure feels like this Emma Stone-starring picture will be one of the cures to the pandemic-cinematic rut. And what a laugh we’re getting from Emma! She’s insisted that she’s not doing her version of the Joker (or Harley) here. After watching her wild cackling while hanging off a garbage truck (1:30) in a billowing dress, yes, it’s time to believe Emma. Perhaps she’s inspired by other villains, but she’s presenting her own creation, and although my stomach still lurches every time those puppies come into view, I’m here for the rebellious early days of this villainess. Young Estella’s setting her dress on fire (again), and taking over the fashion world, and I Tonya director Craig Gillespie is just the helmer for this gig.

The movie’s set against the punk-rock revolution of 1970s London. Estella befriends young thieves, they grift together, and then she comes into the life of Emma Thompson’s Baroness von Hellman, and it is on. Soon, it’ll be the Academy Award-winner-off of a Disney lifetime, and according to the synopsis, “[T]heir relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.”

Cruella will stream on Disney+ (via Premier Access) on May 28 with a simultaneous theatrical release. Here’s a mischievous new poster.

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A Career-Spanning Kanye West Documentary Is Reportedly Heading To Netflix

The tale of Kanye West has taken a bunch of turns over the past couple years, but even before that, his story was one of music’s more fascinating. Now that journey will reportedly be chronicled in a new documentary series that is coming to Netflix.

According to Billboard, Netflix reportedly acquired the currently untitled project from TIME Studios and Coodie & Chike (the duo of Clarence “Coodie” Simmons and Chike Ozah) for $30 million, and it is apparently set to debut on Netflix later in 2021.

Coodie & Chike directed two early West videos, for “Through The Wire” and “Jesus Walks,” and have since made some notable documentaries. Those include the 30 For 30 film Benji (a 2012 documentary about the death of promising basketball player Ben Wilson) and the 2019 Netflix documentary A Kid From Coney Island (about former NBA star Stephon Marbury). The duo has apparently been filming West since the ’90s, meaning the duo is working with plenty of footage from the past two decades.

The film will reportedly use previously unseen footage and home videos and will “deal with the death of West’s mother, Donda West, and the impact it had on the rapper; his personal evolution in recent years; his successful move into fashion design and his unsuccessful run for President in 2020.” West is not involved in the production in a creative capacity.

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Dave Chappelle Knows Who Wrote The ‘Dirty Notes’ That Were Left For The Trump Administration At The White House

Stephanie Grisham was the least memorable of former-president Donald Trump’s press secretaries (she came between Sarah Huckabee Sanders and current Fox News contributor Kayleigh McEnany), but she did make at least one unforgettable claim.

“When we came into the White House, I’ll tell you something,” she said in a 2019 radio interview, “every office was filled with Obama books, and we had notes left behind that said ‘You will fail,’ ‘You aren’t going to make it.’ In the press office, there was a big note taped to a door that said that ‘You will fail.’” Grisham later backtracked on her claim after Chris Lu, a White House cabinet secretary in the Obama administration, tweeted “that is absolutely not true.” But for the first time ever, someone working for Trump may have not have been lying.

In the latest episode of Naomi Campbell’s “No Filter” YouTube series, Dave Chappelle revealed that he knows who left the notes for the Trump staffers.

“Remember when the Trump administration moved in, they said the Obama staff left dirty notes for us in all the drawers and all the cabinets?” the comedian, who attended one of the last parties thrown by the Obamas before the Trumps stormed the White House, said. “I saw this happening. I’m not going to say who did it. But it was celebrities, writing all this crazy sh*t and putting them all over there. I saw them doing it, so when I saw it on the news, I laughed real hard.” Chappelle did not reveal what was written on the notes, beyond what was reported. But it probably had something to do with that no good Snowman.

You can watch the episode above.

(Via the Huffington Post)

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Nintendo Has Another Arcade Battle Royale With ‘Pac-Man 99’

Back in the days of arcades and the Nintendo Entertainment System, there was only one way to know if someone was the best at a game. They could either play it really fast, which eventually gave berth to speedrunning, or they had to get the highest score possible. Getting the highest score in a video game was, and still is, a huge deal. It was the only way to prove that someone was the best at a game.

As online head-to-head games have become the new norm, there are new and arguably better ways to decide who is truly the best at any particular game. The battle royale genre in particular has taken the world by storm thanks to a very simple concept: The last one standing is the winner.

If anyone has ever considered themself to be the ultimate player of Pac-Man, then a new battle royale has been created for the Nintendo Switch, Pac-Man 99. It’s a simple if not slightly reused concept: 99 Pac-Man characters enter and whomever survives the longest is the winner. Of course, to make it more interesting and not have matches go on for hours, Nintendo has thrown a few twists at the player to add a fresh take on the classic Pac-Man experience.

Pac-Man 99 is nothing new. It’s taking a formula that Tetris 99 and Mario 35 used once already and reskinned it to be more Pac-Man related. Ninety-nine players enter a course, and as they play, they gain the ability to wreak havoc on the other players. As the matches go on, they get more difficult until someone finally wins. That doesn’t mean this can’t be popular on its own merits, but it lacks the excitement of a Tetris 99 or Mario 35 because of the similarities.

While Tetris 99 is still active and popular, Mario 35 was recently shut down by Nintendo, so who knows what the long-term fate of Pac-Man 99 will be. That said, the trailer advertised some extra paid features so this title may receive more support than Mario 35 did. This could be the latest battle royale to take off, or it could fall into obscurity in a genre that is becoming packed.

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Let’s give ourselves a hefty amount of grace for how we used our pandemic ‘free’ time

Just over a year into the coronavirus pandemic, we’re finally seeing a light at the end of our socially distanced tunnel. We still have a ways to go, but with millions of vaccines being doled out daily, we’re well on our way toward somewhat normal life again. Hallelujah.

As we head toward that light, it’s natural to look back over our shoulders at the past year to see what we’re leaving behind. There’s the “good riddance” stuff of course—the mass deaths, the missing loved ones, the closed-up businesses, the economic, social and political strife—which no one is going to miss.

But there’s personal stuff, too. As we reflect on how we coped, how we spent our time, what we did and didn’t do this past year, we’re thinking about what we’ll be bringing out of the tunnel with us.

And some of us are finding that comes with a decent dose of regret. Maybe a little guilt. Some disappointment as we go down the coulda-woulda-shoulda road.


When social distancing and stay-at-home orders were implemented, we were motivated. The reason we were doing it was bleak, but those of us not working on the front lines looked to the silver lining of having extra time. In some ways, that time felt like a gift. We were forced to slow down. We organized all the closets in our houses. We planted victory gardens. We picked up old hobbies or started new ones. We volunteered to sew masks. We played games and did puzzles with our families.

What we didn’t know was that motivation couldn’t last through an entire pandemic. And with lost motivation came the self-talk: “What’s wrong with me?” and “I should be doing XYZ,” and “I always wanted more time to [fill in the blank]. Now I have it and I’m not using it.”

We look back at how we used our time and make hindsight wishes. We wish we had read the stack of books we’d wanted to read instead of binge-watching so many Netflix shows. We wish we’d worked out like we said we were going to instead of lounging around in our pajamas. We wish we’d cooked the healthy, from-scratch meals we’d pinned to our recipe board instead of eating all the junk food. We wish we’d used that foreign language learning app instead of doomscrolling on social media.

Some of us are adding parental guilt to the mix for the copious amounts of screen time our children have had. Others of us feel guilty because we were able to work from home and our families stayed healthy, so what do we have to complain about really?

It’s easy to kick ourselves over any and all of these things. It’s easy in hindsight to think we should have been able to do more than we did simply because we had time.

That’s why It’s vital to remind ourselves that this past year was not a vacation. It’s not like we were just gifted extra hours in our day that we then squandered because we were lazy.

This year life was turned upside down and traumatic on a communal level, if not on a personal one. So many of us lost people, but even if we didn’t, we bore witness to the single largest mass death event of our lifetimes. We worried about the people around us as well as ourselves as we survived a global pandemic. That alone is huge. But that wasn’t even all of it.

We also dealt with the economic fallout of measures implemented to save lives and frustrating conspiracy theories about all of it. We also grappled with centuries of unaddressed oppression during a historic movement for racial justice. We also went through an incredibly turbulent election season that climaxed in a violent attack on our Capitol.

And we did all of that without our normal social supports, without our usual routines and rhythms, and without any precedent for how to cope with and manage all of this.

Seriously, we need to give ourselves an enormous amount of grace and let go of our hindsight regrets over some perceived lack of productivity or creativity or whateverivity. We’ve been in survival mode by necessity this past year.

As trauma psychologist Alaa Hijazi wrote earlier in the pandemic, when someone suggested that not using this time productively was some kind of moral failure:

“We are going through a collective trauma, that is bringing up profound grief, loss, panic over livelihoods, panic over loss of lives of loved ones. People’s nervous systems are barely coping with the sense of threat and vigilance for safety, or alternating with feeling numb and frozen and shutting down in response to it all.”

If you managed to thrive in some area or another, great. If you didn’t—if all you did was make it through and care for yourself and your loved ones—more power to you.

Surviving this past year is an accomplishment, and it’s enough. Anything above and beyond that is gravy.

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Tucker Carlson Opened His Show Tonight With A Bizarre (And Gaslight-y) Defense Of The Jan. 6th MAGA Insurrectionists

Tuesday, April 6 marked an unfortunate anniversary: It was three months to the day since the failed MAGA coup of January 6. Three months is a long time, long enough for some to forget the horror of watching the chaos unfold on television and over social media, where many of the since-arrested perpetrators broadcasted their crimes. And it was long enough for their actions to get a bizarre and full-throated (albeit dishonest and suspiciously vague) defense from one of far right’s biggest mouthpieces.

That would be Tucker Carlson, the Fox News host who’s always game for saying whatever will enrage his base. He opened Tuesday night’s show by addressing the elephant in the room — then claiming the elephant wasn’t stomping over everything.

“For those of you are not good at dates or don’t have calendars,” Carlson said with deep and strange sarcasm, “this is the day that we pause to remember the white supremacist QAnon insurrection, that came so very close to toppling our government and ending this democracy forever.”

He then went on to defend the Trump supporters who pushed back against a greatly outnumbered security and police force, resulting in five deaths. He tried to bring age and class into it, claiming they were “older people from unfashionable zip codes.” (They were predominantly not at all “older” but ranging from young to early middle age.)

Carlson tried to make it seem like they’d merely did some sightseeing, saying, “They wandered freely through the Capitol, like it was their building or something.” He then tried to downplay their real intentions, conveniently eliding their weapons and that many were openly calling for kidnapping, even murder:

“They didn’t have guns, but a lot of them had extremely dangerous ideas. They talked about the Constitution, and something called their rights. Some of them made openly seditious claims. They insisted, for example, that the last election wasn’t entirely fair. The whole thing was terrifying, and then, as you’ve been told so very often, they committed unspeakable acts of violence.

He then suggested that one of the casualties — Air Force veteran Ashli Babbitt, who was shot and killed during the chaos — was murdered by…it’s not clear who.

To this day, that woman is the one completely verified casualty of the insurrection, the only person whose death we can say definitively was caused by specific events on January 6th. We know how she died. The funny thing is, you almost never hear that woman’s name. Possibly that’s because she was not a Democratic member of congress or even a Joe Biden voter. She was a protester, her name was Ashli Babbitt. She was 35.

We still don’t know who shot Ashli Babbitt or why — no one will tell us.

But then, when you’re fighting insurrectionists, you don’t have to explain yourself. You just hyperventilate about QAnon and then you do whatever you want.

He then doubled down on his defense laced with conspiracy theorizing:

When a group of sad disenfranchised people who have been left out of the modern economy show up at your office, you don’t have to listen to their complaints. Not for a second. Why would you? You thought listening to people’s complaints was democracy? No, these people threaten democracy.

You could even shoot one of them if you want, and get away with it. Killing people without explaining yourself is an established part of counterinsurgency.

Was Tucker Carlson really siding with the violent insurrectionists who stalked the halls of the Capitol building, looking for progressive lawmakers like Alexandria Ocasio-Cortez, hoping to string then-vice president Mike Pence up on a noose? Crazy as it may seem, it certainly appeared so!

Whatever he meant to say, it seemed dangerous.

But Carlson wasn’t done. He also defended the guy who brought zip ties into the Capitol, as if that’s just something you bring when you visit Washington D.C.

Anyway, it certainly didn’t take long for the far right to try and gaslight Americans into believing the failed MAGA coup was fine.