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Foo Fighters Give ‘Waiting On A War’ An Intense Live Debut On ‘Jimmy Kimmel Live!’

With a new album on the way, Foo Fighters are in the full promotional swing. So far this year, they’ve released two singles, “No Son Of Mine” and “Waiting On A War,” the latter of which just dropped yesterday. The band was the musical guest on Jimmy Kimmel Live! last night, and they performed their two newest songs.

“Waiting On A War,” getting its live debut on Kimmel, is the kind of building song that sounded like it would take off live, and it turns out it totally does, especially during its big ending. “No Son Of Mine,” meanwhile, is more of a constant rock onslaught, and it too comes alive on stage.

When releasing “Waiting On A War,” Grohl wrote of it, “Last fall, as I was driving my 11 year old daughter to school, she turned to me and asked, ‘Daddy, is there going to be a war?’ My heart sank in my chest as I looked into her innocent eyes, because I realized that she was now living under that same dark cloud of a hopeless future that I had felt 40 years ago. I wrote ‘Waiting On a War’ that day. Everyday waiting for the sky to fall. Is there more to this than that? Is there more to this than just waiting on a war? Because I need more. We all do. This song was written for my daughter, Harper, who deserves a future, just as every child does.”

Watch Foo Fighters perform “Waiting On A War” and “No Son Of Mine” on Kimmel above.

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People Are Pointing Out The Hypocrisy Of Tucker Carlson’s ‘Vile And Vicious’ Attack On Alexandria Ocasio-Cortez

Earlier this week, Rep. Alexandria Ocasio-Cortez (D-N.Y.) went on Instagram Live to discuss the “close encounter” she had with the MAGA rioters during the failed coup at the Capitol building. “It was not an exaggeration to say that many members of the House were nearly assassinated. I didn’t even feel safe going to that extraction point because there were QAnon and white supremacist members of Congress who I felt would disclose my location and create opportunities to allow me to be hurt,” she said. It was a scary moment for Ocasio-Cortez — and, y’know, for democracy — but for Tucker Carlson, it was a pathetic excuse to mock the congresswoman for fearing for her life.

“Here’s the dumbest and narcissist of all of them, the Kim Kardashian of the Congress,” Carlson spewed, referring to AOC. He criticized Ocasio-Cortez for her “revised position” after praising the “heroic” police officers at the Capitol — including the “black and brown officers that were confronting white supremacists and putting [themselves] in harm’s way,” as she said on Instagram — while supporting the defund the police movement. The Fox News host also mocked her “narrowly escaped death” remark:

“Narrowly escaped death,” Carlson sarcastically declared, mimicking AOC’s description of the terrifying scenes at the Capitol. “When the most harrowing thing in life is pass freshman sociology at Boston University, every day is a brand new drama. Sandy’s heart is still beating fast. But she likes the cops now, despite the fact they’re white supremacists. What a difference a day makes.”

Someone needs to give Tucker Carlson — the same Tucker Carlson who once whined about a “chilling” and “upsetting” protest outside his home; the same Tucker Carlson who mocks AOC for attending Boston University when he graduated from Trinity College, a private liberal arts college; the same Tucker Carlson who takes pride in his ignorance of the things he limply mocks — a wedgie. At least Twitter gave him a figurative wedgie.

(Via the Huffington Post)

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Introducing The Indiecast Hall Of Fame

There are albums in the indie rock and alternative rock realm that were influential and beloved at the time of their release, but have since been lost to the test of time and sadly — some might say shamefully — left out of the widely accepted canon of the genre. On the latest episode of Indiecast, Steven Hyden and Ian Cohen are looking to right these wrongs with the creation the Indiecast Hall Of Fame. This week, Hyden and Cohen are using the episode as a way to give proper recognition to albums they love, and to make the case for why they remain important in the lore of indie rock history to this day. Included on the list are records from Counting Crows, The Promise Ring, Afghan Whigs, and more.

In this week’s Recommendation Corner, Cohen has been revisiting Tokyo Police Club’s Champ in honor of its upcoming tenth anniversary. Looking ahead, Hyden is excited about Drunk Tank Pink, the forthcoming effort from UK post-punk outfit Shame.

New episodes of Indiecast drop every Friday. Listen to Episode 22 on Apple Podcasts and Spotify below, and subscribe wherever you get your podcasts here. Stay up to date and follow us on Instagram and Twitter.

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Anthony Mackie Claims To Be The Superior Candidate For One Of Captain America’s Claims To Fame

Anthony Mackie might be playing coy about taking the mantle of Captain America from Chris Evans, but he’s not shy about claiming another title: “America’s Ass.” While stopping by KFC Radio to promote his new Netflix movie, Outside the Wire, Mackie was asked about the title bestowed on Evans’ Cap during Avengers: Endgame. Without admitting that he’ll be the new Captain America, Mackie joked that he has a better butt than Evans and will gladly put it to a test even if the competition will be tight:

“Chris and I laugh and joke about it all the time. I have a much better ass than Chris Evans. So one day we’re gonna do the biking shorts test, or the compression shorts test, and we’re gonna have everybody choose, which is America’s ass. I think it’s gonna be 50/50 split. Some people like their pizza lightly toasted, some people like a little bit of char on their pizza, you know what I’m saying? So it’s all about how you like your buns cooked.”

You can watch Mackie talk about becoming America’s Ass below:

Despite admitting last year that he’s honored to be taking on the “monumental” task of being the Marvel Cinematic Universe’s first Black Captain America, Mackie has been tempering fans expectations of what to expect when The Falcon and the Winter Soldier arrives on Disney+ in March. “The show, the idea of the show is basically, you know, and at the end of Endgame, Cap decided he was going into retirement and he asked me if I would take up the shield, but at no point in time did I agree to or say that I would be Captain America,” Mackie told Collider. “So, the show walks the line of who is going to take up the shield and who’s going to be Captain America if Steve isn’t coming back.”

In an interesting wrinkle, a few days after Mackie made those remarks, Deadline reported that Chris Evans is in talks to return as Captain America. Granted, Evans quickly downplayed the news, but he didn’t deny it either, which means maybe, just maybe, there’s a Captain America Ass-Off in Marvel fans’ future.

(Via KFC Radio)

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Lisa Kudrow Cites A Rob Lowe Show While Revealing The Reason She ‘Gave Up On’ Network TV

If you listen to enough podcasts, you start to see what a small world the entertainment industry can be. Lisa Kudrow offers one such example. To wit: I learned from Conan O’Brien’s podcast that Lisa Kudrow broke into the business thanks to her brother’s best friend, former SNL star Jon Lovitz, who helped Kudrow get into the Groundlings. In the Groundlings, Kudrow met and briefly dated Conan O’Brien, and in fact helped him land Late Night back in 1993, a detail I learned from Dax Shepard’s podcast. Meanwhile, I learned from Rob Lowe’s podcast that Lovitz’s friendship with Kudrow also made him friends with Courteney Cox, which led to a great story about Brad Pitt botching a housesitting gig and letting go of a dog that killed Lovitz’s cat.

Fittingly, it was Lisa Kudrow’s turn this time to appear on Literally! with Rob Lowe, where Kudrow again talked very fondly of Jon Lovitz (who was the originally envisioned along with Dana Carvey as the leads in Michael Bay’s Bad Boys). Kudrow also talked about the eventual Friends reunion on HBO Max, saying that they had already pre-taped one segment. “I pre-shot something already so we’re definitely doing it because I already shot a little something,” she told Lowe, adding that “it’ll be great.”

Interestingly, she seemed less interested in talking about Friends than she was in discussing a Rob Lowe sitcom that ran for only one season back in 2015, but that became something of a cult-hit on this very site before it was so unfairly canceled.

“I loved The Grinder,” Kudrow exclaimed during the podcast. “What happened?! What happened?! I loved it. You were hilarious. Fred Savage, fantastic. Every human on that show was great. I loved it. I don’t know what happened,” Kudrow continued.

Lowe agreed, saying that after The Grinder was canceled, he’d given up on comedy. “I’m not going to have a better fit. I’m never going to have a better show,” Lowe thought. “Every moment of it was perfect.”

“It was so good,” Kudrow added. “It’s so funny. It’s ridiculous and funny. That’s what made me go, ‘Yeah, yeah. I’m done with the networks.’ I can’t do it anymore, because they won’t use their eyes and ears. All they’re looking at is a spreadsheet.” Kudrow mused, upset that networks seemed to have lost their ability to wait for audiences to find good shows.

“I’m out,” she said, punctuating her disinterested in the network television landscape while also adding, “And they canceled Last Man on Earth. That was such a great show, too!”

It’s true, too. Aside from an appearance on an episode of The Good Place, Kudrow has stayed completely away from network television since the demise of The Grinder. I don’t blame her. Grinder was fantastic, and maybe instead of rebooting so many shows, networks should start bringing back great series that they never gave a chance to catch on in the first place. They can start with Grinder and Enlisted.

Source: Literally with Rob Lowe!

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Cardi B Made A Chef Seriously Mad On A New Episode Of ‘Cardi Tries’

In December, Cardi B launched a new show on Facebook’s Messenger Watch Together feature, Cardi Tries. The show is easy to figure out based on the title, as it sees Cardi trying out things that are new to her and out of her usual wheelhouse.

She has expert guests on the program to help guide her through these experiences, and given Cardi’s casual, joke-heavy personality, these guests should know what they’re getting into. The focus of the program is on Cardi being a fish out of water and having fun in unfamiliar environments, so it would be fair to assume that she might not follow (or even know) all the rules of whatever she’s doing or take every aspect of it super seriously. That said, a chef got pretty annoyed with her on this week’s new episode.

Cardi shared a clip from the new installment, in which she tries cooking. In the brief clip, Cardi puts the finishing touches on some sushi she made, and she eats some of it while expressing how proud she is of herself and how tasty her creation is. Chef Vallerie Castillo, who was guiding Cardi through the process, didn’t take that well: Seemingly annoyed, Castillo said in a talking head shot, “I caught her sneaking something. I don’t let staff do it and I can’t believe she did that.”

Cardi doesn’t seem to be too bothered by the chef’s disgust with her kitchen etiquette, though, as Cardi captioned her post, “Chef Val was so mad that I kept eating the food. But what can I say the food taste good.”

There are similar incidents elsewhere in the full episode. At one point, Cardi messes up a sushi roll she made, and when told that the restaurant wouldn’t be able to serve it to their customers, she quickly popped it in her mouth and ate it. Castillo didn’t care for that, as she told the camera, “Cardi’s eating as she’s cooking. I told her not to, but she’s Cardi B, so what am I gonna do, right?” That said, Castillo was impressed by a sushi boat Cardi put together, noting, “Actually, that wasn’t too bad for a beginner.”

Watch the clip above and check out the full Cardi Tries episode here.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Anthony Mackie On The Responsibility And Message Of Captain America

Anthony Mackie is clear: he is not at all saying he’s the new Captain America. We will all have to watch The Falcon and the Winter Soldier to find out if Mackie’s Sam Wilson decided to accept that title. But, after Captain America creator Jack Kirby’s son, Neal, put out a blistering statement after seeing Captain America paraphernalia at the attack on the Capitol, Mackie isn’t shy about what Captain America represents and what it means to even be associated with that role in terms of being a role model, which is a pretty heavy thing for an actor.

Captain America is the jumping-off point in the conversation, but the truth is, what happened two Wednesdays ago affected Mackie as a Black man living in America. To see the hate on full display, for Mackie, he hopes it’s finally the eye-opener people need to understand what’s going on out there. And an emotional Mackie has a lot to say about that.

The reason I’m talking to Mackie is because he has a new movie out on Friday called Outside the Wire on Netflix, which, by the time you’re reading this, you can watch. Mackie basically gets to play the Terminator. He’s a U.S. military-created robot named Leo who has some pretty wonderful ’90s action movies-esque one-liners. And his mission is stop eastern European terrorists from destroying the world. Or, maybe, Leo has some ideas of his own. In fact, Mackie calls this his tribute to Wesley Snipes’s movie of the ’90s. Which, of course, led us into a discussion about the plot of Passenger 57.

Ahead, we probably have a bit too much fun talking about Passenger 57 before things get serious when talking about what happened at the Capitol. And the New Orleans, Louisiana native doesn’t take it lightly at all that he knows kids are going to be looking up to him and what he represents. (Well, other than his own kids, who don’t think he’s cool at all.)

I was doing some research before talking to you and came across a headline from 2013, “Anthony Mackie Calls Chris Evans a Stud.” I laughed out loud because I haven’t seen fun headlines like that in what seems like a very long time.

He is my stud muffin. I miss him.

That would never be a headline today.

Right, when we were able to laugh?

There was one day in 2013 where you calling Chris Evans “a stud” was news.

That’s funny.

In Outside the Wire, you basically play the Terminator.

Oh yeah! When I first read the script, that was something that stuck out to me as something I was excited about. Because, growing up, being a movie fan, I loved those movies. As a young actor, you always say who you want to be when you grow up as an actor. And my answer was always Wesley Snipes. I feel like this movie was the quintessential Wesley Snipes movie. This is my Mr. Holland’s Opus to Wesley Snipes.

So this is your Passenger 57.

Passenger 57, exactly. Which I watched last week and it’s still great.

Yeah, I watched it, too. It’s on cable all the time recently.

Yeah!

I forgot about the beginning when he’s teaching a hijacking simulation and the flight attendant tries to be a hero and they are at odds. Then he just happens to be on a real flight with her that gets hijacked.

[Laughs] Right, right!

Oh, it’s great.

It really is. My favorite part, which I forgot, so the airplane that they’re on lands in Louisiana.

Oh yeah.

The police officers are the most country, hick, Louisiana police officers in the history of film.

Very true.

But then all of a sudden, they become friends. I’m like, it’s an amazing movie. It’s an amazing movie.

They think Wesley Snipes is the terrorist at first. They’re blaming him for everything.

Right, and they try to arrest him.

Then they become friends.

Exactly.

I miss the casually rated R movie. When an action movie today gets rated R, that’s the marketing, “we are R,” and have to overdo it.

So they can justify. No question. Yeah, that’s 100%. And that’s what’s so funny about it: now everything is so safe, that the idea of what was raunchy and out there 20 years ago, now that’s like “X.”

Speaking of ’90s movies, and I like the title of this movie, but it doesn’t have the ’90s title feel. Why isn’t this called Robot Warrior or something?

The great thing about the title and where the movie comes from, it kind of explains it perfectly. I feel like we don’t make movies anymore that are called Death Trip. Four guys in the car and they’re like, “Let’s take a road trip.” “Where are we going?” “To Death Town.”

Yeah, we don’t see Death Town too often anymore.

You don’t have those punchlines anymore.

That’s true.

With this movie, what keeps it so great and authentic is it has that quality, and that feeling of just a feel-good popcorn movie.

You get some great lines. I laughed out loud at “I’m special enough for both of us.”

That’s what I’m saying, man! It goes along the lines of, “Always bet on black.”

Yeah, that line has that feel.

Literally, when we were shooting this, I had so many of those one-liners and I would put one in every scene. And I would tell (director) Mikael Håfström, you have to use one of these, dude. You can’t just not use them. This is gold!

Wait a second, so why wouldn’t he want to use every single one of them? I’m serious. This seems like a no-brainer.

Believe me, we had that argument every day.

You’re a producer, couldn’t you just say, look, these are staying in, buddy.

Nah, he was our fearless leader, so he stuck to his guns. He made the best movie we could possibly make, so I’m happy with it.

My one disappointment when I was watching this, because I’ve been watching a lot of ’90s movies, is the scene where there’s going to be truth serum. But then it was a fake out. But I was just thinking, there are not enough truth serum movies today.

You’re the only person sitting around waiting for truth serum!

We don’t see enough truth serum and we don’t see enough cyanide. Those used to be things we saw all the time.

Yeah, what’s the shit they used to put on the towel and then put over your nose? It was in every movie. They would put it on your nose and you would pass out and they would lay you down. What was that called? That’s what we need in more movies.

It’s on the tip of my tongue. I’m actually Googling, “liquid that knocks you out.”

Right, “Liquid on towel that you put over the person’s nose and mouth and knocks them out.“

Chloroform.

That’s it. Every movie from now on, I want to put a chloroform scene in it.

So chloroform, cyanide and truth serum. If you put three of those things in a movie, we’re off to the races.

I’m in. I’m in. Sign me up.

So, I read your comment when you were asked about The Falcon and the Winter Soldier, about if you’re going to be Captain America or not. And I saw you said, “He gave it to me but I have not accepted this,” which is a great line for you to tell people.

Well, it’s the truth.

“He gave me the shield, but I have not said yes.” But that’s a good way to put it. Now we don’t know because Sam has to figure that out.

Exactly.

So, having said that I am making no assumptions about what happens to Sam. But a pretty serious thing, I don’t know if you saw this, Jack Kirby’s son Neal put out a statement yesterday because he saw people storming the Capitol wearing Captain America gear and he was, rightfully, very offended.

Well, nothing that happened last Wednesday was patriotic or American. Even being a black man, if you look at the history of this country and being a proud American, nothing about that was patriotic or American. And definitely not in any vein, shape, way or form in the life of Captain America would that ever happen.

It just baffles my mind they could take what’s pretty obvious about what that character stands for and twist it into what we saw. There’s a lot to be outraged about and I don’t know how far down this is on the list, but how could anyone think that that’s what that character stands for, even for a second?

Yeah, it’s definitely way down the list with all the other shit that has happened. People don’t know how ugly things are until you see them. And it was like during the Civil Rights March. People didn’t know how bad the racism in this country was until they had the cameras on. Until you saw fire hoses and dogs eating people. You don’t know how devastating and tragic day-to-day life is as a person of color or a woman until you see it. And now that we’ve seen it, you can see that the reaction from people has been very different. Even Mitch McConnell, of all people. If you can get Turtle Mitch to turn his head, it’s a whole different conversation. It’s a whole different ballgame because nobody signed up for that. Everybody signed up for hate, but nobody signed up for that.

We saw how Chris Evans, his persona really kind of formed into realizing how a lot of people look up to him because he played that character. Have you thought about that? Already people look up to Sam. But now, carrying around that shield or having that shield with him, do you think about how all these young people are going to look up to you personally? That seems like a heavy thing for an actor.

Of course. You have to think about that. It’s one of those things, especially being a father of sons, it’s one of those things that’s constantly on your mind. That’s always in the back of your brain. So, of course, you have to think about it and everything: how it will change your life; How it’ll change their lives. I mean, I just wish it would make me cooler to my sons. But they could care less.

Really? How could they care less?

Yeah, they’re just like, let’s play some baseball, we don’t care. My whole goal is to be cool to my sons, and they won’t give it to me at all.

If my father had been doing what you’re doing, I would’ve been pretty impressed. He worked for the telephone company and I was impressed by that.

That’s what I thought!

You need to have a chat. “People think I’m pretty cool for doing this.”

Right. And they’re like, “Nah, you’re just Dad.” Damn, but Dad’s a superhero, no? Dammit. They keep me humble, put it that way.

‘Outside the Wire’ is streaming now on Netflix. You can contact Mike Ryan directly on Twitter.

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Doja Cat Throws Shade Directly At Tekashi 69 On Ariana Grande’s New ’34+35′ Remix

When Ariana Grande teased two mystery guests who would join her on a remix of “34+35,” fans came up with plenty of theories and were partially right. While the guess of Nicki Minaj turned out to be inaccurate, they were correct about Doja Cat, who appears on the track alongside Grande and Megan Thee Stallion. Those weren’t the only three names on the song, though, as Doja managed to sneak a Tekashi 69 diss into her verse.

Doja kicks off her contribution to the track, “Can we stay up all night? F*ck a jet lag / You bring your fine ass and overnight bag / Add up the numbers or get behind that / Play and rewind that, listen, you’ll find that / I want that six-nine without Tekashi / And I want your body and I make it obvious.”

Doja and Tekashi have had a bit of beef in the past. After some controversial old Doja lyrics generated controversy towards the start of 2020, Tekashi called for her to be cancelled. In the comments of an Instagram post, Tekashi wrote, “She started with the wrong one… give me till tomorrow #canceldoja.” He wrote elsewhere, “Someone called her Doja Dog.” Doja didn’t respond at the time, but now she got her dig in.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Let’s Talk About Those Easter Eggs In The ‘WandaVision’ Commercials From The Disney+ Premiere Episodes

(Spoilers from Marvel Studios and Disney+’s WandaVision will be found below.)

Disney+ premiered WandaVision‘s first two episodes, which were a retro dream that conjured up visions of The Dick Van Dyke Show and Bewitched. The leads were all-in on the vibe with Elizabeth Olsen gamely throwing herself into what’s (tragically) Wanda Maximoff’s fantasy world and Paul Bettany showing off his comic timing that’s too perfect for words; and then there’s Kathryn Hahn’s nosy neighbor, whose identity has probably been figured out by Marvel fans already. A reference to Vision’s so-called “indestructible head” will hit Infinity War viewers right in the feels, but we’re gonna jump past that right now to talk about those Easter Eggs, which are wrapped within the retro commercials that play around the halfway mark of each episode.

Those commercials feel like they’re drawn straight from Wanda’s memories, as if they’re intrusions into the perfect life in suburbia that she’d hope to craft (complete with a pregnancy, and I’m interested to see whether that development will follow the same path as the comics). Overall, these first two episodes were a nice departure from the action-heavy MCU (things got better with balance in terms of character dynamics as the Infinity Saga progressed, but the film where Wanda debuted, Age Of Ultron, was not a strong point). And clearly, Wanda cannot escape her past. Also, SWORD is apparently trying to communicate with her (we’ll talk about that later), but those retro commercials made direct references to Wanda’s traumatic origins (although it still feels like they’re not doing the comic book thing where she’s Magneto’s daughter). It’s sinister stuff, all wrapped up in shiny, sitcom exteriors. Ominous!

1. Stark Industries

Disney+/Marvel Studios

This commercial for the “Toastmate 2000” is almost terrifying when one considers that this is the first flash of color that we see on WandaVision. Color seems to pop in as intrusions from reality rear their heads, and here, we receive a nod not only to the MCU at large but an unsettling utterance about this machine from Stark Industries: “Forget the past, this is your future.” The couple who appears in this commercial also pops up in the next one, and this could be a nod to the death of Wanda’s parents. Certainly, that red blinking light does nothing to discourage thoughts of a bomb, and that’s exactly how the parents of Wanda and Pietro died: via a Stark Industry missile attack on their home country of Sokovia. They ain’t just talking about toast here, and it’s bleak, for sure.

2. Strucker/HYDRA

Via Disney+

Wanda’s past as a HYDRA test subject comes back to haunt her here with this reference to Strücker, maker of this watch and another haunting slogan: “He’ll make time for you.” The HYDRA logo flashes into view, and again, the actors might be Wanda’s parents. This spot’s a reference to Baron Strücker, who we learn (in Age of Ultron) performed experiments on Wanda and Pietro. That’s also how she got her superpowers, and perhaps this commercial also hints that HYDRA has some future designs for her, too. It’s also worth remembering that Wanda’s powers were unlocked by the Scepter (which, of course, brings in the Mind Stone and Vision). We see her resulting powers (telekinesis, energy projection, and so on) used for humorous effect so far on WandaVision, but the good times can’t last too long with all these ominous hints already dropping into view.

Meanwhile, there’s those SWORD intrusions.

Marvel Studios

Those insistent, busting-into moments from reality into Wanda’s new world simply won’t stop. Between the radio calls, the helicopter (with a telltale logo), and the beekeeper (also logo-ing and freaking the couple out) who emerges from a manhole (Wanda’s “no” utterance was damn powerful), it’s clear that SWORD is trying to reach her, but she shuts it all out — for the time being. The acronym stands for the Sentient Weapon Observation and Response Division, and WandaVision will bring the organization into live action, but it sources from the comics and relates to The X-Men, so maybe we’ll see some Magneto references and/or other mutant action after all. SWORD is likely where Monica Rambeau (Teyonah Parris) — who will play the grown version of Captain Marvel‘s Monica Rambeau, who might become Captain Marvel one day — will come into play in the series. It might also have something to do with Randall Park’s FBI Agent (from Ant-Man and the Wasp), Jimmy Woo, who will also surface in the show.

Disney+/Marvel Studios

All of the HYDRA and SWORD references drop plenty of hints on where this show might go, and overall (and in spite of those very long credits), it’s a promising start to Disney+’s first MCU TV series and Phase Four. Damn, it’s cool to see some fresh live-action Marvel Studios content again.

‘WandaVision’ will stream new episodes each Friday.

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Pusha T And Vince Staples Kick Off Their 2021 Campaigns Beside Divine On ‘Jungle Mantra’

After. a fairly quiet 2020, fans are hoping things will be much different for Pusha T and Vince Staples. Both haven’t revealed anything concrete in terms of a 2021 album, but the hope is both are hard at work in the booth. Despite this, the rappers’ latest guest verses provide a great beginning to the new year. They both brought their talents to Indian-born rapper and Mass Appeal signee Divine for their new collaboration, “Jungle Mantra.”

Vince Staples leads the way with a verse focused on making sure he gets to every dime that is meant to come his way. Divine then takes the middle verse with a string of bars delivered in Hindu before Pusha T closes it off by highlighting some of the differences between the poor and rich class in the world. The trio’s new track is set to appear in the upcoming Netflix film, White Tiger which debuts on the streaming platform next Friday, January 22. The film is based on the 2008 novel by Aravind Adiga and features direction from Ramin Bahrani.

Both Pusha T and Vince Staples’ last albums came in 2018. The former’s project was his Daytona release, which was centered in controversy and helped escalate tensions between him and Drake. Last year, he teased not one, not two, but three projects in the works with production from Madlib, The Neptunes, Kanye West, and Tyler The Creator spread out amongst them. As for Vince, his FM! album from 2018 was a rather concise project that was still met with positive reviews. It’s the hope that he too will make their returns to the music world in 2021 having laying low for the past year and a half.

Listen to “Divine Manta” in the video above.