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Artists Can Now Get Verified On SoundCloud And Billie Eilish And Trippie Redd Are Among The First

SoundCloud is joining Twitter and Instagram by rolling out coveted verification check marks for certain users on their site. The streaming platform announced they were rolling out the new feature this week by adding blue check marks to eight of the most popular artist profiles, including Billie Eillish, Trippie Redd, and Wiz Khalifa.

According to SoundCloud’s blog, the verification feature will “help well-known artists stand out and maintain their authenticity, and to help listeners identify these artists more easily.” The verification system follows a feature the site had only for paid Pro subscribers, which created a Pro badge on users’ profile. But SoundCloud noted that the Pro badges were oftentimes “misused or misinterpreted as verification,” so that’s where the new check mark feature comes in.

Per the site’s guidelines, those who wish to similarly receive a verification need to meet a list of requirements. The profiles need to represent “well-known and/or highly searched-for” artist, DJ, curator, or podcaster, the account needs to prove that they are a real person and not an imposter, and the user must have a fully set up profile with at least one song publicly available.

While the feature is currently available, SoundCloud noted that it may take up to 30 days for their team to complete the verification process. Those interested can follow the verification steps here.

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Trump’s Fear Of Being ‘Severed In Two’ By Harmless Laser Beams Is Weird Even By His Standards

Donald Trump fears many things: leaving the White House, the Squad, a Big Mac-less meal, Tiffany asking him if he “has a minute,” and lasers. The president fears lasers.

Author Joe Goldblatt helped produce the opening of the Trump Taj Mahal Resort and Casino in Atlantic City, New Jersey, in 1990, through his firm, the International Special Events Society (now known as the International Live Events Association). “Prior to the grand opening, I produced the Taj Mahal staff-welcome event held in the enormous Trump arena. The program included a fashion show displaying the glamorous costumes that staff would soon be wearing and a speech by their owner, Mr Trump,” he wrote for the Scotsman. “Laser lights were part of this production and although I had been warned not to speak to The Donald I persevered because of my concern for his personal safety.”

Goldblatt told Trump that “when he entered to always look forward because we would be shooting laser beams over his head and if he looked backward he might be blinded by the strong burning lights.” Good advice! Even Trump agreed to follow the instructions.

Fast forward to the welcome event:

His theme music, “Eye of the Tiger,” began blaring from loudspeakers and as the bright green beams projected over his large head, Trump began his walk toward the 5,000 members of his staff. However, a mishap occurred and suddenly the laser beams dropped by a meter and appeared to project through Trump’s midsection.

Upon seeing this he immediately dropped to his knees, seemingly in fear of being severed in two by the powerful beams. I called out from the wings, “It is all right, stand up and give your speech.” He looked at me with genuine fear and then rose, walked to the lectern and, though obviously shook up, delivered his usual rant.

Sadly, there’s no video of this incident, but it still has people rolling.

The Trump Taj Mahal Hotel and Casino was shut down in 2016.

(Via Scotsman)

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Kurt Russell Is Comparing His Newest Santa Claus Movie To… ‘The Passion Of The Christ’?

When you think of Netflix’s The Christmas Chronicles, the obvious comparisons are holiday classics like Miracle on 34th Street, Home Alone, Jingle All the Way, Elf, etc. What you probably don’t think of is Mel Gibson’s grueling Biblical epic, The Passion of the Christ, and its 120 minutes of Jim Cavaziel’s Jesus getting beaten to a bloody pulp on his way to being graphically nailed to a cross. Granted, it’s technically a Christmas movie, but it’s not in the same category as Rudolph, you know what I mean?

So it was very odd when The Christmas Chronicle‘s hot daddy Santa, Kurt Russell, compared his holiday franchise to Mel Gibson’s crucifixion movie while promoting the sequel. Russell’s logical leap is made even weirder by the fact that it stems from his amazement at the language used by the cartoon elves in the family friendly films. Via The New York Times:

It’s not to be taken lightly. I’ll never forget when I saw “The Passion of the Christ” and went, “Mel discovered something that nobody figured out for all this time we’ve been making movies.” If you do anything that’s historical, especially the Bible, and you do it in an original language, it gives it a sense of authenticity. And when I saw that, and I read this script, I thought, elvish will give this a sense of authenticity.

Fortunately, Russell’s wife Goldie Hawn, who plays Mrs. Claus is in the new sequel, was on hand to bring things down to Earth. “He says it’s a language, but in my mind it’s just sounds,” she told the Times.

We’re gonna go with Team Goldie on this one.

(Via The New York Times)

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Xavier Tillman Could Solve A Lot Of Problems For A Team That Needs A Big Man

Basketball, on a fundamental level, is comprised of micro decisions and events that quickly build upon one another. Teams with better decision-makers — whether that trait stems from skill, athleticism, or feel — generally wield an advantage over their opponent. Eventually, once micro decisions coalesce into macro outcomes, those advantages manifest on the scoreboard or in the standings.

Through an array of avenues, Xavier Tillman is a brilliant decision-maker on both ends, helping forge advantages offensively and quell them defensively. There are more detailed ways to break down his game — we’ll dive into those shortly — but the connective theme is his sharp, instantaneous decision-making, which renders him a top-25 player in this Draft class.

Tillman’s decision-making artistry can often be subtle, though it’s easily discernible when isolating on him. As an interior defender, he is prompt in rotations and merges verticality, timing, and positioning to consistently alter shots inside. He understands angles, which, along with supreme functional strength, he applies to stymie post-ups. He has inarguably the best hands among big men in this class, enabling him to snare rebounds or steals — he boasted a 2.1 percent steal rate this past season. All of this means he embodies vital pillars of defense: alteration and deterrence.

Offensively, this same understanding of angles and proclivity for executing snappy, correct decisions is prevalent. As a passer, Tillman consistently keeps the ball pinging, capable of executing high-level reads for a big, while also being timely in his actions. His post passing is quite good, but feels less pertinent when assessing his professional future because it’s unlikely he commands significant touches on the block in the NBA. But his short-roll playmaking is where the true talent exists, providing a stage to showcase vision and punctuality.

In addition to his passing, his finishing and screen-setting suggest he projects as a highly equitable pick-and-roll big moving forward. Last season, he ranked in the 91st percentile around the basket, according to Synergy, and brandishes both ambidexterity and savvy at the rim. His lack of vertical pop will pose hurdles as a finisher in some NBA contexts, but the aforementioned assets should ensure he remains good or very good.

The concept of off-ball impact or presence is overwhelmingly reserved for back-court players offensively, largely centered around how good someone is as a shooter, cutter, and relocation artist. But Tillman is the rare big man who is so impactful without the ball in his hands that his value must be articulated. Whether it’s to simplify/enact a passing window, set a screen, or dive to the rim, he maximizes his opportunities off the ball. Despite some woes from beyond the arc that we’ll get into momentarily, defenders cannot ignore him without risking repercussions. Doing so invites him to free someone up with a screen, wander into space for a drop-off pass that leads to a bucket inside or dart to a spot, initiate a pick-and-roll or dribble hand-off, and establish an advantage with his screen-setting.

Tillman is the chief screener in this class and nobody rivals him. He constantly springs teammates loose with mammoth picks, is instinctual in identifying impromptu chances, and recognizes when and how to flip the angle of screens if the situation demands. Any NBA team utilizing a screen-heavy attack will benefit from his services, and it’s a leading reason he’s so dangerous off the ball.

This excellence as a screener lends credence to the idea that he should holster utility in dribble hand-offs, too. Given his draft range, it seems doubtful that he earns on-ball usage in such a manner early on. But down the road, his screening prowess and intelligence are going to give him worth as a DHO initiator. He was the trigger man rather frequently at Michigan State and exhibited faculty, leveraging advantages in the two-man game for pull-up jumpers or downhill waltzes. Sometimes, when the defender overplayed the handoff or he deemed it suitable, he’d even audible, bust out a ball fake, and further display his finishing and passing acumen against a scrambled defense.

Discovering ways to extract offensive value from Tillman is paramount. While I’m optimistic about his finishing mostly translating, he encountered struggles against longer rim protectors in college because he doesn’t own the vertical pop to score over the top. More importantly, he doesn’t offer notable self-creation potential and the projection of his three-point shooting remains in flux. He shot 27.3 percent from deep on 77 total attempts and 66.7 percent at the free throw line across three collegiate seasons, both of which are discouraging signposts. But a minor mechanical tweak could facilitate the development of his jumper to fashion value in pick-and-pops or on spot-ups.

He has considerably pronounced wrist flexion when he shoots, forming a perpendicular angle with his forearm. My suspicion is this inhibits Tillman’s touch. To some degree, it’s as if he’s launching the ball rather than purely shooting. That, from my perspective, appears to be the underlying issue here. In the proper environment and with targeted development, I’m confident this sort of problem is correctable to the point of turning him into a viable threat from outside.

If so, Tillman becomes a particularly novel offensive cog. He’d be one of the most sound decision-making bigs in the league, while also imprinting himself as a short-roll passer, pick-and-pop presence, and elite screener. Of course, there likely exists a shallow ceiling on his offense, since he is not a dominant play finisher, lead ball-handler, or adept self-creator. But even acknowledging that ceiling does not preclude him from merit, given the baseline of decision-making, passing and screening; a positive shooting outcome merely threads all of this together and amplifies the impact. These three skills do not require him to shoulder voluminous on-ball reps, which is crucial for non-stars, and enable him to seamlessly blend into the background, ideally advancing the goals of his team’s primary ball-handlers and scorers.

When thrust into pick-and-roll defense, deploying him in drop is the most prudent approach. He’s a master of positioning, acutely aware of how to contain ball-handlers and toggle back to the roll man, utilizing intelligence, strength, and swift, strong hands to muck up actions. He’s also playable in hedge-and-recover, traps, or “shows,” touting the length (7’2 wingspan), reaction time, and relative mobility to function on the perimeter occasionally. These aren’t the type of coverages he should be tasked with consistently, but he isn’t a plodder who must be anchored in the paint.

His lack of short-area quickness and vertical explosion are going to hurt him in both conservative and aggressive coverages, so he’s not going to emerge as one of the league’s top pick-and-roll big defensively. Regardless, these physical limitations are not enough to override his effectiveness on the whole, even if some opponents will find success scoring over him or finding the edge to get downhill.

If the surrounding personnel allows, I’m also intrigued with the possibility of Tillman defending these face-up or slashing-oriented guys who don’t have the pull-up game of most handlers nowadays. He’s strong, boasts some lateral mobility, knows how to position himself to maximize angles, and is an adept rim protector. Assigning him to All-Stars such as Pascal Siakam, Jimmy Butler, and Ben Simmons, each of whom you can generally duck under screens against and whose shot preferences reside in the paint, seems like it has validity. Expecting him to chase them around off ball would be overextending him and some, such as Siakam or Simmons, may be too quick for him. But on the ball, he’s at least shown enough perimeter mobility to warrant exploring this possibility, which holds value as the archetype continues to gather popularity throughout the NBA.

There are few centers deserving of a first-round investment this year. Aside from Tillman, Onyeka Okongwu and James Wiseman are the lone others with top-30 grades on my board (Obi Toppin is a 4/5 in this case). While Okongwu and Wiseman are slated to be lottery selections, assuredly enjoying a prominent offensive role in the NBA, Tillman’s signature will be penned via other channels.

He’ll fare well in impact metrics, despite likely authoring a mundane box-score line, sparking viewers to tune in, fixate on him, and grow cognizant of his value. So, in that sense, it’ll be an extension of his college days, stamping his mark with ever-present brilliant decision-making that coalesces into macro advantages. It manifests in a variety of ways and drives the bus for his case as a top-25 pick in the 2020 NBA Draft.

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Gucci Mane Shares Jokes About Him Shooting Jeezy’s Friend Ahead Of Their ‘Verzuz’ Battle

One of the reasons rap fans are looking forward to the latest episode of Verzuz with both excitement and dread is the very real animosity between Gucci Mane and Jeezy. The former collaborators fell out after a dispute over their hit “Icy” led to a bitter feud — one with fatal implications for a member of Jeezy’s crew. When a group of men associated with Jeezy apparently attacked Gucci in 2005, Gucci’s return fire killed one of them. Gucci claimed that the killing was in self-defense and the resulting murder case was dropped due to a lack of evidence.

The feud between the two carried over into the next decade with the two rappers going back-and-forth on records and their crews entering various altercations afterward. However, in the years since, both have seemingly turned over new leaves; Gucci Mane has become a best-selling author and respected OG of the trap scene after a long stint in prison, even starring on a reality show revolving around his marriage to Keyshia Ka’oir in 2017, while Jeezy now has a talk show on Fox Soul and is dating fellow talk show host Jeannie Mai of The Real.

Their impending Verzuz battle, therefore, comes with some serious implications — although both seem to be changed me


n who’ve matured a lot in the years since. That hasn’t stopped Gucci from sharing memes making light of their old beef in the week leading up to their confrontation. In one, a fan caption imagines an action movie-hero-like role for Gucci in the shootout that killed Jeezy’s friend Pookie Loc, while another theorizes Jeezy’s possible response should Gucci play “Truth,” a 2012 mixtape cut on which Gucci taunts Jeezy, “go dig ya partna up, n***a / I bet he can’t he say shit.”

Incidentally, Gucci wound up being a surprise, 11th-hour replacement for T.I., who dropped out of the battle due to unknown reasons. T.I. notoriously also had disagreements with the other two trap pioneers, although on a recent episode of his podcast, he invited Jeezy on the show and they pondered finally settling all their longstanding issues with Gucci behind closed doors. One thing is for sure: a great many eyes will be on Verzuz’s Apple Music and Instagram streams Thursday night at 5/8 pm PT/ET. The one exception: Freddie Gibbs, who seems no closer to resolving his own feud with Jeezy than he was when he departed Jeezy’s label in 2012.

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The Latest Bonkers MAGA Election Conspiracy Alleges That The Mafia Was Somehow Involved In Rigging It For Biden

Even Mafia dons think these voter fraud conspiracy theories from Trump and his followers are getting out of hand.

Former Philadelphia mafia boss “Skinny” Joey Merlino has been roped into the latest allegations of ballot tampering from Trump’s MAGA cronies. Merlino, an infamous member of Philly’s criminal underground in the ’90s, has been spending recent years down in Florida, trying to operate a restaurant before a racketeering case in 2018 shuttered his business. Merlino has since been on supervised release, after entering a plea deal for that case. But none of that seems to matter to conspiracy-fueling outlets like The Buffalo Chronicle because the mob kingpin has become the latest name implicated in some totally baseless accusations from right-wing conspiracy theorists, who are hoping to retroactively win the election for Trump.

The Buffalo Chronicle, an outlet with a history of twisting outrageous conspiracy theories into “breaking news,” claimed an anonymous source outed Merlino as the brains and muscle behind an election rigging scam in Philadelphia. This unnamed informant said Merlino “fabricated ballots” and delivered them to Philadelphia polling stations in “nondescript cardboard boxes.” They also alleged that Merlino might be willing to “flip” on President-elect Joe Biden to “expose” Democratic corruption in exchange for his record being expunged and immunity from these ballot tampering crimes because he wants … and this is a direct quote here … “to fish and hunt on federal lands. He’d really like a job with the National Parks Service.”

Of course, these claims aren’t backed up by any factual evidence, and Merlino, who’s apparently been fielding dozens of calls about this nonsense since the story first ran, has gotten his legal team to issue a statement.

“My client categorically denies all the allegations and Joey would rather die than ever be a snitch,” Merlino’s attorney John Meringolo told The New York Daily News after reportedly telling people his client responded to the claims by saying, “These people are crazy!”

That hasn’t stopped some within Trump’s circle from latching onto this wagon. Jordan Sekulow, the son of one of Trump’s top personal lawyers, Jay Sekulow, retweeted the article, urging people to “follow all leads.”

But you know a conspiracy theory is too outrageous to get behind when even Rudy Giuliani calls it far-fetched like he did during an interview on Fox Business yesterday. Still, this is one of the more laughable plots we’ve heard so far when it comes to Trump’s failed campaign to beat Biden after the fact so … there’s that.

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Kevin Morby Enjoys Solitude In The ‘Don’t Underestimate Midwest American Sun’ Video

Kevin Morby previously revealed that Katie Crutchfield (aka Waxahatchee) was a big part of his new album Sundowner. She has appeared in most of the album’s visuals, and sure enough, she co-stars in Morby’s latest video, this time for “Don’t Underestimate Midwest American Sun.”

Morby explains the clip:

“At the time of writing the album, it felt like Katie and I were the only two people on Earth — living out in suburban Kansas away from the chaos of our lives on the road and on the coasts and our days became very childlike and innocent: riding bikes, making up games, and singing songs. When we found ourselves back in a similar environment due to the lockdown, and it came time to make videos, I wanted to depict our lives in solitude from when I wrote the album.”

He also previously said of the song, “‘Don’t Underestimate Midwest American Sun’ is my favorite song off of the new album, and the one I’m most proud of. I consider space to be a prominent instrument on the song — and here it’s as important as anything else you hear on the track. It was my goal to capture the vast openness of the middle American landscape sonically. To this end — there is a whole track of nothing but Texas air, birds and wind chimes living beneath the song.”

Watch the “Don’t Underestimate Midwest American Sun” video above and revisit our recent interview with Morby here.

Sundowner is out now via Dead Oceans. Get it here.

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Yves Tumor Runs From Their Demons In The Mind-Bending ‘Kerosene!’ Video

Yves Tumor put forth their ambitious album Heaven To A Tortured Mind back in April as a determined follow-up to their acclaimed 2018 effort Safe In The Hands Of Love. Though the record has been out several months, the musician has only shared two visuals to accompanying the project. Aiming to change that fact, Tumor called on their contributor Diana Gordon to star alongside them in a mind-bending visual to their track “Kerosene!”

Directed by Cody Critecheloe, Diana Gordon stars as Tumor’s jealousy-fueled ex. Gordon spots Tumor with a new love interest, sparking a chain reaction of events involving a bougie lunch, an eye-catching whip, and a series of deadly golf balls which ultimately concludes with a fatal car crash.

Speaking to the visual’s concept in a statement, Critcheloe said, “We set out to create an epic rock-n-roll-swindled story around a motley crew of characters as they navigate a day in the life of what should be called the Hottest/Nastiest love-triangle in what’s left of Middle America… Yes, it’s all true: Yves Tumor, Diana Gordon, Bailey Stiles and Chris Greatti tear it crazy as they loosen a few notches on the Bible Belt in pursuit of glam-packed caloric excess all-across-the-bored.”

Watch Yves Tumor’s “Kerosene!” video above.

Heaven To A Tortured Mind is out now via Warp Records. Get it here.

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Tory Lanez Pleads Not Guilty To Shooting Megan Thee Stallion

It’s been a little over four months since Tory Lanez was first arrested in Hollywood for carrying a gun in his SUV. Since then, he was accused of shooting Megan Thee Stallion in the back of her feet and unleashing a smear campaign against her, and charged with felony assault with a semiautomatic firearm. Today, he was arraigned and, surprising no one, entered a plea of “not guilty” according to TMZ.

That means that the case will proceed to an actual court trial in which the State’s prosecution and Tory’s defense will present evidence to attempt to convince a jury of what happened on the night in question. If Tory is convicted, he faces up to 22 years and eight months in prison, as carrying a loaded gun in a vehicle is also a felony in the state of California. The next hearing in the case is scheduled for January 20, and during today’s hearing, the state advised that it’s still weighing whether or not it believes Tory violated a protective order against him with his social media posts and song lyrics.

Tory has maintained his innocence all along, going so far as to put out a whole album gaslighting Megan, although he notably has yet to offer an alternative explanation for how she ended up with two bullets in the back of her feet, which were removed by surgeons in the aftermath of the incident.

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My life with bipolar—what it’s really like to live with a severe mental health disorder

I was 20 years old when I first heard the word “bipolar.” I was in a sterile, white room: a room with stained walls and cold, metal chairs. There were marks on the floor. Scuffs and crumbs and wisps of unswept hair. But that didn’t bother me. Not really. What bothered me was my new diagnosis.

Bipolar.

I wasn’t sad or depressed, I was bipolar.

I’d be lying if I said I accepted my new label with grace. I mean, I started taking medication. Depakote. I went to therapy, as my psychiatrist suggested, and I attempted to make progress. I really, really tried. But I didn’t believe I was sick, or at least not as sick as they were telling me, and after a few months, I stopped taking my meds — something which, over the last 16 years, I have done time and time again. But it didn’t end well. It never ends well. And during my “withdrawal,” my body began reacting.

Within days, I was exuberant, elated, and happy. I was working more and sleeping less. I was talkative. Very talkative. I text dozens of friends, friends who I hadn’t spoken to in years, and I was confident. Hypomania was setting in. I also pitched hundreds of story ideas. I wrote more articles than I can count. Oh, and I dyed my hair. Over the span of a week, I sported three different shades. But I was seeing things. Hearing voices. The walls had eyes. My world was closing in. And I was drinking to manage. To deal. To cope.

I was also suicidal. When I am manic, I am always suicidal.


But why then did I stop my pills? Why did I put myself and my wellbeing at risk? Because I have a mental health disorder. Specifically, I live with bipolar disorder, and one of the symptoms of my illness is impulsivity. Mania and hypomania is marked by reckless decisions. And stopping my pills? That was brash and careless. It was negligent and thoughtless, and it was reckless. It was textbook bipolar behavior.

But mania and hypomania aren’t the only manifestations of my illness. Bipolar disorder is a serious mental health disorder, one that affects 2.3 million Americans, and in order to be diagnosed with this condition, one must experience elation and sadness. Those with bipolar experience manic highs and depressive lows—and I would know.

While my most recent swing was up, I have spent many days down. My depressive episodes are frequent, dark and morose.

You see, when I am depressed, I am discouraged and despondent, helpless and hopeless, and I feel numb. I am suffocated by a curtain I cannot see. I am stuck behind a wall which does not exist, and I am tethered to a pole by an imaginary rope.

I run laps like a caged animal. I beg for someone—anyone—to throw me a bone.

When I am depressed, I miss deadlines and lack motivation: To work. To parent. To run, read, or shower.

When I am depressed, I want to be alone. I need to be alone. Seeing people being and breathing is too painful. Watching others live their life hurts. And when I am depressed I feel guilty for thinking these things. For feeling these things. Everything becomes a chore.

“Bipolar disorder (formerly called manic-depressive illness or manic depression) is a mental disorder that causes unusual shifts in mood, energy, activity levels, concentration, and the ability to carry out day-to-day tasks,” the National Institute of Mental Health writes. Those living with bipolar “experience periods of unusually intense emotion, changes in sleep patterns and activity levels, and uncharacteristic behaviors — often without recognizing their likely harmful or undesirable effects.”

Of course, as with any illness, the symptoms of bipolar vary from person to person and patient to patient; however, those living with bipolar will experience periods of depression, mania and/or hypomania.

“Mania and hypomania are two distinct types of episodes,” the Mayo Clinic explains, “but they have the same symptoms, [including but not limited to feeling] abnormally upbeat, jumpy or wired; [having] increased activity, energy or agitation [and/or an] exaggerated sense of well-being and self-confidence (euphoria); [experiencing a] decreased need for sleep… [and engaging in] poor decision-making.”

Those with depression will experience feelings of numbness, sadness, tearfulness, hopelessness, and helplessness. They may experience weight loss or weight gain, and depression can exacerbate feelings of worthlessness and guilt. Fatigue and a general loss of motivation and energy can also occur.

The good news is most days I am stable. I am balanced. Thanks to therapy and medication, I am living somewhere “in between.” Most days I wake feeling fine. I am able to parent. To work. To function. I am a good employee. A caring wife. A loving mother, and an (overly invested) friend. I can also roll with the punches. I don’t cry over cold coffee or breakdown when I spill milk. I also don’t drink. I am able to keep the manic demons at bay. Plus, I know how to manage my illness when I am not. I run. I rest. I speak with my therapist more frequently. If necessary, I ask my psychiatrist to adjust my meds, and I implement my crisis intervention plan, a document which includes tangible steps I can take if and when I am feeling manic or depressed.

But being well isn’t easy. It takes patience and hard work. It also takes a little faith and a whole lot of luck, but it is worth it.

I am worth it.

If you or someone you know is struggling, know this: You are not alone. There is help. There is hope. For more information about bipolar disorder and/or resources about substance abuse or other mental health disorders, call the visit SAMHSA’s website or call the National Helpline at 1-800-662-HELP (4357).