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Tasting Notes On A Line Of Whiskeys Made By A Wine Sommelier

Is there a best age for bourbon? 12 years is often cited as ideal. After that, things get pretty oaky. Fans of Eagle Rare 17 would beg to differ, of course, and super old expressions certainly have their (very rich) aficionados. Unaged whiskeys have made a comeback in recent years, too. As a baseline, bourbons must see at least two years in the cask, but four is more typical; whereas the catchall term “whiskey” has no minimum age.

Now Pinhook — a bespoke label with roots in New York and Kentucky — wants to expand the discussion of whiskey aging. And they’re doing it by bringing the wine term “vintage” into the conversation and releasing their core line on an annual basis. Pinhook’s philosophy is built on the notion that a group of barrels and grains will uniquely express themselves differently every year (much like grapes do). The company’s co-founder and master taster Sean Josephs, a certified wine sommelier, has a dream of shifting the conversation around vintages and whiskeys to make it “more similar to wine.” His process is rooted in the world of wine-making, with an emphasis on the journey from terroir to glass.

“In the wine world it’s so accepted that nature dictates the wine,” Josephs says. “Even though grapes and grains are very different things, it’s still a natural product shaped by nature.”

The overarching philosophy here is to let the spirit “be what it’s meant to be” without manipulating into something it’s not. That means that Pinhook’s expressions may be more floral one year and then more fruity or honey-laden the next. Where Pinhook differs from other whiskey brands is the approach to the blending and aging process — which carries a certain “not all who wander are lost” vibe.

“You don’t know what you’re trying to achieve,” he says. “You’re just trying to achieve the best thing.”

That’s a big shift from the approach of larger macro-brands, who start off with a flavor profile and ABV that they know they need to hit for consistency. Nothing is predetermined. This means that the same expressions from different vintages can vary greatly. To dive deeper into this approach to whiskey, we tested the Pinhook’s signature bourbons and ryes in the $38-$50 price range.

Bourbon War

The Whiskey:

Bourbon War is the first in Pinhook’s Vertical Series. In this series, the idea is to follow a group of barrels that are all the same age that all have the same mash bill and all filled within a span of months at Castle & Key Distillery in Kentucky.

“To me, it’s like the ultimate vintage opportunity because you’re able to taste this from ages four through twelve and really understand what one year of age does to the bourbon,” Josephs tells us. The expression is then proofed at what Josephs’ considers the ideal proof for each blend. For example, Pinhook’s four-year bourbon is at 98 proof. The next Bourbon War is the five-year 104 proof, which is being released this fall.

Tasting Notes:

The nose has a fruity aroma, particularly that of pineapple. With each sip, comes a palate of nutty notes and baking spices such as clove. It doesn’t have much of a lingering finish — however, that didn’t prevent us from going back for more.

Pick Bourbon War if: feefee

Bohemian Bourbon

The Whiskey:

The average age of Pinhook’s High Proof Bohemian Bourbon is just shy of three years old. Next year, Pinhook will have a mix of barrels to work with ranging from three-and-a-half to four-years-old to play with.

Tasting Notes:

Just like Bourbon War, the nose of this one is fruity, but more on the citrus side of the spectrum with tangerine and lemon standing out. The cocoa and toffee come together harmoniously on the palate. The lasting finish has just the right amount of heat.

Pick Bohemian Bourbon if: feefee

Rye’d On

The Whiskey:

Rye’d On was awarded Double Gold at this year’s San Francisco World Spirits Competition. The juice was sourced from MPG and has the standard 95 percent rye and five percent malted barley mash bill. But the distillery has thrown out any idea of what rye is “supposed” to taste like.

“Even at 95 percent rye, rye doesn’t want to be just one thing,” Josephs says. “It’s almost like people are shaping it to be that because rye is ‘supposed’ to be one thing.”

Tasting Notes:

Retailing at only $38, Rye’d On is right on with its palate, quality, and pricing. The cinnamon scent draws you in, while the cherry and toffee flavors keep you engaged. We’re thinking of ditching bourbon and replacing it with this brown-hued rye beauty when we make a Mint Julep. Hello, Rye Julep.

Pick Rye’d On if: feefee

Tiz Rye Time

The Whiskey:

The inaugural Vertical Rye series was launched just last month with the release of Tiz Rye Time. The series ties itself to young thoroughbred racehorses that grace the brand’s labels. This expression was released at a very specific 97 proof and blended from a selection of 150 bourbon barrels and 50 rye barrels.

Tasting Notes:

Another cinnamon nose, but this time with a hint of tangerine. Apricot, clove, and maple flavors come together for a palate that’s as irresistible as it is unforgettable. There’s a nice, subtle heat on the finish.

Pick Tiz Rye Time if: feefee

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Dua Lipa, Charli XCX, And Stormzy Lead The Nominations For The 2020 Mercury Prize

UK’s coveted Mercury Prize shines a spotlight on the year’s best album, according to a rotating cast of judges. While album rollouts in the past few months have been less than conventional due to the pandemic, Mercury Prize judges still hold releases to a high standard. The Mercury Prize announced its 2020 shortlist Thursday, and Charli XCX and Dua Lipa lead the nominations.

Dua Lipa made the shortlist for her disco-adjacent sophomore album Future Nostalgia while Charli XCX was nominated for How I’m Feeling Now, the album she produced in the span of two short months while in quarantine. Both of the singers took to Twitter to share their reactions to receiving a spot on the list.

In a statement, the Mercury Prize judges said the 2020 shortlist reflects the diversity and ambition in today’s music: “In these difficult and uncertain times the Hyundai Mercury Prize is proud to celebrate the remarkable power of music to inspire and exhilarate. The albums on the 2020 shortlist showcase a great diversity of sounds, styles, ambitions and experience. What these albums share is an irresistible urgency, a belief that their music matters more than ever.

Find the full Mercury Prize shortlist below.

Dua Lipa — Future Nostalgia
Charli XCX — How I’m Feeling Now
Laura Marling — Song For Our Daughter
Stormzy — Heavy Is The Head
Porridge Radio — Every Bad
Sports Team — Deep Down Happy
Kano — Hoodies All Summer
Anna Meredith — FIBS
Georgia — Seeking Thrills
Lanterns On The Lake — Spook The Herd
Moses Boyd — Dark Matter
Michael Kiwanuka — Kiwanuka

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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NLE Choppa Salutes The ‘Ruff Rydas’ On His ‘Road To Fast 9’ Mixtape Single

NLE Choppa‘s profile continues to rise as the “Shotta Flow” rapper lands another new placement sure to expose him to a humongous potential audience. Today, he released his contribution to the companion mixtape for the upcoming ninth installment in the Fast And Furious film franchise, “Ruff Rydas.” Employing a triumphant, Arthurian horn and flute loop and his usual hard-hitting Memphis trap drums, Choppa salutes the “ruff rydas” who “ride with pistols and them Glocks” while threatening the lives of anyone who challenges him. It’s stuff we’re used to hearing from him by now, but popping up on The Road To Fast 9 mixtape only hints at greater heights to come in his burgeoning career.

The Road To Fast 9 tape has already employed a number of other standout, up-and-coming stars on previous singles, such as Lil Skies (“Red & Yellow“), Kevin Gates and Tory Lanez, (“Convertible Burt“), and Youngboy Never Broke Again (“One Shot” featuring Lil Baby). The tape is intended as a bridge to the eventual release of the film itself, which has been pushed back a number of times due to coronavirus.

Press play on the lyrics video for NLE Choppa’s “Ruff Rydas” above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Xbox’s Series X Showcase Included A Trailer For The ‘Destiny 2: Beyond Light’ Expansion

Bungie’s Destiny 2 is getting a major expansion a little later this year. In a bit of previously-announced news, the hugely-popular first-person shooter game that originally came out in 2017 will receive its latest expansion on Nov. 10, one that is set to impact Destiny 2 across all platforms. One such platform is Xbox Series X, and on Thursday’s event showcase, gamers got some updates on what they can expect when Destiny 2: Beyond Light becomes available.

Microsoft and Bungie used to event to unveil a new gameplay trailer, one that called on those who play the game to pre-order and “receive instant in-game rewards.”

In a release, Xbox announced some specifics about this expansion, along with the news that Destiny 2: Beyond Light will be available for Xbox Game Pass and optimized for the new console, whenever it drops.

In addition to goodies like new weapons, gear, and activities, Destiny 2: Beyond Light will introduce a new location (Europa, an icy moon of Jupiter), a new subclass (Stasis, the first new elemental power since the original Destiny), and a new raid called Deep Stone Crypt.

The expansion was originally supposed to drop on Sept. 22, but needed to be pushed back. In addition to its release on both the current and upcoming Xbox consoles, Destiny 2: Beyond Light will be available for Microsoft Windows, PlayStations 4 and 5, and Google Stadia.

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‘Fable’ Was The Final Reveal At Microsoft’s Xbox Series X Event

Microsoft’s Xbox Series X game event showed off works from 10 of its console exclusive studios on Wednesday, with the biggest title being a first look at Halo Infinite. But we also got another look at an original Xbox game that had plenty of hype. The final thing Microsoft showed off at the end of the event was a whimsical-looking visual of a fairy bouncing around the screen before the reality set in: Playground Games is working on a new version of Fable.

The video showed that fairy frolic to a whimsical voiceover about “legendary heroes” and “stories” that’s abruptly ended by that fairy getting eaten by a bullfrog.

“Not all stories have happy endings,” the voice says. “But yours has yet to be written.

Fable was an action RPG that came out for the original Xbox in 2004. The concept was innovative, telling a story that let your decisions impact how your character’s story actually played out. The game has a devoted legion of fans and saw a sequel, but despite lofty goals for the series many were disappointed overall. Sequels have come out since the original, including 2017’s Fable Fortune, but a next-gen Fable will have plenty of people excited about the new Microsoft console.

We truly only got a brief glimpse in the presentation, and have no details about what gameplay will look like or how the game will actually look outside of cutscenes. But knowing a new Fable is on the way, for some, is already more than enough.

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Dads with leaf blowers join ‘Wall of Moms’ in Portland protests

After federal agents dressed in camouflage and with no way to identify them started whisking away Portland protesters in unmarked rental vehicles last weekend, many citizens decided enough was enough. The Department of Homeland Security Acting Secretary, Chad Wolf, has indicated that the feds have no plans to back down, and Portlanders are showing up in droves to express their displeasure.

Portland has never been a place where people do anything in expected ways, so it wasn’t all that surprising when a “Wall of Moms” wearing bike helmets and bright yellow shirts showed up arm-in-arm to shield protesters from the feds.

Not sure if anyone expected that wall to be followed up by a “Dads with Leaf Blowers.” Yet here we are.


Dads with leaf blowers slung over their shoulders, holding signs with messages such as “Fathers Against Fascism,” have joined the thousands of protesters who are now showing up in Portland nightly. Protests in Portland have continued for 50-some-odd days, with numbers increasing since the federal government agents arrived. Local and state government authorities have vehemently opposed the intervention/invasion of federal troops, who have used tear gas, flash bangs, and batons against protesters.

Not sure what the feds were expecting to happen, but according to Washington Post reporter Nick Miroff, a DHS official “expressed frustration and astonishment that Portland protesters were showing up with leaf blowers to disperse tear gas and send it right back at fed agents.”

There are some solutions here. Maybe the agents could just…not use tear gas on peaceful protesters?

And perhaps the feds should realize that “frustration and astonishment” is exactly what you should expect when you attack American citizens, especially in a city that inspired its own surreal-but-almost-real television show about the city’s culture. (Portlandia is fiction that skirts very close to the truth, despite how bizarre it may seem to people who’ve never been to Portland.)

So far, they’ve been met with a diverse crowd of demonstrators protesting racial injustice in addition to a naked woman, a badass Navy vet who took a beating without flinching, a “wall of moms” and now the “dads with leaf blowers.”

A protester who goes by the alias “Doug Smith” told Truthout that the leaf blowers are not necessarily meant to be effective against tear gas individually, but are more of a symbol of what the dads are doing there.

“Honestly, I think you’d need scores of leaf blowers with a phalanx of dads holding their ground under pretty perfect conditions to use them effectively in the dispersal of chemical agents,” he said. “But they are an iconic symbol of a tool dads use to clean up messes.”

So far, the protesters don’t appear to have plans to back away from this fight or to stop exercising their first amendment rights.

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All The Best New Hip-Hop Albums Coming Out This Week

The best new hip-hop albums coming out this week include projects from Boldy James, Curren$y, Flo Milli, Logic, Lupe Fiasco, Sada Baby, and The Kid Laroi. After last week’s releases only included a handful of intriguing new projects from longstanding vets, this week brings a balanced mix of newcomers and established presences, with something for every taste.

You may notice that this week’s list is missing one high-profile release that was promised: Kanye West’s Donda project, which the mercurial rapper claimed was coming during an emotional and seemingly improvised “campaign rally” in South Carolina. As with most Kanye projects, release dates are more like guidelines than hard targets, so we’ll just assume that the pattern will hold.

Meanwhile, we’ve got plenty of other engaging material to consume, including Logic’s potential final album, the debut EP from buzzing viral star Flo Milli, who’s been co-signed by everyone from Doja Cat to IDK to Lil Nas X, and the first project from Juice WRLD’s close collaborator and heir apparent, The Kid Laroi.

Here are all the best new hip-hop albums coming out this week.

Boldy James — Manger On McNichols

Boldy James

The Detroit hustler is only five months removed from The Price Of Tea In China, his February collaboration with The Alchemist, but surprised fans with another full-length project earlier this week. This one, produced in conjunction with fellow Motown resident and jazz composer Sterling Toles, was apparently in the works for a decade before its release, with Boldy recording the first verse for it back in 2007.

Currensy & Harry Fraud — The Out Runners

Currensy and Harry Fraud are like french fries and ketchup at this point; inextricably linked in most fans’ minds as an inseparable and reliable duo who nearly always offer a satisfying combination. This time around, they’ll be joined by Conway The Machine, Jim Jones, Rick Ross, and Wiz Khalifa for yet another consistent set of lush beats and luxurious rhymes.

Flo Milli — Ho, Why Is You Here [EP]

If you haven’t heard of Flo Milli, now is the time to get familiar. The Mobile, Alabama rapper was just 19 years old when she scored her first two megaviral singles, “Beef FloMix” and “In The Party,” helped along by monstrous levels of engagement on TikTok. The songs quickly migrated from the platform to the timelines of some of hip-hop’s most influential follows on Twitter and Instagram, with anticipation for a full project bubbling over. This is her chance to live up to the hype and join her heroes Cardi B and Nicki Minaj in the spotlight.

Logic — No Pressure

Touting No Pressure as both a return to his Under Pressure form and his final album before he retires to become a video game streaming full-time dad, Logic hopes to go out with a bang. While there are some who are undoubtedly glad to see him go, others have taken the opportunity to reminisce fondly on his past catalog, which could very well lead to a reappraisal in the near future.

Lupe Fiasco — House EP

Back in May, Florida-based producer Kaelin Ellis tagged Lupe Fiasco in a tweet containing a video of Ellis making a beat. That was all it took to set the wheels in motion for this collaborative project. Fiasco screen recorded the video, then uploaded his own after adding lyrics to the beat. When Ellis asked whether this could be a continued process, Lupe responded in the affirmative and the result is a five-song EP with a cover paying homage to Charles Mingus. Maybe Twitter isn’t all bad after all.

Sada Baby — Bartier Bounty 2

The Detroit jester caught rap fans off-guard last year when tracks like “Bloxk Party” unexpectedly made a star of the dancing, comedically-gifted newcomer. He’s since released a steady stream of loaded projects including the original Bartier Bounty and Skuba Sada 2, billing this latest project as his last before his official debut studio album (although it’s getting harder and harder these days to distinguish those from anything else).

The Kid Laroi — F*ck Love

At all of 16 years old, The Kid Laroi is likely one of the youngest up-and-coming stars on the emo-hip-hop scene today, benefitting hugely from the blessing of Juice WRLD on the late rapper’s posthumous album, Legends Never Die. He certainly reflects his benefactor’s sensibilities in his own music, which has landed him a contract with Grade A Productions and hit collaborations with fellow teen star Lil Tecca and Lil Tjay.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Kylie Minogue Makes Her Shimmering Return With The Dance Floor-Ready ‘Say Something’

Not only is Australian icon Kylie Minogue affectionately know as the “Princess of Pop,” but she’s also the highest-selling female Australian artist of all time and has been awarded a number of accolades. While she’s known for her disco-adjacent pop, the singer won’t let shuttered clubs keep her from sharing dancefloor-ready bangers. Kylie made a shimmering return Thursday with the effervescent lead single “Say Something,” which heralds her upcoming album Disco.

Disco impressively marks Kylie’s 15th studio record and follows her 2018 effort Golden, which rose to No. 1 in both Australia and the UK. With “Say Something,” Kylie continues her signature electro-pop sound while refining the single’s intricately-layered textures. The song was recorded with longtime-producer Biff Stannard, who is known for co-writing the Spice Girls hit “Wannabe.”

The single opens with diluted synths, which drop into a funky, bass-forward hook. While the song was written months ago, its message takes on a whole new meaning in light of the pandemic. Kylie sings of the ways in which love can cross all boundaries, even if the distance seems insurmountable. “We’re a million miles apart in a thousand ways / Love is love it never ends, can we all be as one again?” Kylie sings.

Listen to “Say Something” above.

Disco is out 11/6 via BMG. Pre-order it here.

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Mike Tyson Will Return To Boxing On September 12 Against Roy Jones Jr.

After 15 years away from the ring, 53-year-old boxing legend Mike Tyson is returning to the ring to face off against former four-division World Champion, Roy Jones Jr. The eight-round exhibition bout will take place on September 12 at 9 p.m. ET on pay-per-view and multi-media platform, Triller. The Tyson-Jones fight is expected to include bigger gloves and neither fighter will be going for knockouts, per Yahoo’s Kevin Iole.

The three-hour event will also include “significant undercard matches” as well as musical performances yet to be announced, per a release.

The fight, titled “Frontline Battle,” is the first event of a series produced under Mike Tyson’s Legends Only League, a sports venture owned by Tyson and Eros Innovations, which has partnered with Triller on all future boxing events. In the leadup to the bout, Triller will unveil a 10-part docuseries featuring behind-the-scenes, pre-fight footage, releasing two episodes per week.

Tyson, who started his boxing career more than 30 years ago, has shared a slew of training videos in recent months, including one in May where he concludes, “I’m back.” The youngest boxer to ever win the heavyweight title, Tyson held the title of Undisputed World Heavyweight Champion from 1987 to 1990 and was also the first heavyweight boxer to simultaneously hold the WBA, WBC, and IBF titles.

One of the most electrifying boxer of his generation will square off against Jones Jr., 51. In more than 30 years, Jones Jr. has also won numerous championships in the middleweight, super middleweight, light heavyweight and heavyweight divisions.

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It’s Self Pleasure Vs. Eternal Damnation In Karen Maine’s Promising Debut, ‘Yes, God, Yes’

Horny high schooler Alice (Natalia Dyer) is in the process of discovering masturbation, but her sex-demonizing Catholic school is determined to shame her for it. That more or less describes the entirety of Yes, God, Yes, writer/director Karen Maine’s 77-minute riff on jilling off at Jesus camp (hey, good title), a pleasant enough and consistently chuckle-worthy comedy while it lasts that could maybe use one or two more ingredients.

It’s 2001. Collective Soul rules the airwaves and high schoolers play snake on their ubiquitous Nokia brick phones. Alice is getting really into AOL chat rooms and kinda accidentally on purpose discovers that she likes touching herself, as one does. Which is a problem, because the priest who teaches her morality class (Timothy Simon, best known as Jonah from Veep) just told the whole class than anyone who has premarital sex or sexually pleasures themselves in any way that doesn’t lead to procreation is bound for eternal damnation. This after an analogy comparing men’s’ and women’s respective sexualities to a microwave and an old-timey oven (because women take a while to heat up and you have to get the dials just right).

Yes, they really laid it on thick in sex ed in those post-AIDs scare, mid-purity rings days in the late nineties and early aughts. Maine, making her directorial debut after co-writing the underground success abortion comedy Obvious Child, draws on her real-life experiences attending a weekend-long purity nature camp in the Midwest, a setting which makes up the bulk of her movie. It’s there that Alice meets her new crush, Chris (Wolfgang Novogratz), a hulking dopey football player whose hairy forearms make Alice strangely but undeniably horny — in sequences slightly reminiscent of Election or Eighth Grade.

Maine’s cast does a wonderful job more or less from top to bottom and pretty much all of Yes, God, Yes’s bits and riffs are well-structured and funny. The only-early-aughts-kids nostalgia is both its own reward at times and occasionally a nice spice that turns the comedy up a notch, such as in the scene set to “Shine” by Collective Soul. That song truly was inescapable.

The setting and content strongly evoke Lady Bird and Saved! (Maine does have wonderful taste in influences), but there is also the sense that Yes, God, Yes is set in 2001 not just because that year is personal to its creator, but because its major conflict (worrying about going to hell for masturbating) would feel quaint almost to the point of banality in 2020. When Alice eventually meets an unlikely mentor (a conventionally unconventional lesbian bar owner), the movie seems to treat the mentor’s glib advice as something profound.

Yes, God, Yes‘s lightness is both refreshing (again, only 77 minutes long) and ultimately a little unfulfilling. Natalia Dyer, who looks at times in the film like a skeptical sparrow, can convey a tremendous range of emotions just with her big blue eyes, though it’s hard not to wish her character arc wasn’t quite so obvious.

Yes, God, Yes does so many things right, in casting, acting, and joke structure, that it feels like a solid portfolio piece for most of the people involved. That it needed a little more complexity in its themes and characters makes it hard for me to wholeheartedly recommend as its own movie, but certainly makes an effective teaser for whatever Maine and this crew decide to do next with a little more time and budget.

‘Yes, God, Yes,’ releases July 24th in virtual cinemas and drive-ins, July 28th on digital and VOD. Vince Mancini is on Twitter. You can access his archive of reviews here.