Categories
News Trending Viral Worldwide

Cloud Nothings’ Feverish ‘The Spirit Of’ Offers Another Taste Of Their Upcoming Album

While Cloud Nothings have put out a number of impressive albums over the years, 2020 marks a special milestone for the Ohio indie rockers. It’s been an entire decade since the group released their debut album Turning On, and they’re showing no signs of slowing down. Back in October, Cloud Nothings made a lively return with a new single to announce their album The Shadow I Remember and now, the band is offering another taste of the upcoming project.

The album’s lead single “I Am Something” was a dizzying collection of instruments alongside and equally-disorienting visual. But for their new track “The Spirit Of,” Cloud Nothings take a more steady approach. The song opens with upbeat riffs as vocalist Dylan Baldi sings of the growth he’s made over the past ten years. In true Cloud Nothings fashion, the song begins to dissipate before dissolving completely into a frenzy of rushing guitars and screeching vocals.

Ahead of their “The Spirit Of” release, the band revealed that they worked with renowned producer Steve Albini on the upcoming LP. Cloud Nothings had previously worked with the producer on their 2012 effort Attack On Memory but this time, they said working on the record “felt like we were all adults.”

Listen to “The Spirit Of” above.

The Shadow I Remember is out 2/26/21 via Carpark. Pre-order it here.

Categories
News Trending Viral Worldwide

The Rockets Made James Harden Their Sun, Can He Ever Go Back To Being A Planet?

When James Harden came to Houston in 2013, he did so as a former sixth man oozing with potential. In Oklahoma City, he had fit himself snugly into the super sub role who could carry the offense in bursts when Kevin Durant and Russell Westbrook rested, but closed games as a tertiary option to his two star teammates.

The Rockets banked on Harden’s star potential and it paid off in the form of some of the most productive offensive seasons the league’s ever seen from one player. Harden emerged as the league’s preeminent scoring guard, taking up massive amounts of usage on a team that made him their ever-present focus. When they added fellow star backcourt mates, it was always incumbent on them to work their way into Harden’s team — a process that led both Chris Paul and Westbrook to want out not too long after arrival. Playing with Harden isn’t the easiest thing, but the Rockets happily made him the center of their universe.

Now, seven years after arriving in Houston, Harden appears to be on the outs, issuing a request to be traded to another team with the Brooklyn Nets and Philadelphia 76ers topping his desired destinations list — and Brooklyn the focus of his efforts currently. In both places are familiar faces, as Daryl Morey is now running basketball operations in Philly and Mike D’Antoni is an assistant in Brooklyn, but on both teams he’d be entering a place not built solely for him. After years of being the sun that the rest of the team revolved around, it begs the question: Can James Harden ever go back to being in orbit?

Harden has become basketball’s most frequent and aggressive isolation scorer, a man capable of breaking down nearly any opponent to get the shot attempt he wants or, sometimes preferably to him, force contact to get himself to the free throw line. He is nearly unrecognizable to the player that the Thunder had, both in his diverse array of skills and mindset on the floor. To play that style requires an intense commitment from everyone around you, and it’s hard to get fellow stars to buy in. It worked best with Chris Paul, as they’d take turn isolating with shooters around them, but it was still Harden’s show, not Paul’s, and that steadily drove a wedge between the two, with tensions reaching an apparent boiling point after just two seasons together. Westbrook lasted just one season, likewise struggling to find his place alongside his friend and who, on the court, barely resembled the man he’d played with previously.

Both teams atop Harden’s target list would be trading for him to play alongside at least one All-Star, and would have to effectively ignore history to believe it was assured things would go smoothly. In Brooklyn, he’d be joining Kevin Durant and Kyrie Irving, although it’s possible the Rockets would insist on Irving being a part of a trade package, which would make for a very interesting decision for the Nets. They are two fellow ball-dominant players who see themselves as elite end of game options, and while they’ve said the right things about handing off responsibility to each other this offseason, adding a third cook to the mix would only further complicate matters.

The frequent refrain when discussing how guys could fit alongside each other is to reference how stars come together for a common goal every four years for Team USA at the Olympics. That fails to account for the vast differences between doing so in an international competition where the sole goal is a gold medal and to do so in the NBA where, while a title is the end goal, legacy and individual accolades weigh on everyone’s minds. It’s possible Harden, Irving, and Durant could find a way to coexist, but it would be the first superteam we’ve seen to have three players with their level of on-ball expertise team up. In Golden State, Durant was able to share the ball with Stephen Curry, without needing to worry if Klay Thompson or Draymond Green were getting enough time on the ball. In Miami, LeBron and Dwyane Wade found a similar balance, with Chris Bosh accepting the tertiary, off-ball role. In Brooklyn, it’s hard to imagine any of those three being willing to be the one to raise their hand to take a backseat to the other two, a necessary sacrifice on such a team.

With the Sixers, it’s a bit easier to see the fit between Harden and Joel Embiid, assuming Ben Simmons would be the centerpiece of the deal to acquire the former MVP. Embiid has welcomed closers in the past, namely Jimmy Butler, and has openly pined for having someone who can takeover on the perimeter to create his own shot. Harden, maybe more than any player in the league, fits that description, but there would still have to be some give and take from all parties, including James, to cede some of his preferred style to play more pick-and-roll with Embiid and allow the big man to get his touches inside. It’s been some time since Harden played with a big capable of scoring, and like with Paul and Westbrook, his partnership with Dwight Howard soured considerably over time.

Any team acquiring James Harden is well aware of this history and how effective he is when allowed to do what he wants, particularly the two teams he’s targeting given the corporate knowledge D’Antoni and Morey have. They’ll do their best to accommodate him and build a system that maximizes his immense talents, but it likely won’t ever be the same as it was in Houston. The question for Harden in a trade isn’t the talent or ability, but simply the willingness to do something else and play within a system after years of being given carte blanche. Every star has a dominant style of play, but Harden takes it to a degree you rarely see and, maybe most importantly, he doesn’t have the massive team success to be able to demand everyone else fall in line and bend to his will in the way, say, LeBron James can.

It’s hard to even envision what he looks like in another system, but it’s something that he has to, at least to a degree, have considered before making this request. There’s no doubt in the effectiveness of Harden’s play despite gripes about its aesthetics, but if the goal is to find a new home in which to win a championship, some sacrifices must be made. It’s one thing to workout with your friends in the offseason and play with them on an Olympic team, it’s a whole other to make things work to win a championship in the NBA.

Wherever Harden goes he’s going to remain a focal point, of that there’s no doubt. It’s just that he’ll have to also find a way to revolve around others as well, a skill he hasn’t had to show for some time.

Categories
News Trending Viral Worldwide

‘The Batman’ Spinoff For HBO Max Has Lost Its Showrunner Over Creative Differences

Boardwalk Empire creator Terence Winter has officially exited HBO Max’s prequel series to The Batman. Citing the usual creative differences, Winter will no longer be showrunning the highly-anticipated spinoff that will lead into the events of Matt Reeves‘ film starring Robert Pattinson as the Dark Knight. With his experience on critically acclaimed series like The Sopranos, Winter’s involvement added an air of prestige drama to The Batman spinoff, and he will now have to be replaced.

Whoever Warner Bros. finds as a replacement will also have to juggle the daunting task of expanding The Batman‘s new universe. While the series will focus on the first year of Pattinson’s Batman showing up in Gotham and how that affects the city’s tarnished police department, it will also be a launchpad for new spinoffs in the Battinson-verse. (Don’t quote us on that name.) Via The Hollywood Reporter:

Picked up straight to series in July and designed as a companion TV series to go alongside The Batman, the drama is set in the world Reeves is creating for The Batman feature film and will build upon the pic’s examination of the anatomy of corruption in Gotham City. It ultimately will launch a new Batman universe across multiple platforms and extends the world from the movie and characters of Gotham. It’s unclear if The Batman stars Robert Pattinson (Batman/Bruce Wayne) and Jeffrey Wright (police commissioner James Gordon) will appear in the HBO Max offshoot.

Fortunately, overcoming setbacks for the Battinson-verse has become part of the job for Reeves. Like most of Hollywood, The Batman production was put on hold for months due to the pandemic, and when it finally returned to filming, Pattinson tested positive for COVID-19 after just a few days. So finding a new showrunner shouldn’t be too difficult after dealing with your new Batman catching a potentially deadly virus.

(Via The Hollywood Reporter)

Categories
News Trending Viral Worldwide

RMR Gets Some Things Off His Chest On ‘That Was Therapeutic’ With Amber Rose

After co-opting Matchbox Twenty’s ’90s classic “3 AM” in his “The Wishing Hour” video, RMR continues his 4th Quarter Medley project’s storyline with “That Was Therapeutic” featuring Amber Rose. Swapping out 25-year-old jams for a more recent hit, RMR puts his mischievous spin on Drake’s summertime smash “Laugh Now Cry Later.”

Picking up where the previous video left off, “That Was Therapeutic” finds RMR visiting a literal therapy session with Amber Rose playing the perceptive professional to whom he vents. RMR even unmasks — off-camera, of course — so Amber can get a hands-on look at his signature accessory before he walks off into the next portion of the medley, previewing another reimagined ’90s bop: The Goo Goo Dolls’ “Iris,” which was incidentally also covered fairly recently by another artist, Phoebe Bridgers. We can’t wait to see what kind of profane vandalism he’ll perform to the beloved City of Angels soundtrack standout.

RMR’s been developing his trap-crooner remixes of hit songs since he first drew attention with the viral “Rascal” video, becoming something of a gritty, ski-masked version of Weird Al Yankovic. Despite this, he’s also had plenty of success with original works as well, including “Dealer” and “Welfare” from his debut EP, Drug Dealing Is A Lost Art.

RMR is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

Ariana Grande Drops A Video For The Steamy ‘Positions’ Standout ’34+35′

“34+35” made waves when Ariana Grande released Positions, mostly due to the song being about as explicit as she has ever gotten on record. The title is of course a reference to a sexual position (do the math), and she sings on the chorus, “Can you stay up all night? / F*ck me ’til the daylight / Thirty-four, thirty-five.” The song has become a fan favorite, and now Grande has pleased her devotees by releasing a new video for the track.

She discussed the song in a recent interview on the Zach Sang Show, saying, “I’ve been very nervous about ’34+35′ because I don’t want it to distract from the rest from the album, but I do love it, and sonically, it’s one of my favorite things we’ve ever done.” Sang then asked why the song is important to the album, and Grande responded, “Oh because I just think it’s ridiculous and so funny and stupid. It’s like absolutely absurd. It was just a fun thing. We heard the strings that sounded so like Disney and orchestral and full and pure, and I was like, ‘What is the dirtiest possible most opposing lyrics we could write to this?’

Watch the “34+35” video above and read our review of Positions here.

Categories
News Trending Viral Worldwide

All The Best New Indie Music From This Week

Indie music has grown to include so much. It’s not just music that is released on independent labels, but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.

Every week, Uproxx is rounding up the best new indie music from the past seven days. This week we got the first taste of a new Foo Fighters album, a Goo Goo Dolls cover from Phoebe Bridgers with an assist from Maggie Rogers, and a barn-burning pure rock and roll LP from The Bluechips. Check out the rest of the best new indie music below.

Chris Stapleton – Starting Over

Believe it or not, Chris Stapleton is one of the biggest songwriters in the country these days. He doesn’t reinvent the wheel on his latest album Starting Over, opting for his tried and true formula of exceptional heartland rock, as described by Steven Hyden for Uproxx: “Take the soulful bar-band raspiness of Bob Seger, meld it with the simple yet catchy homespun melodies of John Mellencamp, sprinkle in some Tom Petty guitars and add the smallest pinch of Waylon and Willie.”

The best new indie music directly to your inbox.
Sign up for the Indie Mixtape newsletter for weekly recommendations and the latest indie news.

By submitting my information, I agree to receive personalized updates and marketing messages about Indie Mixtape based on my information, interests, activities, website visits and device data and in accordance with the
Privacy Policy.
I understand that I can opt-out at any time by emailing
[email protected].

Told Slant – Point The Flashlight And Walk

Told Slant took an extended hiatus after the release of 2016’s Going By, quietly working on and refining the follow up. Point The Flashlight And Walk delicately balances influences of experimental folk and indie-pop, “examining psychic pain and searching for transcendence,” according to Steven Hyden in the latest Indie Mixtape newsletter.

William Basinski – Lamentations

You might know the name William Basinski from his lauded four-volume 2002 album The Disintegration Loops. The avant-garde composer and multi-instrumentalist’s latest effort Lamentations is his second release of 2020, but Basinski doesn’t sacrifice quality for quantity, with each release pushing the boundaries of the previous.

The Bluechips – Say Goodbye

Hailing from Westchester County, New York, The Bluechips have cut their teeth over the last few years as a bar band, perfecting covers from classic rock greats. On Say Goodbye, they incorporate all of these influences into a concept album, which examines the state of the world from a birds eye view on an airplane, taking sequencing inspiration from Pink Floyd’s Animals. If you’ve read this column in the past, you probably know I am a sucker for big hooks and guitar solos… This album is chock full of both.

Foo Fighters – “Shame Shame”

Shortly debuting the track live on Saturday Night Live‘s post-election episode, Foo Fighters shared the studio version of “Shame Shame,” the first single from their tenth album Medicine At Midnight. It’s a different sound than we’re used to hearing from Dave Grohl and co., incorporating a groovy sensibility more akin to David Bowie than Motörhead. Nonetheless, it certainly sets the bar high for the forthcoming LP.

Phoebe Bridgers – “Iris” (Goo Goo Dolls cover ft. Maggie Rogers)

On election day, Phoebe Bridgers tweeted a promise that she would cover “Iris” by Goo Goo Dolls “if Trump loses.” Well, Phoebe is nothing if not true to her word, and she has shared the promised cover, enlisting help from none other than Maggie Rogers on backing vocals. The track was only available on Bandcamp for 24 hours, but it’s out there if you can find it.

The Antlers – “It Is What It Is”

While they haven’t announced a new album just yet, The Antlers are setting the stage for a comeback after six years out of the spotlight. Peter Silberman calls the relaxing new single “It Is What It Is” a “song about hindsight,” and it reminds us what we were missing in the years since 2014’s Familiars.

Chloe Moriondo – “Girl On TV”

The latest track from 18-year-old Chloe Moriondo perfectly combines bedroom pop sensibilities with arena rock grandeur, making for a more aggressive approach than we have heard from Moriondo previously. In a statement, the songwriter said that the song is “about the sort of underlying superficial jealousy that comes along with the usual disdain myself and I think a lot of others feel when looking at rich influencers with seemingly perfect faces and bodies and lives!!!!”

Kali Masi – “The Stray”

It’s tracks like “The Stray” that make me really miss shows — it just seems like a song that would take on a completely new life in the live setting. A heavy and raucous punk number, it’s the first taste of the band’s forthcoming LP [laughs].

Teddy Grossman – “What I Owe”

Teddy Grossman recorded his debut single to a tape machine, teaming up with Ryan Pollie for a lo-fi number that takes inspiration from the heartland folk feel of Neil Young’s Harvest for an intimate look at Grossman’s joy in finally feeling settled after a cross-country move.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

Four Seasons Total Landscaping Has Hired A ‘Freelance Brand Invigorator’ To Run Its Social Media Channels And The Results Are Amazing

Rudy Giuliani’s Trump campaign press conference at Four Seasons Total Landscaping in Philly is already the stuff of (dubious) legends. The sex shop next door is still fielding calls, and the debacle has been memorialized in LEGO form. There’s also a petition going to get this place registered as a historical site, and as for the landscaping company itself? Things are going great. Not so much for Rudy, of course, who has filed as general counsel to represent Trump in federal court (for his Pennsylvania fight) despite being suspended by the DC bar association for neglecting to pay his fees. That should be a fun realization for Trump, but again, the Four Seasons Total Landscaping guys are enjoying being a tourist attraction.

Not only are they selling merch like hot cakes, but they’ve gotta market themselves. They’re in the big leagues now, after all, so they’ve responded accordingly by beefing up their social media presence. And they are tearing it up on Twitter with jokes about blaring “the Nickelback CD Rudy left here” while working hard to meet the public’s demand for their products.

They’re shouting out Rob McElhenney in an attempt to get Four Seasons Total Landscaping onto It’s Always Sunny In Philadelphia.

And if you’re wondering where all this vigor sources from, they’re sending out credit to a special “freelance brand invigorator” named Alexis Rose (it’s a clever wink to the Emmy-winning Schitt’s Creek, which is so hot on Netflix now).

The series responded on Twitter in an appropriate fashion.

And the reverse fanboy-ing commenced.

Don’t forget, though, Four Seasons Total Landscaping does landscaping, too!

Categories
News Trending Viral Worldwide

Chance The Rapper And G Herbo Pay Tribute To Juice WRLD With ‘PTSD’ On ‘Fallon’

G Herbo returned earlier this year to release his fourth studio album PTSD. The rapper worked on the LP for much of 2019 and was even able to secure a feature by Juice WRLD before the rapper’s tragic death last December. In mourning, the PTSD cover art offers a nod to Juice WRLD as well as other friends he has lost. Continuing to honor the late rapper’s legacy, Herbo tapped Chance The Rapper to perform the PTSD title track on The Tonight Show Starring Jimmy Fallon.

The filmed performance was directed by Armani Martin with Chance serving as the creative director. The two Chicago rappers took over an abandoned industrial building to deliver their verses amid foggy mood lighting while Juice WRLD’s voice cuts in at the chorus. At the end of their performance, Chance and Herbo parted ways as the camera panned to a giant lit-up mural of Juice WRLD.

Just ahead of their performance, Chance told Fallon that his father wasn’t initially gung ho about his choice of a career path. “I don’t know if they were supportive of it, but it was understood,” Chance said, continuing that their relationships saw some “friction” after he graduated from high school. Eventually, though, Chance said his dad came around and supported him with the business side of his career. “But in the beginning, my dad did not want me to be a rapper, for sure,” Chance said.

Watch Chance and Herbo perform “PTSD” above.

PTSD is out now via Machine/Epic. Get it here.

Categories
News Trending Viral Worldwide

Russ Raps Alongside Some Of Hip-Hop’s Top Lyricists On His ‘Chomp’ EP

Before developing a reputation as a pugnacious gatekeeper and instigator of rap beef, Russ built an impressive fan base on the strength of his rapping, singing, and songwriting, leading to a very successful independent career built on boisterous bars and a diligent, DIY approach to his pursuit of stardom. Now that rap fans have turned on him, it looks like he wants to re-establish his credentials as an upper-echelon wordsmith, releasing the star-studded Chomp EP, on which the controversial indie rap advocate challenges himself to keep up with Ab-Soul, Black Thought, Busta Rhymes, and more.

After making his major-label debut in 2017 with There’s Really A Wolf, Russ unfortunately began alienating fans with his anti-drug t-shirt. After memeing his self-serious sartorial choice into oblivion and back, fans seemed to have decided that the New Jersey-born, Atlanta-based rapper was a self-righteous jerk — a perception Russ himself did little to mitigate as he continued to double down on his criticisms of mainstream stars. He may even have furthered it with physical altercations between himself and relatively harmless party rappers like Smokepurpp and Guapdad 4000.

However, Russ has his defenders as well, while his recent actions have toned-down his image somewhat. By teaming up — and in some cases, actually going bar-for-bar — with respected vets and newcomers like Kxng Crooked and Benny The Butcher on Chomp, Russ may get fans to once again focus on what’s important — his music — and not his antics.

Chomp is out now. Get it here.

Categories
News Trending Viral Worldwide

Lil Nas X Doesn’t Think ‘Old Town Road’ Is His Best Music Video

“Old Town Road” was a massive cultural event. Aside from the song’s chart success, the “Official Movie” and “Official Video” versions of the clip have over a billion combined views on YouTube. If you ask Lil Nas X, though, that’s not his best video, or even his second best.

A fan Twitter account recently posed the question, “Now that we’ve had time to enjoy the ‘HOLIDAY’ video, In what order would you rank all of Lil Nas X’s Music Videos?” Nas himself replied in a now-deleted tweet, ranking his videos from first to last, “Holiday,” “Panini,” “Old Town Road,” and “Rodeo.

He also recently responded to a fan commenting on the success of “Holiday.” Nas tweeted, “i took a 8 month break, and still we hit 12m on youtube, top 20 on spotify. i’m thankful for that. now is my time to promote and build a bigger fanbase. i’m working as hard as ever. we got this guys. a year from now every song i drop will pop.” Somebody else chimed in, “dont skress it bro. mfs finna tune in for CMBYN! Holiday a bop regardless,” and Nas replied, “not stressed king. otr took months to take off, panini didn’t peak until 4 months later. yeah they will tune in to cmbyn but Holiday is the focus rn. we will make it work.”

Revisit the “Holiday” video here.