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The Bucks Have Reportedly Traded For The Magic’s Second Round Draft Pick

The Milwaukee Bucks have been extremely active this week, as they have made clear their intentions on giving Giannis Antetokounmpo supporting stars worthy of him re-signing for the supermax later this month.

The Bucks dealt away three future first-round draft picks, including No. 24 overall this year, for the Pelicans’ star combo guard Jrue Holiday (along with Eric Bledsoe and George Hill). They then dealt much of their remaining supporting cast to Sacramento in a sign-and-trade for Bogdan Bogdanovic, to give them added scoring punch on the wing. The result is a roster that is now extremely top heavy, with a starting five that looks tremendous on paper with Holiday, Bogdanovic, Khris Middleton, Antetokounmpo, and Brook Lopez, but features hardly any depth, with only Thanasis Antetokounmpo and Justin James (who was acquired in the Bogdanovic deal).

On top of that, those five starters take up almost all of their cap space, and they are just over $15 million away from the $139 million hard cap with up to eight roster spots to fill. As such, they need a number minimum contracts to fill out the roster, but entered Wednesday with no draft picks — who offer the cheapest contracts in the league. Unsurprisingly, they went to work to remedy that, dealing a pair of future second rounders to Orlando for No. 45 overall, per Josh Robbins of The Athletic and Marc Stein of the New York Times.

The move makes sense and it wouldn’t be surprising to see the Bucks potentially try to buy another second round pick off of a team later on this evening, as they could use some rookie minimum deals to round out their roster as they’ll surely look to bring in four or so veterans to play the majority of their rotation minutes. Milwaukee’s front office is going to have to be creative with the hard cap looming, but as long as Giannis signs on the dotted line sometime in the near future, it’ll all be worth it.

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‘The Boys’ Have Seized Control Of The ‘This Claim Is Disputed’ Meme With A Perfect Response

Garth Ennis wrote The Boys comic nearly 15 years ago, and yet, it couldn’t be more relevant during our current situation(s). That’s especially the case when members of the MAGA crowd completely misinterpret Homelander (who’s the baddest Supe of all) and decide to dress up as the character at Trump-themed events. That’s the kind of shenanigan that made showrunner Eric Kripke and Homelander actor Antony Starr wonder if those people had ever really watched The Boys. And on another Trump-related front, his conspiracy-laden tweets keep getting slapped with Twitter’s “This Claim About Election Fraud Is Disputed” warning.

That warning (and Trump’s willingness to continue ALL-CAPS-ing lies to his devotees, regardless) has inspired Twitter users to hatch the “this claim is disputed” meme for their own unsubstantiated, clearly false claims.

Well, The Boys is here with their own version of the meme with a tweet that reads, “The world needs more Supes!” That nonsense is followed by a warning that says, “This claim is a load of f*cking horse sh*t. F*ck Supes and f*ck Vought.”

Man, I love it when Billy Butcher starts tweeting. (It would have been even better if the account had added a play on words, “And f*ck Jon Voight” for good measure, since he’s been spewing venomous conspiracies lately, too, but yep, I’m definitely asking too much here. A perfect tweet is already a perfect tweet.)

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Marina Is Tired Of Living In A ‘Man’s World’ On Her New Single

2019 brought Love + Fear, Marina Diamandis’ first album after leaving her Marina And The Diamonds name behind and moving forward mononymously as Marina. Now she’s getting ready to take the next steps in her re-branded journey: Today, she released a video for “Man’s World,” the lead single off a new album that’s expected in 2021.

She sings on the hook, “Mother nature’s dying / Nobody’s keeping score / I don’t wanna live in a man’s world anymore.” Marina put her money where her mouth is, too: The song and video were made with an all female and non-binary roster of collaborators. This comes after she put out feelers for new female collaborators in the summer of 2019, writing on Twitter, “Who are you favourite female producers, writers and artists right now? I’m creating my next project… and this story can only be told by women. I’m looking for you.”

In a new Vogue profile, Marina says of the song:

“I wrote it last summer in August. I’d already decided I was gonna write this new record alone, and the process felt like a reaction to what I had previously released, which is often the case. Each record I do is sort of like the opposite of the previous one. At the time I was mostly inspired by the shifts that are happening for people who are discriminated against. The original idea for the song was to write a snapshot of how women and LGBTQ+ individuals have been subjugated and discriminated against throughout history going back to the Salem witch trials, where any person who was deemed abnormal or slightly alternative was singled out. Those kinds of patterns are still present in society. That’s something inspiring to me and worth writing about.”

She also said of the video, “It’s the first one I’ve ever been credited with creative directing and writing the story for — again, I’ve done this role before, but it’s one of those basic things where people think the artist didn’t do it because their name isn’t always on it. I came up with the treatment in March, then sent it to [director Alexandra Gavillet], and we developed it more together. I’ve been inspired by this artist who made these neoclassical paintings in the late 1800s named John William Godward. They use these very modern color compositions like mint green with chartreuse or magenta. That was the center of the whole video and the main visual inspiration.”

Watch the “Man’s World” video above.

Marina is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artists Can Now Get Verified On SoundCloud And Billie Eilish And Trippie Redd Are Among The First

SoundCloud is joining Twitter and Instagram by rolling out coveted verification check marks for certain users on their site. The streaming platform announced they were rolling out the new feature this week by adding blue check marks to eight of the most popular artist profiles, including Billie Eillish, Trippie Redd, and Wiz Khalifa.

According to SoundCloud’s blog, the verification feature will “help well-known artists stand out and maintain their authenticity, and to help listeners identify these artists more easily.” The verification system follows a feature the site had only for paid Pro subscribers, which created a Pro badge on users’ profile. But SoundCloud noted that the Pro badges were oftentimes “misused or misinterpreted as verification,” so that’s where the new check mark feature comes in.

Per the site’s guidelines, those who wish to similarly receive a verification need to meet a list of requirements. The profiles need to represent “well-known and/or highly searched-for” artist, DJ, curator, or podcaster, the account needs to prove that they are a real person and not an imposter, and the user must have a fully set up profile with at least one song publicly available.

While the feature is currently available, SoundCloud noted that it may take up to 30 days for their team to complete the verification process. Those interested can follow the verification steps here.

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Trump’s Fear Of Being ‘Severed In Two’ By Harmless Laser Beams Is Weird Even By His Standards

Donald Trump fears many things: leaving the White House, the Squad, a Big Mac-less meal, Tiffany asking him if he “has a minute,” and lasers. The president fears lasers.

Author Joe Goldblatt helped produce the opening of the Trump Taj Mahal Resort and Casino in Atlantic City, New Jersey, in 1990, through his firm, the International Special Events Society (now known as the International Live Events Association). “Prior to the grand opening, I produced the Taj Mahal staff-welcome event held in the enormous Trump arena. The program included a fashion show displaying the glamorous costumes that staff would soon be wearing and a speech by their owner, Mr Trump,” he wrote for the Scotsman. “Laser lights were part of this production and although I had been warned not to speak to The Donald I persevered because of my concern for his personal safety.”

Goldblatt told Trump that “when he entered to always look forward because we would be shooting laser beams over his head and if he looked backward he might be blinded by the strong burning lights.” Good advice! Even Trump agreed to follow the instructions.

Fast forward to the welcome event:

His theme music, “Eye of the Tiger,” began blaring from loudspeakers and as the bright green beams projected over his large head, Trump began his walk toward the 5,000 members of his staff. However, a mishap occurred and suddenly the laser beams dropped by a meter and appeared to project through Trump’s midsection.

Upon seeing this he immediately dropped to his knees, seemingly in fear of being severed in two by the powerful beams. I called out from the wings, “It is all right, stand up and give your speech.” He looked at me with genuine fear and then rose, walked to the lectern and, though obviously shook up, delivered his usual rant.

Sadly, there’s no video of this incident, but it still has people rolling.

The Trump Taj Mahal Hotel and Casino was shut down in 2016.

(Via Scotsman)

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Kurt Russell Is Comparing His Newest Santa Claus Movie To… ‘The Passion Of The Christ’?

When you think of Netflix’s The Christmas Chronicles, the obvious comparisons are holiday classics like Miracle on 34th Street, Home Alone, Jingle All the Way, Elf, etc. What you probably don’t think of is Mel Gibson’s grueling Biblical epic, The Passion of the Christ, and its 120 minutes of Jim Cavaziel’s Jesus getting beaten to a bloody pulp on his way to being graphically nailed to a cross. Granted, it’s technically a Christmas movie, but it’s not in the same category as Rudolph, you know what I mean?

So it was very odd when The Christmas Chronicle‘s hot daddy Santa, Kurt Russell, compared his holiday franchise to Mel Gibson’s crucifixion movie while promoting the sequel. Russell’s logical leap is made even weirder by the fact that it stems from his amazement at the language used by the cartoon elves in the family friendly films. Via The New York Times:

It’s not to be taken lightly. I’ll never forget when I saw “The Passion of the Christ” and went, “Mel discovered something that nobody figured out for all this time we’ve been making movies.” If you do anything that’s historical, especially the Bible, and you do it in an original language, it gives it a sense of authenticity. And when I saw that, and I read this script, I thought, elvish will give this a sense of authenticity.

Fortunately, Russell’s wife Goldie Hawn, who plays Mrs. Claus is in the new sequel, was on hand to bring things down to Earth. “He says it’s a language, but in my mind it’s just sounds,” she told the Times.

We’re gonna go with Team Goldie on this one.

(Via The New York Times)

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Xavier Tillman Could Solve A Lot Of Problems For A Team That Needs A Big Man

Basketball, on a fundamental level, is comprised of micro decisions and events that quickly build upon one another. Teams with better decision-makers — whether that trait stems from skill, athleticism, or feel — generally wield an advantage over their opponent. Eventually, once micro decisions coalesce into macro outcomes, those advantages manifest on the scoreboard or in the standings.

Through an array of avenues, Xavier Tillman is a brilliant decision-maker on both ends, helping forge advantages offensively and quell them defensively. There are more detailed ways to break down his game — we’ll dive into those shortly — but the connective theme is his sharp, instantaneous decision-making, which renders him a top-25 player in this Draft class.

Tillman’s decision-making artistry can often be subtle, though it’s easily discernible when isolating on him. As an interior defender, he is prompt in rotations and merges verticality, timing, and positioning to consistently alter shots inside. He understands angles, which, along with supreme functional strength, he applies to stymie post-ups. He has inarguably the best hands among big men in this class, enabling him to snare rebounds or steals — he boasted a 2.1 percent steal rate this past season. All of this means he embodies vital pillars of defense: alteration and deterrence.

Offensively, this same understanding of angles and proclivity for executing snappy, correct decisions is prevalent. As a passer, Tillman consistently keeps the ball pinging, capable of executing high-level reads for a big, while also being timely in his actions. His post passing is quite good, but feels less pertinent when assessing his professional future because it’s unlikely he commands significant touches on the block in the NBA. But his short-roll playmaking is where the true talent exists, providing a stage to showcase vision and punctuality.

In addition to his passing, his finishing and screen-setting suggest he projects as a highly equitable pick-and-roll big moving forward. Last season, he ranked in the 91st percentile around the basket, according to Synergy, and brandishes both ambidexterity and savvy at the rim. His lack of vertical pop will pose hurdles as a finisher in some NBA contexts, but the aforementioned assets should ensure he remains good or very good.

The concept of off-ball impact or presence is overwhelmingly reserved for back-court players offensively, largely centered around how good someone is as a shooter, cutter, and relocation artist. But Tillman is the rare big man who is so impactful without the ball in his hands that his value must be articulated. Whether it’s to simplify/enact a passing window, set a screen, or dive to the rim, he maximizes his opportunities off the ball. Despite some woes from beyond the arc that we’ll get into momentarily, defenders cannot ignore him without risking repercussions. Doing so invites him to free someone up with a screen, wander into space for a drop-off pass that leads to a bucket inside or dart to a spot, initiate a pick-and-roll or dribble hand-off, and establish an advantage with his screen-setting.

Tillman is the chief screener in this class and nobody rivals him. He constantly springs teammates loose with mammoth picks, is instinctual in identifying impromptu chances, and recognizes when and how to flip the angle of screens if the situation demands. Any NBA team utilizing a screen-heavy attack will benefit from his services, and it’s a leading reason he’s so dangerous off the ball.

This excellence as a screener lends credence to the idea that he should holster utility in dribble hand-offs, too. Given his draft range, it seems doubtful that he earns on-ball usage in such a manner early on. But down the road, his screening prowess and intelligence are going to give him worth as a DHO initiator. He was the trigger man rather frequently at Michigan State and exhibited faculty, leveraging advantages in the two-man game for pull-up jumpers or downhill waltzes. Sometimes, when the defender overplayed the handoff or he deemed it suitable, he’d even audible, bust out a ball fake, and further display his finishing and passing acumen against a scrambled defense.

Discovering ways to extract offensive value from Tillman is paramount. While I’m optimistic about his finishing mostly translating, he encountered struggles against longer rim protectors in college because he doesn’t own the vertical pop to score over the top. More importantly, he doesn’t offer notable self-creation potential and the projection of his three-point shooting remains in flux. He shot 27.3 percent from deep on 77 total attempts and 66.7 percent at the free throw line across three collegiate seasons, both of which are discouraging signposts. But a minor mechanical tweak could facilitate the development of his jumper to fashion value in pick-and-pops or on spot-ups.

He has considerably pronounced wrist flexion when he shoots, forming a perpendicular angle with his forearm. My suspicion is this inhibits Tillman’s touch. To some degree, it’s as if he’s launching the ball rather than purely shooting. That, from my perspective, appears to be the underlying issue here. In the proper environment and with targeted development, I’m confident this sort of problem is correctable to the point of turning him into a viable threat from outside.

If so, Tillman becomes a particularly novel offensive cog. He’d be one of the most sound decision-making bigs in the league, while also imprinting himself as a short-roll passer, pick-and-pop presence, and elite screener. Of course, there likely exists a shallow ceiling on his offense, since he is not a dominant play finisher, lead ball-handler, or adept self-creator. But even acknowledging that ceiling does not preclude him from merit, given the baseline of decision-making, passing and screening; a positive shooting outcome merely threads all of this together and amplifies the impact. These three skills do not require him to shoulder voluminous on-ball reps, which is crucial for non-stars, and enable him to seamlessly blend into the background, ideally advancing the goals of his team’s primary ball-handlers and scorers.

When thrust into pick-and-roll defense, deploying him in drop is the most prudent approach. He’s a master of positioning, acutely aware of how to contain ball-handlers and toggle back to the roll man, utilizing intelligence, strength, and swift, strong hands to muck up actions. He’s also playable in hedge-and-recover, traps, or “shows,” touting the length (7’2 wingspan), reaction time, and relative mobility to function on the perimeter occasionally. These aren’t the type of coverages he should be tasked with consistently, but he isn’t a plodder who must be anchored in the paint.

His lack of short-area quickness and vertical explosion are going to hurt him in both conservative and aggressive coverages, so he’s not going to emerge as one of the league’s top pick-and-roll big defensively. Regardless, these physical limitations are not enough to override his effectiveness on the whole, even if some opponents will find success scoring over him or finding the edge to get downhill.

If the surrounding personnel allows, I’m also intrigued with the possibility of Tillman defending these face-up or slashing-oriented guys who don’t have the pull-up game of most handlers nowadays. He’s strong, boasts some lateral mobility, knows how to position himself to maximize angles, and is an adept rim protector. Assigning him to All-Stars such as Pascal Siakam, Jimmy Butler, and Ben Simmons, each of whom you can generally duck under screens against and whose shot preferences reside in the paint, seems like it has validity. Expecting him to chase them around off ball would be overextending him and some, such as Siakam or Simmons, may be too quick for him. But on the ball, he’s at least shown enough perimeter mobility to warrant exploring this possibility, which holds value as the archetype continues to gather popularity throughout the NBA.

There are few centers deserving of a first-round investment this year. Aside from Tillman, Onyeka Okongwu and James Wiseman are the lone others with top-30 grades on my board (Obi Toppin is a 4/5 in this case). While Okongwu and Wiseman are slated to be lottery selections, assuredly enjoying a prominent offensive role in the NBA, Tillman’s signature will be penned via other channels.

He’ll fare well in impact metrics, despite likely authoring a mundane box-score line, sparking viewers to tune in, fixate on him, and grow cognizant of his value. So, in that sense, it’ll be an extension of his college days, stamping his mark with ever-present brilliant decision-making that coalesces into macro advantages. It manifests in a variety of ways and drives the bus for his case as a top-25 pick in the 2020 NBA Draft.

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Gucci Mane Shares Jokes About Him Shooting Jeezy’s Friend Ahead Of Their ‘Verzuz’ Battle

One of the reasons rap fans are looking forward to the latest episode of Verzuz with both excitement and dread is the very real animosity between Gucci Mane and Jeezy. The former collaborators fell out after a dispute over their hit “Icy” led to a bitter feud — one with fatal implications for a member of Jeezy’s crew. When a group of men associated with Jeezy apparently attacked Gucci in 2005, Gucci’s return fire killed one of them. Gucci claimed that the killing was in self-defense and the resulting murder case was dropped due to a lack of evidence.

The feud between the two carried over into the next decade with the two rappers going back-and-forth on records and their crews entering various altercations afterward. However, in the years since, both have seemingly turned over new leaves; Gucci Mane has become a best-selling author and respected OG of the trap scene after a long stint in prison, even starring on a reality show revolving around his marriage to Keyshia Ka’oir in 2017, while Jeezy now has a talk show on Fox Soul and is dating fellow talk show host Jeannie Mai of The Real.

Their impending Verzuz battle, therefore, comes with some serious implications — although both seem to be changed me


n who’ve matured a lot in the years since. That hasn’t stopped Gucci from sharing memes making light of their old beef in the week leading up to their confrontation. In one, a fan caption imagines an action movie-hero-like role for Gucci in the shootout that killed Jeezy’s friend Pookie Loc, while another theorizes Jeezy’s possible response should Gucci play “Truth,” a 2012 mixtape cut on which Gucci taunts Jeezy, “go dig ya partna up, n***a / I bet he can’t he say shit.”

Incidentally, Gucci wound up being a surprise, 11th-hour replacement for T.I., who dropped out of the battle due to unknown reasons. T.I. notoriously also had disagreements with the other two trap pioneers, although on a recent episode of his podcast, he invited Jeezy on the show and they pondered finally settling all their longstanding issues with Gucci behind closed doors. One thing is for sure: a great many eyes will be on Verzuz’s Apple Music and Instagram streams Thursday night at 5/8 pm PT/ET. The one exception: Freddie Gibbs, who seems no closer to resolving his own feud with Jeezy than he was when he departed Jeezy’s label in 2012.

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The Latest Bonkers MAGA Election Conspiracy Alleges That The Mafia Was Somehow Involved In Rigging It For Biden

Even Mafia dons think these voter fraud conspiracy theories from Trump and his followers are getting out of hand.

Former Philadelphia mafia boss “Skinny” Joey Merlino has been roped into the latest allegations of ballot tampering from Trump’s MAGA cronies. Merlino, an infamous member of Philly’s criminal underground in the ’90s, has been spending recent years down in Florida, trying to operate a restaurant before a racketeering case in 2018 shuttered his business. Merlino has since been on supervised release, after entering a plea deal for that case. But none of that seems to matter to conspiracy-fueling outlets like The Buffalo Chronicle because the mob kingpin has become the latest name implicated in some totally baseless accusations from right-wing conspiracy theorists, who are hoping to retroactively win the election for Trump.

The Buffalo Chronicle, an outlet with a history of twisting outrageous conspiracy theories into “breaking news,” claimed an anonymous source outed Merlino as the brains and muscle behind an election rigging scam in Philadelphia. This unnamed informant said Merlino “fabricated ballots” and delivered them to Philadelphia polling stations in “nondescript cardboard boxes.” They also alleged that Merlino might be willing to “flip” on President-elect Joe Biden to “expose” Democratic corruption in exchange for his record being expunged and immunity from these ballot tampering crimes because he wants … and this is a direct quote here … “to fish and hunt on federal lands. He’d really like a job with the National Parks Service.”

Of course, these claims aren’t backed up by any factual evidence, and Merlino, who’s apparently been fielding dozens of calls about this nonsense since the story first ran, has gotten his legal team to issue a statement.

“My client categorically denies all the allegations and Joey would rather die than ever be a snitch,” Merlino’s attorney John Meringolo told The New York Daily News after reportedly telling people his client responded to the claims by saying, “These people are crazy!”

That hasn’t stopped some within Trump’s circle from latching onto this wagon. Jordan Sekulow, the son of one of Trump’s top personal lawyers, Jay Sekulow, retweeted the article, urging people to “follow all leads.”

But you know a conspiracy theory is too outrageous to get behind when even Rudy Giuliani calls it far-fetched like he did during an interview on Fox Business yesterday. Still, this is one of the more laughable plots we’ve heard so far when it comes to Trump’s failed campaign to beat Biden after the fact so … there’s that.

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Kevin Morby Enjoys Solitude In The ‘Don’t Underestimate Midwest American Sun’ Video

Kevin Morby previously revealed that Katie Crutchfield (aka Waxahatchee) was a big part of his new album Sundowner. She has appeared in most of the album’s visuals, and sure enough, she co-stars in Morby’s latest video, this time for “Don’t Underestimate Midwest American Sun.”

Morby explains the clip:

“At the time of writing the album, it felt like Katie and I were the only two people on Earth — living out in suburban Kansas away from the chaos of our lives on the road and on the coasts and our days became very childlike and innocent: riding bikes, making up games, and singing songs. When we found ourselves back in a similar environment due to the lockdown, and it came time to make videos, I wanted to depict our lives in solitude from when I wrote the album.”

He also previously said of the song, “‘Don’t Underestimate Midwest American Sun’ is my favorite song off of the new album, and the one I’m most proud of. I consider space to be a prominent instrument on the song — and here it’s as important as anything else you hear on the track. It was my goal to capture the vast openness of the middle American landscape sonically. To this end — there is a whole track of nothing but Texas air, birds and wind chimes living beneath the song.”

Watch the “Don’t Underestimate Midwest American Sun” video above and revisit our recent interview with Morby here.

Sundowner is out now via Dead Oceans. Get it here.