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Disney+ Has Announced Its First Price Increase, And It’s Happening Soon

After announcing a virtual avalanche of new Star Wars and Marvel series coming to the platform over the next two years, Disney+ revealed that it will be raising its subscription prices for the first time since the streaming service launched in November 2019. However, the good news is that the price increase is relatively small, and still makes Disney+ considerably cheaper than competitors like Netflix and HBO Max. (Disney owns Hulu, so that doesn’t really count.) Via Gizmodo:

U.S. subscribers can expect their monthly fee to jump from $7 to $8 starting on March 26, 2021. Disney’s package deal with Disney+, ad-supported Hulu, and ESPN+ will also increase from $13 to $14 a month. It wasn’t immediately clear whether subscribers in other countries can expect future price hikes for either Disney+ or the Disney Bundle.

The price increase also arrives on the heels of Disney+ hitting 86.8 million subscribers as of December 2. The company previously reported that it had 73.1 million subscribers as of October 3, so that’s a 13 million increase that can most likely be traced to the season two premiere of The Mandalorian, which has been a massive hit for the burgeoning streaming service.

As for the value to subscribers, the price increase will happen just as Disney+ finally starts to offer Marvel series after the pandemic pushed back the premieres of WandaVision and The Falcon and the Winter Soldier. Those series will debut in January and March, respectively, with Tom Hiddleston’s Loki series following closely behind at an unspecified date. And judging by Disney’s numerous Investor Day announcements, the platform won’t be falling short on Marvel content anytime soon.

(Via Gizmodo)

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There are valid reasons for some infamous COVID-19 restrictions that don’t seem to make sense

Since the beginning of the pandemic, guidelines and restrictions and mandates have come at us in a dizzying fashion. Each state has done things differently, and in most states each county has its own approach as well. And while some of the mitigation measures make perfect sense, others seem questionable or downright silly.

Some criticisms are certainly legitimate. Allowing certain indoor gatherings while closing down outdoor park spaces, for example, is an approach that has been panned by prominent experts in epidemiology who rightly point out that outdoor spaces are safer. But that doesn’t mean that all measures that seem odd to us aren’t based in solid reasoning.

A nurse on Facebook offered a response to a post that’s been going around asking why certain measures have been put into place when the people who are charged with carrying them out don’t know how to explain them. Marking her answers to the points with two asterisks, the nurse explained why what might seem illogical from a lay perspective actually has solid grounding in virology expertise.


“This has been making its rounds, so we decided to provide some answers:

Me AT GROCERY STORE:

Why is there plastic on the payment keypad?

Cashier: to protect people from Covid.

Me : but isn’t everyone touching the plastic keypad the same way they would the regular keypad?🤦♀️🤷♀️

Cashier: no words. Confused look. 👀

**cashiers generally do not study virology, epidemiology or public health. This is the wrong person to ask.

Answer: less porous plastic coverings over key pads offer a surface that is more easily sanitized without risking damage to the mechanisms of the machine by harsh liquid chemicals. The plastic coverings are supposed to be wiped at close intervals of time to reduce the fomite transmission of virus.

Me : Why Dont you pack the grocery bags anymore?

Cashier : Because of covid 19 to reduce the spread of catching or spreading the virus.

Me : But a shelf packer took it out of a box and put on the shelf, a few customers might of picked it up and put back deciding they Dont want it, I put it in my cart then on the conveyer belt, YOU pick it up to scan it.. But putting it in a bag after you scan is risky??

Cashier : no words, confused look 👀

**cashiers generally do not study virology, epidemiology or public health. This is the wrong person to ask.

Answer: having no grocery bagger, an infection reduction strategy employed by many places does eliminate 1 person’s set of hands on the groceries, which is somewhat helpful, however the real reason to eliminate the bagger position is to reduce the risk to the cashier and the bagger. While customers move through the store quickly, reducing their exposure time, a checker and a bagger standing at close proximity for hours (even masked), increases employee exposure risk. This risk can translate to employee outbreaks, reducing the workforce for the company. Spreading employees out, or reducing the numbers of clustered employees prevents the spread of infection within a store’s workforce.

Me AT DRIVE-THRU

Server: (holds a tray out the window with a bag of food for logical friend to grab)

Me: why is my bag of food on a tray?

Server: so I don’t touch your food because of Covid.

Me: didn’t the cook touch my food? Didn’t the person wrapping my food touch it and then touch it again when placing it in my bag? Didn’t you touch the bag and put it on the tray? Didn’t you touch the tray? 🤦♀️🤷♀️

Server: no words. Confused look. 👀

**drive-thru servers generally do not study virology, epidemiology or public health. This is the wrong person to ask.

Answer: the food is touched by the cook, and then by the person who wraps and bags the food. The wrapper/bagger then places the food onto the servers tray, and the drive-through server only touches his/her tray instead of the bag, eliminating one set of hands on the bag for the customer, but more importantly eliminating the need for the server to touch anything other than their own tray for the day. This protects the amount of hand to hand contact the server has with others throughout the day as well as the recipient of the food.

Me in SOCIETY

Society ; If you cough or sneeze do it in your elbow or sleeve,

Also society : Dont shake hands or hug anyone or you will spread the virus..

To greet people do an elbow tap instead.

Me : Elbow tap 🤷♀️? Isn’t that where you tell people to sneeze or cough? into their elbow? Now you want people to tap each other with that elbow 🤦♀️

wouldn’t it be safer to sneeze into elbow and shake hands like we did before Covid 🤷♀️

**Answer: these 2 infection control measures are really supposed to be taken in separate. Hands are the primary germ spreaders, almost everyone understands that. When we cough or sneeze into our hands, and then touch other surfaces, we are likely to spread these germs and possibly make others ill. If you do have to cough or sneeze, using the inside aspect of your elbow, a surface that you are not likely to utilize in other activities is less likely to spread germs. However, if you are frequently coughing or sneezing into your elbow, you should not be in public greeting anyone at all, whether it’s with a handshake or an elbow bump. You should be at home, away from others.

Me AT RESTAURANT:

Hostess: ok, I can seat you at this table right here (4 feet away), but I will need you to wear a mask to the table.

Me: what happens when I get to the table?

Hostess: you can take off the mask.

Me: then it is safe over there?

Hostess: yes.

Me: are those fans blowing above the table? Is that the air-conditioning I feel? Is the air circulating in here?🤦♀️🤷♀️ Hostess: no words. Confused look.👀

**hostesses generally do not study virology, epidemiology or public health. This is the wrong person to ask.

Answer: wearing your mask while walking with the hostess to your table protects you, the hostess, and others who you may breathe, sneeze or cough on en route to your table. Once at your table you should be seated six feet or more away from other guests who are not part of your party. Your party should only consist of members of your own household who you routinely gather with unmasked. Air conditioning, ventilation and fans help disperse and recycle air that may contain virus evenly throughout the space, to be eventually filtered. While stagnant air sits for long periods of time with high concentrations of virus, well-circulated air allows diffusion of the virus into concentrations less likely to cause infection in individuals nearby. Since a certain concentration of virus uptake is needed to make someone ill, this is an effective mitigation strategy that is proven by studies showing less viral transmission among people in well-ventilated spaces.

SOCIETY : You are not allowed to stand and drink at the pub you have to sit down.

**Answer: same as the restaurant scenario. Standing around a bar in close proximity to people that are not from your household leads to the spread of the virus into other households who then spread it to each other. Preventing the mingling of households is the object here. ETA: having patrons sit, also protects the bartender & other staff from being surrounded by a wall of unmasked customers.

But at the shopping centre you are not allowed to sit down, all the chairs are roped off.

**Answer: shopping for essentials should be limited to getting what you need in the quickest period of time reasonable. Eliminating the option to linger in public by eliminating seating areas reduces the amount of people in a single area at a time which reduces transmission.

Who thinks this stuff up?

**Answer: Virologists who study the makeup and behavior of viruses, epidemiologists who study the infectious behavior of pathogens, and public health officials who study public behavior and modification strategies as they pertain to health and safety.

Life is hard for logical people right now. We are being raised without the ability to process and execute logic 💯

**Life is hard for everyone right now, but a lot of us are making it harder by assuming that “logic” is the same as expertise. 💯

While it’s not a bad idea to ask questions about what we’re being asked to do, it’s a good idea to actually ask people who have the ability to answer those questions from a place of knowledge and experience. Simply saying “it doesn’t make sense” doesn’t mean that it doesn’t, and we’d all be better served if we posed our questions to those qualified to answer them.

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Brandon Bernard’s senseless execution shows just how wrong the federal death penalty really is

Brandon Bernard, 40, was executed at 9:27 pm Thursday night at the federal prison in Terre Haute, Indiana for a crime he committed when he was 18.

“I’m sorry,” Brandon Bernard said, opening his three-minute speech that would amount to his final words.”That’s the only words I can say that completely capture how I feel now and how I felt that day.”

In 1999, Christian Vialva and three teen boys car-jacked Todd and Stacie Bagley in Killeen, Texas. The Bagley’s were thrown in the trunk of their car and both were shot in the head. Bernard was not present for the abduction but was tasked with setting the car on fire to destroy the evidence.

Bernard believed that both of the Bagley’s were dead, but Stacie was still alive in the trunk when Bernard set the car ablaze.

Vialva was executed for his involvement in the crime in September.


The Supreme Court Thursday night declined to intervene in Bernard’s case. Although three justices, Sonia Sotomayor, Elena Kagan, and Stephen Breyer said they would have granted the application to stay the execution. Five of the jurors in the original case have since changed their minds saying that they want his sentence commuted.

The trial became a cause celeb when Kim Kardashian West, daughter of famed attorney Robert Kardashian, advocated on Bernard’s behalf on Twitter.

Bernard clearly was a participant in a brutal act of violence and terror. But he was a teenager at the time and his involvement in Stacie’s death was unintentional.

Bernard’s death was completely avoidable because there had been a 17-year moratorium on federal executions until U.S. Attorney General Bill Barr reinstated them last July.

Barr said in a 2019 statement that “we owe it to the victims and their families to carry forward the sentence imposed by our justice system.”

Since there have been nine federal executions and four more are scheduled to take place before Trump leaves office on January 20.

Trump has been completely silent on all of the executions.

According to a former Trump senior staffer, he has no problem with using the most brutal form of state power on American citizens. “If it were up to him, we would return to the old days where it was eye-for-an-eye, tooth-for-a-tooth — or we would forget about proportionality altogether,” the former official told The Daily Beast in July. “He would talk about lining up drug dealers and gang members in front of a firing squad.”

via Tommy Woodard / Flickr

The administration’s decision to go forward with the executions is also a break from historical norms. The federal executions are the first to have occurred during a lame-duck presidency in 130 years.

The state-sponsored killings are also completely arbitrary being that when Joe Biden takes office he vows to end them. Biden “opposes the death penalty now and in the future,” press secretary TJ Ducklo said.

While it’s easy to come to the conclusion that some acts perpetrated by humans are so heinous they should be punishable by death, capital punishment makes a very damning statement about the state that wields it and its citizens.

It’s a statement that some humans are irredeemable and cannot be forgiven. It says that our criminal justice system is ultimately about punishment, not reform. It says the only way to enact justice for some victims is through violence.

The death penalty tells people that murder is wrong unless it’s carried out by the state.

Ultimately, as long as the criminal justice system is administered by humans it will be fallible. It’s proven to be racist and there are over 170 cases of people being sentenced to death for crimes they didn’t commit since 1973. According to the ACLU, it isn’t even an effective crime deterrent.

Why should American citizens continue to empower such an unreliable system make the ultimate judgment on a person’s life?

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Guapdad 4000 Is A ‘Permit Patrick’ In His Hilarious ‘Alpha’ Remix Video

Oakland rapper Guapdad 4000 has developed a reputation for being one of the funniest personalities in hip-hop — as befits his entry to the game via some truly hilarious social media clips. Between his social media and clever music video treatments, every Guapdad release is guaranteed to be a side-splitting experience and his latest video is no exception. Remixing his new single “Alpha” with Flint, Michigan rapper Bfb Da Packman (who you’ve probably seen in his own gut-busting “Northside Ghetto Soulja” video), Guapdad turns into an eye-popping performance as “Permit Patrick,” a riff on the recent phenomenon of “Karens” running rampant.

As the two rappers throw a truly ridiculous party for their latest video shoot, Guapdad — in full “whiteface” as a busybody suburbanite — interrupts the festivities to demand some paperwork. Considering how many of his videos involve him trying to “finam” his way into a video shoot, it’s a smart departure that continues his gift for giggle-inducing sight gags and improvisational humor.

Thanks to “Alpha,” Guapdad is ending his year on a high note after raising his profile considerably with his Falcon Fridays releases and Rona Raps Instagram videos. Along with the hysterical video for “Lil Scammer That Could” featuring Denzel Curry, his star turn on the Dreamville Revenge Of The Dreamers III compilation (including the video for “Don’t Hit Me Right Now“), and the Platinum Falcon Tape and Platinum Falcon Returns EPs, the Scamboy is heating up heading into the new year.

Watch the “Alpha” remix video above.

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Bruce Springsteen Has The Perfect Reason For Why He’s Never Recorded A Christmas Album

Bruce Springsteen started releasing music in the early ’70s, so you’d think that at some point between then and now, he would have recorded a Christmas album, as many artists do. That’s actually not the case, though, as Springsteen doesn’t have a single holiday collection to his name. During a new Tonight Show interview, he gave a rock-solid reason for why he hasn’t made one.

During his chat with Jimmy Fallon, Springsteen was asked if he has ever thought about recording a full holiday album, and he explained why, although he has had interest in the idea, it hasn’t happened yet:

“I’ve tried to… we did some big Christmas shows in Asbury Park for a while and I tried to piece together something from those shows, but I didn’t really have… we’d have to go in the studio. The thing is, you only want to do it around Christmas time, but you don’t want to do it then either, because it’s around Christmas time and you don’t feel like working. Then Christmas time goes away and you gotta do it in the summertime when you just don’t feel like it. So, we haven’t gotten around to it. Maybe one of these days.”

Springsteen has a few holiday songs he’s recorded in studio, though. For the 1987 compilation album A Very Special Christmas, he contributed a rendition of “Merry Christmas Baby.” He also released a cover of “Santa Claus Is Comin’ To Town” as a single in 1985.

Watch clips from Springsteen and Fallon’s chat above and below.

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Tom Cruise’s White Chocolate Coconut Cake Is Apparently The Most Coveted Holiday Gift In Hollywood

It’s the week before Christmas. You hear a knock on the door. “UPS.” You think, “Oh good, the socks I bought for Dad are here.” You open the door. It’s not socks. It’s a white box with a lovely and expensive-looking bow around it. You read the note attached it. “Warmest wishes to you this Holiday Season.” It’s signed, “Tom Cruise.” You open it, expecting to see a prank gift from your friends, like a copy of Jerry Maguire on VHS. Nope. It’s a cake, and it’s actually from Tom Cruise. This is a reality for the lucky few who are gifted a dessert from the Mission: Impossible star around the holidays.

But not just any dessert!

“It has become one of those odd Hollywood pastimes: Celebrities and industry people contemplating who’s on Tom Cruise’s holiday list and who’s received the special holiday cake that he’s become known for,” the Mercury News reported, adding that the actor prefers to send “a white chocolate coconut Bundt cake made by Doan’s Bakery in Woodland Hills.” Recipients include Interview with a Vampire co-star Kirsten Dunst (“It’s the best coconut cake I’ve ever had in my life”), Mission: Impossible – Fallout‘s Henry Cavill (“It’s the most luxurious, unhealthy cake”), and The Rosie O’Donnell Show host Rosie O’Donnell, who wrote on Instagram, “Christmas is here when tommy’s gift shows up.” Basically anyone who’s interacted with Tom Cruise ever.

A few have even shared their bounty on social media.

It appears Karmel, the co-head writer for The Late Late Show is on Cruise’s cake list, because the actor poured liquor into his mouth once? Look, I don’t ask for much, but Tom Cruise, if you’re reading this, please send me a cake. I feel the need… the need for cake. (If you send me a cake, I promise to never make that joke again.)

(Via the Mercury News and US magazine)

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Chiney Ogwumike Wants To Show The ‘Rising Generation’ What Is Possible

It’s hard to define what Chiney Ogwumike does for a living.

Though she took a step back from the WNBA this season, the former No. 1 overall pick in the draft now hosts a daily, nationally syndicated ESPN Radio show in addition to a podcast with the legendary Lisa Leslie. Ogwumike is also a vice president on the executive committee of the WNBA players’ association, where she serves alongside her sister, Nneka. Add in multiple brand partnerships and her work with NBA Africa, and the 28-year-old, two-time WNBA All-Star is one of the busiest people in sports, with a profile that is only growing.

As a result, Ogwumike sees everyone from Leslie and Oprah Winfrey as mentors and idols, but even women like former Secretary of State Condoleezza Rice and Teen Vogue Editor-in-Chief Elaine Welteroth, a wide range of people indicative of Ogwumike’s already dynamic talents as well as where she sees herself going next.

Ogwumike spoke with Dime about her radio show, Chiney & Golic Jr., showing what’s possible for Black female athletes in the sports industry, and the new conqHer campaign in partnership with Eastbay, adidas, and Foot Locker, which promotes the brands’ female sponsors’ efforts on and off the court.

We last had a conversation when you were starting up the Certified Buckets show with Spotify, and now you’re a national ESPN radio host and really spreading your wings into all sorts of different sponsorships and content opportunities. Can you tell me what the last year or so has been like for you?

I guess you could say trusting myself and trusting you know, a more authentic vision. I think this year I’ve been allowed to be authentically myself, which I am grateful for, and I think we’re starting to move towards being a world that sees value in one another, despite all the challenges we’ve been going through. So this last year has been transformational, honestly, where I’ve felt I’ve been able to be seen, be heard in a unique way.

And obviously the the conqHER campaign is kind of about sharing that story and highlighting your career and your values. So, what excites you the most about the campaign and working with adidas and Eastbay on it?

I think you cannot be what you cannot see. And this conqHER campaign is all about pushing representation and telling the stories of those who we may look past, right? And I think for me, I’ve been grinding, and there’s a whole generation of people, the rising generation, that is capable of more and capable of doing a lot at the same time, balancing work and your passions and your activism, all in one place, one home. And I think that’s it, like, you know, just finding our voices and allowing platforms to share our stories in an authentic way. I think that’s that’s pretty much the essence of what makes us different as a generation and I think we’re starting to now celebrate each other for our differences and seeing them as a collective strength instead of pointing out the differences and seeing them as weaknesses.

That’s my thing, collaboration, this year, just working together in solidarity, whether it’s the WNBA with the collaboration to tell the stories of athletes at ESPN, or just, you know, staying true to what your vision is in a year where so much has happened and so much has been tried and tested that that’s really been the differentiating factor, for me at least to help the transformation, where at least I feel like I can be me.

To pivot to the radio show as well because it is an example of that I think in terms of what I’ve listened to and whatever you guys definitely put together a unique show that, that’s very authentic to yourselves. What does that experience been like? I read a lot of the interviews you did going in where you kind of, I mean, you said things similar to what you’re telling me now which is to kind of take it a day at a time, day by day and roll with the punches a little bit. So now that you’re a few months in, what has that experience been like and what are you most proud of from the show you’ve put together?

It’s so cool to be part of something that’s different. It’s something that is literally straight from locker rooms. I am currently in a locker with the WNBA, I’m tied to a lot of the NBA family, and just now like our worlds verge so much. Even on the WNBPA, the variety of players we have there, and then we get cross-collaboration from someone like Megan Rapinoe or we get cosigned and we field notes from Hilary Knight of the NWHL, so like that to me is sort of the hidden gem of this show, just by having a seat and having a mic, now we can turn up the volume and the voices and amplify the voices of people that I just interact with that may not be in the normal purview of what sports talk radio is, right?

Like bringing on my sister, bringing on my mentor, Lisa Leslie, bringing on my coach, Derek Fisher. While these are day to day reality for me, it really provides a unique perspective. And I think it’s like super relatable. It’s just funny, Golic Jr. and I are pretty much the same person but like a complete opposite body. He plays football, he’s the offensive lineman. I’m the basketball player in the WNBA, but we sort of share the same energy that I think is a part of the movement that we see happening with our rising generation, where we keep it real.

We also try to know our facts and stay educated. He’s from Notre Dame, I’m from Stanford. And then we lean into our connections, and that sort of is a different state for us to operate in in the typical sports landscape, which is kind of really cool. So, I think, on the day to day, like getting to be a fan of football, coming from Texas, where it’s been a part of our culture and then now to step back into it, and to play fantasy football and become one of those obsessed people but also give my perspective.

I guess stepping into the role where people didn’t know who I was, didn’t know my background, now, it’s cool because people are getting to know me because I am an athlete and being an athlete is more synonymous with each other than it is with sports. I can relate to something that I see on the football field because I know what a struggle is like. I can relate to what’s happening in the WNBA, because I literally was on the bench with a number of other players, a couple weeks ago. There’s so many synergies that are happening that remove the barriers to sport. Even (being) a woman sitting and talking as a sports talk host, like, that’s a barrier removed. Having a WNBA player, that’s a barrier removed. Having two people that are under 30 or around 30 years old, that’s a barrier removed. I think that’s the cool thing about our show, Chiney & Golic Jr., is that we bring that fresh, energetic yet educated perspective that I think hopefully people will see.

A lot of what I’ve heard from people in my field, reporters, journalists, who end up on TV for one reason or another, they say that it always kind of brings an added spotlight and I’m sure that you found that as well you were just talking about you know maybe not everybody necessarily knew you before but I’m sure you’ve heard from a lot of people since. Have you heard from women are athletes that are you know in women’s sports, to tell you what it means to them to see you on the show or to have you talking about their sport or their league, have you kind of had any of those connections?

It’s funny because I guess one of the first things that we were faced to talk about was the Washington Football Team and culture. You know, what was happening with the women in the workplace, especially in that front office, but then also the struggles they’ve had on the field, and the intersection of society and sports and workplace.

And I’ll never forget, we brought on Jason Wright, who is the first Black president in the NFL. Amazing dude who I’ve gotten to know, on a couple different instances as well. You feel like, wow, they’re moving in a great direction but also just knowing that with his hire there were a number of other hires that even trickle down to their (Senior) Social Media Manager, Astasia (Williams). Just by being a woman in the seat, I was not stopping at the headline, and I just sort of like, “Oh, it’s cool, these other women have been brought into the front office as well,” pushing diversity, inclusion and just dope people doing their jobs. And then immediately, like right when I said that, Astasia, (who) a lot of people know in the industry, snagged that, reposted it … and ever since then we’ve been like social media buddies.

It’s just it’s funny because to me, to be seen and heard and acknowledged was something that I never thought would happen, just because it doesn’t happen often in the industry to people that look like me or people that I represent. It’s just one of those uphill battles where like you got to work twice as hard to get half as far. And so just because I see those lenses differently, it just felt good because my position by being a radio host, felt like ESPN and Disney, they see me, they see my work, they see my value, they see my perspective is valid. And for me to be able to do that for someone else to actually feel seen, like that to me was super dope.

One of the things that I think was, I guess, more profound was after we lost John Thompson, the legendary coach, I called my uncle Dikembe (Mutombo) and (asked) him if he could come on to talk about what coach Thompson, because he coached him at Georgetown, what he meant to him. And that’s the first time Dikembe spoke that day. I researched and saw story about how he, coach Thompson, sent him a one way ticket back to the Congo, because he was late for one class or something. When I asked him about that story he started laughing, and he’s like, “Chiney, I forgot about that. And you were able to help me smile.” It’s not just for the women that I champion in the WNBA or just women that are grinding in the industry. It’s for my family that is a global family.

To circle back to the conqHER campaign, I’m just wondering what you make of the way that the leisure industry or just sports in general has kind of opened itself up to fans that are younger girls, fans that are women by including people like yourself in the conversation day to day. What do you make of those changes and do you feel optimistic about it?

Every product or campaign, there are champions that are pushing for that visibility. And I want the young girls, or the young boys, that are seeing these changes to know that there are people fighting for their opportunities, and I consider myself one of those fighters. I think a lot of times, the hardest thing growing up is knowing that you may not be seen or heard, or, or your contributions may not, or your dreams may not seem valid just because of the backgrounds, you know the environment you may be in at that time or, you know, the challenges you present. I just think that everyone, the next generation should know that there’s a whole group of fighters out there that are pushing for that. And I think as women inherently that’s just what we know we have to do. And I think that’s what you see in this conqHER campaign, and I’ve said it before, as women for so long, we had to be so competitive getting to that one seat in the room. And when you get there, it’s pretty lonely, and then you have to stay there. But I think we’ve realized in our past is that we have to work together to demand more seats. And it’s not just for women, it’s for everyone.

It’s been my personal mission to let that generation know that we are fighting to make things better for all of us, so that everyone has equal opportunities for success. And I think that’s just one of those things that has been really cool to show through Eastbay, the idea that more voices need to be heard, more people need to be included. We need to be more authentic to ourselves as not just asking but for individuals to push to use our platform for positive change.

It’s funny, there’s a narrative out there that if you’re an athlete to be the greatest, you have to only do that one thing and do it as well as you can. As women, we defy that, because we’re naturally multitaskers. As the next generation, we realize that we have more contributions than people have just put us in a box for. So, this is really cool to, to actually see myself the way I want to be seen, hear myself the way I want to be heard, and I saw that reflected here.

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The Best New Hip-Hop This Week

We’ve officially entered the homestretch of 2020 and before everything winds down for the holidays, a few artists have some things to share.

One of those things is something old made new again. Chance The Rapper and Jeremih are finally putting their holiday collaboration Merry Christmas Lil’ Mama, on streaming services after fan cries to do so for the past four years. Meanwhile, Kid Cudi is offering another addition to his star-making Man On The Moon series, while Kamaiyah is letting go of her third project this year. But the project many hip-hop fans will have their eyes on is the debut album from Kentucky upstart Jack Harlow, whose “What’s Poppin” came from nowhere to dominate the charts earlier this year. He’s got a lot to prove, but after sharing the tracklist, many fans are already on his side.

Here is the best of hip-hop this week ending December 11, 2020.

Albums

Bia – For Certain

Bia

Debuting on the Sisterhood Of Hip Hop reality show over five years ago, Massachusetts rapper Bia has had a climb to get here. Her debut album comes on the heels of the Rihanna-approved “Best On Earth” with Russ and the Lil-Durk-featuring “Same Hands.”

Boldy James – Real Bad Boldy

Boldy James

Boldy James has been on a tear. After dropping The Versace Tape and The Price Of Tea In China earlier this year, the Griselda Records ethos apparently demands he release one more full-length to meet quota.

FXXXXY – Do You Trust Me?

FXXXXY

A relative newcomer from Dallas, FXXXXY’s latest is, unfortunately, his last. The posthumous album, which features Gunna and Lil Durk, is being released after the up-and-coming 25-year-old died after a routine medical procedure.

Jack Harlow – That’s What They All Say

Jack Harlow

“What’s Poppin’,” indeed. Grammy nominated and XXL Freshman certified, Harlow is having one hell of a year. It looks like he couldn’t let the ball drop on December 31 without having just one more reason to celebrate — a reason that features Big Sean, Bryson Tiller, Lil Baby, and more.

Kamaiyah – No Explanations

Kamaiyah

Kamaiyah’s 2020 run is nothing less than a testament to how far independent hustle can take an artist. After being shelved by the majors in the wake of her explosive introduction to the scene, Yaya’s spent the last 12 months proving them wrong. It looks like she’s owed many apologies.

Kid Cudi – Man On The Moon III: The Chosen

Kid Cudi

The accelerated rollout for this album may well be justified by its reception. Only an artist of Kid Cudi’s stature could get away with announcing a project the week of its release — although he’s been bread crumbing hints throughout the year, while collaborating with Eminem and Travis Scott.

Lakeyah — Time’s Up

Lakeyah

New to Quality Control, this Milwaukee-based artist swings from street R&B to strip club-ready rap at a whim, declaring herself a “Female Goat” on tracks with City Girls and 42 Dugg.

Lil Loaded – Crip Tape

Lil Loaded

Fresh out of jail on murder charges and rocking an ankle monitor for the release of his second mixtape this year, Dallas rapper Lil Loaded seems like a supernova waiting to explode. Crip Tape is a musical summation of the traumatized mentality that got him here.

LNDN Drgs – Burnout 4

LNDN Drugs

Jay Worthy and Sean House reunite for another off-kilter gangsta rap ride. With beats right out of an episode of Miami Vice and Worthy’s witty, laid-back raps setting the tone, this is perfect trunk hop for cruising the streets at night.

Mulatto – Queen Of Da Souf (Deluxe)

Mulatto

Big Latto’s reissue couldn’t come at a better time. As controversy from her name boiled over thanks to a game I like to call Clubhouse Twitterphone, returning focus to her excellent debut can only help make a case for giving her a real chance to make good on her promise to rebrand.

Pressa – Gardner Express

Pressa

Canadian rapper Pressa isn’t a household name in the states yet, but he’s making inroads thanks to high-profile cosigns from the likes of Flipp Dinero, Jackboy, and drill stalwarts Sheff G and Sleepy Hallow.

Sally Sossa – Life Of Sossa

Sally Sossa

Hailing from Houston, Sossa’s debut features Lil Durk on “Star Song” with rumbling beats and fiery raps detailing her struggle and rise — and the stardom she knows is her due.

Singles/Videos

Courtney Bell – “Dear Rap Negus”

Detroit newcomer Bell fuses the vibes of J. Cole’s Dreamville cohort with Nipsey Hussle’s elevated mindstate with a healthy helping of Motor City attitude.

Fredo Bang – “Big Steppa” feat. Sada Baby

Baton Rouge rapper Fredo shows off some strong chemistry with Detroit’s rising star Sada Baby on this menacing banger.

Frsh Waters – “OTW”

The first of two Pivot Gang bangers to drop this week, “OTW” plays with trap drums to get reflective with Frsh’s rapid-fire flow.

Jahmed – “Fantano Freestyle”

Celebrating his cosign from the Melon, the Inland Empire gloats “People worship me like a god.”

Joseph Chilliams – “Wishlist” feat. Sen Morimoto

The second Pivot Gang release of the week is a lighthearted love song that stands in stark contrast to the street stomping “OTW.”

Kojey Radical – ”Good”

British rapper Kojey Radical brings good vibes on this midtempo thumper.

Marlon Craft – “Grateful”

Rhyming like a twenty-year vet, the New York rapper sounds borderline boastful as he gives thanks for the love and roadblocks that have defined his journey.

Nyck Caution – “Product of My Environment” feat. Kota The Friend and Erick The Architect

Beast Coast compatriots Caution and Erick invite Brooklyn countryman Kota to deliver nostalgic rhymes over a beat straight from the ’90s like the rappers themselves.

Problem – “Life Lessons”

Introspective and lyrical, “Life Lessons” finds the Compton rapper contemplating his come up.

Saucy Santana – “Workin’”

A strip-club anthem from one of the most intriguing voices rising through the game’s ranks today.

TruCarr – “Up Wit It” feat. Bankroll Freddie

Watts rapper TruCarr and Arkansas’ Bankroll Freddie are generating quite a buzz with their boastful collaboration, which features on TruCarr’s upcoming debut project Based On A Tru Story.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Tyler The Creator Loves Donald Glover’s ‘3.15.20’ But Hates The Way He Released It

Tyler The Creator only sporadically uses Twitter for more than quick bursts of project promo but when he does, it always turns out to be insightful or hilarious (sometimes both). Today, he popped on to share some of his favorite songs of 2020, which include Buju Banton’s “Cherry Pie,” Sault’s “Little Boy,” and Childish Gambino‘s “24.19.”

When a fan followed up to agree with Tyler’s assessment of Gambino’s track and lament that the album it came from, 3.15.20, didn’t get more attention from the public, Tyler explained his rationale for its lukewarm reception. “Cause he tried to be all secret and cryptic like a dickf*ck,” he opined. The result, he says, is “people missed out on some really cool sh*t, to me at least.”

He also wound up giving some insight into other faves. “Cherry Pie,” which features Tyler’s longtime hero and inspiration Pharrell, made the list because “P hasn’t hit vocal runs like that in yearsssssss. As a fan, it was like seeing MJ moonwalk again after years of not doing it.”

However, when one fan nitpicked his eclectic list, Tyler was quick to set them straight. “I’m confused, these are MY picks, that I like,” he reminded the out-of-pocket commenter. “You don’t need to know anything.” To another fan who seemed confused by Tyler’s tweet format — which, tbh, was a little bit messy for the uninitiated — he quipped, “It’s not ‘codes’ because you aren’t familiar, they’re right there with titles. Make yourself familiar.” Good advice for the peanut gallery and really, for anyone who considers themselves a music fan.

There’s a lot of great stuff out there and as Tyler says, being open-minded is the key to staying well-informed and catching some “really cool sh*t” — such as Tyler’s recent collab with Compton House-Hop star Channel Tres, “Fuego.” Check it out.

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Thundergong! Went Virtual In 2020 To Advocate For People With Disabilities

Over the last year, people have found unique ways to support the organizations they love even if they can’t do so in person. On November 14, musicians and artists from across the U.S. gathered together for a virtual benefit, Thundergong!, celebrating the Kansas City-based nonprofit Steps of Faith, which works to provide prosthetic limbs to people who need them, since the cost is often prohibitive, especially since insurance might not cover some or even all of their cost.

The online format was a change for Thundergong!, an annual event that usually thrives on in-person collaboration. Each year, actor and comedian Jason Sudeikis travels back to his native Kansas City to host the music- and comedy-filled celebration in front of a live audience with a variety of special guests. Sudeikis made the trek again this year, although the experience was far different: He filmed interstitial bits in an empty theater live to tape, bouncing comedic ideas and jokes off a small musical crew and his long-time friend, Steps of Faith’s executive director, Billy Brimblecom.

Sudeikis and Brimblecom always work in tandem to ensure Thundergong! succeeds, although sequencing and scheduling a virtual event did pose logistical challenges this year. “I’ve come the closest to producing a TV show, but not a live TV show. You know, I’ve worked on one, SNL, but I didn’t produce that thing. Lorne [Michaels] doesn’t need my help — yet,” Sudeikis says lightly. “And so it was really about running order, and how much time do we really need and want this to be, thinking of people at home and empathizing with them.”

The pair’s attention to detail certainly paid off, as Thundergong! came off without a hitch. Ben Harper performed his song “Please Me Like You Want To” and a cover of Bob Marley’s “High Tide” as a stripped-down duet with Jack Johnson. Lyle Lovett turned in an understated “Natural Forces,” while Nathaniel Rateliff turned into a pair of songs, including a lovely “All Or Nothing” on acoustic guitar. Huddled around a crackling campfire, Brandi Carlile also performed two tunes, her own “The Eye” and a stunning cover of The Rolling Stones’ “Wild Horses.”

A few acts chose to plug in, including Tom Morello, who contributed an electrified version of “On Your Own” filmed from a pre-lockdown show. The Get Up Kids raced through “The Advocate” from the familiar confines of Kansas City’s venerable indie rock club recordBar, while Fastball beamed in from elsewhere with a two-song set: “The Help Machine” and a jazzy take on their ’90s hit “The Way.”

That the benefit ran so smoothly also reflects also the decades-long friendship between Sudeikis and Brimblecom. The pair initially met years ago in an improv comedy class, and quickly bonded over humor and a shared outlook on life. Brimblecom was known as a talented drummer — in fact, he inspired Sudeikis to buy a drumkit instead of a car “much to my parents’ chagrin,” the actor laughs — and cheered on his friend’s ambitions. “His love of music really helped shift and expand my tastes,” Sudeikis says. “He was always very, very supportive of what I was doing. He always saw something more in me than maybe I could see at a specific time. It’s been really very moving.”

Sudeikis went on to spend a decade with Saturday Night Live and is currently starring in Ted Lasso. Brimblecom, meanwhile, parlayed his love of jazz and hard rock into stints with bands. In the ’90s, he was briefly in a Lawrence, Kansas, combo, Stick, that had a near-miss on a major label, and later co-founded Blackpool Lights with Get Up Kids guitarist Jim Suptic. In addition, he’s also been a touring drummer with synth-rock band theSTART and singer-songwriter Katie Herzig, and currently plays in a Yacht Rock-centered tribute act called Summer Breeze.

Drumming and music proved to be sustaining forces during a time when he was faced with some serious medical issues. In early 2005, a week after Blackpool Lights played their first show, Brimblecom discovered the periodic ankle pain he was experiencing was due to Ewing’s Sarcoma, a form of cancer. After beginning treatment — he recorded drum tracks for Blackpool Lights’ debut album during chemotherapy — it was determined that the best course of action to save his life was to amputate his left leg a bit above the knee.

By 2006, Brimblecom’s health had stabilized enough for him to get his first permanent prosthetic leg. However, like many people in his position, finances became an issue: His insurance at the time would only cover half the cost of the prosthetic, meaning he needed to raise $30,000 to cover the shortfall. In response, Sudeikis, his Blackpool Lights bandmates, and others threw a Thundergong!-like benefit at the recordBar that raised the needed funds. “And then the next day I said to my girlfriend, my wife now, ‘Wouldn’t it be cool if in a year we raised the money for somebody else who needs that?’” Brimblecom says. “Well, we didn’t do that. But I never forgot that.”

Fast forward to 2013. Brimblecom was by this point in Nashville and making a living as a musician, but realized his touring-heavy lifestyle was no longer ideal after he and his wife welcomed their first child. Luckily, fate intervened: At an appointment, Brimblecom’s prosthetist asked him to talk to another patient who was being fitted for his first prosthetic leg, as the specialist thought the musician’s success and insights would provide invaluable perspective.

“I talked to the guy for five minutes, and I could see the hope in his eyes,” Brimblecom says. “And it was incredible. I left that day and told [my wife] about it because I wished that could be my job. To be able to speak that language to that guy. Not like, ‘I can only imagine what you’re going through’ — it’s like, ‘I know what you’re going through, and I’m telling you you’re going to get better.’”

As it happens, this same prosthetist once again became a connector. He introduced Brimblecom to his boss, who had previously established a 501c3 to help patients without health insurance pay for needed prosthetics. After some productive conversations, Brimblecom became executive director of that nonprofit, which became known as Steps of Faith. Today, he admits there was a steep learning curve to the job, but the skills he learned via his music career — including a particularly strong ability to connect with other people and build friendships and relationships—prepared him well.

“Being in a band is a team sport,” Brimblecom says. “It’s a partnership, and you can’t do it alone. And I love to collaborate — and that’s really important. I was often the guy who was the tour manager before we could afford to pay somebody 100 bucks a week to be our tour manager. I was comfortable talking to people, with promoters or booking agents.

“When you do performing arts together, it can quickly foster really strong, intimate friendships, because you are putting your tail on the line together,” he adds. “Performing in front of an audience can feel dangerous and terrifying, and it can be really bonding.”

Appropriately, Steps of Faith currently has two other full-time employees in addition to Brimblecom, including one of his Blackpool Lights bandmates, Jim Suptic. The latter’s road to working at Steps of Faith was somewhat circuitous. He earned a geology degree during a period of Get Up Kids inactivity, but decided against a job in that field in favor of keeping his schedule flexible enough for music. However, a part-time gig helping out Steps of Faith eventually turned into a full-time gig — a position for which Suptic was well-suited, thanks to his existing relationship with Brimblecom and their shared musical background. 

”Being in a band with Billy and writing songs together, and that creative collaboration where you’re bouncing things off [each other] — sometimes a bad idea, you don’t take things personally. You can’t take criticism so personally, You learn that being an artist of anything. And we totally have translated that to this job. We’re really good collaborators.” Suptic also praises the caliber of people who’ve been brought into his world because of Steps of Faith. “A friend of mine always said that people find good people,” he says. “And I feel like that’s been very true with this job, with all the people who have been helping with Thundergong!, [and] just [being] getting connected with really cool and creative people in Kansas City area. It’s been awesome.”

The idea of community comes up in multiple interviews about Thundergong!, which is understandable. Not only do businesses in Kansas City support the benefit via sponsorships and promotion, but Thundergong! itself has a core group of comedians and musicians that consistently lends support. Sudeikis especially is moved by how willing people are to give. “When we ask for people to help — I mean, even people that we’ve asked that haven’t been able to pull it off, have always been like, ‘Oh, I love this idea. You know, maybe next year, you know, let me know, next year.’”

One repeat performer is a Kansas City-based musician, Madisen Ward, who at the 2020 Thundergong performed a cover of The Five Stairsteps’ “O-o-h Child” with Sudeikis. Ward usually records and performs incisive folk with his mother under the name Madisen Ward and the Mama Bear, although due to the events of 2020, the pair are being careful to social distance. However, this summer, Ward improvised a local tour of backyards with some musician friends that provided some joy and solace during a fraught time. “You could tell people just wanted to hear anything,” he says. “You could play the wrong note, and it’s like, ‘Thank God — human connection.’”

Ward’s ingenuity — and recognizing the powerful connections that can be made with bold ideas — makes him a natural for Thundergong!. “I told someone recently, my mom and I have always been kind of more of a makeshift kind of band,” he says. “We’re just throwing stuff at the wall, and that’s what we’ve always done. We’re living in a makeshift time right now. Everything right now going on may shift. It’s just, ‘How am I going to either endure or adapt, recalibrate? How am I going to figure out how this business is going to go forward?’ And some people are coming up with some incredible ideas.”

In fact, Thundergong!’s spirit of experimentation and creativity wasn’t diminished at all in 2020. Just ask actor-comedian Will Forte, who checked in from New Zealand — he was there working on a Netflix show, Sweet Tooth — with an elaborate song parody of Patrick Swayze’s “She’s Like the Wind,” called “She Likes My Wind,” that he originally wrote for his fiancée. The video exudes cheesy, slo-mo ’80s music video vibes, as Forte poses and preens on a rocky beach while wearing a flowing white-blonde wig and an open shirt.

Forte was happy to contribute this clip. “It’s all basically a bunch of people supporting Billy, because Billy is the sweetest, most wonderful person,” he says about Thundergong!. “And he’s so passionate about this, and it makes you passionate about it, too. Then when you get there [to the event], and you meet some of the people who have been recipients of the Steps of Faith donations, and have been able to get prosthetics through the program, and you see how it changed their lives, then that just makes you double your efforts.”

The 2020 edition of Thundergong! ended with a late addition to the lineup, Foo Fighters, who filmed a typically fiery version of “The Walk” for the show. Prior to the band’s performance, Brimblecom and Sudeikis reminisced about their long-time Foos fandom — they once roadtripped to St. Louis for a gig — and how the band came to be at the benefit. Their easygoing rapport and conversation was charming, but it clearly meant a lot to have the band end the show.

As Brimblecom relayed in his interview, he once said in so many words to Sudeikis, the two of them working together to pool their resources and passion created an event that’s bigger than themselves.

“It’s a very profound thing, in this day and age, to celebrate the act of caring about people you may never meet,” Sudeikis says. “And it is a big line in the sand, I think, for the American experience. And this show walks on the side of, ‘We do that.’ And so when people care about something so much, they might willing to do even more work and do even more of this, and we go and we go bigger, and we go stronger.”

Donate to Steps of Faith here.